I recently watched the 2003 DVD that contains the fully restored three hour version of this classic western. For those of you not familiar with the storyline, it revolves around the attempts of three rouges to find a missing fortune in Confederate gold in New Mexico during the Civil War. The 2003 DVD has an excellent audio commentary by film critic Richard Schickel, who also collaborated with Eastwood on a definitive Eastwood biography. I gave this film a 10 out of 10 star ranking in IMDb. It scored 20 points in my ranking system, placing it in fourth place all time.
Here's the Good:
The Bad and the Ugly:
Here's the Good:
- Eli Wallach and Leone created one of the great villains in the history of cinema. Tuco is equal parts amoral scourge, paisan sympatico and stand up comic. The only characters in the history of Westerns that compare are Little Bill in "Unforgiven", Judge Roy Bean in "The Westerner" and Joe Erin in "Vera Cruz". Gene Hackman and Walter Brennan both won Best Supporting Actor Oscars for those performances. If the Academy ever decides to start handing out retroactive awards, this would be a good place to start.
- The movie is notable for launching Clint Eastwood to life long international superstardom. Eastwood went on to direct and star in two Westerns that occupy the second and third places in my all time list, "Unforgiven" and "The Outlaw Josie Wales." If not for the success of TGTBTU, those films might not exist.
- The best soundtrack in the history of Westerns.....the signature laughing hyena, the eerie whistling, the soaring mariachi trumpets, and most importantly, the twangy guitar solo and macho male chorus constantly driving the plot forward. Other than the theme from "The Magnificent Seven", this is only Western soundtrack to become a part of the general popular culture. Hugo Montenegro's cover version reached number two on the Billboard charts in 1968.
- I call Leone's counterpoint between the long, flowing episodes of deep sentimentality and short bursts of graphic violence "John Ford on steroids". Coppola would copy this technique several years later in an even more gruesome scene in "The Godfather".
- Fantastic 10 minute opening sequence with no dialog, a homage to "Rio Bravo" and "Comanche Station". This is bookended at the film's climax by another spellbinding five minutes with no dialog.
- I admire Leone's bold decision not to sandwich in a gratuitous female romantic interest. Last "all guy" Western until "Brokeback Mountain" (just kidding).
- This may be the first "Vietnam" Western. This is impressive, since in 1965 when the story was conceived and written, opposition to the war was not yet fashionable.
- This was a watershed film for Westerns in terms of realism. It wasn't the first one to completely break with production code restraints, but it was the first popular and successful Western to do so. There would be no going back to the world where justice always prevails in the end, everyone's wardrobe is perfectly pressed, bullet wounds are bloodless and there are no gratuitous graphic rapes.
- Brilliant casting of Lee Van Cleef, a minor actor in many Westerns from the golden age of the '50's, including "High Noon", "The Bravados", "The Gunfight at the O.K. Corral" and "Ride Lonesome". His presence is one of many Leone homages in the movie to classic Westerns (including a number of references to 1948's "Yellow Sky"). The presentation of Van Cleef's facial features as sculpture reminds me of Boetticher's use of Randolph Scott in the Ranown cycle of films.
- The best use of the Civil War ever in a Western. The only competitors I'm aware of are "Dances With Wolves", "Major Dundee" and "Escape From Fort Bravo".
- It's impressive that the portrayal of the Civil War battle is realistically based on the Battle of Glorieta Pass, which took place in New Mexico in 1862. It is often falsely thought that this movie is set in Texas, where there were no major Civil War battles. This misinformation, spread by Leone himself apparently, has deceived some critics into thinking the basic setting of the movie is implausible.
- Finally, of the five Leone Westerns, this is the perfect blend of Leone's distinctive style with a clever, fast moving and entertaining plot. The other four movies are all fine films, but the first two "Dollar" movies were very low budget and Leone's style was still evolving. Meanwhile, in "Duck, You Sucker" and "Once Upon A Time in the West", Leone disconnected himself from the needs of his commercial audience. Leone was quoted by his biographer, Richard Frayling, as saying that he made OUTITW "for cineastes only". TGTBTU is satisfying for both scholars and popular audiences.
The Bad and the Ugly:
- I don't have much negative to say about this film. I've read critics who feel it is too long, that the story's not interesting enough, that the Tuco character is irritating. that Wallach's acting is hammy and that the premise of three criminals riding around loose during the Civil War is implausible. I don't think any of these arguments hold water. When it was released in the U.S. in 1968, it was roundly panned for its excessive violence. These complaints seem laughably quaint today in light of the orgy of graphic cinematic gore and sadism that has engulfed filmdom since the late '60's.
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