As it plays in competition at San Sebastian’s Works In Progress Latam strand, Buenos Aires-based sales agency Meikincine has swooped on international sales rights for mother-daughter relationship drama “Maybe It’s True What They Say About Us” (“Quizás Es Cierto Lo Que Dicen De Nosotras”).
Produced by Storyboard Media, the film is directed by Chilean filmmaking duo Camilo Becerra (“El último sacramento”) and Sofía Paloma Gómez (“Quiero morirme dentro de un tiburón”).
“We’re very happy to work with Storyboard Media again, this time in the company of Murillo Cine and Morocha Films, and excited to accompany the film’s international journey,” Julia Meik of Meikincine told Variety. “It’s important for us to be able to bring this very strong story, inspired by a brutal real case, to audiences around the world. The dynamics of family ties, especially those of women, take on great relevance,” she added.
“It...
Produced by Storyboard Media, the film is directed by Chilean filmmaking duo Camilo Becerra (“El último sacramento”) and Sofía Paloma Gómez (“Quiero morirme dentro de un tiburón”).
“We’re very happy to work with Storyboard Media again, this time in the company of Murillo Cine and Morocha Films, and excited to accompany the film’s international journey,” Julia Meik of Meikincine told Variety. “It’s important for us to be able to bring this very strong story, inspired by a brutal real case, to audiences around the world. The dynamics of family ties, especially those of women, take on great relevance,” she added.
“It...
- 9/27/2023
- by Holly Jones
- Variety Film + TV
New Indie
One of the best films of 2020 — and the last one I’ll get to see in a theater for who knows how long — Kelly Reichardt’s “First Cow” (Lionsgate) sees the director once again turning to the American frontier to tell a story about America now. John Magaro and Orion Lee play two men in pioneer-era Oregon who go into business selling fried-dough “oilycakes” to homesick miners, but find themselves in the crosshairs of the plutocrat who owns the territory’s only source of fresh milk. It’s gorgeous, elegaic, witty, and powerful — and you’ll crave some funnel cakes.
Also available: Director James Sweeney, who also wrote and starred, makes an impressive feature debut with “Straight Up” (Strand Releasing), about a gay man whose lack of relationship success drives him to give women one last shot; two siblings try to fulfill their grandmother’s dying wish in...
One of the best films of 2020 — and the last one I’ll get to see in a theater for who knows how long — Kelly Reichardt’s “First Cow” (Lionsgate) sees the director once again turning to the American frontier to tell a story about America now. John Magaro and Orion Lee play two men in pioneer-era Oregon who go into business selling fried-dough “oilycakes” to homesick miners, but find themselves in the crosshairs of the plutocrat who owns the territory’s only source of fresh milk. It’s gorgeous, elegaic, witty, and powerful — and you’ll crave some funnel cakes.
Also available: Director James Sweeney, who also wrote and starred, makes an impressive feature debut with “Straight Up” (Strand Releasing), about a gay man whose lack of relationship success drives him to give women one last shot; two siblings try to fulfill their grandmother’s dying wish in...
- 9/29/2020
- by Alonso Duralde
- The Wrap
Matteo Garrone’s gritty revenge drama “Dogman” was the big winner at Italy’s 63rd David di Donatello Awards, the country’s equivalent of the Oscars, taking home nine trophies Wednesday night from a field-beating 15 nominations.
Somewhat surprisingly, however, the sweep did not include a best-actor prize for Marcello Fonte, who had previously won that accolade at Cannes, where “Dogman” premiered, and more recently at the European Film Awards.
“Directing is important…but without great actors you don’t go anywhere,” said Garrone, who thanked Fonte and brought him up onstage.
“I started writing this movie 12 years ago,” Garrone added. “Then, while I was waiting to shoot ‘Pinocchio,’ I actually made it, and the result has gone beyond my expectations.”
Luca Guadagnino’s coming-of-age love story “Call Me by Your Name,” which went into the race with 13 nominations, left relatively empty-handed, winning awards for best adapted screenplay and original song.
Somewhat surprisingly, however, the sweep did not include a best-actor prize for Marcello Fonte, who had previously won that accolade at Cannes, where “Dogman” premiered, and more recently at the European Film Awards.
“Directing is important…but without great actors you don’t go anywhere,” said Garrone, who thanked Fonte and brought him up onstage.
“I started writing this movie 12 years ago,” Garrone added. “Then, while I was waiting to shoot ‘Pinocchio,’ I actually made it, and the result has gone beyond my expectations.”
Luca Guadagnino’s coming-of-age love story “Call Me by Your Name,” which went into the race with 13 nominations, left relatively empty-handed, winning awards for best adapted screenplay and original song.
- 3/28/2019
- by Nick Vivarelli
- Variety Film + TV
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.