Directed by
Takeshi Fukunaga |
Writing Credits (in alphabetical order)
Takeshi Fukunaga |
Cast (in credits order)
Produced by
Donari Braxton | ... | co-producer |
Judd Ehrlich | ... | executive producer |
Takeshi Fukunaga | ... | co-producer |
Xiaosong Ge | ... | executive producer |
Harue Miyake | ... | producer |
Chikako Nakabayashi | ... | executive producer |
Eric Nyari | ... | producer |
Josh Wick | ... | co-producer |
Tao Xiang | ... | executive producer |
Yifei Zhu | ... | executive producer |
Music by
Clarice Jensen |
Cinematography by
Sean Price Williams |
Editing by
Keiko Deguchi | ||
Takeshi Fukunaga |
Set Decoration by
Tetsuya Nomura |
Makeup Department
Ryôko Ariji | ... | hair/makeup |
Production Management
Yuki Hoshino | ... | production manager |
Second Unit Director or Assistant Director
Kenichi Sagara | ... | first assistant director |
Art Department
Goro Araki | ... | set builder |
Yukio Fujito | ... | art department support: Makiri Knife by |
Nori Fukuda | ... | art department supervisor |
Yasuhiro Iguchi | ... | art department support: photos by |
Taka Maesawa | ... | art department support: photos by |
Reina Miyazaki | ... | set builder |
Yusuke Shimazaki | ... | assistant set decorator |
Hiroyuki Shimokura | ... | art department support: silver accessories by |
Aya Tsunoda | ... | assistant set decorator |
Koji Yuki | ... | art department support: Woodblock prints by |
Sound Department
Tom Baylis | ... | sound effects editor |
Tristan Baylis | ... | dialogue editor |
Nathan Hasz | ... | assistant dialogue editor / foley engineer |
Curtis Henderson | ... | foley artist |
Makoto Kato | ... | boom operator |
Andres E. Marthe Gonzalez | ... | additional dialogue editor |
Keisuke Minagawa | ... | additional sound assistant |
Ai Miyatake | ... | Additional Sound Fx Editor |
Shota Nakano | ... | boom operator |
Toru Nishiyama | ... | sound recordist |
Tom Paul | ... | sound designer |
Visual Effects by
Fumiro Sato | ... | visual effects artist |
Camera and Electrical Department
Sun Rae Cho | ... | test shooting |
Jack Foster | ... | gaffer |
Tommy Hikida Guilfoyle | ... | camera intern |
Motomu Ishigaki | ... | additional camera/camera assistant |
Yûsuke Kojima | ... | camera support |
Takumi Saito | ... | still photographer |
Asumi Sako | ... | camera support |
Costume and Wardrobe Department
Yurimi Akita | ... | assistant stylist |
Shuhei Sakaue | ... | stylist |
Editorial Department
Andrew Betzer | ... | qc |
Danny DeVincent | ... | colorist |
Nikita Liamzine | ... | assistant editor |
Madeline Little | ... | post-production coordinator (as Madeline Lewis) |
Tod Orblych | ... | logistics |
Janos Pilenyi | ... | post production management |
Yayoi Sasaki | ... | assistant editor |
Fumiro Sato | ... | post-production supervisor |
Keisuke Takano | ... | assistant editor |
Nicholas Vranizan | ... | additional shot correction |
Adam Wangerin | ... | qc |
Ayaka Yamamoto | ... | assistant editor |
Music Department
Dan Bora | ... | music mix |
John McCullough | ... | archival music supervisor |
Oki | ... | additional music |
Additional Crew
Debo Akibe | ... | ainu culture consultant |
Hitomi Amemiya | ... | production secretary |
Marcel Beaulieu | ... | writing consultant |
Clare Downs | ... | writing consultant |
Ayako Fujitani | ... | english translation for script |
Niichi Hirogaki | ... | production assistant |
Cpa Rich Meltzer | ... | accountant |
Neo Sora | ... | contributing writer/assistant director/additional camera/english subtitles |