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9/10
Verisimilitude in this autobiographical movie
21 April 2006
Though I was nine when this movie appeared, and well remember all of the talk about it at the time, amazingly I had never seen the movie until 50 years after its release. This is an outstanding movie. My wife and I started watching on AMC at 3:00 A.M. and could not go to bed until 6:30 when it was over, we were so gripped by the story.

Contrary to some reviewers who believe the editing should have been tighter and the movie shortened because some parts of the movie could be left out without affecting the main plot; I believe that this movie demonstrates very effectively the random capriciousness of life. It demonstrates as well that our actions have consequences, but also that things happen which intrude upon our lives entirely by chance.

The writing and acting are excellent for the most part. Watching the movie, one feels that these are events that really happened just as they were portrayed. These are emotions that were really felt just as they were portrayed. Contrary to what one may think from the way in which the movie and book title became a catch phrase for the supposedly stultifying conformity of the 50's, there is no ideological feel to the movie at all, just a human story, a story of the things which happen in a man's life, how he tries to deal with them honestly, yet practically, and the effects of his actions upon all those he loves.

The movie has the feeling of being powerfully real. It is life as we remember it from those days. Not surprisingly it is the thinly disguised autobiography of Sloan Wilson, the novel's author. Excellent drama, equal to the great, but more highly praised Best Years of Our Lives.
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The Odyssey (1997)
10/10
Riveting. Will make one want to re-read The Odyssey.
21 September 2005
This is probably the best TV movie of all time. Odysseus is the perfect hero for the aging 1st world population, with his use of guile to triumph when strength is not enough. Despite the fact that one of my favorite parts of The Odyssey is left out, when Odysseus returns home after 20 years, his faithful pet Argus awaiting him, only to die after one greeting; I think this is an incredibly arresting film. Armand Assante is surprising terrific as Odysseus. He conveys with his expressions the depth of thought and emotion which characterized Odysseus. All the more amazing when one considers that Odysseus was an Achaean, a tall, fair race of people, though Odysseus was, himself, described by Homer as one of middle stature, for an Achaean, no doubt. This movie makes the tales of Homer seem more real than any film I have ever seen. The emotions of all are complex and real. The mutual love and devotion of Odysseus and Penelope are portrayed in a beautiful and believable way by the actors. The scene in which Odysseus returns to take back his kingdom is brutally and believably real. I cannot say enough good things about this movie. It should be required in the schools.
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10/10
Marlowe's mighty lines make this a mighty movie
12 September 2005
Warning: Spoilers
I'll admit from the beginning that Marlowe's Tragical History of Doctor Faustus is one of my alltime favorite plays, and that I used to have it virtually memorized. The play is itself so good that any relatively true adaptation to the screen would make a thoughtful and enjoyable film.

I am old enough to remember the tabloid brouhaha about Burton and Taylor, but even that unpleasantness is insufficient to intrude upon my complete enjoyment of this film. The dialogue is over 400 years old, requiring careful listening by the viewer who is unfamiliar with the play, but that viewer will be well rewarded for his attention. The dialogue is so rich with meaning, with philosophical nuance, with the heights and depths of human emotion that the attentive viewer cannot help but think about the meaning of his actions and the consequences of them, as well. This Doctor Faustus is a fleshed out (and fleshly) genius not unlike some of those we might encounter today. The scene in which Faustus knows for certain that all that, for which he has sold his soul, is illusion; yet he still cannot bring himself to renounce it all, and redeem himself, strikes at the souls of all of us. As Don Blanding wrote about his imagined painting entitled "Sin!" I love while I loathe the beastly thing. I guess that's the way one feels about sin."
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The Apostle (1997)
9/10
Outstanding acting
12 September 2005
I started watching this movie flipping through channels on TV and thought, at first, that it was a documentary. The acting and cinematography had that kind of verisimilitude. Robert Duvall has created a masterpiece with this film, which so accurately portrays the conflicted nature of even the most devout. Even they sin. Duvall shows this as (at least in some cases) not hypocrisy but the fallen and imperfect nature of man. This is a powerful and thoughtful movie, unbelievably well acted.

This movie portrays the simple faith of the uneducated, in the world in which I was reared, a faith to which, as adults, we often wish we could return. The effect of this movie is that one feels at the end, that one has watched something real, something which portrays real human feeling.
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9/10
Compelling expressionistic play
12 September 2005
Warning: Spoilers
This movie is different in so many ways from anything I have ever seen. Set in the 1930's, it has a modern feel with the "hippie" in heaven, etc. Phyllis Diller's performance is Oscar caliber and totally out of character. Her shrewish monologue is probably the greatest in movie history. Milo O'Shea aptly conveys the meaninglessness of Mr Zero. His reaction to the introduction of the adding machine is shocking, and the contrast with the following banality of typical party conversation (relevant even today) is most effective.

The movie suggests the vanity of human wishes as well as the despair in which the ordinary man spends life. Don't look for consistency or logic, as the movie creates an emotional rather than a rational reaction in the viewer through the presentation of a melange of philosophical ideas. Very interesting. "How Small We Are" packs a punch at the end of the movie.
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10/10
Best movie I've seen in years
20 July 2005
This is an unbelievable movie. It definitely should have won an Oscar. It is moving on every level. It begins with a quote from George Eliot as to the meaning of home. The soundtrack is beautiful. It is spiritually based. It is the way life used to be, I swear. People in my youth and in the past used to talk this way, before the triumph of godless materialism and carnality.

People today tend to have knowledge a mile wide and an inch deep. The old people may have known things only as wide as their yards, but they knew deeply.

I'll warn you the movie is 3 to 4 hours long, but WOW! A person cannot help but be better for having watched this movie.
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The Bad Seed (1956)
10/10
Excellent throughout
29 January 2005
IMO, every performance in this shocker is realistic. A wrong belief about this movie is that the ending had to be changed to meet the movie code. Actually, Anderson had his own rule that good should always prevail, which he had to violate in the stage play to keep it consistent with March's novel. Anderson actually preferred the movie ending. This movie dealt with what was a very politically incorrect idea in the last half of the century, that behavior is largely genetically determined, and comes to the generally current opinion as opposed to the easy idea prevalent at the time. I grew up in the 50's, and this movie nails life in the 50's. All of the characters are from my youth, in a time when tragedy was more common.
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