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Reviews
The Woman in the Window (2021)
Shows why Rear Window is so good.
Rear Window: Likable characters. You want to be with them. The environment is interesting and entertaining. Suspense is very carefully paced with comedic moments of relief so the audience isn't exhausted or bored before the ending. Even though you're pretty sure about the crime, the resolution is highly original and unexpected.
The Woman in the Window: The opposite. I didn't want to spend ten minutes with any of these people, though Julianne Moore does the best job of being appealing in a truly disturbing way. Tracey Letts is a great writer. Her August: Osage County is a masterpiece. The dialogue in this movie is fresh and natural. Photography is properly moody without going goth nuts. I suspect it's the director and producers who ran the story and the movie off the rails. Amateurish.
Emil and the Detectives (1964)
A Gem from Childhood
First saw this in a movie theater when I was 11 years old and just saw it again this week on Turner Classic Movies. It made a big impression on me when I was a kid and I'm pleased the experience stood up. Understand that this is completely a kids movie. The characters are very broad and actually quite cartoonish (though the same could be said for Quentin Tarantino movies). Gender stereotypes are consistent with the period. The plot is wildly implausible, like many children's books, but who cares?
So what did I like about it so much? All the main actors had charisma to spare and the minor actors were quirky and more than a little unusual. Bryan Russell and Walter Slezak are particular favorites. Though I hardly understood World War II as a child I now appreciate seeing Berlin less than 20 years after that war ended. And the attitudes towards Germany at this time. The photography is vividly colorful and flattering to Berlin. The bouncy score is happy-making and infectious. Mostly, I loved the sense of ebullient, delirious adventure and camaraderie among the detectives. Really echoes my idea of the limitless adventure of childhood at its best. Bravo!