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Taken (I) (2008)
6/10
Highly Unlikely Thriller
5 October 2013
My theory is that most thrillers, perhaps only the best thrillers have any chance of being remotely plausible or realistic. If a thriller were actually plausible, some real-life bad guy would have already figured out the would-be plot device. At that point it could not be a thriller simply because it would already have become national news.

Taken is not a great thriller. It looks pretty good, and Liam Neeson does his best at knocking guys out, but underneath it all it is a silly movie. The film is slightly more serious about itself when compared to the Die Hard movies, but other than that, they seem a lot alike.

Thrillers do not have to be endless machine guns bursts, car wrecks, and fiery explosions, they really don't. One of my favorites is The French Connection. But don't get me wrong; Taken has its place. I mean, the idea is to give some thrills and raise the pulse. Taken does that. But you have to suspend most thought and all logic to get maximum effect.
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7/10
A Very Good Woody
10 September 2013
Warning: Spoilers
I saw this film on TV and at first did not know that it was from Woody Allen. I think I figured it out after about ten minutes. I started wondering if it were a Woody movie just by the unique concept of the film, but I became convinced it was Woody's work when a piece of period music came swimming into the film.

Midnight In Paris reminded me of several of Woody's movies, including Annie Hall (a love of Paris taking the place of a love of New York), The Purple Rose of Cairo, and maybe a touch of Radio Days and Hannah and Her Sisters. I initially was not thrilled with Owen Wilson playing the lead, but he grew on me a bit as the movie moved along. Still, I probably would have cast someone else.

I thought it was an excellent film. It delivered some yuks while at the same time provided several philosophical thoughts to chew on. For a younger audience the pace of the movie might have been a bit too leisurely, but it did not bother me. The film was only 94 minutes and besides, I wasn't in a hurry.
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Hard Times (1975)
A Personal Favorite
1 June 2013
Warning: Spoilers
I recently saw this movie on Turner Classic Movies in the same unedited form first seen by me 38 years ago when it was in the theaters. The film is set in the Depression but you would never be able to tell it by looking at the film's first two minutes. The locomotive seen in the opening scene did not exist in the 30s, neither did the style of boxcar Bronson is seen riding in. Also, in the surrounding building there are window air-conditioners visible. So there are a few technical gaffs, but I liked the movie. As I said in this review's title; it is a personal favorite.

Bronson is in his mid 50s when he made the movie, but he is lean and looks in great physical condition. He is perfect for the role as an aged bare-knuckle fighter adrift during the Depression. There are a couple of scenes where it is suggested by opponents that he is too old for the game. He of course proves them wrong.

James Coburn plays his part well as a conniver with a gambling problem. Strother Martin adds a kind of amusing spice to the proceedings. Even Jill Ireland does a good job as a down-and-out woman just trying to survive. Bronson made a number of cheap-looking action flicks during the 70s, films that are not now, and never were consider to be really very good. Hard Times should not be considered one of them.
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The Gallant Men (1962–1963)
A Boy's Memory
6 January 2002
It was a lot like the series "Combat" except as I recall, it was in the Pacific theater of WWII. I liked Combat and I liked Gallant Men. In both series you knew in the first five minutes who was going to live to the end of the episode and who wasn't. If I'd have been a betting man... errr, boy, I'd have made a fortune.
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10/10
One of the great lesser-seen films.
24 November 2001
This is one of those seldom-seen jewels in film history. A very powerful movie, stylish, with wonderfully portrayed characters everywhere you look. Buy, rent or if you must, steal the video. It's worth a night in jail.
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The Circus (1928)
A Silent Little Gem
16 September 2001
"The Circus" might be the finest of the lesser known comedies from the silent era, although Harold Lloyd's "Kid Brother" would give it a run for its money. It's the Little Tramp finding villains and hoping for romance at a circus... all the ingredients for what it is, a silent little gem.
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