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Thriller (1960–1962)
Classic Horror Series
3 December 2003
To this day, Karloff's brilliant 60's THRILLER ranks the highest. It also still scares all hell out of me. Do you need a more glowing recommendation than that?

Many of the excellent stories were taken from the 'Weird Tales' pulp magazines, and it was that rare case that the writer's adaptations actually surpassed the original bizarre plots. Usually, it's the opposite aggrevations. The notable authors consisted of Robert Bloch, Richard Matheson, Augest Derelith, Cornell ('Rear Window') Woolrich, John D. MacDonald ('Cape Fear'), Philip McDonald and Poe; etc. Also, Donald S. Sanford (the 'Outer Limit's' "The Guests" episode) wrote many outstanding scripts for the show. One was 'Ordeal of Dr. Cordell' as a pre-UNCLE Robert Vaughn appears as a scientist who gets exposed to a deadly nerve gas. He survives, but whenever he hears the sound of a bell, he goes beserk and commits brutal murders. The frightening ending in the bell tower is excruciating. Their only foray into Science-Fiction, complete with a dark and forboding 'Outer Limits' mood.

Other memorable episodes were:

1) THE CHEATERS - a Bloch tale about a pair of accursed eye glasses, and the devastating effects they have on those who put them on. A true paranoia excursion into hell.

2) THE GRIM REAPER - another Bloch story about a grusome painting that carries a deadly curse. Stars a 'pre-Kirk' William Shatner. A thoroughly chilling score from Jerry "Alien" Goldsmith.

3) WAXWORKS - Bloch again. A creepy wax museum of infamous murders may be responsible for a few grisly murders. Superb script is a clever blending of the film noir mystery crossed with the supernatural horror genres. A great performance from Oscar "Mr. Sardonicus" Homolka & a "pre-Tarzan" Ron Ely.

4) PIGEONS FROM HELL - scary Robert E. Howard story about two teenage brothers who end up having to spend the night in an old, deserted southern mansion. They soon learn the meaning of 'regret'.

I'll stop here, and encourage you to check out this haunting memorable show.
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charming movie
16 November 2003
I don't know why I liked this movie other than the obvious reasons like the cast, quality acting, script, and filming. It had a positive energy to it, for wont of a better phrase and everything to it was done just right, including the humor, though some of it(the part with the woman running over the dwarf) got a little foolish. It was wonderful to see a genuine character for a dwarf who was played outstandingly. A serious drama with a lot of humor.

Stiles
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INTRIGUING MISFIRE THAT SHOULD BE REMADE
16 October 2003
Warning: Spoilers
When it comes to that touchy topic of remakes, I've always strongly felt that you should leave the proven classics alone. It's those uneven 'interesting misfires' or intriguing 'wasted opportunities' that should be redone.

JOURNEY TO THE SEVENTH PLANET is an ideal candidate for possible updated improvement. There is an intriguing premise here, but the finished project does leave much to be desired.

I felt the initial idea of the lone unseen alien menace, probing the minds of the explorers to Uranus, had some compelling possibilities.

First mistake occurs before they are about to land. They are suddenly frozen in a suspended state, which is an eerie foreshadowing of their impending fate. So far, suspenseful. Unfortunately, we then hear the melodramatically villianous voice of the alien announcing its malevolent intentions; which kills any necessary sense of mystery. We should have just seen them in their suspended animation, and left to wonder what is really transpiring. Viewer is left knowing too much now, and far too soon.

There are some novel touches after they land. Instead of a dead world, there is a lush forest paradise and breathable atmosphere. However, the plants and trees have no roots, and one of the crew members remembers it as a place from his childhood. There's a certain unsettling Twilight Zone/Outer Limits quality here that gives the film some innovativness. Still with me? Don't zone out yet.

Next, they discover a few beautiful women (Awake now?) in a small European-style village (from the commander's past); and they turn out to be former girlfriends of the crew, representing their lost human desires and passionate fantasies. Seduce and Annihilate?

Then, they go through a strange encircling barrier to the real Uranus, and encounter bizarre creatures that sybolize their most dreaded fears and nightmares. As you can see, there are some interesting and thoughtful plot elements at work here.

