The official website for anisong singer Eir Aoi , known for her theme song works for the Sword Art Online franchise, has announced that her new song "Beyond Gaze" is set to release on digital services on June 29, 2024. The song will be planned and produced by herself, while Fumio Yasuda, who previously collaborated with her on her major label debut single "Memoria," the ending theme for the 2011 TV anime Fate/Zero , will co-write the lyrics with her and work on music. Related : Anisong Singer Eir Aoi Announces Several-month Hiatus due to Her Health Issues As reported back in January 2023, Eir Aoi had to suspend her activities due to her health condition that required medium- to long-term treatment and recuperation. After a hiatus for about a year, she left her label, Sacra Music, and her agency, Guan Barl, at the end of last year. She opened her new official website on April...
- 5/1/2024
- by Mikikazu Komatsu
- Crunchyroll
Sovereign is proud to announce that award-winning Mexican director Amat Escalante’s powerful thriller Lost In The Night received its UK premiere at the 2023 BFI London Film Festival, as part of the ‘Thrill’ section, and now the film is available to rent/buy on Amazon Prime Video in the UK.
From acclaimed Mexican director Amat Escalante, following Heli, for which he won Best Director at Cannes in 2013, and The Untamed, which won him the Best Director prize at Venice in 2016, comes Lost In The Night, a taut, engrossing thriller that blends traditional elements of Latin American cinema with astute social commentary on Mexican society and contemporary influencer culture.
The film, which premiered at Cannes this year, stars Juan Daniel García Treviño (Narcos México), and Latin American influencer superstar Ester Expósito, who has 27 million followers, and features a superb score by Stranger Things composers Kyle Dixon and Michael Stein.
The film...
From acclaimed Mexican director Amat Escalante, following Heli, for which he won Best Director at Cannes in 2013, and The Untamed, which won him the Best Director prize at Venice in 2016, comes Lost In The Night, a taut, engrossing thriller that blends traditional elements of Latin American cinema with astute social commentary on Mexican society and contemporary influencer culture.
The film, which premiered at Cannes this year, stars Juan Daniel García Treviño (Narcos México), and Latin American influencer superstar Ester Expósito, who has 27 million followers, and features a superb score by Stranger Things composers Kyle Dixon and Michael Stein.
The film...
- 4/11/2024
- by Peter 'Witchfinder' Hopkins
- Horror Asylum
Indie streamer Mubi has acquired worldwide streaming rights to South African artist William Kentridge’s prestige series “Self-Portrait As a Coffee Pot” which explores how art is made in the digital age.
The nine-episode series by Kentridge – who is celebrated around the world for his influential works comprising animation, installations, theater, opera and films – first previewed as a rough cut at the 2022 Toronto Film Festival.
Kentridge lays bare his creative process in the nine 30-minute videos produced in the artist’s Johannesburg studio during the pandemic and its aftermath, between 2020 and 2023. In “Self-Portrait As a Coffee Pot,” Kentridge also invites audiences to reflect on the same philosophical questions that he poses to himself across the episodes, including how do our memories work, what makes us ourselves, and why does history always go wrong.
“Playfully deconstructing and assembling the pressing concerns of our time as works of art,” Kentridge uses “hand-drawn animations,...
The nine-episode series by Kentridge – who is celebrated around the world for his influential works comprising animation, installations, theater, opera and films – first previewed as a rough cut at the 2022 Toronto Film Festival.
Kentridge lays bare his creative process in the nine 30-minute videos produced in the artist’s Johannesburg studio during the pandemic and its aftermath, between 2020 and 2023. In “Self-Portrait As a Coffee Pot,” Kentridge also invites audiences to reflect on the same philosophical questions that he poses to himself across the episodes, including how do our memories work, what makes us ourselves, and why does history always go wrong.
“Playfully deconstructing and assembling the pressing concerns of our time as works of art,” Kentridge uses “hand-drawn animations,...
- 3/18/2024
- by Nick Vivarelli
- Variety Film + TV
The China Pavilion has set up shop in the middle of this year’s Hong Kong Filmart for the third year running as it aims to share the story of the evolution of the country’s film industry.
Organizers the China Film Co-production Corporation (Cfcc) have brought data with them, they say reflects that there are more international hits coming out of China, while the demographics back home continue to expand in terms of content and of audience.
“We hope to fully present the latest performance of the Chinese film industry through the China Film Pavilion and promote exchanges and cooperation between Chinese and foreign film industries,” a Cfcc spokesperson said.
The past 12 months has seen several Chinese films go on wide international release, led by The Wandering Earth II, the sci-fi epic drawn from the world of acclaimed writer Liu Cixin. The Frant Gwo-directed film was released simultaneously in eight countries — the U.
Organizers the China Film Co-production Corporation (Cfcc) have brought data with them, they say reflects that there are more international hits coming out of China, while the demographics back home continue to expand in terms of content and of audience.
“We hope to fully present the latest performance of the Chinese film industry through the China Film Pavilion and promote exchanges and cooperation between Chinese and foreign film industries,” a Cfcc spokesperson said.
The past 12 months has seen several Chinese films go on wide international release, led by The Wandering Earth II, the sci-fi epic drawn from the world of acclaimed writer Liu Cixin. The Frant Gwo-directed film was released simultaneously in eight countries — the U.
- 3/12/2024
- by Mathew Scott
- The Hollywood Reporter - Movie News
Long-time friends Tilda Swinton and Pedro Almodóvar are reuniting for the Oscar-winning director’s first English-language feature, “The Room Next Door.”
It’s hard to believe the Scottish high priestess of playing women unmoored from the people and places around her had never collaborated with the Spanish filmmaker before his proper English-language debut, “The Human Voice.” In that sharp shock of a 30-minute film, based on a Jean Cocteau play, Swinton starred as a woman going through a breakup over the telephone, surrounded by expressive Almodóvarian set design on a soundstage, and eventually a fire.
In “The Room Next Door,” also being released by Almodóvar’s perennial North American distributor Sony Pictures Classics, she’s a woman named Martha grappling with a strained relationship with her mother, and helped by a friend named Ingrid.
Swinton was embargoed from saying too much about the film, now in pre-production and shooting in Madrid next week,...
It’s hard to believe the Scottish high priestess of playing women unmoored from the people and places around her had never collaborated with the Spanish filmmaker before his proper English-language debut, “The Human Voice.” In that sharp shock of a 30-minute film, based on a Jean Cocteau play, Swinton starred as a woman going through a breakup over the telephone, surrounded by expressive Almodóvarian set design on a soundstage, and eventually a fire.
In “The Room Next Door,” also being released by Almodóvar’s perennial North American distributor Sony Pictures Classics, she’s a woman named Martha grappling with a strained relationship with her mother, and helped by a friend named Ingrid.
Swinton was embargoed from saying too much about the film, now in pre-production and shooting in Madrid next week,...
- 2/28/2024
- by Ryan Lattanzio
- Indiewire
The Berlin International Film Festival has confirmed its full juries for the 2024 edition (February 16-24), with Italian actress Jasmine Trinca and German filmmaker Christian Petzold among those joining president Lupita Nyong’o on the main international jury.
Also on the jury are filmmakers Ann Hui (Hong Kong) and Albert Serra (Spain) alongside Ukrainian novelist and poet Oksana Zabuzhko.
The international jury will select the winners of the Golden and Silver Bears from the 20 films playing in Competition.
The three-member jury for the Encounters strand comprises filmmakers Lisandro Alonso (Argentina), Denis Côté (Canada) and Tizza Covi (Italy).
The Encounters jury will choose the winners of best film,...
Also on the jury are filmmakers Ann Hui (Hong Kong) and Albert Serra (Spain) alongside Ukrainian novelist and poet Oksana Zabuzhko.
The international jury will select the winners of the Golden and Silver Bears from the 20 films playing in Competition.
The three-member jury for the Encounters strand comprises filmmakers Lisandro Alonso (Argentina), Denis Côté (Canada) and Tizza Covi (Italy).
The Encounters jury will choose the winners of best film,...
- 2/1/2024
- ScreenDaily
Lana Parrilla and Branko Tomovic have joined the cast of Action Xtreme’s Pov action thriller “Bad Day at the Office” from writer-director Chee Keong Cheung.
The two join the previously announced cast of John Hannah, Radha Mitchell, Tamer Hassan, Roxanne Mckee (“Game of Thrones”) and Tim Fellingham (“Final Destination 5”).
Filmed entirely in the first-person perspective using GoPros, “Bad Day at the Office” follows Karl (Hannah) after he wakes up in a wrecked hotel room with no memory of what’s happened, where he is, or even who he is. When he discovers a dead body in the bathtub, it sets into motion a terrifying and explosive series of events that force Karl and hotel maid Molly (Mitchell) on a blind descent into a deceptive world of confusion and conspiracy.
