'Friends' was superlative ensemble comedy (the early years were easily the best) but within that framework, its pièce de résistance was the hilarious, yet often touching, relationship between Joey and Chandler. I didn't give 2 hoots about Ross and Rachel by the end (neither did the writers if you ask me) but the show stayed true to Joey and Chandler; it was their goodbye in the final episode which really hit the emotional jackpot.
Joey and Chandler easily join the likes of Norm and Cliff from Cheers, Frasier and Niles from Frasier, Fletcher and Godber from Porridge, Steptoe and Son etc. as a memorable sitcom double act.
And therein lies the rub.
One of the problems with Joey (the series) is that it's yet to find another Chandler; it's crying out for a strong enough substitute foil for its star.
Although undoubtedly brought in to partly fulfil that role, I'm not convinced that Drea de Matteo (as Joey's trashy hairdresser sister Gina) can do it in the long run. As currently written, Gina is too abrasive; she's a turn-off, not a turn-on. If the writers are looking to tweak the show (and they should), the obvious candidate for elevation is Joey's nephew Michael.
In Cheers, in Frasier, in most ensemble comedies, there are episodes in which the main characters(s) take a back seat and the focus is on a supporting character. And that's another problem with this show - some of the supporting characters are not quite ringing true yet; Joey's agent - yes. Joey's sister - no.
Another weakness is the most important key to any show's success - the writing. Joey is not character-led and driven comedy (yet?). Instead, it's plot-driven, often with punchlines that even Stevie Wonder can see coming. The humour isn't consistently generating from quirks of behaviour. In a good character-driven show, the characters gradually evolve and develop more depth and when that happens, the series as a whole grows more mature, and often, grows funnier. The sooner that happens, the better for Joey.
When 'Cheers' ended, I was devastated. But spin off 'Frasier' quickly developed into must-see viewing thanks to clever writing.
All the necessary elements for televisual success were quickly established; a wonderful infectious theme tune (I'll give you a £1,000,000 if you can hum or whistle that...noise...unfortunately attached to Joey), solid, quirky characters, fab story lines, convincing central relationships, intelligent/witty/bawdy/farcical/wonderfully silly humour and interesting supporting characters.
Of that list - only the occasional 'Joey moment' is keeping me tuned to this new spin off and last week, I turned over during the commercial break...and forgot to turn back. The reason? Joey simply isn't delivering enough of the components outlined above; as it currently stands, it's a very uneven show providing a laugh out loud moment one week and an inability to raise so much as a smile, the next.
It will take a while for Joey to find its feet but take it from a Cheers fan, unfavourable comparisons to the originating show will ONLY stop if the spin off establishes itself in its own right.
In reality, Joey is A.N.Other sitcom which just happens to have Matt LeBlanc from Friends as its star. In addition to all that I've highlighted, this show desperately needs an identity.
And the first thing the powers that be should do to help give it one is change the God-awful theme tune.
Joey and Chandler easily join the likes of Norm and Cliff from Cheers, Frasier and Niles from Frasier, Fletcher and Godber from Porridge, Steptoe and Son etc. as a memorable sitcom double act.
And therein lies the rub.
One of the problems with Joey (the series) is that it's yet to find another Chandler; it's crying out for a strong enough substitute foil for its star.
Although undoubtedly brought in to partly fulfil that role, I'm not convinced that Drea de Matteo (as Joey's trashy hairdresser sister Gina) can do it in the long run. As currently written, Gina is too abrasive; she's a turn-off, not a turn-on. If the writers are looking to tweak the show (and they should), the obvious candidate for elevation is Joey's nephew Michael.
In Cheers, in Frasier, in most ensemble comedies, there are episodes in which the main characters(s) take a back seat and the focus is on a supporting character. And that's another problem with this show - some of the supporting characters are not quite ringing true yet; Joey's agent - yes. Joey's sister - no.
Another weakness is the most important key to any show's success - the writing. Joey is not character-led and driven comedy (yet?). Instead, it's plot-driven, often with punchlines that even Stevie Wonder can see coming. The humour isn't consistently generating from quirks of behaviour. In a good character-driven show, the characters gradually evolve and develop more depth and when that happens, the series as a whole grows more mature, and often, grows funnier. The sooner that happens, the better for Joey.
When 'Cheers' ended, I was devastated. But spin off 'Frasier' quickly developed into must-see viewing thanks to clever writing.
All the necessary elements for televisual success were quickly established; a wonderful infectious theme tune (I'll give you a £1,000,000 if you can hum or whistle that...noise...unfortunately attached to Joey), solid, quirky characters, fab story lines, convincing central relationships, intelligent/witty/bawdy/farcical/wonderfully silly humour and interesting supporting characters.
Of that list - only the occasional 'Joey moment' is keeping me tuned to this new spin off and last week, I turned over during the commercial break...and forgot to turn back. The reason? Joey simply isn't delivering enough of the components outlined above; as it currently stands, it's a very uneven show providing a laugh out loud moment one week and an inability to raise so much as a smile, the next.
It will take a while for Joey to find its feet but take it from a Cheers fan, unfavourable comparisons to the originating show will ONLY stop if the spin off establishes itself in its own right.
In reality, Joey is A.N.Other sitcom which just happens to have Matt LeBlanc from Friends as its star. In addition to all that I've highlighted, this show desperately needs an identity.
And the first thing the powers that be should do to help give it one is change the God-awful theme tune.
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