WARNING: POSSIBLE SPOILERS - They are finally able to deduce that there is a lone being whose supermind can function at full force (humans are known to only use about 5% of their mental potential, and in too many sad cases, far less). It knows the characters' every thoughts and human weaknesses. Invasion of privacy at its most insidious. Now that is truly disturbing when your paranoia turns out to be true. Ever been there?

Essentially, the alien's (revealed in the end as a huge one-eyed brain) plan is to destroy all the astronauts but one, by deviously exploiting their human fears and desires (and guilty pleasures). Also, it's hostile aim is to return to Earth in the body of the one 'survivor', for the purpose of (guess what?) world conquest.

Granted, the taking over of good old Planet Earth is the oldest Science-Fiction Alien Menace Tale in the movies, but at least this beloved cliche is somewhat reinvented with a few creative variations of the ancient invasion theme.

As is, JTTSP is hampered by the low budget, bland performances and, of course, somewhat hokey monsters.

I hate to say it, but this could almost be ideal MST3000 fodder. Don't misconstrue, I was quite fond of MST, but I personally thought they should not have mocked the admirable misfires, but gave it to the real irresponsible and irredeemable stinkers. R-E-P-T-I-L-I-C-U-S?

Also, it is burdened somewhat by an uneven script (typical problem with many B Films). Uneven, in the frustrating sense of the dialogue; sometimes intelligent and other times utterly ridiculous. (How many examples of that can you come up with?).

Also, you certainly wouldn't chase the gorgeous babes off your property with your shotgun, but they definitely weren't graduates from The Meryl Streep Theatrical Academy. However, we do have our old friend John 'Tarantula' Agar as our tough, smarmy gigilo captain, representing the only American on board (Snicker! Snicker!) so all isn't completely lost. (Snicker! Snicker!).

So, all quips aside, considering JTTSP's potential merits, it would be the ideal 'interesting failure' to remake, as long as the writer and director take these pertinent points into inspired account.

SEE IT & see for yourself. And try to imagine how it could be fixed-up and improved.
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Deep Impact (1998)
ZERO IMPACT
18 July 2003
This dull disappointer is another great contender for the WASTED OPPORTUNITY award. It was hyped as a "thriller with brains". I am still waiting to see a compelling film of that elusive caliber.

The IDEA had some intriguing "what if" potential: A comet is on a collision course with mother earth, and only the good old USA can save all the rest of Gods children from imminent doom. HOWEVER, these interesting prospects never even surface, except for those few final F/X moments, which you already saw in the trailers and fanzine promos, so they end up being not that big of a deal.

You would think that if this impending global catastrophie were to really occur, there would be much panic and an outright state of alarm. There would be riots, grim demonstrations, suicides, outrage, wild armegeddon celebrations before the final hour hits, and other such pandemonion. How would YOU actually be feeling and thinking if you knew for a searing fact that such a nightmarish tragedy was soon to hit? What would you do?

None of the cardboard characters reacted in any true believable manner or non manner. Everybody just accepts it in a very noble, resigned way. Would you? Some would obviously come to grips with it with that similar attitude, but we are here to see real human drama and terrifying action and not just a lot of wimpering 'I love yous', which is palmed off as "real human feelings". Good intentions do not always make for powerful, effective filmmaking.

The dialogue is just plain insultingly stupid, and, at times, I thought I was channel flipping between Days of Our Lives and one of those preachy, tepid afterschool specials. There was absolutely no suspense or even the remotist atmosphere of terror. I never believed that the end of the world could be so humdrum and BORING!!! Maybe that asteroid is actually a cleverly disguised Godsend.

That tired old generation gap scenario between Duval and his younger class of gung ho recruits made me want to throw something at the screen. All in the Family had more dramatic tension than all that "meaningful" manure. Of course you know that later, when those old chips are down, everyone will all hug and kiss and be one, big happy family. Next time I will bring my own specialized vomit bag.

Also, how do you land on a comet, or should I not dare ask such questions? Did it ever occur to the writers (and that includes the literary team behind Armegeddon) that if you blow up a giant asteroid, that all the shattered pieces would still proceed on course and could actually do even worse damage? Has anyone in Hollywood ever read a basic science book or took Meteors 101?

