‘Hearts and Bones’ stars Andrew Luri, Bolude Watson, director Ben Lawrence and star Hugo Weaving.
For director Ben Lawrence, the reaction to his feature debut Hearts and Bones at the Toronto International Film Festival (Tiff) was both “emotional and overwhelming”.
Lawrence reports the standing ovations at every screening and the outpouring of praise for the cast, particularly for South Sudanese immigrant Andrew Luri in his acting debut, made a huge impact.
Of the film’s Canadian reception, Liane Cunje, Tiff Discovery and International programming associate said: “I’ve run the gamut of audiences reactions here at Tiff for films we programme from around the world, and I’ve never witnessed such an emotional celebration after a screening as the one I saw after Hearts and Bones.”
The film, which made its world premiere in competition at the Sydney Film Festival in June, screened as part of the Tiff Discovery program,...
For director Ben Lawrence, the reaction to his feature debut Hearts and Bones at the Toronto International Film Festival (Tiff) was both “emotional and overwhelming”.
Lawrence reports the standing ovations at every screening and the outpouring of praise for the cast, particularly for South Sudanese immigrant Andrew Luri in his acting debut, made a huge impact.
Of the film’s Canadian reception, Liane Cunje, Tiff Discovery and International programming associate said: “I’ve run the gamut of audiences reactions here at Tiff for films we programme from around the world, and I’ve never witnessed such an emotional celebration after a screening as the one I saw after Hearts and Bones.”
The film, which made its world premiere in competition at the Sydney Film Festival in June, screened as part of the Tiff Discovery program,...
- 9/19/2019
- by jkeast
- IF.com.au
‘Gurrumul’.
Director Paul Williams and producer Shannon Swan’s portrait of the late blind Indigenous musician Geoffrey Gurrumul Yunupingu, Gurrumul, won Best Documentary Feature Film at the Asia Pacific Screen Awards (Apsa) in Brisbane last night.
It was the first time an Australian film has won in the category, with Gurrumul beating out Amal, Of Fathers and Sons (Syrian Arab Republic, Lebanon, Qatar, Germany), Of Love & Law (Japan, UK, France) and Up Down & Sideways
Accepting the award together with Williams, Swan described the moment as bittersweet knowing that Gurrumul wasn’t there to share in it.
“To G, thank you so much for inviting us into your life and trusting us with your story,” he said.
Gurrumul also won Feature Documentary of the Year at last week’s Screen Producers Australia Awards, and is also nominated for five awards at next week’s AACTAs, including for Best Feature Documentary alongside Mountain,...
Director Paul Williams and producer Shannon Swan’s portrait of the late blind Indigenous musician Geoffrey Gurrumul Yunupingu, Gurrumul, won Best Documentary Feature Film at the Asia Pacific Screen Awards (Apsa) in Brisbane last night.
It was the first time an Australian film has won in the category, with Gurrumul beating out Amal, Of Fathers and Sons (Syrian Arab Republic, Lebanon, Qatar, Germany), Of Love & Law (Japan, UK, France) and Up Down & Sideways
Accepting the award together with Williams, Swan described the moment as bittersweet knowing that Gurrumul wasn’t there to share in it.
“To G, thank you so much for inviting us into your life and trusting us with your story,” he said.
Gurrumul also won Feature Documentary of the Year at last week’s Screen Producers Australia Awards, and is also nominated for five awards at next week’s AACTAs, including for Best Feature Documentary alongside Mountain,...
- 11/30/2018
- by jkeast
- IF.com.au
Last year, the Academy documentary branch had to grapple with a record 170 documentary feature submissions for the Best Documentary Feature Oscar. This year, it’s not so bad: only 166 were entered. The short list of 15 will be announced, along with eight others for the first time on a single date this year: December 17.
All year, branch members have been getting lists of secure online screeners available to watch on the Academy website, increasing in volume until last month, when they received a batch of 77, with more to come. It’s a burden to watch them all, so the ones with the most attention move to the top of the much-watch list. Give the advantage to early box office hits that were made available in the summer such as “Won’t You Be My Neighbor?,” “Rbg,” and “Three Identical Strangers,” as well as September’s list including critically hailed “Dark Money,...
