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Something nobody's pointed out yet
8 January 2001
The thing that really got my attention in this movie was the use of music throughout ... specifically, music that was performed spontaneously by various characters. The first instance, the kareoke showed that Kim Wallace (Diaz) had a lot more heart than Jules (Roberts) expected ... the second, the chorus of teenaged boys singing "You Fill Up My Senses" while huffing helium (I'm not making this up, folks), was kind of a strange underscore to the conversation that Jules was having at the time with Mike O'Neil (Mulroney); the third, begun by Rupert Evrett's character (and picked up by everyone in the room except Mike and Jules), was just devestating.

I don't know if these instances came from the writer or the director, but as far as I'm concerned, these three moments really made the movie.
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1/10
Ew
19 December 2000
Even when I saw this movie at a teenager, I wondered just how ironic it was that Pia Zadora starred in a movie about an artist who slept her way to the top. As beautiful and sexy as Ms. Zadora is, even she couldn't keep this sorry-ass excuse of a movie from tanking. Not even her photoshoot for Penthouse, in which "The Lonely Lady" was promoted "back in the day," could keep this movie from tanking. The only thing that could have saved this movie? A completely different script. Give this one a miss.
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7/10
Funny and poignant
15 December 2000
This is a very sweet story about a love triangle between a woman, her boyfriend, and the ghost of her dead husband. The subtext about getting on with your life after suffering a tragedy seemed heartfelt rather than manufactured; and Sally Field was, well, the incredible actress that she's always been.
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9/10
Fabulous
4 December 2000
Warning: Spoilers
I'm a huge fan of John Irving, and have been ever since I read "The World According To Garp" back in the early 1980's. I've read most of his novels, but none of them have moved me in the same way as "The Cider House Rules."

Naturally, I was a little leery about seeing one of my all-time favorite novels dramatized. The casting really caught my eye, especially Michael Caine as Wilbur Larch (I originally pictured Richard Harris in the role, for some reason), and Charlize Theron as Candy. I have a lot of respect for Ms. Theron as an actress, and she's very easy on the eyes.

It also helped that John Irving himself wrote the screenplay ... and took a LOT of time (ten years) to do so. I can understand why, too ... the story arc within the novel spans something like forty years ... more like eighty, if you figure in Dr. Larch's biography as well. To present the core of a story that massive within a two-hour block of time, without losing any major elements of the story, was quite a challenge.

Well, Mr. Irving was up to the challenge, and the movie was wonderful. The actors were convincing, the dialogue was good, the pacing of the story was very good. I was surprised at some of the changes, certain elements that had been left out, situations that the characters reacted to differently on screen than they had in the novel. What surprised me even more was that all of these things worked, and made the story work as well, if not better than, in the original story.

SPOILERS BELOW

Now, as to the "agenda" of the story: My girlfriend has referred to it as "the feel-good, pro-choice movie." I think that Mr. Irving does have a very strong opinion about abortion, and he does express it within the story, but there's a deeper message to it; that people have to make moral and ethical judgements about laws, and decide for themselves which ones are worth following and which ones are better off ignored or only followed for the sake of appearances.

Dr. Larch has decided that, since women will seek out abortions whether they are legal or not, he will perform an abortion on whoever asks, in a time when abortion was completely illegal; this is better than the potentially fatal alternatives, which are spelled out in graphic detail in the novel, and mentioned several times in the movie.

So, he's risking his medical licensure, his job, and his freedom in order to provide a service in a way that will save the lives of women who might otherwise be severely injured or die.

Regardless of your personal views of this hot-button issue, you have to respect the character of Dr. Larch for continuously risking so much to do something, just because he feels that it's the right thing to do.
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10/10
Inspired
4 December 2000
The first time I saw Edward Scissorhands was at the theater during its initial release. Towards the end of the movie, one of the viewers in the audience stormed out of the cinema, shouting, "Those b*****ds! That's my LIFE up there!"

There's something very visceral and archetypical about this movie (jeez, I sound pretentious, but there it is). It feels like a twisted fairy tale ... the 20th Century Fox logo behind a curtain of falling snow ... the first view of the castle rising on the mountain top behind the subdivision ... the flashbacks of Edward speaking with his "father" ... all of these elements build on each other and make ES one of the most brooding comedies I've ever seen.

Depp is wonderful here, and Winona Ryder is perfect (but BLONDE? ... I've actually heard a rumor that her natural hair color is blonde, but it looked a little like she was wearing a wig). Like any Tim Burton feature, it's a visual feast all the way through, and the outsider never quite gets inside.
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Logan's Run (1976)
3/10
This one didn't age well
17 November 2000
This was the coolest movie in the world, in 1976. Unfortunately, it was the last of its kind ... the last big science fiction epic before George Lucas changed the face of that genre on film.