Producers on “Bad Day at the Office,” which is currently shooting in several locations around London, include Andreas Roald,...
The two join the previously announced cast of John Hannah, Radha Mitchell, Tamer Hassan, Roxanne Mckee (“Game of Thrones”) and Tim Fellingham (“Final Destination 5”).
Filmed entirely in the first-person perspective using GoPros, “Bad Day at the Office” follows Karl (Hannah) after he wakes up in a wrecked hotel room with no memory of what’s happened, where he is, or even who he is. When he discovers a dead body in the bathtub, it sets into motion a terrifying and explosive series of events that force Karl and hotel maid Molly (Mitchell) on a blind descent into a deceptive world of confusion and conspiracy.
Producers on “Bad Day at the Office,” which is currently shooting in several locations around London, include Andreas Roald,...
- 1/31/2024
- by Alex Ritman
- Variety Film + TV
U.K.-based film production and distribution company Sovereign is expanding across the Atlantic with the launch of a distribution arm in the U.S.
With a plan to release two to three titles a year theatrically and across VOD platforms, the first film slated for release from the new entity is Laurent Nègre’s World War II thriller “A Forgotten Man,” which Sovereign also produced. Set in 1945 after the surrender of Nazi Germany, the story follows the Swiss ambassador (played by Michael Neuenschwander) after he leaves Berlin, but finds himself haunted by his past.
The film, which recently had its U.S. premiere at the Miami Jewish Film Festival and first bowed in Zurich, was released in the U.K. by Sovereign with support from the Swiss Confederation and Swiss Films. Its U.S. release is now slated for April.
Andreas Roald, who first founded Sovereign in 2008, and the head of U.
With a plan to release two to three titles a year theatrically and across VOD platforms, the first film slated for release from the new entity is Laurent Nègre’s World War II thriller “A Forgotten Man,” which Sovereign also produced. Set in 1945 after the surrender of Nazi Germany, the story follows the Swiss ambassador (played by Michael Neuenschwander) after he leaves Berlin, but finds himself haunted by his past.
The film, which recently had its U.S. premiere at the Miami Jewish Film Festival and first bowed in Zurich, was released in the U.K. by Sovereign with support from the Swiss Confederation and Swiss Films. Its U.S. release is now slated for April.
Andreas Roald, who first founded Sovereign in 2008, and the head of U.
- 1/25/2024
- by Alex Ritman
- Variety Film + TV
The first Floodlight Summit will take place from Nov. 30 to Dec. 3 in Cartagena, Colombia. The event, curated and organized by Philippa Kowarsky and Alesia Weston, is a one-of-a-kind pilot for a long-term alliance that seeks to connect investigative journalists and their reporting with the film and television industry.
The event has been established by the Organized Crime and Corruption Reporting Project (Occrp) and the Gabo Foundation as part of both institutions’ public interest focus. It will attempt “to nurture a symbiotic relationship between investigative journalism and fiction filmmaking that will result in storytelling that entertains, educates, and inspires,” according to a press statement. “Investigative journalists can help adapt their extensive reporting about organized crime and corruption into new formats to reach more audiences while filmmakers can pull from a wealth of content and expertise across subjects to inform their projects.”
Writer-director Rodrigo García, Gabo Foundation board member and son of author Gabriel García Marquez,...
The event has been established by the Organized Crime and Corruption Reporting Project (Occrp) and the Gabo Foundation as part of both institutions’ public interest focus. It will attempt “to nurture a symbiotic relationship between investigative journalism and fiction filmmaking that will result in storytelling that entertains, educates, and inspires,” according to a press statement. “Investigative journalists can help adapt their extensive reporting about organized crime and corruption into new formats to reach more audiences while filmmakers can pull from a wealth of content and expertise across subjects to inform their projects.”
Writer-director Rodrigo García, Gabo Foundation board member and son of author Gabriel García Marquez,...
- 11/27/2023
- by Leo Barraclough
- Variety Film + TV
Alejandra Villaba García’s “Hyperballad,” Sophia Mocorrea’s “Marriage by Abduction” and Theo Court’s “Three Dark Nights” feature in a 15-title lineup of Ventana Sur’s Proyecta project lineup which is emerging as Ventana’s industry centerpiece as international co-production becomes vital to more ambitious arthouse filmmaking.
Organised by Cannes Marché du Film and the San Sebastian Film Festival, Proyecta received 200 submissions this year, up from 170 in 2022.
There is also good word on a broad range of projects from “The Heart is an Erratic Muscle” to “Moa,” “The Devil’s Well,” “Malena Once Again” and “Water Never Hurt.”
“Hyperballad” has what rates as one of the most potent mixtures in Latin American filmmaking: Genre; an ambitious first feature; and a female director, building on Alejandra Villaba García’s short “Microcastillo,” seen at Cannes’ 2017 Critics’ Week Morelia showcase.
From German-Argentine Sophia Mocorrea, “Marriage by Abduction” scooped the 2021 Les Arcs Talent Village Award,...
Organised by Cannes Marché du Film and the San Sebastian Film Festival, Proyecta received 200 submissions this year, up from 170 in 2022.
There is also good word on a broad range of projects from “The Heart is an Erratic Muscle” to “Moa,” “The Devil’s Well,” “Malena Once Again” and “Water Never Hurt.”
“Hyperballad” has what rates as one of the most potent mixtures in Latin American filmmaking: Genre; an ambitious first feature; and a female director, building on Alejandra Villaba García’s short “Microcastillo,” seen at Cannes’ 2017 Critics’ Week Morelia showcase.
From German-Argentine Sophia Mocorrea, “Marriage by Abduction” scooped the 2021 Les Arcs Talent Village Award,...
- 11/23/2023
- by John Hopewell and Pablo Sandoval
- Variety Film + TV
Tessa Ía, who broke out heading “After Lucía,” Michel Franco’s Cannes winning first feature, is set to star in “Hyperballad,” which offers what is proving one of the most potent mixtures in cutting-edge Latin American film: Genre, ambition, and a first-feature young woman director.
Directed by Alejandra Villalba García, “Hyperballad” (“Hiperbalada”) is lead produced by Hiperbalada, a production house lead by Villalba Garcñia and pic producer Carlos Paz.
It is co-produced by Mexico’s Piano, behind some of the boldest Mexican movies of recent years, such as the Alfonso Cuarón endorsed “We are the Flesh.” Its cosmopolitan co-production credits run from “Triangle of Sadness” to “Annette” and “Memoria.” Piano’s Julio Chavezmontes will also produce “Hyperballad.”
Sharpening the project’s contempo edge, “Hyperballad” portrays the digital world’s angst, psychosis and “phantasmagoria,” in producer Paz’s word.
Ía will play Tessa, a popular influencer, who returns to her childhood...
Directed by Alejandra Villalba García, “Hyperballad” (“Hiperbalada”) is lead produced by Hiperbalada, a production house lead by Villalba Garcñia and pic producer Carlos Paz.
It is co-produced by Mexico’s Piano, behind some of the boldest Mexican movies of recent years, such as the Alfonso Cuarón endorsed “We are the Flesh.” Its cosmopolitan co-production credits run from “Triangle of Sadness” to “Annette” and “Memoria.” Piano’s Julio Chavezmontes will also produce “Hyperballad.”
Sharpening the project’s contempo edge, “Hyperballad” portrays the digital world’s angst, psychosis and “phantasmagoria,” in producer Paz’s word.
Ía will play Tessa, a popular influencer, who returns to her childhood...
- 11/17/2023
- by John Hopewell
- Variety Film + TV
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here.
Afire (Christian Petzold)
Writing recently about the introduction of video umpires in baseball, of all things, Zach Helfand was skeptical: “accuracy is not the same as enjoyment,” he wrote, “baseball is meant to kill time, not maximize it.” The best films of German director Christian Petzold do both, though you sense his heart might belong to the latter. Petzold’s latest, Afire, unfurls with all the page-turning seduction of a gripping novella. It stars Thomas Schubert as a struggling writer who travels with a friend to a secluded house near the Baltic Sea. Their car breaks down. They encounter a beautiful woman. Somewhere in the distance, a forest fire rages. Soon, inevitably, another burns inside. – Rory O. (full review)
Where to Stream:...
Afire (Christian Petzold)
Writing recently about the introduction of video umpires in baseball, of all things, Zach Helfand was skeptical: “accuracy is not the same as enjoyment,” he wrote, “baseball is meant to kill time, not maximize it.” The best films of German director Christian Petzold do both, though you sense his heart might belong to the latter. Petzold’s latest, Afire, unfurls with all the page-turning seduction of a gripping novella. It stars Thomas Schubert as a struggling writer who travels with a friend to a secluded house near the Baltic Sea. Their car breaks down. They encounter a beautiful woman. Somewhere in the distance, a forest fire rages. Soon, inevitably, another burns inside. – Rory O. (full review)
Where to Stream:...
