Eighty-five countries have submitted films for consideration in the Foreign Language Film category for the 89th Academy Awards. Yemen is a first-time entrant.
The 2016 submissions are:
Albania, “Chromium,” Bujar Alimani, director;
Algeria, “The Well,” Lotfi Bouchouchi, director;
Argentina, “The Distinguished Citizen,” Mariano Cohn, Gastón Duprat, directors;
Australia, “Tanna,” Bentley Dean, Martin Butler, directors;
Austria, “Stefan Zweig: Farewell to Europe,” Maria Schrader, director;
Bangladesh, “link=tt5510934 auto]The Unnamed[/link],” Tauquir Ahmed, director;
Belgium, “The Ardennes,” Robin Pront, director;
Bolivia, “Sealed Cargo,” Julia Vargas Weise, director;
Bosnia and Herzegovina, “Death in Sarajevo,” Danis Tanovic, director;
Brazil, “Little Secret,” David Schurmann, director;
Bulgaria, “Losers,” Ivaylo Hristov, director;
Cambodia, “Before the Fall,” Ian White, director;
Canada, “It’s Only the End of the World,” Xavier Dolan, director;
Chile, “Neruda,” Pablo Larraín, director;
China, “Xuan Zang,” Huo Jianqi, director;
Colombia, “Alias Maria,” José Luis Rugeles, director;
Costa Rica, “About Us,” Hernán Jiménez, director;
Croatia, “On the Other Side,...
The 2016 submissions are:
Albania, “Chromium,” Bujar Alimani, director;
Algeria, “The Well,” Lotfi Bouchouchi, director;
Argentina, “The Distinguished Citizen,” Mariano Cohn, Gastón Duprat, directors;
Australia, “Tanna,” Bentley Dean, Martin Butler, directors;
Austria, “Stefan Zweig: Farewell to Europe,” Maria Schrader, director;
Bangladesh, “link=tt5510934 auto]The Unnamed[/link],” Tauquir Ahmed, director;
Belgium, “The Ardennes,” Robin Pront, director;
Bolivia, “Sealed Cargo,” Julia Vargas Weise, director;
Bosnia and Herzegovina, “Death in Sarajevo,” Danis Tanovic, director;
Brazil, “Little Secret,” David Schurmann, director;
Bulgaria, “Losers,” Ivaylo Hristov, director;
Cambodia, “Before the Fall,” Ian White, director;
Canada, “It’s Only the End of the World,” Xavier Dolan, director;
Chile, “Neruda,” Pablo Larraín, director;
China, “Xuan Zang,” Huo Jianqi, director;
Colombia, “Alias Maria,” José Luis Rugeles, director;
Costa Rica, “About Us,” Hernán Jiménez, director;
Croatia, “On the Other Side,...
- 10/12/2016
- by Melissa Thompson
- WeAreMovieGeeks.com
The official submissions for the foreign language Oscar are in from around the world, and the Academy has deemed a record 85 eligible to compete. Last year, 81 submissions were released theatrically in their home countries between October 1, 2014 and September 30, 2015. (This year’s deadline for submissions was October 3, 2016.)
Several Academy foreign committees comprised of members from all the branches will whittle down the films to a shortlist of nine and finally, five Oscar nominees. (Last year’s winner was Cannes prize-winner “Son of Saul,” directed by Hungarian Lazlo Nemes.) Many countries pick films that do well on the festival circuit as their strongest Oscar contender; others do not.
Politics often intervene: Brazil’s submission was expected to be Cannes competition film “Aquarius,” starring Sonia Braga, but it was embroiled in controversy over filmmaker Kleber Mendonça Filho’s support of outgoing impeached president Dilma Rousseff. Bruno Barreto’s Brazil selection committee went...
Several Academy foreign committees comprised of members from all the branches will whittle down the films to a shortlist of nine and finally, five Oscar nominees. (Last year’s winner was Cannes prize-winner “Son of Saul,” directed by Hungarian Lazlo Nemes.) Many countries pick films that do well on the festival circuit as their strongest Oscar contender; others do not.
Politics often intervene: Brazil’s submission was expected to be Cannes competition film “Aquarius,” starring Sonia Braga, but it was embroiled in controversy over filmmaker Kleber Mendonça Filho’s support of outgoing impeached president Dilma Rousseff. Bruno Barreto’s Brazil selection committee went...
- 10/12/2016
- by Anne Thompson
- Thompson on Hollywood
The official submissions for the foreign language Oscar are in from around the world, and the Academy has deemed a record 85 eligible to compete. Last year, 81 submissions were released theatrically in their home countries between October 1, 2014 and September 30, 2015. (This year’s deadline for submissions was October 3, 2016.)
Several Academy foreign committees comprised of members from all the branches will whittle down the films to a shortlist of nine and finally, five Oscar nominees. (Last year’s winner was Cannes prize-winner “Son of Saul,” directed by Hungarian Lazlo Nemes.) Many countries pick films that do well on the festival circuit as their strongest Oscar contender; others do not.
Politics often intervene: Brazil’s submission was expected to be Cannes competition film “Aquarius,” starring Sonia Braga, but it was embroiled in controversy over filmmaker Kleber Mendonça Filho’s support of outgoing impeached president Dilma Rousseff. Bruno Barreto’s Brazil selection committee went...
Several Academy foreign committees comprised of members from all the branches will whittle down the films to a shortlist of nine and finally, five Oscar nominees. (Last year’s winner was Cannes prize-winner “Son of Saul,” directed by Hungarian Lazlo Nemes.) Many countries pick films that do well on the festival circuit as their strongest Oscar contender; others do not.
Politics often intervene: Brazil’s submission was expected to be Cannes competition film “Aquarius,” starring Sonia Braga, but it was embroiled in controversy over filmmaker Kleber Mendonça Filho’s support of outgoing impeached president Dilma Rousseff. Bruno Barreto’s Brazil selection committee went...
- 10/12/2016
- by Anne Thompson
- Indiewire
Eighty-five countries have submitted a film for consideration in the 60th anniversary year of the foreign language film category.
The Academy of Motion Pictures Arts & Science said on Tuesday that this season also marks the first time Yemen has submitted a film, Khadija Al-Salami’s I Am Nojoom, Age 10 And Divorced.
The 89th Oscars will take place on February 26, 2017, at the Dolby Theatre at Hollywood & Highland Center in Hollywood. László Nemes’ Hungarian entry Son Of Saul won the award last February.
