Participating in San Sebastian’s Europe-Latin America Co-production Forum, Paula Kim’s debut feature “Butterfly Diaries” is pitched along the lines of controversial series “13 Reasons Why” and Marti Noxon’s anorexia drama “To the Bone,” both on Netflix.
“The film addresses a very important issue that afflicts many young girls, made by a director who is also a young woman,” said co-producer Sara Silveira, of Dezenove Som e Imagens, Brazil.
In “Butterfly Diaries,” a Brazilian exchange program student in London struggles not only with the onset of puberty but with a mental disorder.
“As an artist, I believe that sometimes, a person has to go through a very painful trial just to have a glimpse of what he or she truly holds within himself or herself,” said Kim, adding: “It is a film about existential crisis.”
Drama, penned by Kim, will be shot in Portuguese with some English in the U.
“The film addresses a very important issue that afflicts many young girls, made by a director who is also a young woman,” said co-producer Sara Silveira, of Dezenove Som e Imagens, Brazil.
In “Butterfly Diaries,” a Brazilian exchange program student in London struggles not only with the onset of puberty but with a mental disorder.
“As an artist, I believe that sometimes, a person has to go through a very painful trial just to have a glimpse of what he or she truly holds within himself or herself,” said Kim, adding: “It is a film about existential crisis.”
Drama, penned by Kim, will be shot in Portuguese with some English in the U.
- 9/23/2018
- by Anna Marie de la Fuente
- Variety Film + TV
In one of the key deals in the run-up to next week’s Locarno Festival, Paris-based Stray Dogs has closed international sales rights on “Tarde para morir joven” (Too Late to Die Young), the anticipated second feature from Chile’s double Rotterdam winner Dominga Sotomayor.
Reprising some of the issues of her debut, “Thursday Till Sunday,” but on a far larger and novel canvas, “Too Late” is produced by Sotomayor’s Chile-based Cinestación and Rodrigo Teixeira’s Rt Features in Sao Paulo, whose current slate features films by Robert Eggers, James Gray and Olivier Assayas and a joint production alliance for emerging filmmakers with Martin Scorsese.
Backed by Rotterdam’s Hubert Bals Fund and the Doha Film Institute, “Too Late” is co-produced by Argentina’s Ruda Cine and the Netherlands’ Circe Films.
Holding world sales rights outside Chile, Brazil, Argentina, and Benelux, Stray Dogs Nathan Fischer will introduce “Too Late...
Reprising some of the issues of her debut, “Thursday Till Sunday,” but on a far larger and novel canvas, “Too Late” is produced by Sotomayor’s Chile-based Cinestación and Rodrigo Teixeira’s Rt Features in Sao Paulo, whose current slate features films by Robert Eggers, James Gray and Olivier Assayas and a joint production alliance for emerging filmmakers with Martin Scorsese.
Backed by Rotterdam’s Hubert Bals Fund and the Doha Film Institute, “Too Late” is co-produced by Argentina’s Ruda Cine and the Netherlands’ Circe Films.
Holding world sales rights outside Chile, Brazil, Argentina, and Benelux, Stray Dogs Nathan Fischer will introduce “Too Late...
- 7/25/2018
- by John Hopewell
- Variety Film + TV
Chicago – A vital and obscure piece of Brazilian history is exposed in the new film “Vazante,’ directed by Daniela Thomas, and is the latest film to be distributed by Music Box Films of Chicago. “Vazante” is now playing at the Music Box Theatre through February 8th, 2018. For more information, click here.
The film is a stark-but-cinematic (in black and white) treatment of a difficult subject in Brazil’s history… the trading and keeping of African slaves. In 1821, a trader named Antonio (Adriano Carvalho) comes back to his remote plantation to discover his wife has died in labor. Left with his mother-in-law and slaves to care for, he takes as his new wife 12-year-old Beatriz (Luana Nastas), the daughter of his deceased wife’s brother. As he slowly begins his trade business again, his new bride is more interested in the slave community – and a boy (Vinicius Dos Anjos as Virgilio...
