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Shôgun (2024)
Past Perfected
This series is truly exceptional, easily ranking as one of the finest historical dramas I've had the pleasure of watching. My personal criterion for judging historical productions hinges on their ability to immerse me completely, making me forget the presence of a film crew and the artifice of cinema. In this respect, the series excels spectacularly, enveloping me in its historical milieu with such authenticity that the modern world falls away.
While the storytelling itself may not always reach the highest levels of narrative complexity or innovation, what truly captivates me is the series' atmospheric depth and its respectful adherence to historical accuracy. The creators' commitment to not tampering with historical facts enhances the authenticity, making each scene and character interaction more engaging and believable.
While it would be unfair to compare any series directly to 'Game of Thrones' given its unique place in television history, I must confess that this series approaches that high watermark in terms of its immersive quality. It is rare to find a production that so successfully obscures the line between past and present, viewer and scene. Each episode feels less like watching a show and more like peering through a window into history itself.
The meticulous attention to detail, combined with the series' ability to maintain the integrity of the historical narrative, ensures that the atmosphere remains unbroken and genuinely reflective of the era it portrays. For those like me, who value the seamless illusion of historical narratives and a strong atmospheric presence over intricate plot developments, this series stands out as a near-perfect exemplar of the genre.
Kimitachi wa dô ikiru ka (2023)
Miyazaki's Latest Film Falls Short of Expectations
I watched the film in the cinema last week, and I can say it was generally mediocre. I have always respected Miyazaki's extraordinary imagination, but in this film, he did the same things again. I don't know if it's his trademark, but in some of Miyazaki's films, he only shows a certain part of the world he creates and finishes the movie without fully explaining the plot. It's as if we've entered a different universe for a short time and are watching random events that happen to occur. Nothing is specifically explained to us.
Yes, it has always been enjoyable to watch the worlds created by Miyazaki's extraordinary imagination, but it bothers me that he finishes his films without filling in the gaps in the story. He did this partially in Howl's Moving Castle as well. By the way, this universe he created didn't draw me in as much as his other films did.
Miyazaki's latest film can't even make it among the best. It lacks the awe-inspiring qualities of films like Castle in the Sky and Princess Mononoke. Still, it's a Miyazaki classic with its detailed animations and wonderful music. Although I experienced some disappointment, thank you for everything, Miyazaki.
1917 (2019)
Work of Art
"1917" is a masterfully crafted film that showcases the best in filmmaking artistry. The visuals are immersive, drawing the audience into the story from the very first frame. What sets this film apart is its ability to evoke empathy towards the characters. The camera work is exceptional, capturing not only the events on screen but also the characters' emotions and reactions, allowing us to experience the story with them. This is not just a war movie, but rather a tale that unfolds within the war, focusing on the events that happen to the characters.
One of the film's standout scenes is the night sequence, featuring breathtaking lighting that elevates the already intense atmosphere. The film is a testament to the power of filmmaking as an art form, managing to evoke strong emotions and provoke thought while still being entertaining. The performances by the cast are top-notch, bringing the characters to life in a way that is both natural and memorable.
In conclusion, if you have not yet seen "1917", I highly recommend it. The film's powerful story, stunning visuals, and emotional impact make it a must-see for anyone who appreciates good filmmaking. The camera work allows us to see what the characters see, making the experience even more immersive and relatable. This is a film that will leave a lasting impression, and it is not to be missed.
The Legend of Korra (2012)
One of My Biggest Disappointments
The Legend of Korra fails to meet my expectations. The reason being, it deviates too much from Avatar: The Last Airbender, making it difficult for me to view them as connected.
ATLA captivated me with its imaginative and exotic world, while Korra's modern city setting was unappealing. Many key characters from ATLA were absent or had limited screen time, and the new characters failed to live up to the standards set by their predecessors.
Additionally, the show's constant push for social issues, such as homosexual rights and democracy, was overbearing and took away from my enjoyment. ATLA never had these distractions and allowed for a pure, unencumbered experience in its fantastical world.
In summary, I find Korra to be a departure from ATLA and unable to live up to its predecessor. The only enjoyable moments were in episodes featuring the first Avatar. The rest fell short.
Gisaengchung (2019)
Great Expectation, Great Disappointment
I don't understand why this movie has received so much praise. I don't know the technical details of the movies, but this movie got 4 Oscars, 4 Oscars! The script was not top-notch, although sometimes surprising things happened while watching it. The acting was not outstanding either. I really don't understand what this movie has that can get 4 Oscars. Maybe it's my ignorance. I was very disappointed when the movie ended, my expectations were very high. The ending was not satisfying at all. Only unexpected things happened and the movie ended in a mess. This movie has the characteristics of an average movie. There's nothing legendary about it.