Foreign-language Academy Award Submissions
(Country, Title, director)
Albania, Chromium, dir Bujar Alimani;
Algeria, The Well, Lotfi Bouchouchi;
Argentina, The Distinguished Citizen, Mariano Cohn, Gastón Duprat;
Australia, Tanna, Bentley Dean, Martin Butler;
Austria, Stefan Zweig: Farewell To Europe, Maria Schrader;
Bangladesh, The Unnamed, Tauquir Ahmed;
Belgium, The Ardennes, Robin Pront;
Bolivia, Sealed Cargo, Julia Vargas Weise;
Bosnia and Herzegovina, Death In Sarajevo, Danis Tanovic;
Brazil, Little Secret, David Schurmann.
Bulgaria, Losers, [link...
The Academy of Motion Pictures Arts & Science said on Tuesday that this season also marks the first time Yemen has submitted a film, Khadija Al-Salami’s I Am Nojoom, Age 10 And Divorced.
The 89th Oscars will take place on February 26, 2017, at the Dolby Theatre at Hollywood & Highland Center in Hollywood. László Nemes’ Hungarian entry Son Of Saul won the award last February.
Foreign-language Academy Award Submissions
(Country, Title, director)
Albania, Chromium, dir Bujar Alimani;
Algeria, The Well, Lotfi Bouchouchi;
Argentina, The Distinguished Citizen, Mariano Cohn, Gastón Duprat;
Australia, Tanna, Bentley Dean, Martin Butler;
Austria, Stefan Zweig: Farewell To Europe, Maria Schrader;
Bangladesh, The Unnamed, Tauquir Ahmed;
Belgium, The Ardennes, Robin Pront;
Bolivia, Sealed Cargo, Julia Vargas Weise;
Bosnia and Herzegovina, Death In Sarajevo, Danis Tanovic;
Brazil, Little Secret, David Schurmann.
Bulgaria, Losers, [link...
- 10/11/2016
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
As we've noted many times the Official Foreign Film Submission List generally contains at least one surprise when Oscar announces it -either a switcheroo from a country who had second thoughts about their submitted film or a disqualification or a film we hadn't yet heard of. We don't know the date but it's any time in the next week or so. At the moment the list is 86 wide (a record if it holds!) thanks to the last few films we know of to announce including Costa Rica's romantic dramedy About Us, Malaysia's autism drama Redha, and the biopic Xuan Zang from China which is about a famous monk during the Tang Dynasty. That one sure looks pretty.
If you haven't looked at the Oscar charts in a while take a gander. We'll obviously break it down in several fun ways when the official list is announced.
What You Can Watch...
If you haven't looked at the Oscar charts in a while take a gander. We'll obviously break it down in several fun ways when the official list is announced.
What You Can Watch...
- 10/6/2016
- by NATHANIEL R
- FilmExperience
Yesterday at an unusually tense and controversial Ophir Awards ceremony, Sand Storm won the Israeli Oscar and will thus be Israel's Oscar submission. The debut female director Elite Zexer, giving the last acceptance speech of the evening, spoke about how she employed Jews, Muslims, and Christians on the picture.
Though I already think Israel should have won the Oscar in this category (for Late Marriage which was submitted but not nominated in the year of Amelie and No Man's Land) and they've had high quality films in the mix before, I'm a little cool on this particular picture. Ah well, you can't love everything!
The UK's submission is a horror thriller set in IranAs more and more titles are announced for the Foreign Oscar Race, the variety of genres keeps growing, too. We have animated films, horror thrillers, docu-fiction hybrids, political dramas, romantic comedies, crime films, as well as submissions...
Though I already think Israel should have won the Oscar in this category (for Late Marriage which was submitted but not nominated in the year of Amelie and No Man's Land) and they've had high quality films in the mix before, I'm a little cool on this particular picture. Ah well, you can't love everything!
The UK's submission is a horror thriller set in IranAs more and more titles are announced for the Foreign Oscar Race, the variety of genres keeps growing, too. We have animated films, horror thrillers, docu-fiction hybrids, political dramas, romantic comedies, crime films, as well as submissions...
- 9/24/2016
- by NATHANIEL R
- FilmExperience
Glenn here. Each Tuesday we bring you reviews and features on documentaries from theatres, festivals, and on demand. This week we are looking at three films from the Melbourne International Film Festival.
Nuts!
We will be looking at Keith Maitland’s Tower in the coming weeks, but the current boom of animated documentaries – we also saw Oscar nominated doc short Last Day of Freedom – reaches its most absurd and gleefully entertaining point with Nuts! A ridiculous story that finds a storytelling home in director Penny Lane’s fabulous criss-cross of animation, archival footage, and talking heads.
Like her last film, Our Nixon of which I had some issues, Nuts! highlights Lane’s canny ability to fish fascinating stories out of the archives and is her latest is a significant step forward creatively. Here, she is wise to use the animation technique to recreate the strange life story of Dr. John...
Nuts!
We will be looking at Keith Maitland’s Tower in the coming weeks, but the current boom of animated documentaries – we also saw Oscar nominated doc short Last Day of Freedom – reaches its most absurd and gleefully entertaining point with Nuts! A ridiculous story that finds a storytelling home in director Penny Lane’s fabulous criss-cross of animation, archival footage, and talking heads.
Like her last film, Our Nixon of which I had some issues, Nuts! highlights Lane’s canny ability to fish fascinating stories out of the archives and is her latest is a significant step forward creatively. Here, she is wise to use the animation technique to recreate the strange life story of Dr. John...
- 8/2/2016
- by Glenn Dunks
- FilmExperience
Cinema Retro has received the following press release:
Cinema Rediscovered | Great films back on big screens
Watershed and partners Independent Cinema Office (Ico), South West Silents and 20th Century Flicks announce the inaugural Cinema Rediscovered (28-31 July 2016) a new major international archive film event taking place in Bristol, UK and surrounding region supported by Film Hub South West & West Midlands, part of the BFI Film Audience Network, awarding funds from the National Lottery.
Taking inspiration from the pioneering Il Cinema Ritrovato festival in Bologna, Italy, Cinema Rediscovered celebrates cinema going as an event, giving audiences an opportunity to discover or indeed re-discover new digital restorations, film print rarities of early cinema and contemporary classics on the big screen in cinemas including Watershed (Bristol) and Curzon Clevedon Cinema & Arts, one of the oldest continuously-running cinemas in the UK. The South West may not have Bologna’s spectacular Piazza Maggiore or balmy weather,...
