- A multidimensional and multisensory journey in the Florentine Renaissance through its most representative beauties, with the latest-generation 3D and 4K technology and the most advanced techniques of modelling and dimensionalisation.
- Praised by audience and critics, Florence and the Uffizi Gallery 3D/4K gained the first place of the Italian box office in the first two days of its theatrical release. A multidimensional and multisensory journey in the Florentine Renaissance through its most representative beauties, where the latest-generation 3D and 4K technology and the most advanced techniques of modelling and dimensionalisation are put at the service of the national artistic heritage to valorise it and to export it all over the world. Rather than a classic art documentary, Florence and the Uffizi Gallery 3D/4K is an art movie, that has made its debut in 2.000 theatres of 60 countries.
- The film goes through the symbol places of the open-air museum that is the city of Florence, with over 10 museum locations and 150 artworks shown on the big screen and caught through unprecedented viewpoints and astonishing shots like Michelangelos David and the exclusive frontal shots from close up. The heart of the film is naturally the Uffizi Gallery, where the audience will be able to enter for the first time the Tribuna guided among its most important works by Antonio Natali, Curator of the Gallery from 2006 to 2015, and its passionate and accurate commentary. Another gem will be the revealing of the restoration in progress of the Adoration of the Magi by Leonardo, not displayed in the Uffizi since 2011. To enrich the film there are spectacular aerial pictures of the city, realized thanks to the use of a helicopter and a drone, and exclusive shots in places or points of view seen for the first time, such as Brunelleschis Cupola and Piazza della Signoria shot at dawn, deserted, in all its magnificence. The most advanced modelling and dimensionalisation techniques and the 3D graphic reconstructions of the Uffizi Gallery and Brunelleschis Cupola - the latter beginning from the original designs kept in the Prints and Drawings Room of the Uffizi prove the effective and exclusive narration and visual experience granted by 3D technology. The structure of the movie is based on the succession of objective voice-over and emotional narration. The first one describes each artwork, reveals all its hidden details and characteristics and tells the secret stories that lie behind each artist and each masterpiece. The last role belongs to Lorenzo the Magnificent, a leading Renaissance figure, who, set in a timeless limbo, creates an intimately engaging narrative connection between the nine chapters of the film and leads the audience through the memories of his Florence, in an ongoing dialogue between past and present.
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By what name was Florence and the Uffizi Gallery 3D/4K (2015) officially released in Canada in English?
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