Someone please tell Tea Leoni to stick with light weight romantic comedies and not try to be the serious actress. I have seen fire hydrants with more substance and dramatic depth. Anne Heche would have been an ideal choice cause she can actually act and portray unique characters of various dimensions, which this droll affair sorely needed. Instead, we are stuck with Tea Time. I just got thoroughly sick and tired of that vapid, 90s career girl stereotype. Now we have the arrogant female chauvinists. That really does not help to serve Womens Liberation; in fact, it is a condescending sexist/stereotyped insult, for it makes them look just as hypocritical and full of s..t as Big White Man. Also, how does becoming a yuppie sell out help to save your soul and define your (so called) character and self esteem? Wish that asteroid would strike SOON!!!

As you can probably guess, I was not very touched, intrigued, excited, moved, impressed or entertained, but I did manage to catch up on a few winks throughout, and for helping me better cope with my insomnia, I am eternally grateful to the makers of ZERO IMPACT.

See you on the dark side of the asteroid.
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Reign of Fire (2002)
TOTAL BURN - WHERE DID ALL THE DRAGONS GO?
26 June 2003
When they came up with that infamous phrase, RIP-OFF, they undoubtably had 'Reign of Burn' in mind. Gotta hand it to good ol' Hollywood today, they sure know the great art of (mis)producing the LOST OPPORTUNITY. Is that what the film schools are "teaching" today; Being "suck-cessful" instead of creative, innovative, imaginative and intelligent? This dreary waste of fine film stock goes all the way and then some to solidly confirm this disconcertingly dismal fact.

I won't bore you to tears by harking on all the script's flaws and idiotic inconsistencies, since they've already been fully documented in previous outraged reviews. Obviously, only a dull, academic nerd will expect a fantasy tale to be 1OO% scientifically correct, but when it's this far off the mark, it just becomes condescendingly insulting.

Those who concoct that classic "Chill out, it's only a movie" rationale should bare in mind that even a fantasy has to have some genuine ground in reality in order for its story to fully develope and move. The early 'Star Wars' films utilized this vital technique - and their overall critical and commercial successes highly attest to these valid notions.

Also, "It's only a Movie" still has to have some substance and consistency in order for it to really be worth your while. ROF proves to be the old standard cop-out that only promises to deliver, then doesn't. (I thought only politicians were the creepy masters of that).

Like most, I was duped by those scary posters of London being incinerated by the dragons as Apache copters engage in tense battle with them. Imagine that big SURPRISE! when none of that appears in the film, except for some insipid film student newspaper montage that is nearly ONE WHOLE MINUTE LONG!; explaining how vast armies of winged monsters have risen up (Where? How?) and destroyed most of the world. One grand old rule of film: SHUT UP & SHOW IT!!!!!

The opening scene where the first male dragon is accidentely unearthed in the underground excavation site was actually starting to generate some frightening suspense. So, what clever trick does our dumb director do next? Elementary. He jumps ahead twenty years later. Sorta like 'Star Wars' without the wars. Awesome, isn't it? Thus, everything worth watching has already happened a long, long time ago. YAWN. SNORE.

I would have loved seeing what occured right after the first one escaped, and how all the rest came to be. THE RISE OF THE DRAGONS. Then, their initial attacks against the world's leading cities, and, so it isn't all just dragon breath and charcoaled mankind, that crucial scene when the scientists discover that history is repeating itself: They had previously wiped-out the dinosaurs and started the ice age. How bout some eerie flasbacks that surrealistically SHOW THIS staggering 'historical event,' instead of just mentioning it in passing. Then, the fierce battles where mankind gets his fat-ass butt kicked in, while people flee in panic and mayhem from this mythical menace that has now graduated to full reality. Also, the humiliation of modern, complacent civilization being annhiliated by legendary, mythical creatures of old folklore. Now, THAT would be very satisfying to behold. (H.G. Welles's 'War of the Worlds' had that disturbing underlying theme of complacency being effectively castrated by the superior alien menace).

Finally, that ironic closing scene where the fleeing survivors find that old medieval castle that will now be their fortress/home - comparable to Heston finding the Statue of Liberty at the memorably haunting fade-out to the original 'Planet of the Apes'.

Essentially, all quips aside, this is the dragon epic that should have been made, instead of this boring direct-to-cable mess that only had fleeting moments of action.

'Nuff said.
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