Michael York and Jenny Agutter are good in their roles (I've always though jenny was a hottie anyway <grin>), and the story is interesting, but as somebody else pointed out, it all looks WAY too 1976, in the same way that the Buck Rogers television show from the same era remains a relic of that era, rather than a "glimpse of the future."

One of the big selling points of this movie when it came out was that Farrah Fawcett-Majors was in it ... she had just become popular at the time the movie was released, and had filmed it when she had still been pretty obscure. If the movie had been filmed six months later, I don't doubt that she would have been chosen to play Jessica (the female lead). In fact, though, Farrah just has a bit part; maybe five lines, and she's onscreen for just a few minutes.

There's really no reason to see this movie unless (a) you like campy movies, or (b) you saw it when it was originally released and want to see it again for the nostalgia factor.

In the original book, people were allowed to live to age 21; in the movie, the age was changed to 30 (presumably to accommodate the stars chosen for the roles). There is talk now of remaking this movie, and sticking to the book's original age limit. Could be interesting!

But as for this particular cheezfest, it's worth a miss.
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1/10
Wow ... this really lowers the bar
15 November 2000
If somebody wants to make a really, REALLY bad movie, "Wizards of the Lost Kingdom" really sets a yardstick by which to measure the depth of badness.

Start with the pseudo-Chewbacca that follows around the main character ... Some poor schmuck in a baggy white "furry" costume that looks as if it was stitched together from discarded pieces of carpeting. Work your way slowly, painfully, through more not-so-special effects that thoroughly deny the viewer from suspension of disbelief. Add a garden gnome (just for the heck of it).

On second thought, skip this movie entirely and find something else to do for an hour and a half.
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10/10
Excellent drama
8 November 2000
I have to admit, I was too young to get a lot of the nuances when I saw this, when it first aired back in the 'seventies. I'd love to see it again, as well as the two other Gail Rock adaptations for CBS' "Hallmark Hall of Fame." I do remember thinking at the time that all three dramas rang true... unlike so many family dramas/sitcoms of that time (or now, for that matter).
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Desperate Lives (1982 TV Movie)
Junk
7 November 2000
This movie, a lovely "just-say-no" message wrapped up in a thin plot, contains more unintentional humor than anything else. Things to look for: Kids making PCP in the high school chemistry lab. Helen Hunt diving headfirst out of a second-story window (after her boyfriend convinces her to try his homemade PCP). A locker check (in a small-town high school) that turns up more drugs and paraphenalia than the evidence room at a busy LAPD precinct. The entire student body realizing what terrible things drugs are and adding another twenty pounds of assorted stuff to what's been pulled out of the lockers and burned. This movie isn't quite as trashy as "Reefer Madness," but it's in the same ballpark.
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Mars Attacks! (1996)
Tim Burton at his goofiest
1 November 2000
Okay, so it's DARK comedy ... the darkest ... lots of people die in this one. But Tim Burton takes a stab at everybody and everything, here, from campy "Invaders From Planet X!!!" movies of the 1950's to Rodney King ("Can't we all just ... get along?") ... it's worth the price of rental just for the truly disturbing and hysterically funny sight of Sarah Jessica Parker''s head grafted onto a chihuahua's body. Natalie Portman, Jack Nicholson and Glenn Close are extremely good here. I highly recommend it!
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Much better than I expected
27 October 2000
Warning: Spoilers
I never even heard of this movie during its theatrical release, I have no idea why ... I first caught it on cable a year or so ago. When I saw the previews for it, I wasn't impressed, but the special effects looked good (natch, since this is a Zemeckis film!).

So I sat down and got sucked into a REALLY fun movie. Michael J. Fox (who I've always admired) was extremely good as a paranormal investigator and con artist, and the supporting cast was also extremely good here (stand-out: Jake Busey as a homicidal maniac).

Nope, I'm not going to drop any spoilers ... this is just a fun and suspenseful movie, well worth the price of a rental.
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Light, fun romantic comedy
17 October 2000
This movie surprised me ... it didn't look like it was going to be anything too interesting, but the more I watched, the more I wanted to see.

Good ensemble cast here, nobody really stands out in my mind as being either too terribly good or bad.

The story centers around a detective agency in New York City, and the lives and loves of the detectives who work there. Doesn't sound like the most original premise, but believe me, the script is very unique. Definitely worth seeing.
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Not too shabby
17 October 2000
Warning: Spoilers
This was not only the first I'd heard about the whole Dorothy Stratten story (I was a young teen when this movie first came out), and it was also the first time I'd seen Jamie Lee Curtis in any movie (somehow I avoided seeing "Hallowe'en" until the late 'Eighties).

It's a biopic about Playboy centerfold Dorothy Stratten, from her life in small town ... Washington? Oregon? ... to her rise to fame as a nude model, and her turbulent relationship with her psychotic husband. They divorced, she tried to keep away from him; her husband finally killed her and committed suicide.