- 10/20/2023
- by Jordan Raup
- The Film Stage
Exclusive: It’s just another day in Manila’s Riverbanks Center studios and a stand-in actor is beating off a group of gangsters with an outsized prosthetic penis – thankfully one that is wrapped in a tasteful chiffon scarf.
The actor he’s standing in for, Enrique Gil, is one of the biggest heartthrobs in the Philippines’ film and TV industries and it’s safe to say he’s taking a slight departure with his most recent project, I Am Not Big Bird, which was mostly filmed in Thailand with some interiors in Manila.
Produced by Anima Studios and Abs-cbn’s Black Sheep, the film is about a 30-something virgin (Gil) who, dejected after his girlfriend turns down his marriage proposal, heads off on holiday to Thailand with a bunch of friends. Once there, a peculiar chain of events ensues when Gil’s character is mistaken for a famous Thai porn star,...
The actor he’s standing in for, Enrique Gil, is one of the biggest heartthrobs in the Philippines’ film and TV industries and it’s safe to say he’s taking a slight departure with his most recent project, I Am Not Big Bird, which was mostly filmed in Thailand with some interiors in Manila.
Produced by Anima Studios and Abs-cbn’s Black Sheep, the film is about a 30-something virgin (Gil) who, dejected after his girlfriend turns down his marriage proposal, heads off on holiday to Thailand with a bunch of friends. Once there, a peculiar chain of events ensues when Gil’s character is mistaken for a famous Thai porn star,...
- 10/5/2023
- by Liz Shackleton
- Deadline Film + TV
Some of Colombia’s most prominent producers have banded together to form Pi, a new association of independent producers led by Cristina Gallego, behind Oscar-nominated “Embrace of the Serpent” and “Birds of Passage,” who is an official jury member at this year’s 71st San Sebastian Film Festival.
“Colombia has become a production destination for major companies due to its tax benefits, which has led to growth, experience, and job opportunities within the sector,” Gallego told Variety.
“However, members of Pi view with particular concern the need for attention, updates, and the evolution of national and departmental policies that support the continued production of Colombian cinema, its voices, its artists, and its filmmakers,” said Gallego who will preside over the association along with director-producer Franco Lolli (“Gente de Bien”) as vice president while Diana María Bustamante and Manuel Ruiz Montealegre (“Amparo”) serve as legal representatives.
It has been some 20 years...
“Colombia has become a production destination for major companies due to its tax benefits, which has led to growth, experience, and job opportunities within the sector,” Gallego told Variety.
“However, members of Pi view with particular concern the need for attention, updates, and the evolution of national and departmental policies that support the continued production of Colombian cinema, its voices, its artists, and its filmmakers,” said Gallego who will preside over the association along with director-producer Franco Lolli (“Gente de Bien”) as vice president while Diana María Bustamante and Manuel Ruiz Montealegre (“Amparo”) serve as legal representatives.
It has been some 20 years...
- 9/22/2023
- by Anna Marie de la Fuente
- Variety Film + TV
When singled-out within a purely visual medium, sound becomes intrinsically linked to the theme of obsession: a mystery the eyes can’t see that the protagonist needs to solve. From John Travolta’s Jack Terry unwittingly stumbling into a murder conspiracy when recording foley effects for a slasher flick in Brian De Palma’s Blow Out to Tilda Swinton’s Jessica trying to find the source for the “rumble” that haunts her every waking moment in Memoria, the inability to define a sound’s origin becomes a gripping enigma within a medium that thrives on showing, not telling. Much like De Palma’s film, the latest from visual artist Ann Oren takes as its starting point a recording studio––albeit a makeshift one, set up solely to record the sound effects for a bizarre TV commercial––but follows a much less conventional path to untangle an artist’s growing fixation...
- 8/22/2023
- by Alistair Ryder
- The Film Stage
Three years after purchasing it, Netflix will reopen New York City’s historic Paris Theater on Sept. 1, featuring new 70mm projectors and Dolby Atmos sound, the streamer said Wednesday.
To show off this new technology, the Paris Theater will present a weeklong classic film program called “Big & Loud,” including 70mm prints of two films synonymous with the format, “2001: A Space Odyssey” and “Lawrence of Arabia.” Modern-day classics like Quentin Tarantino’s “Once Upon a Time…in Hollywood” and Alfonso Cuaron’s “Roma” will also be presented in the format.
On the Dolby Digital program, the Paris will show the “final cuts” of Francis Ford Coppola’s “Apocalypse Now” and Ridley Scott’s “Blade Runner,” as well as “The Matrix” and “Mad Max: Fury Road.” The theater will also show Apichatpong Weerasethakul’s Cannes Jury Prize-winning film “Memoria” for the first time in Dolby.
Originally opened in 1948 as an arthouse theater to show French films,...
To show off this new technology, the Paris Theater will present a weeklong classic film program called “Big & Loud,” including 70mm prints of two films synonymous with the format, “2001: A Space Odyssey” and “Lawrence of Arabia.” Modern-day classics like Quentin Tarantino’s “Once Upon a Time…in Hollywood” and Alfonso Cuaron’s “Roma” will also be presented in the format.
On the Dolby Digital program, the Paris will show the “final cuts” of Francis Ford Coppola’s “Apocalypse Now” and Ridley Scott’s “Blade Runner,” as well as “The Matrix” and “Mad Max: Fury Road.” The theater will also show Apichatpong Weerasethakul’s Cannes Jury Prize-winning film “Memoria” for the first time in Dolby.
Originally opened in 1948 as an arthouse theater to show French films,...
- 8/9/2023
- by Jeremy Fuster
- The Wrap
Netflix is bringing the prized Paris Theater back online after major upgrades, including installing a new Dolby Atmos sound system and the technology needed to play 70mm film for the first time in over 15 years, the streamer announced Wednesday.
New York’s iconic art house cinema at 4 W. 58th Street will celebrate the occasion by hosting “Big & Loud,” a program showcasing classics from across the decades, as well as films for the sonically-obsessed. It runs Sept. 1-7.
The 70mm lineup includes 2001: A Space Odyssey, Baraka, Lawrence of Arabia, Once Upon a Time in Hollywood, Playtime, Roma and Top Gun.
Dolby Atmos Dcp movies being screened in the “Big & Loud” program include Apocalypse Now: Final Cut, Blade Runner: Final Cut, Da 5 Bloods, Mad Max: Fury Road, The Matrix, Memoria — which has never before screened in Atmos — and A Quiet Place. Other offerings include Blow Out, La Ciénaga, The Conversation...
New York’s iconic art house cinema at 4 W. 58th Street will celebrate the occasion by hosting “Big & Loud,” a program showcasing classics from across the decades, as well as films for the sonically-obsessed. It runs Sept. 1-7.
The 70mm lineup includes 2001: A Space Odyssey, Baraka, Lawrence of Arabia, Once Upon a Time in Hollywood, Playtime, Roma and Top Gun.
Dolby Atmos Dcp movies being screened in the “Big & Loud” program include Apocalypse Now: Final Cut, Blade Runner: Final Cut, Da 5 Bloods, Mad Max: Fury Road, The Matrix, Memoria — which has never before screened in Atmos — and A Quiet Place. Other offerings include Blow Out, La Ciénaga, The Conversation...
- 8/9/2023
- by Pamela McClintock
- The Hollywood Reporter - Movie News
Casting
Casting for the beloved “Famous Five” stories of Enid Blyton, which are being reimagined for the BBC and Zdf by Nicolas Winding Refn, has been revealed.
Diaana Babnicova is playing the role of George, alongside Elliott Rose as Julian, Kit Rakusen as Dick, Flora Jacoby Richardson as Anne, playing George’s cousins who come to stay at Kirrin Cottage.
Making up the fifth member of the “Famous Five” is Kip, the Bearded Collie Cross playing Timmy the dog. The cast also includes Jack Gleeson (“Game of Thrones”), Ann Akinjirin (“Moon Knight”), James Lance (“Ted Lasso”) and Diana Quick (“Father Brown”).
The 3 x 90′ series is based on the 21 “Famous Five” novels and short stories Blyton wrote between 1942 and 1963. The series follows five daring young explorers as they encounter treacherous, action-packed adventures, remarkable mysteries, unparalleled danger and astounding secrets. It is created for television and executive produced by Winding Refn (byNWR...
Casting for the beloved “Famous Five” stories of Enid Blyton, which are being reimagined for the BBC and Zdf by Nicolas Winding Refn, has been revealed.
Diaana Babnicova is playing the role of George, alongside Elliott Rose as Julian, Kit Rakusen as Dick, Flora Jacoby Richardson as Anne, playing George’s cousins who come to stay at Kirrin Cottage.
Making up the fifth member of the “Famous Five” is Kip, the Bearded Collie Cross playing Timmy the dog. The cast also includes Jack Gleeson (“Game of Thrones”), Ann Akinjirin (“Moon Knight”), James Lance (“Ted Lasso”) and Diana Quick (“Father Brown”).
