One of the best festivals during the first half of the year is The Museum of Modern Art and the Film Society of Lincoln Center’s New Directors/New Films, which kicks off its 46th year this March, running from the 15th to the 26th. With last year’s line-up including some of the year’s best films, including Cameraperson, The Fits, Kaili Blues, Neon Bull, Weiner, and more, we can expect many more discoveries this year.
Opening with Patti Cake$ and closing with Person to Person, in between will be one of our favorite films from Sundance as the centerpiece, Beach Rats. Also among the line-up is a handful of other festival favorites, including The Dreamed Path, The Giant, Menashe, and Lady Macbeth.
“Authenticity is an elusive thing these days, and without it we risk ruin. This is particularly true in cinema,” says Rajendra Roy, the Celeste Bartos Chief...
Opening with Patti Cake$ and closing with Person to Person, in between will be one of our favorite films from Sundance as the centerpiece, Beach Rats. Also among the line-up is a handful of other festival favorites, including The Dreamed Path, The Giant, Menashe, and Lady Macbeth.
“Authenticity is an elusive thing these days, and without it we risk ruin. This is particularly true in cinema,” says Rajendra Roy, the Celeste Bartos Chief...
- 2/15/2017
- by Jordan Raup
- The Film Stage
The Museum of Modern Art and the Film Society of Lincoln Center has today announces their complete lineup for the 46th annual New Directors/New Films (Nd/Nf), running March 15 – 26. Dedicated to the discovery of new works by emerging and dynamic filmmaking talent, this year’s festival will screen 29 features and nine short films. This year’s lineup boasts nine North American premieres, seven U.S. premieres, and two world premieres, with features and shorts from 32 countries across five continents.
The opening, centerpiece, and closing night selections showcase three exciting new voices in American independent cinema that all recently debuted at Sundance: Geremy Jasper’s “Patti Cake$” is the opening night pick, while Eliza Hittman’s “Beach Rats” is the centerpiece selection and Dustin Guy Defa will close the festival with “Person to Person.” Other standouts include “Menashe,” “My Happy Family,” “Quest” and “The Wound.”
Read More: The Sundance Rebel:...
The opening, centerpiece, and closing night selections showcase three exciting new voices in American independent cinema that all recently debuted at Sundance: Geremy Jasper’s “Patti Cake$” is the opening night pick, while Eliza Hittman’s “Beach Rats” is the centerpiece selection and Dustin Guy Defa will close the festival with “Person to Person.” Other standouts include “Menashe,” “My Happy Family,” “Quest” and “The Wound.”
Read More: The Sundance Rebel:...
- 2/15/2017
- by Kate Erbland
- Indiewire
Following the unveiling of the 2016 Cannes Film Festival line-up, the Critics’ Week sidebar has now revealed their slate. As usual, there are a lot of discoveries to be had, with six of main selection being first features and four sophomore effort. Notably, Nadav Lapid (The Kindergarten Teacher) will screen his new short From the Diary of a Wedding Photographer while Chloë Sevigny will premiere her new film Kitty. Check out the full line-up, along with the trailer for the Un Certain Regard title Apprentice.
Feature Films In Competition
ALBÜM Mehmet Can Mertoğlu (Turkey)
Diamond Island Davy Chou (Cambodia/France)
Raw (Grave) Julia Ducournau (France)
Mimosas Oliver Laxe (Spain)
One Week And A Day (Shavua Ve Yom) Asaph Polonsky (Israel)
Tramontane Vatche Boulghourjian (Lebanon)
A Yellow Bird K. Rajagopal (Singapore)
Special Screenings
Opening Film
In Bed With Victoria (Victoria) Justine Triet (France)
Closing Films
Smile (Bonne Figure) Sandrine Kiberlain (France)
En...
Feature Films In Competition
ALBÜM Mehmet Can Mertoğlu (Turkey)
Diamond Island Davy Chou (Cambodia/France)
Raw (Grave) Julia Ducournau (France)
Mimosas Oliver Laxe (Spain)
One Week And A Day (Shavua Ve Yom) Asaph Polonsky (Israel)
Tramontane Vatche Boulghourjian (Lebanon)
A Yellow Bird K. Rajagopal (Singapore)
Special Screenings
Opening Film
In Bed With Victoria (Victoria) Justine Triet (France)
Closing Films
Smile (Bonne Figure) Sandrine Kiberlain (France)
En...
- 4/18/2016
- by Jordan Raup
- The Film Stage
Justine Triet’s In Bed With Victoria to open Critics’ Week; Chloë Sevigny’s Kitty one of three closing films. Scroll down for full list
Cannes Critics’ Week, devoted to first and second features, has unveiled the line-up for its 55th edition (May 12-20), following the announcement of the festival’s Official Selection last week.
The parallel section will open with Justine Triet’s comedy-drama In Bed With Victoria, which centres on a beautiful Parisian criminal lawyer in her late 30s who is a self-centred workaholic and sex addict, played by Virginie Efira.
It marks the second feature from French filmmaker Triet, whose Cesar-nominated Age of Panic opened in the Acid section in 2013, and is handled by Indie Sales with French distribution by Le Pacte.
In total, 1,100 features were submitted for consideration.
The seven features chosen to play in competition represent a mix of titles from Turkey, France and Spain to Cambodia, Israel, Lebanon...
Cannes Critics’ Week, devoted to first and second features, has unveiled the line-up for its 55th edition (May 12-20), following the announcement of the festival’s Official Selection last week.
The parallel section will open with Justine Triet’s comedy-drama In Bed With Victoria, which centres on a beautiful Parisian criminal lawyer in her late 30s who is a self-centred workaholic and sex addict, played by Virginie Efira.
It marks the second feature from French filmmaker Triet, whose Cesar-nominated Age of Panic opened in the Acid section in 2013, and is handled by Indie Sales with French distribution by Le Pacte.
In total, 1,100 features were submitted for consideration.
The seven features chosen to play in competition represent a mix of titles from Turkey, France and Spain to Cambodia, Israel, Lebanon...
- 4/18/2016
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
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