Cinema Rediscovered | Great films back on big screens
Watershed and partners Independent Cinema Office (Ico), South West Silents and 20th Century Flicks announce the inaugural Cinema Rediscovered (28-31 July 2016) a new major international archive film event taking place in Bristol, UK and surrounding region supported by Film Hub South West & West Midlands, part of the BFI Film Audience Network, awarding funds from the National Lottery.
Taking inspiration from the pioneering Il Cinema Ritrovato festival in Bologna, Italy, Cinema Rediscovered celebrates cinema going as an event, giving audiences an opportunity to discover or indeed re-discover new digital restorations, film print rarities of early cinema and contemporary classics on the big screen in cinemas including Watershed (Bristol) and Curzon Clevedon Cinema & Arts, one of the oldest continuously-running cinemas in the UK. The South West may not have Bologna’s spectacular Piazza Maggiore or balmy weather,...
- 7/20/2016
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
As the main topic of this year’s festival, Docaviv will feature a select group of thought-provoking films about a world that is changing with the collapse of physical and social boundaries, growing economic disparities, the waves of refugees and immigrants, civil wars, international terrorism, and the ultimate undoing of social solidarity.
Within the framework of this theme the program does not only include documentaries about terror and refugees, but also about a fragmented society which is losing its solidarity. Both in Israel and elsewhere the gap between the haves and the have-nots is widening, and so are the frustrations and the unrest. Israeli and international titles correlating to these themes can be found throughout the entire festival program:
“Death in the terminal” - Directors Tali Shemesh (“The Cemetery Club”) and Assaf Surd
A tense, minute-by-minute, Rashomon-style account of a tragic day. On October 18, 2015, a terrorist armed with a gun and a knife entered Beersheba’s bus terminal. Within 18 minutes Omri Levy, a soldier was killed and Abtum Zarhum, Eritrean immigrant asylum seeker, was lynched after being mistaken for a terrorist.
“The Settlers” - Premiered in Sundance, Director Shimon Dotan.
A far-reaching, comprehensive look at the Jewish settlement enterprise in the West Bank. It examines the origins of the settlement movement and the religious and ideological visions that propelled it, while providing an intimate look at the people at the center of the greatest geopolitical challenge now facing Israel and the international community. (Isa Contact: Cinephil)
“Town on a Wire” - premiered at Cph: Dox Dir: Uri Rosenwaks
While Tel Aviv is thriving, just ten minutes away lies the town of Lod, right in the backyard of Israel’s bustling urban center. Unlike its affluent neighbor, Lod is a city that suffers from the blight of racism, crime, and sheer desperation. Can it be saved? Is there some way to bring hope to Lod’s Arab and Jewish residents?
“Foucoammare”/ “Fire at Sea” - by Gianfranco Rosi - winner of Golden Bear, Berlinale 2016 -every day the inhabitants of the Italian Island Lampedusa are confronted with the flight of refugees to Europe . These people long for peace and freedom and often only their dead bodies are pulled out of the water. (Contact Isa: Doc & Film Int’l. U.S.: Kino Lorber)
“Between fences” – by Avi Mograbi -. In an Israeli detention center asylum-seekers from Eritrea and Sudan can’t be sent back to their own countries, but have no prospects in Israel either thanks to the country’s policies. Chen Alon and Avi Mograbi, initiate a theatre workshop to give these people the opportunity to address their own experiences of forced migration and discrimination and to confront an Israeli society that views them as dangerous infiltrators.
“A Syrian Love Story” – by Sean McAllister -You can’t be Che Guevara and a mother Amer tells Raghda, but maybe she can't do it any other way. After years of struggle, life without her homeland and the revolution has no meaning for her. It is hard to determine what is more demanding in this bold film: the revolution, or the search for inner peace. (Contact Isa: Cat & Docs)
“Homo Sapiens” – by Nikolaus Geyrhalter - what does humanity leave behind when its gone? It sometimes seems as if the mark that humans leave on this planet will last forever. The truth is that the iron, bricks, cement, and steel – the human traces everywhere abandoned and forgotten – are erased by the forces of nature. This unusually beautiful film may lack people and words, but that leaves even more room for thought.(Contact Isa: Autlook)
“Land of the Enlightened” – Premiered at Sundance Ff 2016. Shot over seven years on evocative 16mm footage, first-time director Pieter-Jan De Pue paints a whimsical yet haunting look at the condition of Afghanistan left for the next generation. As American soldiers prepare to leave, we follow De Pue deep into this hidden land where young boys form wild gangs to control trade routes, sell explosives from mines left over from war, making the new rules of war based on the harsh landscape left to them. (Contact Isa: Films Boutique)
“Flickering Truth” - Premiered at Toronto Ff 2015. Director Pietra Brettkelly (The Art Star and the Sudanese Twins) directs this harrowing, compelling film about the power of cinema to preserve our history and in so doing potentially change our futures. (Contact Isa: Film Sales Company)
“Requiem for the American Dream” - Directed by Peter D. Hutchison, Kelly Nyks, Jared P. Scott. In ten chilling but lucid chapters, Noam Chomsky, one of the great intellectuals of our time, analyzes the “system,” which allows wealthy capitalists to seize the reins of government and turn those without wealth into a passive herd, willing to forego power, solidarity, and democracy itself. (U.S.: Gravitas. Contact Isa: Films Transit)
The festival will open with a first film by Israeli director Roman Shumunov
“Babylon Dreamers” Directed by Roman Somonob. An intimate report about a troupe of immigrants from the former Soviet Union, from one of Ashdod’s poorest neighborhoods; they struggle to survive facing harsh conditions - poverty, mental illness, and broken families. They channel their anger and cling to their dream of attending and winning the International Breakdance Championship.
Israeli Competition
Some 70 Israeli films produced over the last year were submitted out of which 13 films have been selected for the Israeli Competition. They will be competing for the largest cash prize for documentary filmmaking in Israel 70,000 Nis (Us$ 15,000). Other awards in the competition include the Mayor’s Prize for the Most Promising Filmmaker, the Prize for Editing, the Prize for Cinematography, the Prize for Research, and the Prize for Original Score.
"The Wonderful Kingdom of Papa Alaev," directors Tal Barda, Noam Pinchas -Tajikistan’s answer to the Jackson Family. A modern-day Shakespearean tale about a famous Tajik musical family, controlled by their charismatic patriarch-grandfather - Papa Alaev.