The 3 x 90′ series is based on the 21 “Famous Five” novels and short stories Blyton wrote between 1942 and 1963. The series follows five daring young explorers as they encounter treacherous, action-packed adventures, remarkable mysteries, unparalleled danger and astounding secrets. It is created for television and executive produced by Winding Refn (byNWR...
- 7/26/2023
- by Naman Ramachandran
- Variety Film + TV
The 57th Karlovy Vary Film Festival has unveiled its competition lineup for its 57th edition, set to run in the bucolic Czech spa town from June 30 to July 8.
Among this year’s competition highlights are Fremont, from Iranian-born, London-based director Babak Jalali, a dramedy based around Donya, a former Afghan translator for U.S. troops who now works in a fortune cookie factory in Fremont, USA. Empty Nets, from Iranian filmmaker Behrooz Karamizade, a love story set in a small fishing village in contemporary Iran, is also in the running for the festival’s Crystal Globe honor for best competition film.
Outside the competition, Karlovy Vary this year has put a focus on independent Iranian cinema, with a selection of recent works by directors working outside the Tehran regime.
Other 2023 competition highlights include Red Rooms, a Canadian darknet thriller from director Pascal Plante, Itsaso Arana’s Spanish drama The Girls Are Alright...
Among this year’s competition highlights are Fremont, from Iranian-born, London-based director Babak Jalali, a dramedy based around Donya, a former Afghan translator for U.S. troops who now works in a fortune cookie factory in Fremont, USA. Empty Nets, from Iranian filmmaker Behrooz Karamizade, a love story set in a small fishing village in contemporary Iran, is also in the running for the festival’s Crystal Globe honor for best competition film.
Outside the competition, Karlovy Vary this year has put a focus on independent Iranian cinema, with a selection of recent works by directors working outside the Tehran regime.
Other 2023 competition highlights include Red Rooms, a Canadian darknet thriller from director Pascal Plante, Itsaso Arana’s Spanish drama The Girls Are Alright...
- 5/30/2023
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Maxime Rappaz’s debut film “Let Me Go,” which plays in the Cannes Acid sidebar, has been sold to Brazil and Taiwan. The film stars Cannes regular Jeanne Balibar in the lead role as a fiftysomething woman torn between her family commitments and pursuing her own desires.
Every Tuesday, a neighbor takes care of Claudine’s son while she goes to a mountain hotel to meet men passing through. When one of them decides to extend his stay for her, Claudine is confused and finds herself dreaming of another life.
Imovision has acquired all rights for Brazil, and will release the film in cinemas after a Brazilian festival premiere. “The mise en scène is excellent and Jeanne Balibar is extraordinary,” Jean-Thomas Bernardini, president of Imovision, commented.
Andrews Film has acquired all rights for Taiwan, where the film joins a distribution slate including “Aftersun,” “One Fine Morning’ and “Drive My Car.
Every Tuesday, a neighbor takes care of Claudine’s son while she goes to a mountain hotel to meet men passing through. When one of them decides to extend his stay for her, Claudine is confused and finds herself dreaming of another life.
Imovision has acquired all rights for Brazil, and will release the film in cinemas after a Brazilian festival premiere. “The mise en scène is excellent and Jeanne Balibar is extraordinary,” Jean-Thomas Bernardini, president of Imovision, commented.
Andrews Film has acquired all rights for Taiwan, where the film joins a distribution slate including “Aftersun,” “One Fine Morning’ and “Drive My Car.
- 5/21/2023
- by Leo Barraclough
- Variety Film + TV
Berlin-based sales agency M-Appeal has released the trailer (below) for Swiss director Maxime Rappaz’s debut feature “Let Me Go,” which will open the Cannes Acid sidebar on Wednesday.
Set in a remote town in the Swiss mountains, the film features French actress Jeanne Balibar in the lead role. She plays the character of Claudine, a mother who has devoted her life to taking care of her son, sacrificing her own needs and desires. An unexpected love affair causes Claudine’s carefully controlled world to unravel, “reviving in her an intense thirst for freedom and, at the same time, a painful questioning about her future,” Rappaz says.
M-Appeal, who are celebrating their 15th birthday this year, are representing a Cannes Acid title for the second year in a row, following the success of “99 Moons” last year.
Maren Kroymann, managing director of M-Appeal, says: “Both films, although very different, center on female desire,...
Set in a remote town in the Swiss mountains, the film features French actress Jeanne Balibar in the lead role. She plays the character of Claudine, a mother who has devoted her life to taking care of her son, sacrificing her own needs and desires. An unexpected love affair causes Claudine’s carefully controlled world to unravel, “reviving in her an intense thirst for freedom and, at the same time, a painful questioning about her future,” Rappaz says.
M-Appeal, who are celebrating their 15th birthday this year, are representing a Cannes Acid title for the second year in a row, following the success of “99 Moons” last year.
Maren Kroymann, managing director of M-Appeal, says: “Both films, although very different, center on female desire,...
- 5/16/2023
- by Leo Barraclough
- Variety Film + TV
Eight years ago, the most famous Thai director in the world told IndieWire that was finished making movies in Thailand. After the release of his haunting “Cemetery of Splendour,” Apichatpong Weerasethakul said the threat of censorship had become too much for him. “I’ll say about a topic, ‘Hey, you cannot say that because you’ll be in jail,’” he said. “I’ve started to feel suffocated by this limitation.”
Weerasethakul — he goes by “Joe,” perhaps as an act of mercy for Westerners who struggle to pronounce his name — has only started the international phase of his career. “Memoria,” his first movie made outside of Thailand, became the country’s official Oscar submission in 2021. He’s already planning another one in Sri Lanka.
Yet Thailand remains the one place he feels most comfortable even as his work takes him elsewhere. He was calling from the northeastern region of the country while visiting his mother.
Weerasethakul — he goes by “Joe,” perhaps as an act of mercy for Westerners who struggle to pronounce his name — has only started the international phase of his career. “Memoria,” his first movie made outside of Thailand, became the country’s official Oscar submission in 2021. He’s already planning another one in Sri Lanka.
Yet Thailand remains the one place he feels most comfortable even as his work takes him elsewhere. He was calling from the northeastern region of the country while visiting his mother.
- 5/4/2023
- by Eric Kohn
- Indiewire
It’s often said that the sign of a true craftsman is the ability to make complex tasks look effortless. No 21st-century filmmaker more breezily captures the multiplicity of modern life than Apichatpong Weerasethakul, who across seven solo-directed features and dozens of short films has created worlds both cosmic and intimate. Less than two years after Memoria‘s U.S. premiere shook Lincoln Center’s foundation at the 59th New York Film Festival, he has been invited back for a full-career retrospective paired with screenings of works that inspire, inform, and challenge his own body of work.
Ahead of the series, kicking off this Thursday at Film at Lincoln Center, Apichatpong joined us over video chat from Thailand to discuss his career, process, and future.
The Film Stage: A little note before my questions begin: In 2011, when I was 17, I reached out to you through the comments section of your production company,...
Ahead of the series, kicking off this Thursday at Film at Lincoln Center, Apichatpong joined us over video chat from Thailand to discuss his career, process, and future.
The Film Stage: A little note before my questions begin: In 2011, when I was 17, I reached out to you through the comments section of your production company,...
- 5/2/2023
- by Jason Miller
- The Film Stage
Berlin sales agency M-Appeal has come on board to handle world sales for “Let Me Go” (“Laissez-Moi”), the debut feature by Swiss director Maxime Rappaz, which will world premiere as the opening film of the Cannes Acid sidebar.
Set in a Swiss mountain village, “Let Me Go” follows Claudine, a dedicated mother whose life revolves around her son. Every Tuesday, according to her careful schedule, she goes to a nearby mountain hotel to meet men who are passing through. When she meets Michael and he decides to extend his stay for her, Claudine is confused and finds herself dreaming of another life.
French actress Jeanne Balibar stars in the lead role of Claudine, an elegant woman in her early 50s, who, although living a traditional life, pursues her desires in an unconventional way. She unexpectedly finds a romantic connection with Michael (Thomas Sarbacher).
A regular on the Croisette and...
Set in a Swiss mountain village, “Let Me Go” follows Claudine, a dedicated mother whose life revolves around her son. Every Tuesday, according to her careful schedule, she goes to a nearby mountain hotel to meet men who are passing through. When she meets Michael and he decides to extend his stay for her, Claudine is confused and finds herself dreaming of another life.
French actress Jeanne Balibar stars in the lead role of Claudine, an elegant woman in her early 50s, who, although living a traditional life, pursues her desires in an unconventional way. She unexpectedly finds a romantic connection with Michael (Thomas Sarbacher).
A regular on the Croisette and...
