Reviews

Despite Chuck Lorre's alleged behavior toward Charlie Sheen, the vanity card at the end of the closing credits is a clever misdirection, keeping viewers engaged until the end. While some may view it as a cheap tactic to boost ratings, I appreciate the creative twist and the element of surprise. Even though Charlie didn't take the offered role, I'd still eagerly watch him, even if just for a moment, asserting his individuality to the audience. No disappointment here. This is a solid 8. Chuck Lorre did an excellent job leading this show to this great episode, and a satisfying wrap up to a classic show.

In the captivating episode, "The Box," we witness the return of the talented Gerald S. O'Loughlin, portraying a character with the same name, Carl Swanson. He does such a great job that it does not matter. He delivers a stellar performance as Swanson, engaging seamlessly in a riveting dialogue with McGarrett. What truly shines is O'Loughlin's ability to captivate the audience, drawing us into the intricacies of his character.

The episode maintains a commendable up-tempo quality as the plot unfolds with gripping intensity. "The Box" is a great episode, offering viewers an engaging and entertaining experience.

This episode emerges as a masterful presentation of storytelling, weaving a tapestry of compelling content that captivates from start to finish. The commendable fight sequences are choreographed with precision, infusing the narrative with an adrenaline-pumping energy that resonates with viewers. The dialogue, skillfully crafted, leans towards realism, providing a nuanced depth to character interactions.

The diverse array of characters not only enriches the tapestry of the storyline but also serves as a testament to the show's commitment to inclusivity. Each character, meticulously portrayed, adds a unique flavor to the overall appeal, creating a dynamic and multifaceted viewing experience. The narrative, akin to a well-orchestrated symphony, maintains a seamless flow, effortlessly guiding the audience through twists and turns.

A particularly noteworthy aspect of this episode is the incorporation of astrology, a creative choice that adds an intriguing dimension to the storyline. This thematic element not only showcases the writers' ingenuity but also elevates the allure of the narrative, leaving audiences curious and eager to unravel the cosmic threads woven into the plot.

In the face of potential criticisms from others, I stand firm in my assertion that this episode is a testament to the show's prowess. It not only entertains but also serves as a catalyst for engaging discussions. The depth of the storyline and the richness of character development offer ample material for analysis and interpretation, fostering a sense of community among viewers.

Ultimately, this episode transcends mere entertainment; it provides a truly captivating viewing experience. The combination of compelling content, well-executed fight sequences, realistic dialogue, diverse characters, seamless narrative flow, and the added layer of astrology creates a symphony of storytelling that resonates long after the credits roll.

Other than the Mary Tyler Moore show in the 1970s, the Bob Newhart show was the best comedy of the era. In hindsight, the two comedies are much closer than you would think. With the quirky characters, the setup of a flawed psychologist, and his adoring wife made for a very funny situational comedy. As a psychologist Bob was able to bring in all sorts of individuals under his care and use the comedy and comedic timing that he was known for in the 50s and 60s as a device to interact with patients and those around him. The combination of Bob, Emily, Jerry, Carol, and the original Kramer, Howard, allowed Bob to play off of them individually while also exposing some of his personal weaknesses. There are several character actors fulfilling various roles that many will recognize. Though only running for 6 seasons, the show prospered each year. The first season, probably of any season I've seen, started off extremely strong and stayed strong the entire season. As the seasons progressed and the Hartleys weaved their way through life we do see changes but the ensemble cast was there for all of the episodes and so it made for a very consistent funny comedy. Also, the fact that it ran in tandem with Mary Tyler Moore each season, except one, made it that much better because those shows were a staple while on air. So anybody that wants to watch a situational comedy and see Bob Newhart at his best and what he was about would love this series.

This is a fantastic episode and has the series changing slightly in the focus, but sets up Jerry for coming episodes. It's a very enjoyable episode with some great actors that you might recognize from old movies and TV, particularly John Randolph (Emily's father) who was a memorable guest star in Hawaii Five-0. I really enjoyed this episode and I think anybody watching it would enjoy it as it focuses on Jerry, and some of the things that he has to say and the way he acts is pretty funny. Any fan of the show would know that Jerry boasts about his work and how good he is, but he's always had this kind of attitude that he'd rather not work and gravitates toward misguided quests that end up as dead ends.

There is nothing like this movie. It's fascinating to watch with many future stars. Yeah, it's a little whacky, but if you don't like it you have no sense of humor.

There is no plot hole as another reviewer has suggested. It's quite clear how the episode resolves and how it gets there. I enjoyed the acting and the twists and turns. It's a good episode.

A movie that everyone should see. If you don't rate this movie a 10, don't write a review. You can't make a movie with better style and substance. It's one of a kind.