I seem to remember that the movie was very engaging; maybe it's just that I thought JLC was a hottie. Anyway, I thought it was really well-acted and pretty straightforward; looking back on it now, I can see that it wasn't too horribly sensationalized, an aspect of another biopic of her ("Star 80") that really turned me off.
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Excalibur (1981)
The definitive Arthurian-legend movie
6 September 2000
Boorman's classic was everything that the trailers promised, back in the summer of 1981 ... lavish, beautiful, magical. There are so many versions of the Arthurian legends (spanning well over a thousand-year span of history, from post-Roman Brittania to the early Ranaissance) that not all elements could be represented; Boorman chose some of the best-known plot points and wove them into a dazzling and extremely engaging storyline.

Nicol Williamson is, to this day, who I picture in my head when I read anything about Merlin; his eyes and his voice captured the role in a way that will never again be achieved so thoroughly. And Helen Mirren as Morgana/Morgan la Fay ... wow. That's what EVIL looks like.

On a completely different note, Boorman's own daughter played a very alluring Igraine!

Repeated viewings do show a few of the movies shortcomings (I'm not going to point them out!), but nobody has ever made a movie about the Arthurian cycle that even comes close to this.
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1/10
At least I saw the MS3K version
30 August 2000
I've actually seen one worse fantasy movie in my entire life, so I can't rank this one as a zero. Maybe a .1 or something.

Okay, all right, that's rude ... Most low-budget movies aren't truly made for the purposes of making money ... they're made by people who really love making movies. I really hope that this movie's creators had fun making it, but I'm a little baffled, trying to figure out how they got somebody to distribute this.
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The Love War (1970 TV Movie)
Well, it was amusing way back in the day ...
14 August 2000
Okay, first of all, I was very young when I first saw this movie. I must have been all of ten years old. At that time, I thought it was pretty neat... two alien races conducting a discrete little war on Earth, unbeknownst to us mere Earthlings. When an alien agent kills another, they turn a key in the other agent's navel, and *sizzle* the corpse disintegrates. Decent suspense throughout, but remember ... we're talking a made-for-TV movie from 1970, no big-budget special effects.

What I find most amusing now is realizing who was in the movie .. Angie Dickenson, Daniel J. Travanti and LLOYD BRIDGES ... The Late Great Lloyd was very good in this, as an agent trying to protect a human woman (Dickenson) who had gotten caught up in the war, purely by accident.

I have no idea if this movie is available anywhere ... I'd like to see it again. No blockbuster of a movie, but it was fun.
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Cat People (1982)
Great erotic thriller
20 January 2000
"Cat People" is one of those movies that, by all rights, shouldn't be shown on network TV. That's not a comment on quality; it's one of the best erotic thrillers ever made (next to "The Hunger"). But when you have a movie where, for the last half hour, the female lead is mostly undressed ... how can you *show* the last half of the movie?

Very simply stated, they *don't* show it. I tried to watch Cat People on USA or some other network one night, and the last half hour had been cut down to about five minutes and made absolutely no sense. Worse, I was watching it with someone who had never seen it before, and when it was over, she was thoroughly confused and unimpressed.

So, number one: See this movie, if you haven't already! And number two, when you do ... rent or buy the video, or catch a revival on one of the premium cable channels.
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10/10
Great '80's music videos from the Grande Dame of multimedia
19 January 2000
Kate Bush, phenomenal British singer/songwriter/keyboardist, truly shines in this collection of music videos which span her career from her first hit (the ethereal "Wuthering Heights") through the pinnacle of her career (videos of several songs from the excellent "Hounds of Love" LP), and even includes a never-before-released song from that time period (the chilling "Experiment IV").

For those of you who don't know who Kate Bush is ... she's a soprano with a very mutable and expressive voice. Her songs tend to be very theatrical, and a lot of them seem to be sung from the point of view of fictional or semi-fictional characters. She frequently adopts accents (Aussie in "Dreamtime," Yorkshire [I think] in "Army Dreamers") to get into the character from whose viewpoint she has written.

A master of multimedia before the word existed, Kate Bush never, ever toured; aside from several performances at the Royal Albert Hall, years ago, she has very seldom performed live. Her videos are well developed and mesh well with her music, especially "Cloudbusting," which features a prominent role by Donald Sutherland!

Fans of Ms. Bush or slightly-out-of-mainstream '80's music will enjoy this a lot.
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Extremely not bad
13 January 2000
According to George Carlin, the term "Extremely not bad" should be used more often ... as in, "Gosh, this turnip casserole is extremely not bad."

