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Paper Man (2009)
7/10
An intriguing character study with an excellent cast.
19 January 2015
Some reviews seem to have pegged this as a mere indie romp, the quirky, gushy type that hasn't felt novel since the mid-00s. That tag doesn't quite do Paper Man justice. Sure, the surface style is a bit derivative. We've seen older men forging an inappropriate relationship with a high school girl before (Juno, American Beauty), and we've seen plenty of cutesy indie films about 20-something would-be-artistes struggling to grow up and get a real job (Flakes, for one). But this movie is quite a bit more deranged than all that. These characters aren't merely eccentric, their idiosyncrasies hover well past the line into downright pathology.

First we have our protagonist. Not a disillusioned 20-something hipster, he's a man well into middle age who has no real job, no social skills and still clings to a (sometimes abusive) imaginary friend. Somehow this man with no prospects and no skills is married to a successful surgeon who isolates her maladjusted, delusional, slacker husband up in a rural cabin believing that -- somehow -- leaving him to his own devices and letting him run amok in solitude will help to repair his crippling mental state. Finally we come to Abby, a teenage girl so desperate for companionship that she tolerates a neglectful slob of a boyfriend, a deranged, obsessive stalker who follows her wherever she goes, and a middle-aged married man who lures her to his empty house under the guise of a babysitting job. Her response to being set-up by this pervert? She makes him soup. If her parents exist, they don't much concern themselves with her, and she has no other acquaintances.

This is an intriguing character study with some decent heart to be found. It's fascinating to explore these broken individuals and the movie's definitely worth a watch. Unfortunately, the courage with which these characters were created is not matched by the movie's highly formulaic ending, which largely glosses over their more serious instabilities. However, with so many otherwise solid indie projects these days ending abruptly with far too little closure (Not Fade Away, Palo Alto), I'm willing to accept a little undue schmaltz from Paper Man.

The cast also garners mentioning. With Emma Stone, Ryan Reynolds, Lisa Kudrow and Jeff Daniels, they couldn't have put together a better ensemble for this film. The performances are entertaining enough just on their own merits.
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Dragon Ball Z Kai (2009–2015)
10/10
The only version of Z you ever need to watch again.
21 January 2014
I've been a lover of Dragon Ball Z for most of my life. Z was my obsession through childhood and I remained an avid fan even as an adult. I've been there through the quirky Ocean Dub, the poorly-translated VHS fansubs, the garish orange bricks...

Dragon Ball Kai isn't just the best version of Dragon Ball Z, it's the only version of Dragon Ball Z anyone should ever watch, for anything other than purely nostalgic reasons. DBZ was bogged down by a nearly unwatchable amount of filler. And I'm not even talking about filler story lines like Garlic Jr. or Goku fighting a star. What dragged Z down was the constant stalling: scenes of people powering up for two episodes straight, replaying the same scene of people staring at each other three times. Entire episodes pass with absolutely no progress on the primary storyline.

But Dragon Ball Kai fixes all of this. The great fighting and exciting story of Dragon Ball Z is finally, for the first time ever as an anime, brought to its due glory. This is the Dragon Ball Z that should have existed from the very start, the definitive, superior version.

Thankfully, the terrible new music turned out to be plagiarized, and Z's original soundtrack was restored. So truly the only thing that's better about Dragon Ball Z over Kai, are the opening and ending themes. Kai's new themes are cheesy and cliché', while Cha La and Zenkai Power were pretty cool.

Admittedly, it's not 100% without flaws. The Saiyan Saga cuts out a smidge too much, and feels ever so slightly rushed, while the Cell Saga kept a smidge too much filler, and it's noticeable. But the Freeza Saga is perfect down to the very frame.

To say that Dragon Ball Kai is better than Dragon Ball Z doesn't even do it justice. It's the only version of Dragon Ball Z that should exist. It makes me embarrassed to have held the original Z in such high regard. I used to take a blind eye to Z's innumerable flaws because I had such a history with it. But now that Kai has come out, and it is such a genuinely spectacular show, I'm proud to be a fan again.
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7/10
An excellent use of time.
9 January 2005
I'll keep it brief - I appreciate this movie a whole lot. When I got it I really was expecting something different, so for the majority of the movie I was disappointed, considered the plot and characters mediocre. But the last two minutes of the movie made me rethink the entire thing, man... I can not promise you an amazing ending or anything like that, because most people probably saw it coming, all I can say for certain is that it sure did affect me. I thought it would just be all typical and uninteresting and everything but having a meaningfully strung conclusion like that set my head straight and made me see what it was all about. Now I can't wait to watch it again. I consider this movie a well done story with good acting and a nice enough plot. It has strong aesthetic value through it's good looking images/scenery, too. Of course it made me completely depressed. The stories that are supposed to be life-affirming are always the ones that make me the most depressed, "A Year of Impossible Goodbyes" was supposed to be a life-affirming adventure but it's the saddest book I've ever read!
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