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Vikingulven (2022)
When are we going to get another good Werewolf movie?
What could be lurking in the dense forest or in old shafts?
As a child you have a thriving imagination when it comes to monsters, as an adult you have often seen the real monster.
But that's not what this is about, it's about classic stuff woven into the icy mythology of the Vikings.
What initially creates an eerie, cold atmosphere later turns out to be a rather bland filmed story with sometimes strange moments.
A big problem here are the effects, often the scenes are completely ridiculously exaggerated.
Almost an embarrassing battle record.
Unfortunately, the short scary moments cannot carry a whole film.
A real shame.
Creatures (2021)
Not a replacement for Gremlins
Incredibly bad computer animation, laughable actors and just unbearable.
Hands off, the plot sounds fun but the film will wipe your smile away.
Creatures is not even good as a fan project, even an animated sheep looks better in the children's program.
Films like this are used as instruments of torture in Hell.
Der goldene Handschuh (2019)
Check it out
Irrational potential corpses sit on wooden chairs at tables that are far too small and stare desperately into the darkened nothingness.
Eyes whose shine has gone out, thrown away on the street, the body a battered wreck, it is distorted after hard liquor.
The mind almost wiped out, the willless shells whose spirit of life has vanished, you can sometimes see them lonely in the bars of the city.
Their lives will be destroyed, they will drink to the death, collapse somewhere exhausted or take their own breath to breathe.
What a pleasure, attitude to life or game became a scourge for others, they never make it alone but society despises them.
Unbeautified, abnormal, reprehensible, wretchedly ugly, the feces run down puffy legs while Honka chokes his victim almost to the point of unconsciousness.
The last rearing up, the last breaths he ends with powerful blows that break your head downright.
Another sip from the glass and then he cuts through the tendons and bones and hides them behind his ugly grimace, the scarred face, dipped in alcohol.
Hellbound: Hellraiser II (1988)
Follow the Leader
The Zenobite cult melts into a bizarre nightmare on the big screen, it drips, scratches, crackles and Christopher Young's musical spectacle opens the gates to hell. The soundtrack crawls deep into the ear canal like a slimy, newly hatched catchy tune, even in the silence there is a ghostly basic tenor with which one descends even further into the fleshy desires, the deeper levels. "Hellbound: Hellraiser II" lays a direct blood trail to the first part, both of which briefly blur into a whole work. Pinhead and his crew of researchers are almost completely demystified. The path of suffering opens out into new spheres, the vault of fear, pain, hunger pangs and disfigured corpses is a bony old labyrinth where a dark power gathers its servants. Groaning with pleasure, blood-smeared women's bodies wriggle, sexual otherness swung around by steel chains and tear hooks that dig into the flesh. If the researchers of black desires are called once, they darken all souls, rob them of their minds, dig through the past like obsessed meat grinders in order to finally celebrate the pleasure of suffering. A feast for the dark, they feast on the imperfection, unspeakable desires and the mistakes that a person tried to bury. Amid abundant agony, under the pressure of the rivers of blood seeping through the floor, in the cries of pain of destroyed souls, a new servant rises. Reborn as bloody disguised muscle tissue, called through numerous cuts, new organic material is needed to survive. The wake-up call to slaughter, maim and cut up. "Hellbound: Hellraiser II" creates its own madness in the end, rages in the hierarchy of an invisible leadership and ultimately loses total control. The operation amputation ravages through sacred ancient halls, lusts for new experiences, takes the Sado impact to extremes and leaves behind a lot of hand-made splatter of the finest quality. The story is difficult to understand, the characters are sometimes very bulky, the whole basic structure is very shaky. Sometimes the jumps seem too violent, a lot remains unexplained from which the series draws new food for suffering. In terms of visual power and sound design, however, there is a terrible power that denotes
The viewer is captivated and then slowly torn to pieces.