California Dreaming follows the trials and tribulations of TT (Dennis Christopher) as he arrives in California with some recordings of his recently-deceased brother's jazz music. The idea is to play the music near the ocean, because his brother loved the ocean. While in California, TT stays with an old surfer (Wynn, in probably the best role he's ever had ... should be, though, because he wrote the script), who offers TT a place to live. TT becomes a surfer, woos his landlord's daughter, gropes gratuitously-displayed breasts; so far, it's pretty standard surf-movie fare.

Near the end, though, there was an actual plot twist; the plot had been so thin up until that point that I didn't even notice it coming. I'm not as easily manipulated now as I did when I first saw this movie (when I was about 15), but I was so blindsided by this development that it actually gave the ending a strong emotional impact, for me.

Great cinema, it ain't, but Glynnis O'Connor and Tonya Roberts were both hotties, the surfing scenes are pretty cool, and the acting is convincing, if not outstanding.
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Breathtaking
10 January 2000
Thematically and visually superb. Told in a very complex manner, through the thoughts and experiences of a multitude of characters in late Cold War Berlin, this film follows an angel who is no longer satisfied with watching the world of mankind ... he longs to become a part of it, to feel as we feel, to connect with other human beings. Photographed mainly in stark black-and-white, with images alternately grungy and fantastically beautiful. One of the opening shots shows an angel standing atop a skyscraper in the heart of downtown Berlin, wings rising twenty feet overhead. This shot had so much impact that I was unable to get the image out of my head for days.
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Short-lived ... too bad
4 January 2000
This show was actually a decent SF anthology series, like "Outer Limits" in many ways. The production values were the highest that I've seen in a show of this type ... maybe that's why it went away so soon; maybe its budgets exceeded its revenues. Too bad, because the scripts were generally very good, the talent involved ranged from adequate to excellent, and the sets were EXTREMELY well done. In other reviews, I've mentioned instances where the costumes were so awful that they distracted from the movie; here, the sets where "Paradox" was filmed were so good that they were sometimes better at suspending my disbelief and getting me interested in the story than the scripts or the actors were.

I don't know if "Paradox" still exists in syndication anywhere, since it was, I believe, only shown on the Sci-Fi Channel, which no longer carries it; if you happen to find a listing for it, please let me know, because I'd like to catch some of the episodes I missed.
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If you like Fairuza Balk ... (SPOILER ALERT)
20 December 1999
Warning: Spoilers
... then this is an excellent movie. FB (in an early role) portrays a young teen in a small southwestern town, discovering herself and falling in love for the first time, and meeting her father who has been absent from her life for as long as she can remember. Having lived through a very similar experience to that, I'd have to say that the way it was written and performed was unsentimental and realistic. Ione Skye also shines as the troublesome (and troubled) older sister with the bad reputation, and FB's ongoing attempts to set up her mother (Brooke Adams) with a nice guy are touching and heartfelt. But the movie never descends into saccharine sweetness ... that's the major strength of the script, and the performances. There's very little Hollywood in this flick, but there is a lot of heart, and it's worth seeing more than once.

**** out of *****
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The Outer Limits (1995–2002)
Great stuff!
30 November 1999
Yeah, so I was hopelessly addicted to "The Twilight Zone" as a kid. "Outer Limits" is the only science-fiction anthology-type show that has really grabbed me since then. There are actually a lot of similarities, and the quality of acting and writing is very close as well. "Vaccine" and "Monster" are outstanding episodes, and though I can usually see a plot-twist from a mile away, I was blindsided by the twists in both of these.

It helps that, in every episode, there is at least one well-known actor or actress in the lead role. Granted, these aren't A-list movie stars, but familiar and talented. Nicole De Boer, Jason Patrick, Maria Conchita Alonso, and Henry Rollins (!) have all been on at various times.

Overall rating: **** out of *****
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10/10
Very well done
29 November 1999
This adaptation of Somerset Maugham's novel is wonderful in so many ways. The dialogue is well written, the actors and actresses involved are excellent and believable in their roles, and the screenplay is spiritually faithful to the novel.

Theresa Russel is a gem in this movie, as the troubled Sophie, but it is Bill Murray's portrayal of Larry that truly stands out here ... mainly because, as far as I know, this is his only non-comedic role.

One of the best movies I've seen!
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Turn off your brain and enjoy
27 October 1999
Not much depth to this adolescent-oriented take on the "Oh my God, where did all the people go?" subgenre of science fiction. In the same vein as "Liquid Sky," an Aussie film that was made a few years later.

The difference is that NotC piles cliche on cliche -- uniformed paramilitary scientists, insane and violent Punk Rockers, plucky heroine, and her slightly annoying, but still endearing, kid sister who has a knack for getting into trouble. All of which would be very tedious, if the movie took itself seriously. This is the only lighthearted look at the end of the world that I can think of, off the top of my head.

Good for an '80's nostalgia film fest ... the music and clothes alone make it worthwhile in that respect.

*** out of *****.
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