The film is a stark-but-cinematic (in black and white) treatment of a difficult subject in Brazil’s history… the trading and keeping of African slaves. In 1821, a trader named Antonio (Adriano Carvalho) comes back to his remote plantation to discover his wife has died in labor. Left with his mother-in-law and slaves to care for, he takes as his new wife 12-year-old Beatriz (Luana Nastas), the daughter of his deceased wife’s brother. As he slowly begins his trade business again, his new bride is more interested in the slave community – and a boy (Vinicius Dos Anjos as Virgilio...
- 2/5/2018
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
With rewards for patient viewers, Daniela Thomas‘ solo directorial debut is a spare, solemn drama filmed in black-and-white long takes that allow audiences to dwell in her characters’ plights with them. Set in Brazil in 1821, “Vazante” (“The Surge“) explores the roles that gender and race played in the colonial era in the South American country, with only the ruling white men having real power and agency.
Continue reading Brazilian Drama ‘Vazante’ Is An Assured Debut From Daniela Thomas [Review] at The Playlist.
Continue reading Brazilian Drama ‘Vazante’ Is An Assured Debut From Daniela Thomas [Review] at The Playlist.
- 1/12/2018
- by Kimber Myers
- The Playlist
As you make your way through the best films of 2017, January not only brings wide releases of two of our top picks–Phantom Thread and Call Me by Your Name—but a handful of worthwhile 2018 titles as well. The month is also defined by Sundance Film Festival 2018, where an early look at some of the year’s finest films will debut, and we’ll be there once again to cover.
Matinees to See: Django (1/5), The Insult (1/12), Vazante (1/12), The Polka King (1/12), The Final Year (1/19), Mom & Dad (1/19)
10. Blame (Quinn Shephard; Jan. 5)
Synopsis: A substitute drama teacher at a suburban high school develops a taboo relationship with an unstable student, sparking a trail of jealous sabotage from the student’s peers.
Trailer
Why You Should See It: Written, directed, edited, and starring 22-year-old Quinn Shephard, Blame premiered at Tribeca Film Festival last spring. We said in our review, “It’s an impressive debut...
Matinees to See: Django (1/5), The Insult (1/12), Vazante (1/12), The Polka King (1/12), The Final Year (1/19), Mom & Dad (1/19)
10. Blame (Quinn Shephard; Jan. 5)
Synopsis: A substitute drama teacher at a suburban high school develops a taboo relationship with an unstable student, sparking a trail of jealous sabotage from the student’s peers.
Trailer
Why You Should See It: Written, directed, edited, and starring 22-year-old Quinn Shephard, Blame premiered at Tribeca Film Festival last spring. We said in our review, “It’s an impressive debut...
- 1/3/2018
- by Jordan Raup
- The Film Stage
Showcasing the Best in Independent and World Cinema
Thursday, October 5–15, 2017Acclaimed Festival Films From Around the World And New Offerings from Bay Area Filmmakers Highlight First Slate of Films Announced at 40th Mill Valley Film Festival
The Mill Valley Film Festival (Mvff), presented by the California Film Institute, has announced the first set of films to premiere at the 40th edition of the Festival, returning to Marin County October 5–15, 2017. The Festival will present the Bay Area premiere of many acclaimed films from the 2017 Cannes Film Festival, the 2017 Sundance Film Festival and the 2017 Berlin International Film Festival.
Additionally, Mvff will launch many acclaimed Bay Area filmmakers’ latest films as part of the Festival’s effort to showcase the many established and emerging filmmakers in the Bay Area.
Early Confirmed films from the 2017 Cannes Film Festival at MVFF40:
Ruben Östlund’s Palme d’Or Winner and Swedish Oscar Submission The Square...
Thursday, October 5–15, 2017Acclaimed Festival Films From Around the World And New Offerings from Bay Area Filmmakers Highlight First Slate of Films Announced at 40th Mill Valley Film Festival
The Mill Valley Film Festival (Mvff), presented by the California Film Institute, has announced the first set of films to premiere at the 40th edition of the Festival, returning to Marin County October 5–15, 2017. The Festival will present the Bay Area premiere of many acclaimed films from the 2017 Cannes Film Festival, the 2017 Sundance Film Festival and the 2017 Berlin International Film Festival.
Additionally, Mvff will launch many acclaimed Bay Area filmmakers’ latest films as part of the Festival’s effort to showcase the many established and emerging filmmakers in the Bay Area.
