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Reviews
Bastar: The Naxal Story (2024)
"Bastar: The Naxal Story - A Riveting and Realistic Exploration of Ideological Conflict"
"Bastar: The Naxal Story" is an extraordinary cinematic journey that takes viewers deep into the heart of Chhattisgarh, unraveling the complex and often hidden realities of Naxalism. Directed by Sudipto Sen, this film stands as a testament to the power of storytelling, seamlessly blending a gripping narrative with profound socio-political commentary. The movie excels in its portrayal of the harsh and often brutal realities faced by the people of Bastar, a region that remains entangled in the clutches of ideological conflict.
The story is set in the Bastar district of Chhattisgarh, where Naxalism thrives amidst lush forests and rugged terrain. The narrative follows Neerja Madhavan (Adah Sharma), an unyielding IPS officer determined to dismantle the Naxal network. Her journey is fraught with peril as she mobilizes Special Police Officers (SPOs) and the state-run militia, Salwa Judum, to curb the Naxalite influence. Sharma's performance is nothing short of spectacular, embodying the strength and vulnerability of her character with remarkable finesse. Her portrayal is imbued with intensity and authenticity, adding depth to the film.
Parallel to Neerja's story is the journey of Ratna (Indira Tiwari), a tribal woman seeking vengeance after her husband falls victim to Lanka Reddy (Vijay Krishna), a notorious Naxalite. Ratna's transformation from a grief-stricken widow to a fierce warrior is compelling, and Tiwari's performance resonates deeply with the audience. The intertwining of Neerja and Ratna's narratives highlights the personal and collective struggles faced by those caught in the crossfire of this ideological battle.
The film's strength lies in its realism. Characters inspired by real individuals populate the screen, bringing authenticity to the narrative. The gritty atmosphere keeps audiences on edge, particularly during scenes where the 'influential elite' clandestinely support the Naxalites. The judicial trial depicted in the film adds to the seriousness, showcasing the deep-rooted issues within the region.
Director Sudipto Sen's storytelling is both gripping and gut-wrenching. His nuanced understanding of Bastar's cultural and socio-political landscape is evident in his direction. The film's cinematography is a standout, capturing the rugged beauty of Bastar-the dense forests, crimson sunsets, and the palpable tension that hangs in the air. Every frame is a canvas, painting the story's emotions and the natural beauty of the region in vivid detail. The haunting background score complements the narrative, though it occasionally threatens to overpower the dialogue.
"Bastar" is more than just a film; it's a stark reminder of the insidious nature of ideological conflict and its far-reaching consequences. It delves into the complexities of the Naxal problem, offering a glimpse into how deeply rooted this issue is within the country. The film also sheds light on the funding and support that Naxalites receive, adding another layer to the already complex narrative.
While the film engages viewers for most of its duration, a deeper exploration of the political landscape could have elevated the narrative. The absence of central control hubs like Delhi and Raipur is a notable oversight, as understanding the behind-the-scenes operations becomes crucial in a narrative of this nature. Nonetheless, Sen compensates for these occasional weaknesses with skillful storytelling.
"Bastar" serves as a tribute to the unsung heroes of India, particularly the dedicated law enforcement officers in remote areas. The film's portrayal of these committed individuals resonates with a sense of realism, admiration, and respect, showcasing their sacrifices and the complex challenges they face. The makeup and costuming in the film are meticulously crafted, ensuring that the audience is fully immersed in the world of Bastar. This attention to detail enriches the film's overall authenticity and storytelling prowess.
In conclusion, "Bastar: The Naxal Story" is a cinematic gem that melds gripping storytelling with significant socio-cultural insights. The film invites audiences to explore a seldom-seen part of India, depicted with authenticity and emotional depth. Adah Sharma's exceptional performance anchors the film, bringing the characters to life with a realism and intensity that is truly captivating. This film is a must-watch for its compelling narrative, stunning cinematography, powerful performances, and the way it skillfully intertwines individual stories with broader socio-political themes. "Bastar" is a standout piece of cinema that deserves to be celebrated for its artistry, storytelling, and the powerful message it carries. It's a film that combines the best of cinematic craft with storytelling that touches the soul, making it a significant addition to the landscape of Indian cinema.
This movie was great addition to the best movies collection comprising - "The Kashmir Files", "The Kerala Story", "Article 370".
Dunki (2023)
Dirge of Disappointment
"Dunki," directed by the acclaimed Rajkumar Hirani and penned by Abhijat Joshi, was a highly anticipated film. However, it failed to live up to expectations, leaving audiences disheartened and disillusioned.
