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6/10
The play is better
25 May 2009
Warning: Spoilers
I just saw the revival of the play in New York and although I like the movie a lot the play is much better. The movie makes many changes from the play. The movie actually makes Charteris into a sympathetic character which he definitely is not in the play. Also the play deals much more with the mixing of racial blood. The sexuality is much more pronounced in the play. In the play the setting is a brothel not a casino. Mother Gin Sling's name in the play is Mother Goddamn. Whatever Sternberg might have wanted to take from the play would have been killed by the Hays censorship office. It's too bad because thematically the play and the movie are totally apart. The play really makes the Europeans look awful while the movie makes them somewhat sympathetic. Mother Goddamn in the play comes off much more sympathetic while Mother Gin Sling comes across as mildly sympathetic but the villain of the piece. The Asian is the villain in the movie even though she was brutalized by the Europeans. This movie ultimately is one more example of Hollywood's racism. It's also too bad that they didn't cast an Asian actress to play Mother Gin Sling.
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10/10
I loved it
25 April 2004
This is one of the best Hollywood bios I've ever seen. The pacing is fast for a movie from 1936 and William Powell and especially Louise Rainer are fantastic. Filmed in one take, the "A Pretty Girl Is Like a Melody" musical number is incredible. One also gets to see Fanny Brice in a rare film appearance, and if you remember Barbara Streisand in Funny Girl you'll see how close Streisand got to perfectly imitating Brice. Also, Ray Bolger does an incredible dance routine which shows off his talent to greater effect then his performance as the Scarecrow in The Wizard of Oz. He's unbelievable. My only complaint, and this is about the DVD, is that Warner should have made the effort of restoring this amazing picture. Most of it looks pretty good but there are many sections with scratches and speckles.
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8/10
Another excellent film by Gordon Douglas
25 February 2003
Once again Gordon Douglas deals with characters faced with moral dilemmas. In this case the three sisters and their infatuation with Gig Young, Doris Day's commitment to Frank Sinatra, and Sinatra's decision. From the opening scene of the neighborhood in which they live to the very end this movie is much more then it seems. Within the artificial look of the sets,there's no hiding the many themes that meander throughout this somewhat dark (musical?). For those who don't get it, take another look. These characters are far deeper then the picture perfect world they live in might make you believe.
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