Early Confirmed films from the 2017 Cannes Film Festival at MVFF40:
Ruben Östlund’s Palme d’Or Winner and Swedish Oscar Submission The Square...
- 9/5/2017
- by Sydney Levine
- Sydney's Buzz
Keep up with the wild and wooly world of indie film acquisitions with our weekly Rundown of everything that’s been picked up around the globe. Check out last week’s Rundown here.
– The Orchard has acquired the North American rights to Jordan Ross’s directorial debut “Thumper,” starring “Orange is the New Black’s” Pablo Schreiber. The gritty crime thriller debuted at the 2017 Tribeca Film Festival and was written and directed by Ross. The movie also stars Eliza Taylor, Lena Headey, Ben Feldman, Grant Harvey and Daniel Webber. Set in a town of low-income and fractured families, “Thumper” is centered around a group of teens that are lured into working for a dangerous drug dealer. A new girl arrives into town hiding a dangerous secret that will impact everybody and change their lives forever.
Read More: Film Acquisition Rundown: Mubi Buys Philippe Garrel’s ‘Lover for a Day,’ FilmRise...
– The Orchard has acquired the North American rights to Jordan Ross’s directorial debut “Thumper,” starring “Orange is the New Black’s” Pablo Schreiber. The gritty crime thriller debuted at the 2017 Tribeca Film Festival and was written and directed by Ross. The movie also stars Eliza Taylor, Lena Headey, Ben Feldman, Grant Harvey and Daniel Webber. Set in a town of low-income and fractured families, “Thumper” is centered around a group of teens that are lured into working for a dangerous drug dealer. A new girl arrives into town hiding a dangerous secret that will impact everybody and change their lives forever.
Read More: Film Acquisition Rundown: Mubi Buys Philippe Garrel’s ‘Lover for a Day,’ FilmRise...
- 6/9/2017
- by Graham Winfrey
- Indiewire
The film had its world premiere in the Panorama Special section in Berlin.
Music Box Films has acquired Us rights to Vazante, Daniela Thomas’ first solo-directed feature.
Vazante, set in Brazil in 1821, centres on a slave trader who finds out that his wife died in labour. While forced to live on the farmhouse with numerous African slaves, the trader marries his wife’s niece. A restless soul, he returns to his trading expeditions, leaving his young wife behind alone with the slaves.
Brazilian filmmaker Thomas previously co-directed the Cannes selection Linha De Passe, Midnight, and Foreign Land alongside Walter Salles.
Sara Silveira of Dezenove Som e Imagem and Cisma Produções’ Beto Amaral produced in association with Ukbar Filmes in Portugal.
“We are pleased to be working with Daniela Thomas to bring her eloquent depiction of the often untold history of early 19th century Brazilian mining life to American audiences,” Music Box president William Schopf said.
Films Boutique CEO [link...
Music Box Films has acquired Us rights to Vazante, Daniela Thomas’ first solo-directed feature.
Vazante, set in Brazil in 1821, centres on a slave trader who finds out that his wife died in labour. While forced to live on the farmhouse with numerous African slaves, the trader marries his wife’s niece. A restless soul, he returns to his trading expeditions, leaving his young wife behind alone with the slaves.
Brazilian filmmaker Thomas previously co-directed the Cannes selection Linha De Passe, Midnight, and Foreign Land alongside Walter Salles.
Sara Silveira of Dezenove Som e Imagem and Cisma Produções’ Beto Amaral produced in association with Ukbar Filmes in Portugal.
“We are pleased to be working with Daniela Thomas to bring her eloquent depiction of the often untold history of early 19th century Brazilian mining life to American audiences,” Music Box president William Schopf said.
Films Boutique CEO [link...
- 6/6/2017
- ScreenDaily
What I love most about international film festivals is the opportunity to discover rare gems and stimulating foreign indie flicks, which may otherwise get lost in the mainstream blockbuster shuffle. One of this year’s contenders is a compelling Brazilian slave drama, set in the isolated backlands of this lush country, in the early 19th century during its painfully colonial times. Vazante is tragic story of slave trader Antonio, who in the event of losing his wife in child labor marries his late wife’s 12-year-old niece.
While waiting for his child wife to mature and irritated by a lack of diamond production in the Diamante Mountains, Antonio is advised by one of his foremen to cultivate and farm his vast rugged land with his captive slaves. Isolation, fear, violence, betrayal and prejudice are all at the premise of this beautifully shot black and white film, with minimal dialogue and score.
