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On the Beach (1959)
8/10
Spooky San Francisco scenes
22 April 2020
Warning: Spoilers
Saw as a ten-year-old sitting between my parents in our car at the Geronimo drive-in "theater" in a small army town in SW Arizona. At my age, the movie dragged a bit and I fell asleep only to wake up as the submarine cruises under the utterly empty Golden Gate Bridge. That scared me. Given my age, Hollywood portrayals seemed real. And this one wasn't far off! Then the empty streets hit home: this is what nuclear war could do.

Some have commented/complained about the differences between the movie and the book. Have read book and think both are great. "Leaving" Seattle for San Francisco was a good move for the visual effect of staring up those deathly, empty streets.

No CG in those days.
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1/10
Unbelievably bad
21 October 2019
My Life Group agreed this is the worst movie we have ever seen and will ever see. Makes next to no sense. Has more loose threads than a cheap rug. We laughed ... because it was so bad. We could not figure out the ending. I think they just quit filming. And speaking of filming, it looks like the cameraman was a ten-year-old.
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Outlaws (1960–1962)
9/10
irony
28 March 2017
The earlier reviews jarred my memory because I had not noticed the emphasis on the outlaws' point of view. Of course, it was mentioned that the theme shifted to mainstream good guys vs bad. But, come to think of it, the shows I do remember spent an awful lot of time on the "bad guys." Thanks to the reviews, I understand why now.

But irony is what I remember most. In one episode, an embezzling bank teller is blackmailed into helping rob the bank. He feels trapped because he invested in silver only to have it decline in value. As the show wraps up--he and the professional crook caught--a prospector waving a paper gleefully shouts "Silver's up!" The best shows were like that.
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Colt .45 (1957–1960)
8/10
A childhood favorite
28 March 2017
I was so young when this show aired that I did not understand what he was really doing. I may not have continued watching when the Preston was replaced; I have no memory of that. Preston must have been effective in the role--he held my interest. I do recall that the mustache was a bit of a turnoff for me. Yeh, I wanted my 19th century heroes to look like mainstream 20th century men. But I kept watching. I recall comic books, too.
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8/10
Different perspective; striking photography
7 March 2016
A very different angle on a popular figure in history: that of a self-appointed bodyguard. What hits you first is the unique look of the film. Hard to describe, clearly CG but surreal black and white backgrounds project the foreground subjects almost into your lap! When Lincoln makes an address, the stylized crowds come across as evocative, almost haunting. Again, you have to see it to experience it. On the down side, actors did not look much like their historical counterparts but did act well. Also, Lincoln wasn't tall enough! There is clearly some license taken with Abe's statements but probably to work them into the story. I found the length of time one had to stand still for pictures back then excruciating, if accurate. I thought Tom Amandes' interpretation of the Gettysburg Address one of the best in film.
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3/10
Gross Oversimplification
15 July 2015
Warning: Spoilers
Have to agree with the first review (at least when I logged on) that the movie is inaccurate. It's laughable that a half-dozen cryptanalysts handled all the intercepted traffic. Actually, three round-the-clock shifts of 10,000 people worked in Ultra! The secret of Ultra started leaking out in 1967, hardly "more than half century." Decryption of German messages was uneven, to say the least. It required carelessness on the part of users; the Luftwaffe was the worst offender. Since Goering managed to control what should have been ground forces, this gave away army secrets as well.

At the movie's end, Turing is summarizing Ultra's contribution. The mention of Ardennes (aka, Battle of the Bulge) makes one wonder what the script writers really know. This was a monumental failure of Allied intelligence. The Axis were now using landlines and Hitler was keeping the operation largely to himself anyway. Ultra's greatest contribution was winning the war against the U-boats if only because this was foundational to all other efforts.
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1/10
Film should have been sunk before release
10 March 2013
If I could give it no stars, I would. A waste of two hours of viewing. The ships didn't look much like actual participants. Even Achilles didn't remind me of Achilles! Wrong number of guns and turrets on all other participants. And the Graf Spee wasn't anything like the Graf Spee. Had two turrets, here three and clearly not German. What was wrong with models? Film drags. Battle ridiculous. Only saw the British side the entire scene except for the captured British seamen on board Graf Spee--and that's still just the British side of the story. After the sorry battle there's still forty minutes of virtually nothing. You won't learn anything of the poor German captain's fate from this movie either.
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Morituri (1965)
8/10
Deliberate pace worth sitting out
4 March 2013
Finally saw this flick from the beginning by streaming it on Netflix. Slow pace by today's standards but worth slowing down for. Various motivations complicate and drive the plot.

Was surprised it was in B&W in the mid-sixties but adds to atmosphere.

Some good camera angles such as the one following a conspirator as he races from bow to stern to warn our hero.

I find suspenseful and worth the viewer's "wait" for something to happen.

But I'll admit I'm amused that Trevor Howard is "guest staring" like it's a series.

As I noted at first, it can be seen with a Netflix account. Too bad that's the only way but that's where you'll find lots of good movies.

BTW: look for Starfish Island on the Web and see what you get.
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9/10
Hard to turn away from after all these years.
4 March 2013
I'm a sucker for this movie. When it shows up on the screen, I'm hooked to the end. Can't add much to others' praise and faults but have noticed two flaws. After the first fight, snipers terrorize the village until nightfall. Brynner and McQueen go looking for them. Later they return triumphant but nothing was shown. Doesn't it seem like a scene's missing? Maybe the film was ruined? At the end of the big climatic scene, Buchholz unhorsing a fleeing bandit to pursue his comrades but there's no follow up there either.

Minor matters in an engrossing film. If it's campy now (and must have been a little in 1960, too), it's a feel-good bit of escapism. And the music's perfect.
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