- 4/26/2023
- by Leo Barraclough
- Variety Film + TV
When Thai director Apichatpong Weerasethakul made the 2021 Colombian Oscar entry “Memoria,” his first movie outside of his home country, it was only the start of his new chapter in Latin America. Last year summer, Apichatpong hosted a workshop for aspiring filmmakers in the Amazon rainforest of Peru, an ideal backdrop for his languid, otherworldly cinematic creations. Now, he’s ready to do it again.
“The second workshop is coming in September,” Apichatpong told IndieWire in a video call from Thailand this week. “I think it’s going to be called ‘How Not to Make Movies.’” He smiled. “I’m serious,” he said. “Sometimes you really don’t need cinema.”
That’s a bold statement from a filmmaker whose entire career has been defined by uncompromising, immersive filmmaking on his own terms. Apichatpong’s films, the subject of an upcoming retrospective at New York City’s Film at Lincoln Center in May,...
“The second workshop is coming in September,” Apichatpong told IndieWire in a video call from Thailand this week. “I think it’s going to be called ‘How Not to Make Movies.’” He smiled. “I’m serious,” he said. “Sometimes you really don’t need cinema.”
That’s a bold statement from a filmmaker whose entire career has been defined by uncompromising, immersive filmmaking on his own terms. Apichatpong’s films, the subject of an upcoming retrospective at New York City’s Film at Lincoln Center in May,...
- 3/30/2023
- by Eric Kohn
- Indiewire
Singaporean filmmaker Anthony Chen wears his producers hat at the Hong Kong — Asia Film Financing Forum (Haf) shepherding two projects from debut directors.
Chen’s feature directorial debut “Ilo Ilo” (2013) won the Caméra d’Or at Cannes. His most recent film as director, “Drift,” bowed at Sundance earlier this year. As a producer, Chen’s recent credits include Locarno selection “Arnold Is a Model Student” and Busan selection and Red Sea winner “Ajoomma.”
First up is the English-language animated feature “Skin Coat,” directed by Singapore’s Tan Wei Keong. Set in the 16th century, it will follow a son who returns to his village to see his aging parents, and his male lover has to put on a woman’s skin coat to accompany him back home.
“‘Skin Coat’ is a story that explores identity, alter egos, and love that endures against all odds. As a gay person who grew...
Chen’s feature directorial debut “Ilo Ilo” (2013) won the Caméra d’Or at Cannes. His most recent film as director, “Drift,” bowed at Sundance earlier this year. As a producer, Chen’s recent credits include Locarno selection “Arnold Is a Model Student” and Busan selection and Red Sea winner “Ajoomma.”
First up is the English-language animated feature “Skin Coat,” directed by Singapore’s Tan Wei Keong. Set in the 16th century, it will follow a son who returns to his village to see his aging parents, and his male lover has to put on a woman’s skin coat to accompany him back home.
“‘Skin Coat’ is a story that explores identity, alter egos, and love that endures against all odds. As a gay person who grew...
- 3/12/2023
- by Naman Ramachandran
- Variety Film + TV
Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI, and sign up for our weekly email newsletter by clicking here.NEWSStanley Kubrick in Filmworker.Stanley Kubrick’s long-lost passion project, a biopic of Napoleon Bonaparte, may soon be realized. This week at the Berlinale, Steven Spielberg expanded on plans to executive-produce a seven-part series for HBO based on Kubrick’s original script.In June, Terence Davies will begin filming an adaptation of Stefan Zweig’s The Post-Office Girl. According to a production announcement, the cast includes Sophie Cookson, Richard E. Grant, and Verena Altenberger.Recommended VIEWINGWe’ve been enjoying the “redefining the food film” video-essay series on Vittles, a food and culture newsletter. Below is Andrew Key’s discussion of A Woman Under the Influence, and the ways that food can tear us apart:Shellac has shared a first trailer for Angela Schanelec’s Music,...
- 2/22/2023
- MUBI
Hollywood loves to pat itself on the back, touting successes in the moment at the expense of seeing the bigger picture. You couldn’t ask for a more literal demonstration of that narrow-minded tendency than Steven Spielberg crediting Tom Cruise for “saving Hollywood’s ass” and possibly “the entire theatrical industry” as well.
That exchange went viral this past week in a clip of the two men at the annual Oscar nominee luncheon, and it stood out as a rare peek at the self-congratulatory echo chamber where the industry lives at its highest levels. As this weekly column looks at sustainability for the film community, Spielberg’s remarks demanded a closer look.
If your entire definition of the theatrical industry comes down to box-office juggernauts, then sure, Spielberg has a point: “Top Gun: Maverick” made close to 2 billion after two years of doom-and-gloom prognostication that exhibition was on a downward slope.
That exchange went viral this past week in a clip of the two men at the annual Oscar nominee luncheon, and it stood out as a rare peek at the self-congratulatory echo chamber where the industry lives at its highest levels. As this weekly column looks at sustainability for the film community, Spielberg’s remarks demanded a closer look.
If your entire definition of the theatrical industry comes down to box-office juggernauts, then sure, Spielberg has a point: “Top Gun: Maverick” made close to 2 billion after two years of doom-and-gloom prognostication that exhibition was on a downward slope.
- 2/18/2023
- by Eric Kohn
- Indiewire
Thai auteur Apichatpong Weerasethakul has revealed plans to shoot a film in Sri Lanka, inspired by the work of science fiction writer Arthur C. Clarke.
Speaking to New York’s Metrograph theatre, Apichatpong said he may be partnering with a streamer on the project. He plans to start location scouting in Sri Lanka next month and said he hopes the project will be “more flexible” than his last film.
“It’ll be a smaller budget, and probably with [my long-time actors] Jenjira [Pongpas] and Sakda [Kaewbuadee],” he told Metrograph’s film journal. “It’s the same old gang.”
Apichatpong’s last film, Memoria, was filmed in Colombia with Tilda Swinton and went on to win the Jury Prize at Cannes film festival in 2021. He also won the Cannes Palme d’Or in 2010 for Uncle Boonmee Who Can Recall His Past Lives.
Referring to the Memoria shoot, he said: “In Colombia, it was more complicated because of the bigger production,...
Speaking to New York’s Metrograph theatre, Apichatpong said he may be partnering with a streamer on the project. He plans to start location scouting in Sri Lanka next month and said he hopes the project will be “more flexible” than his last film.
“It’ll be a smaller budget, and probably with [my long-time actors] Jenjira [Pongpas] and Sakda [Kaewbuadee],” he told Metrograph’s film journal. “It’s the same old gang.”
Apichatpong’s last film, Memoria, was filmed in Colombia with Tilda Swinton and went on to win the Jury Prize at Cannes film festival in 2021. He also won the Cannes Palme d’Or in 2010 for Uncle Boonmee Who Can Recall His Past Lives.
Referring to the Memoria shoot, he said: “In Colombia, it was more complicated because of the bigger production,...
- 2/16/2023
- by Liz Shackleton
- Deadline Film + TV
Update: At the request of the producers, we’ve removed additional details about the project. See the original story below.
With its staggered, theatrical-only rollout over the last year, here’s hoping you’ve had the opportunity to experience the mesmerizing, transportive experience that is Apichatpong Weerasethakul’s Memoria. The director, who left Thailand for Colombia to film the Tilda Swinton-led feature, has now announced the first details for his next project, and its intended home may surprise you.
Speaking to Metrograph ahead of a 35mm run starting Friday, the director revealed he plans to team with a streamer for the film. With plans to do some location scouting starting this month, he hopes this new project will be “more free” than his last one. “Now I want to go make a film in a different country. This time, I want it to be more flexible. It’ll be a smaller budget,...
With its staggered, theatrical-only rollout over the last year, here’s hoping you’ve had the opportunity to experience the mesmerizing, transportive experience that is Apichatpong Weerasethakul’s Memoria. The director, who left Thailand for Colombia to film the Tilda Swinton-led feature, has now announced the first details for his next project, and its intended home may surprise you.
Speaking to Metrograph ahead of a 35mm run starting Friday, the director revealed he plans to team with a streamer for the film. With plans to do some location scouting starting this month, he hopes this new project will be “more free” than his last one. “Now I want to go make a film in a different country. This time, I want it to be more flexible. It’ll be a smaller budget,...
- 2/15/2023
- by Jordan Raup
- The Film Stage
Hong Kong’s Haf adds 15 Wip projects ahead of first in-person edition since 2019.
The Hong Kong International Film Festival Society has announced 15 work-in-progress projects, completing the full line-up of the 21st Hong Kong-Asia Film Financing Forum (HAF21).
A total of 43 projects will be presented at Haf, including 28 in-development projects announced last month, which is set to run from March 13-15 alongside the 27th Hong Kong Film & TV Market (Filmart). It will mark the first in-person edition for both events since pre-Covid 2019.
Scroll down for full list of projects
Emerging and established actors who lead the cast of the 15 Wip projects include Fish Liew,...