All year, branch members have been getting lists of secure online screeners available to watch on the Academy website, increasing in volume until last month, when they received a batch of 77, with more to come. It’s a burden to watch them all, so the ones with the most attention move to the top of the much-watch list. Give the advantage to early box office hits that were made available in the summer such as “Won’t You Be My Neighbor?,” “Rbg,” and “Three Identical Strangers,” as well as September’s list including critically hailed “Dark Money,...
- 11/8/2018
- by Anne Thompson
- Thompson on Hollywood
‘Ladies in Black.’
The Australian titles released in cinemas this year including holdovers will overtake the calendar 2017 total in the next week or so, boosted by Bruce Beresford’s Ladies in Black.
Through the end of September the Oz films and feature docs had grossed $47.8 million, according to the Motion Picture Distributors Association of Australia (Mpdaa), within spitting distance of last year’s $49.4 million.
After a second weekend drop of just 10 per cent Ladies in Black’s takings have increased by nearly $800,000 to $5.97 million, including $361,000 on Tuesday, so the 1950s-set comedy-drama distributed by Sony is on course to surpass $12 million.
Distributed by Universal Pictures as an alternate content release, Mark Joffe’s biopic Jimmy Barnes: Working Class Boy rang up $823,000, ranking as the year’s second biggest feature doc behind Paul Damian Williams’ Gurrumul, which made $984,000.
Among the other September debutantes, Mark Grentell’s The Merger collected $405,000 and Benjamin Gilmour...
The Australian titles released in cinemas this year including holdovers will overtake the calendar 2017 total in the next week or so, boosted by Bruce Beresford’s Ladies in Black.
Through the end of September the Oz films and feature docs had grossed $47.8 million, according to the Motion Picture Distributors Association of Australia (Mpdaa), within spitting distance of last year’s $49.4 million.
After a second weekend drop of just 10 per cent Ladies in Black’s takings have increased by nearly $800,000 to $5.97 million, including $361,000 on Tuesday, so the 1950s-set comedy-drama distributed by Sony is on course to surpass $12 million.
Distributed by Universal Pictures as an alternate content release, Mark Joffe’s biopic Jimmy Barnes: Working Class Boy rang up $823,000, ranking as the year’s second biggest feature doc behind Paul Damian Williams’ Gurrumul, which made $984,000.
Among the other September debutantes, Mark Grentell’s The Merger collected $405,000 and Benjamin Gilmour...
- 10/3/2018
- by The IF Team
- IF.com.au
‘Ladies in Black.’
Bruce Beresford’s Ladies in Black opened impressively in Australian cinemas last weekend, considering that the primary target audience – mature cinemagoers – don’t normally rush out to see films in the first weekend.
Benefiting from glowing reviews and copious publicity, the 1959-set comedy-drama starring Julia Ormond, Angourie Rice, Rachael Taylor, Ryan Corr, Alison McGirr, Noni Hazlehurst and Vincent Perez, looks set for a long run.
Perhaps surprisingly, the Sony release did not open at No. 1. That honour went to Universal’s spy comedy Johnny English Strikes Again, seven years after the release of Johnny English Reborn.
Dark comedy/fantasy The House with a Clock in Its Walls opened in top spot in the Us but under-performed here while Warner Bros’ animated adventure Smallfoot began reasonably well, positioned to cash in on the school vacation.
Madman Entertainment launched Ben Lawrence’s feature documentary Ghosthunter, which won the $10,000 Documentary...
Bruce Beresford’s Ladies in Black opened impressively in Australian cinemas last weekend, considering that the primary target audience – mature cinemagoers – don’t normally rush out to see films in the first weekend.
Benefiting from glowing reviews and copious publicity, the 1959-set comedy-drama starring Julia Ormond, Angourie Rice, Rachael Taylor, Ryan Corr, Alison McGirr, Noni Hazlehurst and Vincent Perez, looks set for a long run.
