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Reviews
Rekopis znaleziony w Saragossie (1965)
such potential, such disappointment
This could have been one of the all time great films, and maybe the best adaptation ever, but for me it failed, and because the idea of the book would work so well in film its failure, for me, makes it even more disappointing.
For the book was not perfect, though great, the book suffered from using a technique which does not hold very well with the written word, the coarse editing and stop start endless descriptions of time and place disrupt any sense of poetry/flow and thus dull its overall purpose, making it very clinical in tone. However, these techniques, which fail with words, are exactly what make films flow and turn them into poetry, and this film flowed beautifully and effortlessly between scenes, leaving the core of the story unblemished and indeed enhanced by the sudden changes.
Where as the book was heavy this film was light.
But unfortunately instead of continuing the string of stories into a deep maze (like the book) it merely took a handful of the best bits, reworked the narrative and completely changed the ending, leaving a very weak and simple film behind (completely unlike the book).
If this had the guts to be several hours longer, take a lot more of the book and follow its narrative then it would of completely solved the flaws of the book and out done it in every respect.
So on the one hand you have a book which technically fails but in ambition succeeds and on the other hand a film which technically could of succeeded but fails in ambition.
This book, for me, was a film before film, but its film version lacked guts: jan potocki asked his readers to devote many evenings to reading his book, unfortunately the makers of this film didn't have the confidence to demand more than a few hours from its viewers. Such a shame.
on a side note the score is excellent, and very humorous, but like the film, and maybe because of the film, wasn't taken to any great depths. i would of loved to of seen the Velasquez story followed and heard Penderecki's scoring to the Saraband scene 'forget science and reason all you need do my son is learn to dance the Saraband'. ohwell.
Chats perchés (2004)
Chris Markers sublime review of the millennium so far.
Chris Markers sublime review of the millennium so far.
His camera cuts across the streets of Paris, via the métro, via TV, via the internet. the trite of politicians, the noise of demonstration marches, the poignancy of funeral processions. via the subtle gaze of girls, and the mischievous gaze of M. Chat.
These cuts, put together, provide a document of the previous 4 years, it's roots to the past, and a glimpse of its future.
- to get the most out of this film it helps to know a bit about French current affairs. - note, out of interest, the many references to surrealists, and their cultural legacy.
Journey (2001)
interesting if pointless film
using the same technique of animating over digital film as 'waking life' used, although this film cuts from reality to the animation, making its use much more effective. i was half asleep when i saw this film, but i dont remember it having much point. a german guy travelling to paris on a train in a cabin, which he shares with someone who he thinks is going to kill him and eat him. worth watching though, interesting. bla