"A Tale of Two Balloons" by Zohar Wagner - The tale of a women who thought a pair of perfect breasts would help her find true love. But when that love came along, those perfect breasts had to go.
"Aida's Secrets," director Alon Schwarz - At 68, Izak learns he has a brother he never knew about. As part of the discoveries about the family, the film uncovers the story of the Displaced Persons camps- the vibrant and often wild social life that flourished immediately after WW2.
"Child Mother" by Yael Kipper and Ronen Zaretzky - The story of elderly women born in Morocco and Yemen, who were married off when they were still little girls. Only now, as they enter the final chapter of their lives, do they openly face their past and the ways it still affects them and their families.
"The Last Shaman" directed by Raz Degan - Inspired by an article he read, James decides to travel to the Amazon rainforests, in search of a shaman whom he thinks can save him from a clinical depression that haunts him.
"The Patriarch's Room" by Danae Elon -The bizarre imprisonment of the former head of the Greek Orthodox Church in a tiny monastic cell in Jerusalem’s Old City leads to a fascinating journey in search of the truth, penetrating the remote world of the priesthood. The complex and unfamiliar picture that emerges is revealed here, on camera, for the very first time.
"Poetics of the Brain" by Nurith Aviv –weaving associative links between her personal biographical stories and neuroscientists’ accounts of their work. They discuss topics such as memory, bilingualism, reading, mirror neurons, smell, traces of experience.
"Shalom Italia," by Tamar Tal Anati (winner of Docaviv for Life in Stills) -Three Italian Jewish brothers set off on a journey through Tuscany, in search of a cave where they hid as children to escape the Nazis. Their quest, full of humor, food and Tuscan landscapes, straddles the boundary between history and myth, both of which really, truly happened.
"Week 23" by Ohad Milstein - Rahel, the daughter of a Swiss bishop, is coping with a difficult pregnancy in Israel. One of the identical twins she is carrying has died in utero, and now poses an almost certain threat to its sibling. The doctors are unequivocal about it. They tell Rahel that she should abort the surviving fetus and end her pregnancy.
"The Settlers" by Shimon Dotan; Town On A Wire directed by Uri Rosenwaksand Eyal Blachson; Death in the Terminal by Tali Shemesh and Asaf Sudry, and Babylon Dreamers by Roman Shumunov.
The Members of the selection committee included Sinai Abt, artistic director of the Docaviv Film Festival; director Reuven Brodsky, winner of Docaviv in 2012 for his film Home Movie and of Honorable Mention at Docaviv in 2015 and film editor Ayelet Ofarim.
Twelve films have been selected for the International Competition, which will open with the The Happy Film by Stefan Seigmeister. Also competing are Jerzy Sladkowski’s Don Juan, winner of the Idfa Award; Author: The J.T. LeRoy Story about the imaginary cult figure who became the darling of New York society and nightlife, picked up by Amazon at Sundance as its first doc title. Another festival favorite is A Flickering Truth and Sean McAllister's daring award winning documentary A Syrian Love Story.
The Depth of Field Competition will open with LoveTrue by director Alma Har’el, who will be a juror for the Israeli Film Competition. This is the Competition’s third year, held in conjunction with the Film Critics’ Forum that will award films for an outstanding and daring artistic vision. Other films that will be screened as part of the competition include Sundance winners Kate Plays Christine by Robert Greene, and Pieter-Jan De Pue’s hybrid documentary The Land of the Enlightened; other titles that will be shown are Hotel Dallas by wife and husband artist duo Livia Ungur and Sherng-Lee Huang, The Hong Kong Trilogy by noted cinematographer Christopher Doyle , and the musical- turned into documentary London Road by Rufus Norris and Alecky Blythe.
The Masters Section, a new category in the festival, highlighting new films by world renowned directors will be opened by Fire at Sea by director Gianfranco Rosi, winner of the Golden Bear at this year’s Berlinale. Avi Mograbi’s Between Fences will be accompanied by a play by the Holot Legislative Theater, with a cast of actors that includes Israelis and African asylum seekers.
Other films in this section include amongst others Junun, Paul Thomas Anderson’s portrayal of a musical project involving Shye Ben-Tzur and Jonny Greenwood, Homo Sapiens by director Nikolaus Geyrhalter, Steve Jobs: The Man in the Machine by director Alex Gibney, To the Desert by director Judd Neeman, Unlocking the Cage by directors D.A. Pennebaker and Chris Hegedus, De Palma by co-director Noah Baumbach and He Named Me Malala by David Guggenheim.
The Panorama selection of films will include amongst others the moving Strike a Pose, by Ester Gould and Reijer Zwaan about the dancers who accompanied Madonna on her “Blond Ambition” tour, Roger Ross Williams ‘Life, Animated depicting the remarkable story of an autistic boy, who learned how to communicate with his surroundings through Disney films, Those Who Jump about an African refugee who films attempts by other refugees to jump the barbed wire border fence in North Africa and Louis Theroux: My Scientology Film.
This year’s Arts Section will include Music of Strangers: Yo-Yo Ma and the Silk Road Ensemble by Academy Award winner Morgan Neville; I Don’t Belong Anywhere: The Cinema of Chantal Akerman, which was produced shortly before her tragic death, Listen to Me, Marlon, which tells the story of Marlon Brando through the audio recordings he made throughout his life, Peggy Guggenheim: Art Addict, the salacious story of art collector Peggy Guggenheim, Koudelka Shooting Holy Land, Gilad Baram’s film about famous Czech photographer Josef Koudelka’s travels along the Separation Fence, and more.
Seven films produced by the top film schools in Israel were selected to compete in the annual Student Film Competition. The prize for the competition was donated by the Gottesman family in memory of Ruti Gottesman, a leading supporter of Docaviv and of documentary.
The Members of the selection committee included Karin Ryvind Segal, programming director for Docaviv, Hila Avraham, curator and expert on film and audiovisual media preservation and screenwriter Danny Rosenberg, whose work includes the films My Father’s House , Susia and the television series Johnny and the Knights of the Galilee.
Special Guests attending the Festival:
Award winning Director Ondi Timoner, will be attending the Israeli premiere of her film Russell Brand: A Second Coming. Her Sundance-winning film Dig! will be among the music documentaries screened at the Tel Aviv Port. In conjunction with the Film Department of Beit Berl College, Timoner will also be conducting a special master class for students, professionals, and amateurs.
