User Reviews

Okay so the Beginning has a supposed killing and they show absolutely none of it. You just assume tehre was a murder. -1 Star

Will it get better??

Well I was glad to see some T's when they showed the shower scene at the Bates Motel. Seriously wasn't that the Bates Motel? They just put the girls room where the Bates' office was. But it wasn't enough T's to warrant a star.

Then the murderer, Michael Myers, along with the appropriate Halloween music, is in city jail after taking 4 bullets to the back and then transferred to the psych ward where of course he proceeds to murder everyone.

So the 'psycho' is following a certain PATH, which is the tattoo he has. A path of killing he is following on a map.

Oh dear, the path leads to the Chief Detectives farmhouse????!!!! Oh dear Lawd what shall we do???

So we get a little Michael Myers, we get a little Jason Vorhees at the end. -1 Star

Well Thoughts and Prayers at the end. -1 Star for the speech that was really really bad. And the acting, really really bad.

And they set it up where there could be a sequel but I have thoughts and prayers that the PATH ends here.

In 1967, a psychotic killer irks the town of Brownsville, California. The bulk of the story centers around the police department.

I liked the retro rotary phones and how everyone smoked in the restaurant. Basically, it was nothing to see here film.

Guide :F-word. Nudity (Megan Katherine ?)

The small desert town of Brownsville is terrorized by a vicious and seemingly unstoppable psycho (a creepy portrayal by hulking wrestler Quinton 'Rampage' Jackson) who kills at random. It's up to Captain Peters (a solid and likeable performance by Steve DeForest) and his police force to stop the maniac.

Writer/director Rocky Costanzo relates the familiar, but still enjoyable and engrossing story at a constant pace, ably evokes a nice sleepy small town atmosphere (having the movie take place in the 1960's provides an extra tasty period flavor), generates a good deal of tension, stages the brutal murder scenes with savage aplomb, and delivers some nasty gore along with a dab of yummy bare female skin. Dylan Martinez's sharp widescreen cinematography provides a snazzy dusty look. Best of all, the killer is one genuinely scary dude. A cool little flick.