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8/10
I Guess You Had To Be There
19 September 2005
Having been a foreigner working in a huge Tokyo office, much the same as the character Amelie, when I saw this film at the San Francisco Film Festival, I was hooked from the first scene onward. Having been denied attending the office Christmas Party because I was "part- time".... No, I am here 9-5, Monday to Friday! "But you are a foreigner, so you are considered part-time". 250 people went to the party. No foreigners....

Then, when the boss came 'round to ask which Saturdays I would like to come in and work, I asked "Do all full-time employees have to come in on some Saturdays?"

"Oh yes, we do."

"Well then, since I am only 'part-time', I will not be able to come to work any Saturdays. Sorry...."

This was a rare moment of zen revenge, which is what you will hope for when Amelie is subjected to life in HER Tokyo office. No, this is not Lost In Translation, which apparently did not enthrall the foreigners who were living in Tokyo, by the way. More like L.I.T. on steroids.

This is a fable, based on reality. Tokyo can be intense. I never flew above the city, but I got twisted enough to wish it.

By the way, the director told our audience that most of the film was done in an office in Paris, and that the lead actress did not know a word of Japanese before the film. This shocked me, as I was quite impressed with her pronunciation and speed. I thought she spoke Japanese, and felt humbled by her skill...

To all the GAIJIN out there - see this film! For others, I would suggest Japanophiles and quirky movie lovers should go, and the Hollywood action types should pass.
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8/10
The Meaning of Life
11 October 2004
Peter Riegert's film is remarkable, in that it combines darkness and light in the same way we get it ourselves, outside the theatre. The situations are all painted in familiar colors, but the image that the viewer is left with is complex, and satisfying, even though there is no resolution (or neatly sewn up finish) and we are left to ponder what happened, as well as what will happen.

We learn right along with Riegert's main character, which is almost always on-screen, but almost never on top of his situation. Isn't that more like life, itself?

For monster blockbuster superhero fans: stick with Arnold and company. This one is for people with hearts and minds.

It's a good pickle!
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