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Toy Story 4 (2019)
Confused scenario, Weak new characters, without climax
We wanted to see main characters again like woody and buzz, but they are fade out.
Annabelle Comes Home (2019)
Are you kidding?
This movie is same as the Night at the Museum. annabelle with her gang try to scare kid.
Hellboy (2019)
A set of good sequences in a weak storyboard
The film is a series of successful and engaging sequences, but unfortunately the story lacks the potential to link those sequences. The scene design and makeup and character design are good. Milla Jovovich, who has the ability to act well, is not well used and has made her character a mere dialogical and ineffective villain.
Vampir, Zan-e khoon-asham (1967)
A disaster movie
Perhaps Mostafa Oskooyi was a good teacher of theater in Iran, but he never understood the cinema. This movie was one of the worst movies of its time. Neither people liked this film nor critics paid attention to this film.
Daei Jan Napoleon (1976)
A Social Psycho Comic Television Series
It's safe to say that My Uncle Napoleon television series is the best television series in Iran to this day. There are many similarities with Don Quixote's Cervantes book. The main character is the uncle of life, like Don Quixote himself, is a stupendous person, and his servant, who is a person called the Qasim mosque, like Sancho Panza, fosters these illusions. If you would like to know about the Iranian culture in the past 60 years with the satire of humor, I will suggest this TV show to you.
Kumonosu-jô (1957)
complete understanding of William Shakespeare
Akira Kurosawa has a complete understanding of William Shakespeare. Kurosawa produces Macbeth well in the cinema screen, enjoying Japan's dramatic heritage, such as Kabuki and New Theater. Using clever plans and a minimalist compilation of the Japanese worldview, he picks up beautifully the concepts of choice and fate. On the other hand, Toshiro Mifune is one of the few iconic and well-known actors in the world to inspire the impression of the audience's imagination with characters.
Jodaeiye Nader az Simin (2011)
The open ending is a fugitive from the director to avoid the correct ending to the script
Although Asghar Farhadi is well distanced from the contemporary mainstream Iranian cinema, and in all its works, he is primarily concerned with particular social issues, he cannot be considered a director. For example, in this film, the focus and emphasis on the tense and critical situations between characters and often with exaggerated dialogues and sequences in the intensity of acting and play, somehow try to mislead the viewer and attract the audience by a fuss in the scene of the film. The open ending in the works of Asghar Farhadi is, in fact, a fugitive from the director to avoid the correct ending to the script. In fact, Farhadi's public films can be considered as a series of irrelevant critical sequences.