While waiting for his child wife to mature and irritated by a lack of diamond production in the Diamante Mountains, Antonio is advised by one of his foremen to cultivate and farm his vast rugged land with his captive slaves. Isolation, fear, violence, betrayal and prejudice are all at the premise of this beautifully shot black and white film, with minimal dialogue and score.
- 2/19/2017
- by Jenny Karakaya
- LRMonline.com
As a member of the key creative team behind the Rio Olympics opening ceremony last year, Daniela Thomas helped to conceive a celebration of Brazilian cultural identity that refused to gloss over the shameful chapters of the past. One of the most powerful sequences in that arena spectacle was the arrival of African slaves. Pushing stylized plows while shuffling along on shackled feet, they gradually integrated in the Olympics pageant with indigenous Brazilians, European colonists and subsequent immigration waves to form the ethnically complex mestizo population of today.
In Thomas’ darkly oneiric epic, Vazante, the director and her screenwriting partner...
In Thomas’ darkly oneiric epic, Vazante, the director and her screenwriting partner...
- 2/11/2017
- by David Rooney
- The Hollywood Reporter - Movie News
Brazilian filmmaker Daniela Thomas is steadily earning an increasingly bigger profile on the world cinema stage. Best known for co-directing 2008’s “Linha de Passe” with Walter Salles, she also helmed the “Loin du 16e” segment in the omnibus “Paris, je t’aime” and was behind the camera for the Opening Ceremonies at the Rio Olympic Games. Now she’s headed to the Berlin Film Festival to open the Panorama Special section with “Vazante,” which will also be part of the Reclaiming Black History program at the fest.
Continue reading Berlin Exclusive: Captivating Clip From Daniela Thomas’ Historical Drama ‘Vazante’ at The Playlist.
Continue reading Berlin Exclusive: Captivating Clip From Daniela Thomas’ Historical Drama ‘Vazante’ at The Playlist.
- 2/9/2017
- by Kevin Jagernauth
- The Playlist
Berlin’s Panorama lineup also includes new films from Us, China and Brazil.
Berlin’s Panorama strand is now complete following the addition of 24 additional titles.
A total of 51 works from 43 countries have been chosen for screening in the section, including 21 in Panorama Dokumente and 29 feature films in the main programme and Panorama Special. 36 of these films will be getting their world premieres at the Berlinale.
The German production Tiger Girl by Jakob Lass will open this year’s edition of Panorama Special at Berlin’s Zoo Palast cinema, along with the previously announced Brazilian production Vazante.
Among newly confirmed films are UK Sundance title God’s Own Country, Luca Guadagnino’s Call Me By Your Name, Cate Shortland’s Berlin Syndrome, feminist fairy tale The Misandrists by Berlinale regular Bruce Labruce, Erik Poppe’s The King’s Choice and Belgian-French-Lebanese co-production Insyriated which stars Hiam Abbass as a woman trapped in an apartment during war.[p...
Berlin’s Panorama strand is now complete following the addition of 24 additional titles.
A total of 51 works from 43 countries have been chosen for screening in the section, including 21 in Panorama Dokumente and 29 feature films in the main programme and Panorama Special. 36 of these films will be getting their world premieres at the Berlinale.
The German production Tiger Girl by Jakob Lass will open this year’s edition of Panorama Special at Berlin’s Zoo Palast cinema, along with the previously announced Brazilian production Vazante.
Among newly confirmed films are UK Sundance title God’s Own Country, Luca Guadagnino’s Call Me By Your Name, Cate Shortland’s Berlin Syndrome, feminist fairy tale The Misandrists by Berlinale regular Bruce Labruce, Erik Poppe’s The King’s Choice and Belgian-French-Lebanese co-production Insyriated which stars Hiam Abbass as a woman trapped in an apartment during war.[p...
- 1/25/2017
- by andreas.wiseman@screendaily.com (Andreas Wiseman)
- ScreenDaily
The Berlin International Film Festival has revealed the first 11 titles in its Panorama section, including Raoul Peck’s “I Am Not Your Negro,” the James Schamus-produced “Casting JonBenet” and Daniela Thomas’ “Vazante.” John Trengrove’s “The Wound” will open the section.