This year’s festival will include a special tribute to acclaimed director Nikolaus Geyrhalter who will be attending the festival with his recent Homo Sapiens. This year’s festival will also include two previous films of his, Our Daily Bread and Abendland,.
International jury members attending the festival include:
Adriek van Nieuwenhuyzen, Director of the Idfa industry office; Gary Kam, producer of Planet of Snail; film director Alma Har’el (Bombay Beach; LoveTrue) ; Nilotpal, Director of Docedge Kolkata, Sascha Lara Bleuler, Director of the Human Rights Film Festival in Zurich, and film director Tatiana Brandrup.
The Israeli jurors include:
Director Dror Moreh, director and producer Barak Heymann, director Robby Elmaliah, producer Elinor Kowarsky, photographer David Adika, and film editor Tal Rabiner.
Around town. A record number of twelve screening venues spread out across Tel Aviv will offer free screenings. These are: Habima Square, the Beit Danny Community Center, the Hatikvah neighborhood, the Arab-Jewish Community Center in Jaffa, the rooftop of Tel Aviv City Hall, WeWork, Levinsky Park, Bar Kayma, Beit Romano, the Nalaga’at Center, Picnic Little Italy-Sarona Tel Aviv, and Artport.
Outdoors. The Tel Aviv Port will continue to host the festival this year, with outdoor screenings of music films with guest deejays from KZRadio. Films to be screened at the port include Janis: Little Girl Blue, The Reflektor Tapes about the band Arcade Fire, P.T Andersoan’s Junun about the musical collaboration between Shye Ben Tzur, Jonny Greenwood, Nigel Godrich, and a dozen Indian musicians.
Festival Firsts. DocaviVR: a collaboration between Docaviv and Steamer, Israel’s first Interactive and Virtual Reality Film Festival, presents original documentary projects from Israel and around the world, created especially for viewing with Vr gear. The event will take place at Beit Romano. A cinema will pop up in one of Tel Aviv’s trendy hubs, with 25 stations equipped with Vr gear.
The Docommunity conference aims to promote dcomentary across the country by bringing together cultural coordinators and artistic directors from across the country to introduce them to the latest documentary films from Israel and around the world.
The Platform for Alternative Documentation at Artport art space: A performative piece that brings together film artists, social activists, and researchers studying the various aesthetic, social, and philosophical aspects of documentation. Curated by Laliv Melamed and Gilad Reich.
Young audiences. For the first time, films from The Next Doc will be screened, a special initiative of Docaviv, the Second Channel, and the New Fund for Film and Television, which led to the production of three films created especially for a teenage audience.
Docaviv will also be hosting the final event of Docu Young, at which films by students in residential schools, who participated in film workshops , will be screened.
The Docyouth Competition will feature the best documentary films produced by students in high school film programs throughout the country. For the first time, voting for this year’s competition will be held online and open to high school students across the country.
Among the Screenings of docs for kids are Victor Kosakovsky’s “Varicella”, and “Landfilharmonic”.
Over the course of the festival, 110 films will be screened.
Within the framework of this theme the program does not only include documentaries about terror and refugees, but also about a fragmented society which is losing its solidarity. Both in Israel and elsewhere the gap between the haves and the have-nots is widening, and so are the frustrations and the unrest. Israeli and international titles correlating to these themes can be found throughout the entire festival program:
“Death in the terminal” - Directors Tali Shemesh (“The Cemetery Club”) and Assaf Surd
A tense, minute-by-minute, Rashomon-style account of a tragic day. On October 18, 2015, a terrorist armed with a gun and a knife entered Beersheba’s bus terminal. Within 18 minutes Omri Levy, a soldier was killed and Abtum Zarhum, Eritrean immigrant asylum seeker, was lynched after being mistaken for a terrorist.
“The Settlers” - Premiered in Sundance, Director Shimon Dotan.
A far-reaching, comprehensive look at the Jewish settlement enterprise in the West Bank. It examines the origins of the settlement movement and the religious and ideological visions that propelled it, while providing an intimate look at the people at the center of the greatest geopolitical challenge now facing Israel and the international community. (Isa Contact: Cinephil)
“Town on a Wire” - premiered at Cph: Dox Dir: Uri Rosenwaks
While Tel Aviv is thriving, just ten minutes away lies the town of Lod, right in the backyard of Israel’s bustling urban center. Unlike its affluent neighbor, Lod is a city that suffers from the blight of racism, crime, and sheer desperation. Can it be saved? Is there some way to bring hope to Lod’s Arab and Jewish residents?
“Foucoammare”/ “Fire at Sea” - by Gianfranco Rosi - winner of Golden Bear, Berlinale 2016 -every day the inhabitants of the Italian Island Lampedusa are confronted with the flight of refugees to Europe . These people long for peace and freedom and often only their dead bodies are pulled out of the water. (Contact Isa: Doc & Film Int’l. U.S.: Kino Lorber)
“Between fences” – by Avi Mograbi -. In an Israeli detention center asylum-seekers from Eritrea and Sudan can’t be sent back to their own countries, but have no prospects in Israel either thanks to the country’s policies. Chen Alon and Avi Mograbi, initiate a theatre workshop to give these people the opportunity to address their own experiences of forced migration and discrimination and to confront an Israeli society that views them as dangerous infiltrators.
