Boasting a deliriously loquacious script together with a rare understanding of how to balance certain Italian caricatures with a grounding sense of realism – a combination that’s truly Virzì’s forte – the film takes two psychologically damaged women...and makes them into a mutually supportive duo who surprisingly touch our emotions.
Director Paolo Virzì, who co-wrote with Francesca Archibugi, keeps the jam-packed film moving apace with a whirlwind of high-wire emotionality, memorable set pieces and vivid location work.
Even though one could argue that Bruni Tedeschi was typecast here, she takes the role and runs with it, beautifully grading the different nuances of her headstrong character, whose outward exuberance clearly hides a lot of hurt and a fear of loneliness.
An energetic, visually attractive but ultimately irritating comedy-drama.
50
Slant MagazineKeith Watson
Slant MagazineKeith Watson
Restless, at times even chaotic, the film often seems to be replicating the experience of having a manic episode.
50
Village VoiceKenji Fujishima
Village VoiceKenji Fujishima
Like Crazy seems content to coast on the contrast between Beatrice's abrasive energy and Donatella's quiet anguish, with neither character developed with depth sufficient to justify the time we spend with them.