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9/10
Peter Jackson hikes up the pace
21 December 2013
Warning: Spoilers
Tolkien fans are in an odd situation when trying to rate Peter Jackson's work after Lord of the Rings. Personally, I have established two different rating systems to compare his work to. One rating is in comparison to all other movies on the market, the other rating is relative to the Lord of the Rings trilogy. This might be unfair as explained later. He did however inadvertently raise the bar for epic fantasy movies by creating a masterpiece like Lord of the Rings, so it seems necessary to separate his own work from the remainder.

Without a doubt, the first Hobbit installment fell short of the high expectations people came to have from Peter Jackson, with regards to the Tolkien universe, but people, and myself included, probably expected another Lord of the Rings movie, not a movie based on an entirely different book, originally written for children with obviously a very different pacing. Comparing it however to other fantasy/adventure movies, it's still an amazing film, despite it's slower pace and less epic dialog.

The second, much shorter, Hobbit installment was much more action-oriented and therefore had a faster pace, hence why people and myself included rate this movie to be, perhaps unfairly, better than the first one. We also saw previously unseen areas of Middle Earth like Mirkwood and Gandalf's behaviour at the very beginning of "Lord of the Ring - The Fellowship of the Ring" is explained in more detail, when Bilbo left and Frodo tells Gandalf him to take the ring, after which Gandalf tells him with great fear in his eyes, that this ring has even too much power for him to wield. The epic battle between powerhouse Gandalf and Sauron instilled so much fear and respect into Gandalf "The Grey", that this memory stayed with him all the way into the "Lord of the Rings".

In true Jackson fashion, "Desolation of Smaug" ended with a cliffhanger and left fans yearning for more. Once the entire Hobbit trilogy has been released, I believe fans will judge the first part more favourably and history will smile upon him kindly. The third and final movie will set the overall tone and explain certain dynamics like pacing, which were not understood yet by the time the first movie was released. I trust Jackson to pull it off.

9/10 compared to other movies 8/10 compared to Lord of the Rings.
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Pacific Rim (2013)
3/10
More plot holes than a swiss cheese.
19 July 2013
Wow... it appears that my opinion stands in stark contrast to the majority opinion. This was not the Guillermo del Toro I remember from Hellboy nor Pan's Labyrinth. This movie was shot (or rendered) like a prototypical 80'ish style action movie. Very bright neon colors, over the top acting/script and a subtitle hilarity. This is not bad per se. It can actually be very well indeed and if 'Pacific Rim' would've been grouped in the "Comedy" genre, I would've given this a much higher score. My friend and I were laughing throughout the movie, but not due to intentional puns or jokes, but at the ridiculousness and blatant plot holes.

These are some of the questions I would ask someone responsible:

-Why do Jaegers feel the need to do the "hit the fist" gesture with their machines and wrestle and/or have a fist fight with the aliens, when they have sophisticated weaponry?

-If Jaegers are connected with a neural link and can see into each others mind, why do they even need to talk during "alignment".

-Why do Jaegers prefer to have a fist fight with an alien instead of using any sort of weapon?

-How can a Jaeger be so out of touch with the machine their piloting that they forget a weapon they have (the sword), which coincidentally slices through alien meat much faster than anything else?

-How are 6 helicopters able to lift these colossal mechs for transportation, when these mechs can use a supertanker as a weapon?

-How was the headquarter able to communicate with the Jaeger pilot through (!) a wormhole / into another dimension, but seem helpless at first when locating the rescue pod back on earth (very end).

... The list goes on and on and on. It felt very incoherent and not thought through. It also felt very cheesy, with wooden acting by the leads.

If you, like me, are unable to just disregard blatant plot holes, inconsistencies and the likes, do yourself a favor and skip this one.
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The Soloist (2009)
8/10
A wonderful movie about our common humanity
18 July 2009
Summary (Nutshell)

"The Soloist" sets out to be the quest of an LA Times journalist Steve Lopez searching for interesting story. Not content with choosing from the plethora of mundane topics, he starts looking for the everyday person, worth writing about. He discovers a homeless man, playing his two-string violin under a statue of Beethoven, in the middle of Los Angeles. This brief encounter quickly develops into a more intricate relationship. Lopez finds himself sympathetic to help the homeless Mr. Ayers. Suffering from schizophrenic delusions, Ayers can only express himself through one of his many instruments, preferably the Cello. Lopez embarks on a mission to reintegrate Ayers into society, by facilitating his love for classical music; this proofs more difficult than he thought.

Comment:

As a fellow musician, I've found myself very compassionate with Ayers' love for Beethoven. When you close your eyes, the music floods your mind, dozens of instruments play at the same time, but instead of suffering from sensory overload, you form a unit with the symphony, resonating with every note, feeling the composer's love, anger and passion. By playing the piece, we are able to reconstruct and reunite with an indescribable beauty, so simple in nature, yet which will never fade, even when the meaning of words left us long ago. Ayers' offers a glimpse into a highly talented musician, who is confined by his social status and medical condition, but yet someone who is able to enchant his listeners when he plays.

Robert Downey Jr.'s and Jamie Foxx's performance was absolutely stellar. Jamie Foxx is an unbelievable actor, his performance in Ray was already phenomenal, but I believe he has outdone himself as Ayers. He seems to be able to understand the musical mind and can portray the forces that drive/restrict it. I highly recommend watching this music.