“A Syrian Love Story” – by Sean McAllister -You can’t be Che Guevara and a mother Amer tells Raghda, but maybe she can't do it any other way. After years of struggle, life without her homeland and the revolution has no meaning for her. It is hard to determine what is more demanding in this bold film: the revolution, or the search for inner peace. (Contact Isa: Cat & Docs)
“Homo Sapiens” – by Nikolaus Geyrhalter - what does humanity leave behind when its gone? It sometimes seems as if the mark that humans leave on this planet will last forever. The truth is that the iron, bricks, cement, and steel – the human traces everywhere abandoned and forgotten – are erased by the forces of nature. This unusually beautiful film may lack people and words, but that leaves even more room for thought.(Contact Isa: Autlook)
“Land of the Enlightened” – Premiered at Sundance Ff 2016. Shot over seven years on evocative 16mm footage, first-time director Pieter-Jan De Pue paints a whimsical yet haunting look at the condition of Afghanistan left for the next generation. As American soldiers prepare to leave, we follow De Pue deep into this hidden land where young boys form wild gangs to control trade routes, sell explosives from mines left over from war, making the new rules of war based on the harsh landscape left to them. (Contact Isa: Films Boutique)
“Flickering Truth” - Premiered at Toronto Ff 2015. Director Pietra Brettkelly (The Art Star and the Sudanese Twins) directs this harrowing, compelling film about the power of cinema to preserve our history and in so doing potentially change our futures. (Contact Isa: Film Sales Company)
“Requiem for the American Dream” - Directed by Peter D. Hutchison, Kelly Nyks, Jared P. Scott. In ten chilling but lucid chapters, Noam Chomsky, one of the great intellectuals of our time, analyzes the “system,” which allows wealthy capitalists to seize the reins of government and turn those without wealth into a passive herd, willing to forego power, solidarity, and democracy itself. (U.S.: Gravitas. Contact Isa: Films Transit)
The festival will open with a first film by Israeli director Roman Shumunov
“Babylon Dreamers” Directed by Roman Somonob. An intimate report about a troupe of immigrants from the former Soviet Union, from one of Ashdod’s poorest neighborhoods; they struggle to survive facing harsh conditions - poverty, mental illness, and broken families. They channel their anger and cling to their dream of attending and winning the International Breakdance Championship.
Israeli Competition
Some 70 Israeli films produced over the last year were submitted out of which 13 films have been selected for the Israeli Competition. They will be competing for the largest cash prize for documentary filmmaking in Israel 70,000 Nis (Us$ 15,000). Other awards in the competition include the Mayor’s Prize for the Most Promising Filmmaker, the Prize for Editing, the Prize for Cinematography, the Prize for Research, and the Prize for Original Score.
"The Wonderful Kingdom of Papa Alaev," directors Tal Barda, Noam Pinchas -Tajikistan’s answer to the Jackson Family. A modern-day Shakespearean tale about a famous Tajik musical family, controlled by their charismatic patriarch-grandfather - Papa Alaev.
"A Tale of Two Balloons" by Zohar Wagner - The tale of a women who thought a pair of perfect breasts would help her find true love. But when that love came along, those perfect breasts had to go.
"Aida's Secrets," director Alon Schwarz - At 68, Izak learns he has a brother he never knew about. As part of the discoveries about the family, the film uncovers the story of the Displaced Persons camps- the vibrant and often wild social life that flourished immediately after WW2.
"Child Mother" by Yael Kipper and Ronen Zaretzky - The story of elderly women born in Morocco and Yemen, who were married off when they were still little girls. Only now, as they enter the final chapter of their lives, do they openly face their past and the ways it still affects them and their families.
"The Last Shaman" directed by Raz Degan - Inspired by an article he read, James decides to travel to the Amazon rainforests, in search of a shaman whom he thinks can save him from a clinical depression that haunts him.
"The Patriarch's Room" by Danae Elon -The bizarre imprisonment of the former head of the Greek Orthodox Church in a tiny monastic cell in Jerusalem’s Old City leads to a fascinating journey in search of the truth, penetrating the remote world of the priesthood. The complex and unfamiliar picture that emerges is revealed here, on camera, for the very first time.
"Poetics of the Brain" by Nurith Aviv –weaving associative links between her personal biographical stories and neuroscientists’ accounts of their work. They discuss topics such as memory, bilingualism, reading, mirror neurons, smell, traces of experience.
"Shalom Italia," by Tamar Tal Anati (winner of Docaviv for Life in Stills) -Three Italian Jewish brothers set off on a journey through Tuscany, in search of a cave where they hid as children to escape the Nazis. Their quest, full of humor, food and Tuscan landscapes, straddles the boundary between history and myth, both of which really, truly happened.
"Week 23" by Ohad Milstein - Rahel, the daughter of a Swiss bishop, is coping with a difficult pregnancy in Israel. One of the identical twins she is carrying has died in utero, and now poses an almost certain threat to its sibling. The doctors are unequivocal about it. They tell Rahel that she should abort the surviving fetus and end her pregnancy.
"The Settlers" by Shimon Dotan; Town On A Wire directed by Uri Rosenwaksand Eyal Blachson; Death in the Terminal by Tali Shemesh and Asaf Sudry, and Babylon Dreamers by Roman Shumunov.
The Members of the selection committee included Sinai Abt, artistic director of the Docaviv Film Festival; director Reuven Brodsky, winner of Docaviv in 2012 for his film Home Movie and of Honorable Mention at Docaviv in 2015 and film editor Ayelet Ofarim.
Twelve films have been selected for the International Competition, which will open with the The Happy Film by Stefan Seigmeister. Also competing are Jerzy Sladkowski’s Don Juan, winner of the Idfa Award; Author: The J.T. LeRoy Story about the imaginary cult figure who became the darling of New York society and nightlife, picked up by Amazon at Sundance as its first doc title. Another festival favorite is A Flickering Truth and Sean McAllister's daring award winning documentary A Syrian Love Story.
The Depth of Field Competition will open with LoveTrue by director Alma Har’el, who will be a juror for the Israeli Film Competition. This is the Competition’s third year, held in conjunction with the Film Critics’ Forum that will award films for an outstanding and daring artistic vision. Other films that will be screened as part of the competition include Sundance winners Kate Plays Christine by Robert Greene, and Pieter-Jan De Pue’s hybrid documentary The Land of the Enlightened; other titles that will be shown are Hotel Dallas by wife and husband artist duo Livia Ungur and Sherng-Lee Huang, The Hong Kong Trilogy by noted cinematographer Christopher Doyle , and the musical- turned into documentary London Road by Rufus Norris and Alecky Blythe.
The Masters Section, a new category in the festival, highlighting new films by world renowned directors will be opened by Fire at Sea by director Gianfranco Rosi, winner of the Golden Bear at this year’s Berlinale. Avi Mograbi’s Between Fences will be accompanied by a play by the Holot Legislative Theater, with a cast of actors that includes Israelis and African asylum seekers.
Other films in this section include amongst others Junun, Paul Thomas Anderson’s portrayal of a musical project involving Shye Ben-Tzur and Jonny Greenwood, Homo Sapiens by director Nikolaus Geyrhalter, Steve Jobs: The Man in the Machine by director Alex Gibney, To the Desert by director Judd Neeman, Unlocking the Cage by directors D.A. Pennebaker and Chris Hegedus, De Palma by co-director Noah Baumbach and He Named Me Malala by David Guggenheim.