Perhaps surprisingly, the Sony release did not open at No. 1. That honour went to Universal’s spy comedy Johnny English Strikes Again, seven years after the release of Johnny English Reborn.
Dark comedy/fantasy The House with a Clock in Its Walls opened in top spot in the Us but under-performed here while Warner Bros’ animated adventure Smallfoot began reasonably well, positioned to cash in on the school vacation.
Madman Entertainment launched Ben Lawrence’s feature documentary Ghosthunter, which won the $10,000 Documentary...
- 9/24/2018
- by The IF Team
- IF.com.au
Maya Newell's Gayby Baby, a Good Pitch Australia alumnus.
Good Pitch Australia has announced the selection of six new feature documentaries for its next event at the Sydney Opera House in November.
Hosted by Ian Darling.s Shark Island Institute in partnership with Documentary Australia Foundation, Good Pitch brings filmmakers together with NGOs, foundations, philanthropists, social entrepreneurs, potential corporate and brand partners, broadcasters and media to forge alliances around social impact films.
Darling, who is also chair and moderator, said Good Pitch Australia represented high impact philanthropy at its best, "with all of the key elements of collaboration, scale, partnership, and leverage - using the power of documentary to bring a community together for social change..
Good Pitch was originally devised by Britdoc in partnership with Ford Foundation and the Sundance Institute Documentary Film Program, and is held in various major cities around the world. Philanthropy Australia and Pro...
Good Pitch Australia has announced the selection of six new feature documentaries for its next event at the Sydney Opera House in November.
Hosted by Ian Darling.s Shark Island Institute in partnership with Documentary Australia Foundation, Good Pitch brings filmmakers together with NGOs, foundations, philanthropists, social entrepreneurs, potential corporate and brand partners, broadcasters and media to forge alliances around social impact films.
Darling, who is also chair and moderator, said Good Pitch Australia represented high impact philanthropy at its best, "with all of the key elements of collaboration, scale, partnership, and leverage - using the power of documentary to bring a community together for social change..
Good Pitch was originally devised by Britdoc in partnership with Ford Foundation and the Sundance Institute Documentary Film Program, and is held in various major cities around the world. Philanthropy Australia and Pro...
- 7/25/2016
- by Staff Writer
- IF.com.au
Gayby Baby, a Good Pitch Australia film in 2014.
Good Pitch Australia has announced the selection of six new feature documentaries for its next event at the Sydney Opera House in November.
Hosted by Ian Darling.s Shark Island Institute in partnership with Documentary Australia Foundation, Good Pitch brings filmmakers together with NGOs, foundations, philanthropists, social entrepreneurs, potential corporate and brand partners, broadcasters and media to forge alliances around social impact films.
Darling, who is also chair and moderator, said Good Pitch Australia represented high impact philanthropy at its best, "with all of the key elements of collaboration, scale, partnership, and leverage - using the power of documentary to bring a community together for social change..
Good Pitch was originally devised by Britdoc in partnership with Ford Foundation and the Sundance Institute Documentary Film Program, and is held in various major cities around the world. Philanthropy Australia and Pro Bono Australia...
Good Pitch Australia has announced the selection of six new feature documentaries for its next event at the Sydney Opera House in November.
Hosted by Ian Darling.s Shark Island Institute in partnership with Documentary Australia Foundation, Good Pitch brings filmmakers together with NGOs, foundations, philanthropists, social entrepreneurs, potential corporate and brand partners, broadcasters and media to forge alliances around social impact films.
Darling, who is also chair and moderator, said Good Pitch Australia represented high impact philanthropy at its best, "with all of the key elements of collaboration, scale, partnership, and leverage - using the power of documentary to bring a community together for social change..
Good Pitch was originally devised by Britdoc in partnership with Ford Foundation and the Sundance Institute Documentary Film Program, and is held in various major cities around the world. Philanthropy Australia and Pro Bono Australia...
- 7/25/2016
- by Staff Writer
- IF.com.au
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.