Our endless struggle for self-fulfillment is a struggle, we have to fight for ourselves. 8/10
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The Wave (2008)
9/10
Self-reflective upon society, a milestone in German cinematography
19 January 2009
German cinematography has done huge leaps in the last 10 years. It seems that the German historic conscience is slowly trickling into their film and they have produced masterpieces in their respective genre. Even though many of their movies are book adaptations, it must be especially noted that the Germans take up these topics most dealing with their unfortunate past. Many of the critically acclaimed pictures deal with at least some aspect of totalitarian or orwellian society. Whether it's 'Das Experiment', dealing with the abuse of power, 'Der Untergang', dealing with the last days of a fallen empire and rude awakening of a nation, 'Die Anderen' (The Others), about the orwellian dystopia that was the German-Democratic-Republic (DDR), or 'The Wave' aka 'Die Welle', about the psychological appeal of fascist and autocratic elements in society.

[9/10] A dictum towards society and the vacuum created by individualism

Summaries can be read on other reviews;
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10/10
Who we are, what we want and where we go to - a full circle.
16 October 2008
I am not your typical Asian movie buff per se, in fact, I am more of a mainstream Hollywood fan who appreciates action, violence and the occasional drama from time to time Movies usually serve only one purpose for me, and that is entertainment.

This movie is very peculiar, in a good way. The entire dialog could fit on a piece of paper, each character's dialog is of utmost importance, but redundant at the same time, because you would still understand the plot without any dialog at all.

What makes this movie so special is that it offers a glimpse into the true human nature, not only portraying our continuous struggle to find ourselves but also our purpose to find meaning in life. The protagonist's life is reduced to four 'seasons' and each season corresponds with a stage in his life. (I shall try to keep it abstract to prevent spoilers.) Spring represents the planted seed, buried deep under the snow and the prospect of growth and maturity around the corner. Summer represents the full grown, stubborn and proud being, gathering precious experience, but still swaying with the wind. Fall represents his desire for reconciliation, foremost with himself but also with others he has met along the way. With Winter comes his longed for peace of mind, having mastered his struggles he buries them under the icy white and soon another being will rise and be challenged the following spring, closing the endless circle of life and the struggle to find purpose and guidance in our lives.

Impact on the viewer: We are being questioned about our wasteful, shallow and often times violent ways. The movie holds up a mirror so we may see ourselves in our struggle to discover the core values of life, without slipping into being didactic. Simplicity is not the sole reason this movie is brilliant, it's the fact that underlying all of our complex, engaged lives run the same core values and struggles which shape everyone's life the same way.

I vow to pay more attention to the Asian movie section from now on.
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Dark Ride (2006)
3/10
Mediocre start, terrible ending...
6 February 2007
Warning: Spoilers
Now to those of you who have seen more than one horror movie, you remember those times when the protagonists just acted Insanely stupid?

Yes ladies and gentlemen, this is one of those movies. The beginning is alright, some college kids set out to spring break to mingle around and have some fun (sex). (very original part, never heard that one before)

On their way, they get sidetracked and decide it would be awesome to spend a night at an amusement-park's horror ride, so they could save the money for the hotel. (makes perfect sense, normal behavior)

The director was probably unsatisfied by this seeming-less boring plot, and decided it would be nice to add some sex to the soup dé fatalé. So as strange things happen, the group of teenagers pick up this very attractive neo-hippie girl, who is (of course) closely affiliated to drugs, music and reproduction.

As the plot proceeds it's gradual decline the rating scale, the protagonists are extremely unaware of the fact, that they all took their cellphones with them, and fail to realize, they could dial 911 at any time.

Now a smart person might say they could be in a "no network" area, but as the director saw that question coming, he made the actors short-message each other. Bravo lé director, you out-smarted us all.

The antagonist DOES NOT in any way resemble Jason or Michael Myers. Must be pure coincidence... The movie had some cheap scares, as it has the most obvious setup for it, a spook ride. So expect to be shocked a couple times, but at the end you see it all coming.

Overall this movie is a 3/10. Very disappointing
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Unknown (I) (2006)
5/10
Fun ride... but with a lack of depth
3 February 2007
Since I have never heard of Unknown, I was quite curious when I had the chance to watch a public screening. Having read quite a few comments about this movie beforehand, I already had a good idea what was to come.

The starting setup was very good and drew attention to every character. The viewer was forced to analyze every character by interpreting the facts presented by the movie. Eventually though, the quest for the truth is over and what remains is the feeling of an unfinished plot. The movie never really went from outlining each character to some real in-depth information, giving us the chance to identify with one of the characters.

Nonetheless, the movie is very entertaining - just the end lacks the excitement the beginning promised, excluding the sudden twist, which has the viewer on the edge of his seat again.

Thus the reason for my rating, 5 / 10. Good beginning, average ending.
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10/10
This movie will touch your soul and will not let go!
2 October 2006
**** 10 out of 10 for this movie **** One of the best movies ever made worldwide.

I write this review right after seeing this movie because I want to put down the emotions that stir me this second. I must admit that before watching this masterpiece I was a bit skeptical about it being a drama because most dramas I have seen evolve around irrelevant topics - but this movie will change the way you think.

The story is so heartwarming and real that it will move you far beyond anything you have probably ever experienced before. The actors do such an amazing job that you will sympathize with them and might indulge in some crying even if you are a male.

Even if you don't cry this movie will touch you and will make you think about your own life.

Movies that are able to and make you REFLECT and THINK about yourself, for my taste, are part of the best movies of all time because their messages are delivered in a way so that you will never forget them.

Go see this movie and vote because this is not only the best Turkish movie ever, but one of the best movies ever made.
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