The Panorama selection of films will include amongst others the moving Strike a Pose, by Ester Gould and Reijer Zwaan about the dancers who accompanied Madonna on her “Blond Ambition” tour, Roger Ross Williams ‘Life, Animated depicting the remarkable story of an autistic boy, who learned how to communicate with his surroundings through Disney films, Those Who Jump about an African refugee who films attempts by other refugees to jump the barbed wire border fence in North Africa and Louis Theroux: My Scientology Film.
This year’s Arts Section will include Music of Strangers: Yo-Yo Ma and the Silk Road Ensemble by Academy Award winner Morgan Neville; I Don’t Belong Anywhere: The Cinema of Chantal Akerman, which was produced shortly before her tragic death, Listen to Me, Marlon, which tells the story of Marlon Brando through the audio recordings he made throughout his life, Peggy Guggenheim: Art Addict, the salacious story of art collector Peggy Guggenheim, Koudelka Shooting Holy Land, Gilad Baram’s film about famous Czech photographer Josef Koudelka’s travels along the Separation Fence, and more.
Seven films produced by the top film schools in Israel were selected to compete in the annual Student Film Competition. The prize for the competition was donated by the Gottesman family in memory of Ruti Gottesman, a leading supporter of Docaviv and of documentary.
The Members of the selection committee included Karin Ryvind Segal, programming director for Docaviv, Hila Avraham, curator and expert on film and audiovisual media preservation and screenwriter Danny Rosenberg, whose work includes the films My Father’s House , Susia and the television series Johnny and the Knights of the Galilee.
Special Guests attending the Festival:
Award winning Director Ondi Timoner, will be attending the Israeli premiere of her film Russell Brand: A Second Coming. Her Sundance-winning film Dig! will be among the music documentaries screened at the Tel Aviv Port. In conjunction with the Film Department of Beit Berl College, Timoner will also be conducting a special master class for students, professionals, and amateurs.
This year’s festival will include a special tribute to acclaimed director Nikolaus Geyrhalter who will be attending the festival with his recent Homo Sapiens. This year’s festival will also include two previous films of his, Our Daily Bread and Abendland,.
International jury members attending the festival include:
Adriek van Nieuwenhuyzen, Director of the Idfa industry office; Gary Kam, producer of Planet of Snail; film director Alma Har’el (Bombay Beach; LoveTrue) ; Nilotpal, Director of Docedge Kolkata, Sascha Lara Bleuler, Director of the Human Rights Film Festival in Zurich, and film director Tatiana Brandrup.
The Israeli jurors include:
Director Dror Moreh, director and producer Barak Heymann, director Robby Elmaliah, producer Elinor Kowarsky, photographer David Adika, and film editor Tal Rabiner.
Around town. A record number of twelve screening venues spread out across Tel Aviv will offer free screenings. These are: Habima Square, the Beit Danny Community Center, the Hatikvah neighborhood, the Arab-Jewish Community Center in Jaffa, the rooftop of Tel Aviv City Hall, WeWork, Levinsky Park, Bar Kayma, Beit Romano, the Nalaga’at Center, Picnic Little Italy-Sarona Tel Aviv, and Artport.
Outdoors. The Tel Aviv Port will continue to host the festival this year, with outdoor screenings of music films with guest deejays from KZRadio. Films to be screened at the port include Janis: Little Girl Blue, The Reflektor Tapes about the band Arcade Fire, P.T Andersoan’s Junun about the musical collaboration between Shye Ben Tzur, Jonny Greenwood, Nigel Godrich, and a dozen Indian musicians.
Festival Firsts. DocaviVR: a collaboration between Docaviv and Steamer, Israel’s first Interactive and Virtual Reality Film Festival, presents original documentary projects from Israel and around the world, created especially for viewing with Vr gear. The event will take place at Beit Romano. A cinema will pop up in one of Tel Aviv’s trendy hubs, with 25 stations equipped with Vr gear.
The Docommunity conference aims to promote dcomentary across the country by bringing together cultural coordinators and artistic directors from across the country to introduce them to the latest documentary films from Israel and around the world.
The Platform for Alternative Documentation at Artport art space: A performative piece that brings together film artists, social activists, and researchers studying the various aesthetic, social, and philosophical aspects of documentation. Curated by Laliv Melamed and Gilad Reich.
Young audiences. For the first time, films from The Next Doc will be screened, a special initiative of Docaviv, the Second Channel, and the New Fund for Film and Television, which led to the production of three films created especially for a teenage audience.
Docaviv will also be hosting the final event of Docu Young, at which films by students in residential schools, who participated in film workshops , will be screened.
The Docyouth Competition will feature the best documentary films produced by students in high school film programs throughout the country. For the first time, voting for this year’s competition will be held online and open to high school students across the country.
Among the Screenings of docs for kids are Victor Kosakovsky’s “Varicella”, and “Landfilharmonic”.
Over the course of the festival, 110 films will be screened.
- 5/11/2016
- by Sydney Levine
- Sydney's Buzz
★★★★☆ Sifting through scrubland near an abandoned warehouse a man cradles the burnt remains of celluloid film stock and speaks of their destruction by the Taliban: "They burned the films. They killed them. They bled into the ground." Like the lament of this eloquent subject, A Flickering Truth tells of the destruction of Afghan cinematic culture with a visual and lyrical language that, in remembering, rediscovering, and conserving the work of the Afghan Films Archive - led by Ibrahim Arify - stands as a vital example of maintaining cultural heritage for a fragile national identity.
- 5/5/2016
- by CineVue UK
- CineVue
A Flickering Truth opens with a slow walk down a gloomy and cockroach-ridden corridor. Naturally, anticipating a somewhat unnerving story ahead, these cockroaches and cobwebs are subsequently juxtaposed with celluloid images; images that features a landscape and a striking woman. We swiftly learn that we are at the hands of a film lover; both on and
The post A Flickering Truth Review appeared first on HeyUGuys.
The post A Flickering Truth Review appeared first on HeyUGuys.
- 4/28/2016
- by Guest
- HeyUGuys.co.uk
Exclusive: The inaugural Cinema Rediscovered festival will host screenings, workshops and the Ico’s Archive Screening Day 2016.
Bristol’s arts venue Watershed is teaming with the Independent Cinema Office (Ico), South West Silents and 20th Century Flicks to launch a new international archive film festival.
