Exhumed Films is resurrecting some beloved horror favorites from the 1970s and ’80s and projecting them onto the big screen at Alamo Drafthouse Yonkers, including Friday the 13th Part III, starring my original horror crush and maybe yours, too, Jason Voorhees! And also, we have release details for Escape Room, Paperbacks From Hell, Ghastlies, and Mountain Fever, as well as information on the new book Godzilla Faq.
Exhumed Films' Guilty Pleasures IV Marathon: Press Release: "Exhumed Films Presents: Guilty Pleasures IV--in 3-D!
Exhumed Films is pleased to return to the Alamo Drafthouse Yonkers to present the fourth edition of The Guilty Pleasures Marathon, our annual assault of cinematic insanity. For this year’s marathon, we present some of the greatest 3-D films of all time, projected from original 35mm prints using state of the art technology! The 1970’s and 1980’s saw a resurgence of three-dimensional movies, particularly in the realm of genre cinema.
Exhumed Films' Guilty Pleasures IV Marathon: Press Release: "Exhumed Films Presents: Guilty Pleasures IV--in 3-D!
Exhumed Films is pleased to return to the Alamo Drafthouse Yonkers to present the fourth edition of The Guilty Pleasures Marathon, our annual assault of cinematic insanity. For this year’s marathon, we present some of the greatest 3-D films of all time, projected from original 35mm prints using state of the art technology! The 1970’s and 1980’s saw a resurgence of three-dimensional movies, particularly in the realm of genre cinema.
- 8/15/2017
- by Tamika Jones
- DailyDead
Want to experience higher learning in horror? From September to December, Brooklyn's Morbid Anatomy Museum will host classes on horror presented by The Miskatonic Institute of Horror Studies. Classes will be instructed by some of the most renowned experts and artists of the genre, including Jack Ketchum (author of the seminal The Girl Next Door), Dennis Paoli (co-screenwriter of 1985's Re-Animator), and longtime horror journalist Michael Gingold.
Press Release: With successful branches in London and Montreal, The Miskatonic Institute of Horror Studies makes its first stateside stop at Brooklyn’s Morbid Anatomy Museum with a pilot semester of horror film, literature and pop culture classes, running from September through December 2016 and featuring classes by some of the most renowned voices in horror film, fiction and criticism.
Named for the fictional university in H.P. Lovecraft’s literary mythos, The Miskatonic Institute of Horror Studies is a community-based organization that offers...
Press Release: With successful branches in London and Montreal, The Miskatonic Institute of Horror Studies makes its first stateside stop at Brooklyn’s Morbid Anatomy Museum with a pilot semester of horror film, literature and pop culture classes, running from September through December 2016 and featuring classes by some of the most renowned voices in horror film, fiction and criticism.
Named for the fictional university in H.P. Lovecraft’s literary mythos, The Miskatonic Institute of Horror Studies is a community-based organization that offers...
- 9/2/2016
- by Derek Anderson
- DailyDead
The Miskatonic Institute for Horror Studies—a.k.a. the horror fan’s Hogwart’s—first opened in Montreal in 2010, the brainchild of film writer and programmer Kier-La Janisse (House Of Psychotic Women). In 2015, it expanded with a branch in London, helpfully strengthening the metaphor we were admittedly reaching for in the previous sentence. Now the nonprofit institute, which offers “university-level horror history and theory classes for people of all ages,” is expanding into the U.S. with a pilot program in New York City this fall, hosted at the Morbid Anatomy Museum.
The institute’s namesake, Miskatonic University—or the college from Re-Animator, for the stubbornly lowbrow among us—recurs throughout H.P. Lovecraft’s work. So perhaps it’s appropriate that one of the four classes in Miskatonic’s initial NYC run deals with the particular challenges of adapting Lovecraft for the screen, as taught by ...
The institute’s namesake, Miskatonic University—or the college from Re-Animator, for the stubbornly lowbrow among us—recurs throughout H.P. Lovecraft’s work. So perhaps it’s appropriate that one of the four classes in Miskatonic’s initial NYC run deals with the particular challenges of adapting Lovecraft for the screen, as taught by ...
- 8/31/2016
- by Katie Rife
- avclub.com
1985. Horror was going through a sea change on the film front, as slashers were shown the door and creature features became the cool kids on campus again. People lined up to see vampires (Fright Night) and werewolves (Silver Bullet) and zombies (Day of the Dead), oh my—but my favorite subgenre, the Mad Scientist, came roaring back to life with director Stuart Gordon’s (From Beyond, Dagon) manic masterpiece debut, Re-Animator.
Released in October, Re-Animator proved once again that when properly executed, horror and humor are delightful bedfellows, co-conspirators with the noblest of intentions: to entertain. Horror, while certainly not easy to do well (scroll through Netflix on any given day), has it made in the shade compared to comedy. Humor is more subjective, and what rubs me as funny may chafe you as stupid or insipid. Most people will agree that The Exorcist is terrifying, but not everyone likes...
Released in October, Re-Animator proved once again that when properly executed, horror and humor are delightful bedfellows, co-conspirators with the noblest of intentions: to entertain. Horror, while certainly not easy to do well (scroll through Netflix on any given day), has it made in the shade compared to comedy. Humor is more subjective, and what rubs me as funny may chafe you as stupid or insipid. Most people will agree that The Exorcist is terrifying, but not everyone likes...
- 10/18/2015
- by Scott Drebit
- DailyDead
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