The Hong Kong International Film Festival Society has announced 15 work-in-progress projects, completing the full line-up of the 21st Hong Kong-Asia Film Financing Forum (HAF21).
A total of 43 projects will be presented at Haf, including 28 in-development projects announced last month, which is set to run from March 13-15 alongside the 27th Hong Kong Film & TV Market (Filmart). It will mark the first in-person edition for both events since pre-Covid 2019.
Scroll down for full list of projects
Emerging and established actors who lead the cast of the 15 Wip projects include Fish Liew,...
- 2/8/2023
- by Silvia Wong
- ScreenDaily
Netflix has revealed the first images from “Hunger,” an upcoming Thai drama film in which a woman in her twenties chases her dreams in the unsavory world of fine dining.
The film stars Chutimon Chuengcharoensukying, locally known as ‘Aokbab’ and internationally recognized as the star of “Bad Genius,” in the lead role. She plays alongside Gunn Svasti Na Ayudhya (“Diary of Tootsies”) as the sous-chef who gives her a break and Nopachai ‘Peter’ Jayanama as her ingenious and intolerant rival.
Directed by Sitisiri Mongkolsiri and produced by Kongdej Jaturanrasame and Soros Sukhum (“Memoria”) through Song Sound Productions, the show is expected to be uploaded in April.
“Hunger” is part of a wider menu of Thai-language films and series content set out by Netflix late last year. Other Thai contnet in the pipeline included writer-director Prueksa Amaruji’s dark comedy film “Lost Lotteries”; veteran director Wisit Sasanatieng (“Tears of the Black...
The film stars Chutimon Chuengcharoensukying, locally known as ‘Aokbab’ and internationally recognized as the star of “Bad Genius,” in the lead role. She plays alongside Gunn Svasti Na Ayudhya (“Diary of Tootsies”) as the sous-chef who gives her a break and Nopachai ‘Peter’ Jayanama as her ingenious and intolerant rival.
Directed by Sitisiri Mongkolsiri and produced by Kongdej Jaturanrasame and Soros Sukhum (“Memoria”) through Song Sound Productions, the show is expected to be uploaded in April.
“Hunger” is part of a wider menu of Thai-language films and series content set out by Netflix late last year. Other Thai contnet in the pipeline included writer-director Prueksa Amaruji’s dark comedy film “Lost Lotteries”; veteran director Wisit Sasanatieng (“Tears of the Black...
- 2/1/2023
- by Patrick Frater
- Variety Film + TV
I really enjoy the yearly ritual of delving into the depths of the year to reflect on my favourite watches for Directors Notes and have done so now for over a decade. When I went to write my top ten last year, I had just heard about the sudden death of my good friend and artistic mentor in Nottingham; Carol Crowe. I was just too sad to even open my laptop and we ran away to Whitby to see the new year in instead. I needed to feel cold air on my face and see comforting, familiar views.
2022 has been a year of gentle steps, finishing a new, deeply personal film – both shooting in the US and editing as well as starting another. My highlight was at legendary Rak Studios listening to Composer Tara Creme’s score being brought to life by a room full of skilled string players. I spontaneously burst into tears,...
2022 has been a year of gentle steps, finishing a new, deeply personal film – both shooting in the US and editing as well as starting another. My highlight was at legendary Rak Studios listening to Composer Tara Creme’s score being brought to life by a room full of skilled string players. I spontaneously burst into tears,...
- 12/31/2022
- by Jeanie Finlay
- Directors Notes
Keep track of when films are coming out in the territory.
Screen is listing the release dates for films in the UK and Ireland in the calendar below.
For distributors who wish to add/amend a date on the calendar, please get in touch with Screen here.
Screen also has an awards season calendar for 2022, here.
December
December 30
Peter Von Kant (Curzon), Where Are You, Adam? (Primal Screen)
December 31
Berliner Philharmoniker Live: New Year’s Eve Concert 2022 (Trafalgar, event cinema)
Previous releases January
January 1
Licorice Pizza (Universal), The Electrical Life Of Louis Wain (Studiocanal), Cinderella - Met Opera 2022 (Trafalgar, event...
Screen is listing the release dates for films in the UK and Ireland in the calendar below.
For distributors who wish to add/amend a date on the calendar, please get in touch with Screen here.
Screen also has an awards season calendar for 2022, here.
December
December 30
Peter Von Kant (Curzon), Where Are You, Adam? (Primal Screen)
December 31
Berliner Philharmoniker Live: New Year’s Eve Concert 2022 (Trafalgar, event cinema)
Previous releases January
January 1
Licorice Pizza (Universal), The Electrical Life Of Louis Wain (Studiocanal), Cinderella - Met Opera 2022 (Trafalgar, event...
- 12/28/2022
- by Ben Dalton
- ScreenDaily
My roundup of the year in cinematic soundtracks is a sonic collage of emotion and sensations, mixed together with both pop and orchestral flourishes.We start off with music from Tár, Todd Field’s return to filmmaking and the story of the renowned conductor of the Berlin Philharmonic (Cate Blanchett). Hildur Guðnadóttir’s concept album features music from within the film and inspired by it, with original pieces alongside beloved works by Elgar and Mahler.Experiencing Memoria at the cinema turned my senses upside down. Here Apichatpong Weerasethakul is in full force, offering a cinematic experience of the sensory. If one were to critique a film based solely on its sonic sensibilities, Memoria achieves the highest embodiment of altered states possible through the marriage of sound and visuals. The realms of human consciousness are Apichatpong's focus and it is through sound design and music that we fall into his world.
- 12/20/2022
- MUBI
Ventana Sur’s Proyecta Ramps Up Projects from ‘Memoria,’ ‘90 Minutes,’ ‘The Cow Who Sang…’ Producers
Aeden O’Connor’s “Sun Falls,” Manuela Martelli’s “The Meltdown” and Tomás Corredor’s “November” feature among 15 projects to be presented at Ventana Sur’s 5th Proyecta co-production forum, a wide-ranging showcase of emerging and already consolidated filmmakers plus new talents to track from Latin America and Europe.
Producer Ana Isabel Martins at Honduras’ Pulsar Cine is re-teaming with director Aeden O’Connor, whose feature debut “90 Minutes” won the Audience Award at the 37th Miami Film Festival. Their new project, “Sun Falls,” follows a passionate young man dreams of making films to denounce the corruption, poverty and violence in Honduras that succumbs to the support of the leader of a local gang.
Chile’s Manuela Martelli, director of 2022 Cannes Director’s Fortnight premiere “1976,” returns with “The Meltdown,” produced by Wood Producciones’ Alejandra García, of Sundance player “The Cow Who Sang a Song into the Future.”
Burning’s Diana Bustamante, the...
Producer Ana Isabel Martins at Honduras’ Pulsar Cine is re-teaming with director Aeden O’Connor, whose feature debut “90 Minutes” won the Audience Award at the 37th Miami Film Festival. Their new project, “Sun Falls,” follows a passionate young man dreams of making films to denounce the corruption, poverty and violence in Honduras that succumbs to the support of the leader of a local gang.
Chile’s Manuela Martelli, director of 2022 Cannes Director’s Fortnight premiere “1976,” returns with “The Meltdown,” produced by Wood Producciones’ Alejandra García, of Sundance player “The Cow Who Sang a Song into the Future.”
Burning’s Diana Bustamante, the...
- 11/29/2022
- by Emiliano De Pablos
- Variety Film + TV
The Tham Luang cave rescue, which saw 12 members of a Thai youth soccer team and its 25-year-old coach rescued from a flooded cave after being trapped for 18 days, was destined to become a Hollywood film. The combination of dangerous weather, human ingenuity, and international cooperation was the kind of story that most screenwriters can only dream of coming up with themselves.
Much like the rescue that inspired it, “Thirteen Lives” is a complex work of technical mastery. At IndieWire’s Consider This Brunch, director Ron Howard, editor James D. Wilcox, supervising sound editors Oliver Tarney and Rachael Tate, and composer Benjamin Wallfisch participated in a panel moderated by IndieWire’s Jim Hemphill. They broke down the work that went into the complex shoot, explaining that getting the details of Thai culture right was as important as all the technical specificity of recreating the rescue. Most notably, much of the film is in the Thai language.
Much like the rescue that inspired it, “Thirteen Lives” is a complex work of technical mastery. At IndieWire’s Consider This Brunch, director Ron Howard, editor James D. Wilcox, supervising sound editors Oliver Tarney and Rachael Tate, and composer Benjamin Wallfisch participated in a panel moderated by IndieWire’s Jim Hemphill. They broke down the work that went into the complex shoot, explaining that getting the details of Thai culture right was as important as all the technical specificity of recreating the rescue. Most notably, much of the film is in the Thai language.