Read More: 5 Exciting Films in the 2017 Berlin Film Festival Competition Lineup
The festival says two prominent themes have emerged among the films. The first involves “Reclaiming Black History” or “a fresh historically reflective approach to the history of black people in North America, South America and Africa”; and the second is “Europa Europa,” or “how progressive forces might best defend themselves in light of a zeitgeist that makes it seem as if yesterday never went away.”
The Panorama titles are listed below with synopses and divided by theme. The festival will run from February 9 through 17.
In Focus: Reclaiming Black History
“Vazante” (Daniela Thomas, Brazil/Portugal); with Adriano Carvalho,...
Read More: 5 Exciting Films in the 2017 Berlin Film Festival Competition Lineup
The festival says two prominent themes have emerged among the films. The first involves “Reclaiming Black History” or “a fresh historically reflective approach to the history of black people in North America, South America and Africa”; and the second is “Europa Europa,” or “how progressive forces might best defend themselves in light of a zeitgeist that makes it seem as if yesterday never went away.”
The Panorama titles are listed below with synopses and divided by theme. The festival will run from February 9 through 17.
In Focus: Reclaiming Black History
“Vazante” (Daniela Thomas, Brazil/Portugal); with Adriano Carvalho,...
- 12/20/2016
- by Vikram Murthi
- Indiewire
South African-set The Wound, directed by John Trengove, set to kick off this year’s Panorama main programme.
The Berlin Film Festival (9-19 February) has announced the first 11 films for its Panorama strand.
The films have been grouped according to two themes - ‘Reclaiming Black History’ and ‘Europa Europa’.
The Wound, directed by John Trengove, opens this year’s Panorama main programme. Set in South Africa, it revolves around a Johannesburg businessman who takes his 17-year-old son to the circumcision ceremony of his old tribe.
The complete list of films announced so far are:
In Focus: Reclaiming Black History
The Wound (South Africa/Germany/Netherlands/France)
Dir. John Trengove
European premiere
I Am Not Your Negro (France / USA / Belgium / Switzerland)
Dir. Raoul Peck
European premiere
Vazante (Brazil / Portugal)
Dir. Daniela Thomas
World premiere
Europa Europa
Politics, Instructions Manual (Spain)
Dir. Fernando León de Aranoa
European premiere
Fighting Through the Night (Canada)
Dir. Sylvain L’Espérance...
The Berlin Film Festival (9-19 February) has announced the first 11 films for its Panorama strand.
The films have been grouped according to two themes - ‘Reclaiming Black History’ and ‘Europa Europa’.
The Wound, directed by John Trengove, opens this year’s Panorama main programme. Set in South Africa, it revolves around a Johannesburg businessman who takes his 17-year-old son to the circumcision ceremony of his old tribe.
The complete list of films announced so far are:
In Focus: Reclaiming Black History
The Wound (South Africa/Germany/Netherlands/France)
Dir. John Trengove
European premiere
I Am Not Your Negro (France / USA / Belgium / Switzerland)
Dir. Raoul Peck
European premiere
Vazante (Brazil / Portugal)
Dir. Daniela Thomas
World premiere
Europa Europa
Politics, Instructions Manual (Spain)
Dir. Fernando León de Aranoa
European premiere
Fighting Through the Night (Canada)
Dir. Sylvain L’Espérance...
- 12/20/2016
- ScreenDaily
Academy Award Submission for Nomination Best Foreign Language Film from Brazil: ‘Little Secret’ Interview with David SchurmannThe touching and engaging “Little Secrets”/ “Pequeno Segredo” opens like a flower. In fact, flowers and butterflies are metaphors for the fleeting but beautiful and bright life of a young girl whose secret, shared with three women becomes a beacon of love for the audience.Based on a true story lived by the director David Schurmann himself, who, for two-and-a-half years lived on a sailboat with parents, his two brothers, and his adoped sister Kat, I was most curious to know more about his life.DS: I grew up on a boat sailing around the world. With the opportunity to see and experience incredible moments, such a life also made me aware of one important fact: how chance encounters can change our lives.My first contact with filmmaking occurred practically by chance, when I...
- 11/3/2016
- by Sydney Levine
- Sydney's Buzz
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