Reviews

THE MESSIAS is one of the best Jesus-Movies ever. It is not a big budget production like Mel Gibsons nightmare of it or Scorseses movie. Rossellinis film is reduced to one point. There are no action-scenes, no gore or blood - it is the spoke word which contains the high concentration of this special movie work. Minimalisem. The story of Jesus is taken from the bible, the dialogs are near to the holy word. The camera-work is only a long-shoot. It looks like the typical work of the Italian cameramen for the spaghetti-western...but in THE MESSIAS is the camera-work a brilliant long-shoot work, inspired by the icon-painters. Some people don't like this wonderful movie because they felt bored. The reason is maybe the high concentrated work of the director. He always get the scenes to one minimalism point. The actors are great, especially the actor of Jesus. But be warned: There is no big scene, no action! The cast has only a few extras but 80 scenes. And my favorite scene is when Jesus meets Johannes the baptist and there is only one sentence spoken - the first for the Jesus-character in this movie.This is a good, very fantastic moment, a really great for the movie. Here you can feel the consequence of the perfect work Rossellinis. And his true work to the bible without any pathos!

It is maybe the best Jesus movie ever. The movie tells from the WORD and the message is the deep love to the mankind.

Peter did with BANG BOOM BANG a very good and very funny movie - maybe the best German comedy in a new-style ever. But in his second movie you can see, that there is no substance in his art and talent. Maybe it is the same problem of Thomas Jahn, the director of Knocking On Heavens Door - no ideas and no talent for really good scripts. The look and the coolness of the business is more interesting then a good script and really good ideas.

And there is also for Peter as for Thomas nothing more as a filmmaker then their very funny first movies.

It is a typical situation for the German movies. One or two movies are really good, the rest is nothing but nonsenses and overacting as a movie-maker. Peter seems to be a wanna-be (and who watched his audio-commentary to Bang Boom Bang knows the he is a notorious wanna-be). The typical amateur-movie-setting (the all-time-local-hero feeling in his movies) makes him a good director for his town and friends. But for a good movie it needs more the then privacy of a local-hero.

So it is a professional amateur-movie.

Olaf is Germany's sfx-wonder. And he is an amateur in making movies. He started with video-home-movie-horror-events with incredible sfx which looks like the best days of Lucio Fulcio or the Hellraiser movies. But script, directing actors and dialogs are not his profession. I know that he is thinking that directing is his profession, but that is not true...look his movies. This movie is also a small-big-budget-amateur-movie with on a high trash-level and a lot of unmeant comedy. But there is a lot of splatter and gore sfx on a high level. Jürgen Prochnow has a small part in this movie and the only reason for it is, that he want to give this movie a chance because of his name. The story and setting is always the same in a Ittenbach movie: the hell, the dead, maniacs, zombies, rednecks and some stupid heroes with some lame Tarantiono-dialogs.