- 11/18/2022
- by Christian Zilko and Christian Blauvelt
- Indiewire
Diana Bustamante’s Our Movie (Nuestra película) feels like both a departure and a homecoming for the Latin American producer credited on numerous Cannes winners, most recently Apichatpong Weerasethakul’s Jury Prize-awarded (and Tilda Swinton-starring) Memoria. Comprised entirely of news footage from the Medellín-born Bustamante’s childhood—who grew up in the ’80s and ’90s when kidnappings, political assassinations and blood-soaked streets were as common as choir practice—the “essay documentary” is, as the producer/director puts it, “a collage of images, repetitions and memories, built through the intervention of the Colombian news archive.” And what a visceral collage it is—from closeups of bullet holes to a […]
The post “The Film Is Full of Ghosts”: Diana Bustamante on Her Doc NYC-debuting Our Movie (Nuestra película) first appeared on Filmmaker Magazine.
The post “The Film Is Full of Ghosts”: Diana Bustamante on Her Doc NYC-debuting Our Movie (Nuestra película) first appeared on Filmmaker Magazine.
- 11/14/2022
- by Lauren Wissot
- Filmmaker Magazine-Director Interviews
Diana Bustamante’s Our Movie (Nuestra película) feels like both a departure and a homecoming for the Latin American producer credited on numerous Cannes winners, most recently Apichatpong Weerasethakul’s Jury Prize-awarded (and Tilda Swinton-starring) Memoria. Comprised entirely of news footage from the Medellín-born Bustamante’s childhood—who grew up in the ’80s and ’90s when kidnappings, political assassinations and blood-soaked streets were as common as choir practice—the “essay documentary” is, as the producer/director puts it, “a collage of images, repetitions and memories, built through the intervention of the Colombian news archive.” And what a visceral collage it is—from closeups of bullet holes to a […]
The post “The Film Is Full of Ghosts”: Diana Bustamante on Her Doc NYC-debuting Our Movie (Nuestra película) first appeared on Filmmaker Magazine.
The post “The Film Is Full of Ghosts”: Diana Bustamante on Her Doc NYC-debuting Our Movie (Nuestra película) first appeared on Filmmaker Magazine.
- 11/14/2022
- by Lauren Wissot
- Filmmaker Magazine - Blog
London and Paris-based production, finance and sales outfit Film Constellation has inked a first raft of pre-sales on romantic thriller “Haunted Heart” by Academy Award-winning director Fernando Trueba (“Belle Époque”), and starring Academy Award nominee Matt Dillon (“Crash”).
The film sold in Latin America (California Filmes), Italy (Plaion), Greece and Turkey (Tanweer) and Cis (Nashe Kino). Film Constellation has unveiled the first still from the film, and will be introducing a teaser promo to buyers during the American Film Market this week.
The English-language film, also starring Aida Folch (“The Artist and the Model”) and Juan Pablo Urrego (“Memoria”), is shooting in Greece.
The film is set on a remote island in Greece, where Alex joins the team of a boutique seaside restaurant as their new waitress. Despite her femme-fatale charm quickly winning the heart of the charismatic Enrico, she instead falls for the enigmatic restaurant manager Max, a reclusive American,...
The film sold in Latin America (California Filmes), Italy (Plaion), Greece and Turkey (Tanweer) and Cis (Nashe Kino). Film Constellation has unveiled the first still from the film, and will be introducing a teaser promo to buyers during the American Film Market this week.
The English-language film, also starring Aida Folch (“The Artist and the Model”) and Juan Pablo Urrego (“Memoria”), is shooting in Greece.
The film is set on a remote island in Greece, where Alex joins the team of a boutique seaside restaurant as their new waitress. Despite her femme-fatale charm quickly winning the heart of the charismatic Enrico, she instead falls for the enigmatic restaurant manager Max, a reclusive American,...
- 11/1/2022
- by Leo Barraclough
- Variety Film + TV
“King Richard” star Aunjanue Ellis is set to star in an adaptation of Colson Whitehead’s Pulitzer Prize-winning novel “The Nickel Boys” being set up at MGM’s Orion Pictures.
The studio has tapped RaMell Ross, an Oscar nominee for the documentary “Hale County This Morning, This Evening,” to direct the film, and Ross also co-wrote the screenplay alongside Josyln Barnes.
Ellis will lead the cast alongside up-and-coming actors Ethan Herisse (“When They See Us”) and Brandon Wilson (“The Way Back”), who will anchor and lead the film’s young cast. Hamish Linklater (“The Big Short”) and Fred Hechinger will also co-star.
“The Nickel Boys” is Whitehead’s follow-up to his other Pulitzer winner, “The Underground Railroad.” Though the book is fiction, it’s based on the real story of a Florida reform school that, over 111 years, hid decades of abuse against its residents and even had bodies secretly buried on its campus.
The studio has tapped RaMell Ross, an Oscar nominee for the documentary “Hale County This Morning, This Evening,” to direct the film, and Ross also co-wrote the screenplay alongside Josyln Barnes.
Ellis will lead the cast alongside up-and-coming actors Ethan Herisse (“When They See Us”) and Brandon Wilson (“The Way Back”), who will anchor and lead the film’s young cast. Hamish Linklater (“The Big Short”) and Fred Hechinger will also co-star.
“The Nickel Boys” is Whitehead’s follow-up to his other Pulitzer winner, “The Underground Railroad.” Though the book is fiction, it’s based on the real story of a Florida reform school that, over 111 years, hid decades of abuse against its residents and even had bodies secretly buried on its campus.
- 10/27/2022
- by Brian Welk
- Indiewire
Cinecolor, Interior 13 to distribute theatrically in Colombia, Mexico.
Netflix has picked up the Americas excluding Colombia and Mexico on Laura Mora’s San Sebastian Golden Shell winner and Colombian Oscar submission The Kings Of The World.
The drama about friendship among a group of street boys from Medellin, Colombia, will also launch on the platform after its theatrical releases in Colombia and Mexico through Cinecolor and Interior 13, respectively.
Mora, who broke out with her 2017 revenge drama Killing Jesus, co-wrote the screenplay with María Camila Arias. The Kings Of The World follows five boys as they set out on a journey...
Netflix has picked up the Americas excluding Colombia and Mexico on Laura Mora’s San Sebastian Golden Shell winner and Colombian Oscar submission The Kings Of The World.
The drama about friendship among a group of street boys from Medellin, Colombia, will also launch on the platform after its theatrical releases in Colombia and Mexico through Cinecolor and Interior 13, respectively.
Mora, who broke out with her 2017 revenge drama Killing Jesus, co-wrote the screenplay with María Camila Arias. The Kings Of The World follows five boys as they set out on a journey...
- 10/24/2022
- by Jeremy Kay
- ScreenDaily
International streaming company Netflix has unveiled six new titles representing its first wide-ranging slate of content from Thailand.
Its four films and two series span the comedy, suspense and comedy drama genres and hail from six different local production firms – Gmm Studios, International, Gdh, Song Sound Productions, Transformation Films, 18 Tanwa and Jungka Bangkok. Significantly, too, they are sourced from established directors or producers.
Writer-director Prueksa Amaruji’s dark comedy film “Lost Lotteries” is produced by Ekachai Uekrongtham and will stream from mid-November.
Writer-producer Kongdej Jaturanrasmee and veteran indie producer Soros Sukhum are behind director Sitisiri Mongkolsiri’s “Hunger,” a family drama with food as its central theme. It stars Chutimon Chuengcharoensukying, aka Aok Bap, the breakout star of “Bad Genius” and a former Talent to Watch, selected by Variety and the International Film Festival & Awards Macao.
Veteran director Wisit Sasanatieng (“Tears of the Black Tiger”) is directing “The Murderer,...
Its four films and two series span the comedy, suspense and comedy drama genres and hail from six different local production firms – Gmm Studios, International, Gdh, Song Sound Productions, Transformation Films, 18 Tanwa and Jungka Bangkok. Significantly, too, they are sourced from established directors or producers.
Writer-director Prueksa Amaruji’s dark comedy film “Lost Lotteries” is produced by Ekachai Uekrongtham and will stream from mid-November.
Writer-producer Kongdej Jaturanrasmee and veteran indie producer Soros Sukhum are behind director Sitisiri Mongkolsiri’s “Hunger,” a family drama with food as its central theme. It stars Chutimon Chuengcharoensukying, aka Aok Bap, the breakout star of “Bad Genius” and a former Talent to Watch, selected by Variety and the International Film Festival & Awards Macao.
Veteran director Wisit Sasanatieng (“Tears of the Black Tiger”) is directing “The Murderer,...
- 10/11/2022
- by Patrick Frater
- Variety Film + TV
Starring Tilda Swinton, "Memoria" is the movie you might have heard about that was originally slated for a never-ending theatrical release. The plot, which takes a backseat at times to the unfettered stillness of slow cinema, concerns a Scottish ex-pat named Jessica who begins hearing a mysterious sound no one else can hear in the jungles of Colombia. In 2021, the movie shared the Jury Prize at the Cannes Film Festival, where Thai writer-director Apichatpong Weerasethakul had previously won the Palme d'Or for his surreal 2010 drama "Uncle Boonmee Who Can Recall His Past Lives."
