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7/10
Playing with the genre without expanding upon it.
14 January 2019
Now don't get me wrong. It is worth the watch. Go and see it. But, it could be so much more.

Save for the obvious elephant in the room of being a MODERN wild west that STILL makes Native Americans as complex and nuanced as Orcs or Tuskan Raiders, this wild west is still shallow.

I have been doing a ton of research on the Wild West: basically it is just Hollywood fairy tales. WHAT THE GENRE NEEDS IS A SHOT IN THE ARM OF REALITY.

A reality of fascinating and cruel military campaigns during this rapid expansion, an era of slaves and free men (look up Bass Reeves and ask yourself "where is his movie?"), an era of Chinese laborers, an era started by mexican bucaros to become American Buckeroos: My point is that it is so much bigger and rich with conflict and humanity............. that few ever touch upon in fear that reality limits the fantasy.

Have we made so many Westerns that we can't leave the wagon train and a few protestants with guns and recognize the territory and the century that made and ended it as a place of possibilities?

NOPE, this movie seems to say, lock yourself in the kitchen and use only the ingredients we have used and not one spice or new meat. It has to be always about a white guy walking somewhere to get his future whether by farm or theft.

Never about a boxer fighting for pennies in a gambling ring on a sunken riverboat in the Mississipi.

Never a child raised with voodoo as a religion pretending to be a christian to hide in a wagon train, but feeling heart broken and alone to keep the secret.

Not a Chinese railway worker trying to read and write poetry without speaking english, thus he is treated like a particular idiot and punching bag by his overseers.

Not a Native American. God how many stories are in that? The last of your tribe. The last of your language. Seeing your half white children stolen in the night by nearby government officials to be reeducated and not finding them for a lifetime until they completely forgot your face.

No way. Lets not get one drop of that ocean of historical possibility on to this parched grass of a genre. Never. The western shall always be a story of christians on horses with guns on a few hundred miles of nothing RATHER than anywhere near the tapastre of human history.
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3/10
It does not matter if it is the film or the book, it is plane sludge.
31 July 2018
Warning: Spoilers
Now bare in mind, most of my life is stuff exactly like this: popculture salads of explosions and nostalgia sold to me as big budget video games and movies. We got this in Who Framed Roger Rabbit, Wreck it Ralph, Kingdom Hearts, Lego Movie, Marvel Vs Capcom, South Ppark in Imagination Land and god knows what else. This is FAMILIAR TERRITORY to explore the jungle of our collective imaginations.

AND IT SUCKS IN THIS MOVIE.

It is Willy Wonka and the Chocolate Factory, but no other kids get eliminated with any moral to it, Slugworth has an army of machine gun toting thugs and no cops in the way to stop him, and Willy Wonka is sitting in the corner chewing on his own clothing quietly like a kid with pica. And throw in a hot girlfriend who is sad because of a contrived backstory and she is not pretty enough in real life.

Oh, you think this film is better than this? Well, if you see any love on the screen it is not in the main plot. The cameos, the in jokes, the references, and all that were given to the post production and special effects teams and were added like bumper stickers to the back of my ugly broken car. It is still an ugly broken car no matter how many stickers I put on it. But unlike my car, you might see my car for 2 minutes in traffic. You are not locked into starring at the back of my car for 2 hours to analyze why Marvin the Martian, Robocop, and Chun Li are standing next to eachother. There is no juxtaposition to give these cameos relevance.

It is not an army of heroes vs an army of villains. It is not an army of souless robots vs fanciful whimsical creatures. It is not werewolves against vampires. There is no difference between the machine gun touting army of soldiers, robots, and wizards and the good guy machine gun touting army of soldiers, robots, and wizards. FAIL. ARTISTIC FAIL.

And one last tangent: in a game world where people can apparently use the Oasis with a keyboard at their desk.............why have full body virtual reality slave phone booths? Shouldn't they just be in cubicles? Are cubicles more expensive than the full body VR doom chambers?
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Pacific Rim (2013)
7/10
Do you remember what entertainment is?
19 August 2013
Entertainment is not just a story. It is not just drama or social commentary. It is not something that can be measured by terms like "latest and greatest" or "cutting edge". This movie is not Man of Steel or Star Trek into Darkness where there is a child-like obsession with being "taken seriously" by adding grotesque violence or depressing overtones. This is not Transformers 3 or the Hobbit where special effects and action scenes are a cluttered mess of ADD rave parties that try to up the excitement with jumpy editing. THIS IS A SINCERE MOVIE.

Sure it has lack luster actors, but they are mixed with some fine ones as well. Yes this has giant robots and that is the main reason to see the film, but they are not just jingling keys in front of us. These action scenes have atmosphere. The fights are exciting because of anticipation and build up. This movie (while very flawed) should be a model example of popcorn entertainment. I came in, saw some good fights, and got a happy ending without bullshit. This was the kind of fun I remember as a kid.

This is a movie (strangely enough like John Carter) that should just be enjoy. They may not have had the best plots or most original stories, but they had substance that can honestly be felt. Genuine love for what they are doing in the film and real effort in making us as the audience part of that fun. They can be dumb or dull, but it feels more like a circumstance of a rushed schedule or odd-ball casting. It feels like Hollywood at its best since they just want us to have a good time.

I not only hope for a sequel, I hope for loving imitators who don't aspire to pretentious greatness (Rise of the Guardians), don't have something to immaturely prove (Man of Steel), and actually have their own story to tell even if its derivative (Star Trek into Darkness is not only a Rip-off of Wrath of con, but it is practically a sequel that is DEPENDANT on it).

This is not the degradation of film, this is the much needed laxative in a world of fast edited adaptations, sequels, and reboots with emo endings.
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