Supported by the BFI Film Audience Network’s Film Hub South West & West Midlands, Cinema Rediscovered will run in and around Bristol between July 28-31, 2016.
Taking inspiration from Il Cinema Ritrovato festival in Bologna, the event will showcase new digital restorations, film print rarities of early cinema and contemporary classics on the big screen.
Programme highlights include the world premiere of the new restoration of British drama The Lion in Winter (1968) ahead of its release later this year through Studiocanal and a presentation of the 4K restoration of Japanese auteur Nagisa Ôshima’s BAFTA-winning English language debut Merry Christmas Mr. Lawrence (1983), starring David Bowie.
The Lion in Winter forms the centrepiece of a tribute...
Bristol’s arts venue Watershed is teaming with the Independent Cinema Office (Ico), South West Silents and 20th Century Flicks to launch a new international archive film festival.
Supported by the BFI Film Audience Network’s Film Hub South West & West Midlands, Cinema Rediscovered will run in and around Bristol between July 28-31, 2016.
Taking inspiration from Il Cinema Ritrovato festival in Bologna, the event will showcase new digital restorations, film print rarities of early cinema and contemporary classics on the big screen.
Programme highlights include the world premiere of the new restoration of British drama The Lion in Winter (1968) ahead of its release later this year through Studiocanal and a presentation of the 4K restoration of Japanese auteur Nagisa Ôshima’s BAFTA-winning English language debut Merry Christmas Mr. Lawrence (1983), starring David Bowie.
The Lion in Winter forms the centrepiece of a tribute...
- 4/27/2016
- by andreas.wiseman@screendaily.com (Andreas Wiseman)
- ScreenDaily
Exclusive: A total of 110 films will screen at the festival, including recent Golden Bear-winner Fuocoammare and a selection of Israeli docs.
Topics including immigration and instability in the West Bank region will be highlighted at this year’s Docaviv international documentary festival (May 19-28) in Tel Aviv, Israel.
Among the 2016 programme is Gianfranco Rosi’s Berlin Golden Bear-winning Fuocoammare, Shimon Dotan’s Sundance premiere The Settlers and Sean McAllister’s BAFTA-nominated A Syrian Love Story.
The festival will open with Babylon Dreamers [pictured], about a group of immigrants from the former Soviet Union who, despite struggling to survive in tough circumstances in Israeli city Ashdod, decide to pursue their dream of entering the International Breakdance Championships.
That film will compete in the festival’s Israeli competition, which offers a prize of $18.5k (70k Ils), alongside 12 other titles including films about arranged marriages in Morocco and Yemen (Child Mother), depression-curing shamans in the Amazon rainforest (The Last Shaman), and three...
Topics including immigration and instability in the West Bank region will be highlighted at this year’s Docaviv international documentary festival (May 19-28) in Tel Aviv, Israel.
Among the 2016 programme is Gianfranco Rosi’s Berlin Golden Bear-winning Fuocoammare, Shimon Dotan’s Sundance premiere The Settlers and Sean McAllister’s BAFTA-nominated A Syrian Love Story.
The festival will open with Babylon Dreamers [pictured], about a group of immigrants from the former Soviet Union who, despite struggling to survive in tough circumstances in Israeli city Ashdod, decide to pursue their dream of entering the International Breakdance Championships.
That film will compete in the festival’s Israeli competition, which offers a prize of $18.5k (70k Ils), alongside 12 other titles including films about arranged marriages in Morocco and Yemen (Child Mother), depression-curing shamans in the Amazon rainforest (The Last Shaman), and three...
- 4/19/2016
- ScreenDaily
American independent filmmakers who moan over long-term storage bills, failed hard drives and misplaced optical tracks will receive the corrective they need to their First World Film Preservation problems by viewing Pietra Brettkelly’s new documentary, A Flickering Truth. Receiving its North American premiere at the Toronto Film Festival, the picture follows a group of film archivists who have secretly fought to preserve Afghanistan’s storied film culture from the violence of the Taliban era. Below, Brettkelly answers questions about filming in a war-torn country, Afghan cinema and how her own archival practices have changed as a result of making this film. […]...
- 9/18/2015
- by Scott Macaulay
- Filmmaker Magazine-Director Interviews
American independent filmmakers who moan over long-term storage bills, failed hard drives and misplaced optical tracks will receive the corrective they need to their First World Film Preservation problems by viewing Pietra Brettkelly’s new documentary, A Flickering Truth. Receiving its North American premiere at the Toronto Film Festival, the picture follows a group of film archivists who have secretly fought to preserve Afghanistan’s storied film culture from the violence of the Taliban era. Below, Brettkelly answers questions about filming in a war-torn country, Afghan cinema and how her own archival practices have changed as a result of making this film. […]...
- 9/18/2015
- by Scott Macaulay
- Filmmaker Magazine - Blog
Jennifer Peedom.s Sherpa and Gillian Armstrong.s Women He.s Undressed will screen at the 40th Toronto International Film Festival next month.
They are among 26 titles selected for the Tiff Docs section of the fest, which runs from September 10 to 20, enhancing Australia.s profile at the event where Jocelyn Moorhouse.s The Dressmaker will have its world premiere in Gala Presentations and Simon Stone.s The Daughter will have its North American premiere in Special Presentations.
Produced by Bridget Ikin and John Smithson, Peedom.s film chronicles how Sherpas united in grief and anger to reclaim Mount Everest after an icefall killed 15 of their members on Mount Everest.. It will open in Australia in February, co-distributed by John Maynard's Footprint Films and Transmission.
It will be the international premiere of Armstrong.s doc which profiles Australian costume designer Orry-Kelly, who won three Academy Awards.
Among the world premieres...
They are among 26 titles selected for the Tiff Docs section of the fest, which runs from September 10 to 20, enhancing Australia.s profile at the event where Jocelyn Moorhouse.s The Dressmaker will have its world premiere in Gala Presentations and Simon Stone.s The Daughter will have its North American premiere in Special Presentations.
Produced by Bridget Ikin and John Smithson, Peedom.s film chronicles how Sherpas united in grief and anger to reclaim Mount Everest after an icefall killed 15 of their members on Mount Everest.. It will open in Australia in February, co-distributed by John Maynard's Footprint Films and Transmission.
It will be the international premiere of Armstrong.s doc which profiles Australian costume designer Orry-Kelly, who won three Academy Awards.
Among the world premieres...
- 8/11/2015
- by Staff writer
- IF.com.au
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