It's worth talking upfront about the film's unique release strategy because "Memoria" is a movie that you might need to do a bit of planning to see. Neon announced late last year that it would "only ever be available in cinemas," seemingly in a bid to get moviegoers actually going to the movies again and have them...
It's worth talking upfront about the film's unique release strategy because "Memoria" is a movie that you might need to do a bit of planning to see. Neon announced late last year that it would "only ever be available in cinemas," seemingly in a bid to get moviegoers actually going to the movies again and have them...
- 9/19/2022
- by Joshua Meyer
- Slash Film
Exclusive: Rhona Mitra (Underworld: Rise Of The Lycans), Famke Janssen (X-Men) and Stefani Martin (The Last Kingdom) have been set to star in sci-fi action horror movie The Experiment, which is underway at Rebellion Studios in the UK.
Set in 2080 in a world recovering from catastrophic nuclear war, The Experiment follows an elite spec-ops team, led by Captain Ava Stone (Mitra), sent on a rescue mission into a top secret military research facility after a rogue employee takes a group of scientists hostage.
The project marks the first for action label Action Xtreme, the genre division of UK arthouse producer-distributor Sovereign Media (Triangle Of Sadness).
Chee Keong Cheung (Redcon-1) is directing. Producers are Andreas Roald, Chee Keong Cheung and Ioanna Karavela and executive producer is Derek Rogers. Script comes from Alistair Cave, Matthew Thomas Edwards and Oliver Morran (Every Last One of Them) from a story by Chee Keong Cheung.
Set in 2080 in a world recovering from catastrophic nuclear war, The Experiment follows an elite spec-ops team, led by Captain Ava Stone (Mitra), sent on a rescue mission into a top secret military research facility after a rogue employee takes a group of scientists hostage.
The project marks the first for action label Action Xtreme, the genre division of UK arthouse producer-distributor Sovereign Media (Triangle Of Sadness).
Chee Keong Cheung (Redcon-1) is directing. Producers are Andreas Roald, Chee Keong Cheung and Ioanna Karavela and executive producer is Derek Rogers. Script comes from Alistair Cave, Matthew Thomas Edwards and Oliver Morran (Every Last One of Them) from a story by Chee Keong Cheung.
- 9/15/2022
- by Andreas Wiseman
- Deadline Film + TV
The French director on being mesmerised by the film Memoria, and her love of Tindersticks, Anne Teresa De Keersmaeker and the Mediterranean
Born in Paris in 1946 but raised in west Africa, the film director Claire Denis worked as an assistant to film-makers such as Jacques Rivette and Wim Wenders before making her unforgettable debut with Chocolat (1988), a semi-autobiographical film set in Cameroon. Her work is broad-ranging, including fiction and documentary. Highlights include Beau Travail (1999), loosely based on Herman Melville’s Billy Budd, and more recently High Life (2018), her first film in English, which starred Robert Pattinson. She has two new films: Both Sides of the Blade, which won the best director prize at the Berlin film festival and is in cinemas and on Curzon Home Cinema now, and Stars at Noon, joint winner of the Grand Prix at this year’s Cannes.
Born in Paris in 1946 but raised in west Africa, the film director Claire Denis worked as an assistant to film-makers such as Jacques Rivette and Wim Wenders before making her unforgettable debut with Chocolat (1988), a semi-autobiographical film set in Cameroon. Her work is broad-ranging, including fiction and documentary. Highlights include Beau Travail (1999), loosely based on Herman Melville’s Billy Budd, and more recently High Life (2018), her first film in English, which starred Robert Pattinson. She has two new films: Both Sides of the Blade, which won the best director prize at the Berlin film festival and is in cinemas and on Curzon Home Cinema now, and Stars at Noon, joint winner of the Grand Prix at this year’s Cannes.
- 9/10/2022
- by Sarah Crompton
- The Guardian - Film News
Above: US Teaser poster for Crimes of the Future. Design by Bangers & Mash.In the middle of the Venice Film Festival, and in the lead-up to the Toronto and New York fests, still the most “liked” poster of the last six months of my Movie Poster of the Day Instagram was a teaser poster that appeared in the run-up to Cannes in the spring. The poster was for was one of the most anticipated films of Cannes, a film that has since been disseminated to the world with a much tamer big-head poster and even tamer home video art. The Crimes of the Future teaser racked up nearly 2,000 likes and not far behind it was a gorgeous art print for Cronenberg’s 30-year-old Naked Lunch by the very talented (and seemingly Cronenberg-obsessed) Nick Charge that I posted a few months later. As I’ve been doing for the past few years,...
- 9/9/2022
- MUBI
Production, finance and sales company Film Constellation has boarded sales on the upcoming romantic thriller “Haunted Heart” by Academy Award winning director Fernando Trueba.
The film stars Academy Award nominee Matt Dillon (“The House That Jack Built”), Goya-nominated Aida Folch (“The Artist and the Model”), and Juan Pablo Urrego (“Memoria”). The English-language film is set to start shooting in Greece in September.
The film is set on a beautiful remote island in Greece, where young and spirited Alex joins the team of a boutique seaside restaurant as their new waitress. Despite her femme-fatale charm quickly winning the heart of the charismatic Enrico, she instead falls for the enigmatic restaurant manager Max, a reclusive American, who settled on the island decades ago.
As the seasons pass, sexual tensions rise, and tourists come and go, Enrico begins to unearth disturbing clues about Max’s dark and mysterious past. Blinded by her feelings,...
The film stars Academy Award nominee Matt Dillon (“The House That Jack Built”), Goya-nominated Aida Folch (“The Artist and the Model”), and Juan Pablo Urrego (“Memoria”). The English-language film is set to start shooting in Greece in September.
The film is set on a beautiful remote island in Greece, where young and spirited Alex joins the team of a boutique seaside restaurant as their new waitress. Despite her femme-fatale charm quickly winning the heart of the charismatic Enrico, she instead falls for the enigmatic restaurant manager Max, a reclusive American, who settled on the island decades ago.
As the seasons pass, sexual tensions rise, and tourists come and go, Enrico begins to unearth disturbing clues about Max’s dark and mysterious past. Blinded by her feelings,...
- 9/9/2022
- by Leo Barraclough
- Variety Film + TV
Event to run September 20-22 in Bogota, Colombia.
Producers from Disney hit Encanto and 2021 Cannes premiere Memoria are among speakers at the Association of Film Commissioners International’s (Afci) Cineposium in Bogota later ths month – the first gathering of the group in Latin America.
Encanto producer Yvett Merino and Memoria producer Diana Bustamente will join executives like HBO SVP of production Jay Roewe at the September 20-22 event, which is centred on the three core themes of sustainable production, gender initiatives, and film tourism.
Merino will lead a session on how her film helped present Colombia’s culture to a global audience.
Producers from Disney hit Encanto and 2021 Cannes premiere Memoria are among speakers at the Association of Film Commissioners International’s (Afci) Cineposium in Bogota later ths month – the first gathering of the group in Latin America.
Encanto producer Yvett Merino and Memoria producer Diana Bustamente will join executives like HBO SVP of production Jay Roewe at the September 20-22 event, which is centred on the three core themes of sustainable production, gender initiatives, and film tourism.
Merino will lead a session on how her film helped present Colombia’s culture to a global audience.
- 9/8/2022
- by Jeremy Kay
- ScreenDaily
A mysterious nighttime mist swirls through Joanna Hogg’s sorrowful, secluded “The Eternal Daughter.” It is pumped, in artificial, Hammer-horror puffs and plumes, across groves and gravel driveways. It snakes around gables topped with gargoyles, snags on hedges, rubs against dark, staring, possibly haunted windows. It shrouds the film the way the unspoken words, undefined guilt and unfulfilled duties that exist between maybe every mother and daughter can cloud the truth of their fraught, primal connection. And it is this grave film’s most apposite motif, in being beautiful and mood-making but vaporous: try to grasp it and your hand closes on nothing but a faint, damp chill.
Filmmaker Julie (Tilda Swinton), her aging mother Rosalind (Tilda Swinton) and Rosalind’s dog Louis (Tilda Swinton’s dog Louis) arrive in a white cab one foggy night at the remote Welsh hotel that Julie has booked for a stay over Rosalind’s December birthday.
Filmmaker Julie (Tilda Swinton), her aging mother Rosalind (Tilda Swinton) and Rosalind’s dog Louis (Tilda Swinton’s dog Louis) arrive in a white cab one foggy night at the remote Welsh hotel that Julie has booked for a stay over Rosalind’s December birthday.
- 9/6/2022
- by Jessica Kiang
- Variety Film + TV
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