The film, which stars Shah Rukh Khan and Taapsee Pannu in lead roles, revolves around a lackluster storyline with feeble humor. Despite the star power, the chemistry between the actors falls flat, and the portrayal of Punjabi characters lacks authenticity.
The direction, typically a hallmark of Hirani's films, disappoints, with the screenplay and dialogues failing to engage viewers. The background score and music also fail to make an impact, adding to the overall disappointment.
Critics have expressed disappointment with the forced humor, predictable storyline, and overacting by the cast, particularly Khan. While Vicky Kaushal's performance in a cameo is commendable, it fails to salvage the film.
Despite the reputation of Rajkumar Hirani and Vidhu Vinod Chopra for creating cinematic magic together, "Dunki" falls short of expectations. Viewers are left questioning the decision-making behind such a lackluster project and expressing doubts about investing in future SRK movies.
In conclusion, "Dunki" proves to be a regrettable cinematic experience, failing to deliver on its promise and leaving audiences yearning for the magic of Hirani's past endeavors. It's a movie best avoided, with little to offer in terms of entertainment or substance.
Article 370 (2024)
Article 370: A Gripping Portrayal of Kashmir's Turbulent Journey
Set against the backdrop of the Kashmir Valley, "Article 370: The Integral Heart of India" masterfully encapsulates the complexities of one of the world's most contested regions. Through a fast-paced narrative, the film navigates the challenges faced by security forces and bureaucrats, shedding light on the meticulous preparations preceding the abrogation of Article 370.
Yami Gautam delivers a career-defining performance, complemented by a stellar ensemble cast. The movie seamlessly blends real-life events with cinematic flair, offering both entertainment and education. From the gritty realism of street vendors to the nuanced portrayal of political figures, each character adds depth to the narrative.
The film's fast-paced storytelling keeps audiences engaged, while its thought-provoking themes linger long after the credits roll. As tensions escalate, the movie serves as a timely reminder of the importance of dialogue and understanding in resolving conflicts. "Article 370" is more than just a film; it's a powerful reflection of Kashmir's tumultuous journey and a testament to the resilience of the human spirit.
Swatantrya Veer Savarkar (2024)
Unveiling the Unsung Heroes: A Tribute to India's Struggle for Independence
"Swatantrya Veer Savarkar" emerges as a cinematic gem that delves deep into India's struggle for independence, shedding light on the often overlooked contributions of its unsung heroes. The film paints a vivid portrait of Vinayak Damodar Savarkar's journey, capturing the essence of his unwavering resolve and convictions. Randeep Hooda's portrayal is nothing short of mesmerizing, breathing life into Savarkar's character with remarkable authenticity.
What sets this film apart is its unflinching commitment to historical accuracy. It challenges prevailing narratives and offers a fresh perspective on India's fight for freedom. The storyline is gripping, weaving together real-life struggles and betrayals faced by our freedom fighters, adding layers of complexity to the narrative.
The film's technical brilliance is evident in its breathtaking cinematography and meticulous attention to detail. From the suffocating confines of Kaala Paani to the electrifying energy of revolutionaries plotting their next move, every frame is imbued with a sense of urgency and authenticity. The dynamic between Savarkar and Gandhi is particularly compelling, offering a nuanced exploration of their differing ideologies and approaches to achieving independence.
While "Swatantrya Veer Savarkar" isn't without its flaws, particularly in terms of pacing, its overall impact is undeniable. It serves as a powerful reminder of the sacrifices made by our freedom fighters and the enduring legacy of their struggle. This film is a must-watch for anyone seeking a deeper understanding of India's journey to independence and the remarkable individuals who shaped its destiny.
Christopher (2023)
Same old stuff
One thing about Malayalam movies is - the good characters and hero would be from only and only one community. Bad characters will also from other (& only) one community. You guessed it right. Check it for yourself across their movies.
Rest of the movie is same old stuff. Of course, the fans of Mamoothy would not be disappointed. He is good actor anyway and have great fan following.
Action is presented in a good way and music could have been little better compared to other movies released recently.
Sometimes you feel the agenda is pretty much clear while you take the whole movie into the account. You should not forget the native culture and civilisation of this very country. It feels bad when you showcase it in bad light in almost all movies.
83 (2021)
Kudos to Indian Cricketers
Indian Cricket team have done wonders since decades and yes we do love Cricket from bottom of our heart. The journey is exceptional here.
However, there is an issue with Bollywood. They insert scenes which are uncalled for and irrelevant to the storyline and plot of the movie itself. In 83, there was love shown about the Paxtan and its army. What is this doing in an Indian movie on Cricket? Especially, this director has been trying to do it in his earlier movies like Tiger etc. Why are Indians forced to accept lies and trust somebody who is attacking our nation every single day killing innocent citizens! This should stop immediately.