Reviews

Let's face it - the only real reason to catch this pedestrian oater is to get a glimpse of a 27 year old Clinton Eastwood. The future star is still coltish in his acting craft here, and he hasn't fully developed his excellent timing and intensity as in "The Good, The Bad, and The Ugly" and "Dirty Harry", but the B western does show why this film was a good reason that he pursue acting. His scenes with Margia Dean are the best in showing a charisma which would one day make him box office.

Made in 1958, Eastwood looks very youthful. He holds his own in scenes with a sturdy and sullen Scott Brady, and is somewhat confined by a script that has him cast as the young fool. But Eastwood does well with what he's got, and exhibits a star quality as a young Hollywood actor.

Although she didn't make but three major Hollywood motion pictures, Bella Darvi had magnificent screen magnetism that made a man's pulse beat red hot. In this campy picture (her first film), she does a fine job in her first effort as a film actress, displaying good technique cinematically. She was, as they say, a natural.

The French accent, the smooth skin, the sharp facial bone structure, those arched eyebrows, that smoldering stare, and that oh-so-sexy slightly cross-eyed look just made a guy want and wonder. Her voice was strong and yet soft at the right moments. There was something about her that made a man want scoop her up into his arms and say, "Hey, baby, it's gonna be okay!"

It's too bad that she was perhaps a victim of her own sexuality as it is rumored that Mrs. Darryl Zanuck discovered there might have been some hanky-panky with Mr. 20th Century Fox.

Richard Widmark is fittingly commanding and cantankerous as the sub skipper, and Cameron Mitchell does what he did so well in playing the comic relief sidekick sonar guy.

The script and it's dialog is something straight out of a comic book, but you've got to love it. It's got all of the marbles in one bag: submarines, underwater battles complete with ramming full speed ahead, a silent running sweatout, crash dives, commando shore raids, evil Commies, a spy guy named Chin Lee, a B-29 bomber, and just to put the cherry on the Boston cream pie, the obligatory nuclear explosion.

Check Bella Darvi out opposite Kirk Douglas in "The Racers". There again, the lady is smokin' hot!

So, if you want a good time, pop some corn, pull up a chair, and watch "Hell and High Water"!!!

Audie Murphy, the highest decorated U. S. soldier of WWII, gives a subtle and likable performance as Jess Carlin in the 1966 Spain-made spaghetti western, "The Texican", one of Murphy's last films.

Although Murphy was awarded every medal for valor available by the United States Army for his incredible bravery in combat (the Congressional Medal of Honor, the Distinguished Service Cross, the Silver Star, the Bronze Star, three Purple Hearts, among others) and is credited with the elimination of over 240 enemy soldiers, he was lightly regarded as an actor in Hollywood circles. Many of his performances were dismissed as "wooden" or "stoic". But in "The Texican", Murphy uses his two decades of action acting experience (almost exclusively as a Universal International contract player were he was a dependable money machine) to make this film entertaining and interesting to watch.

Performing all of his own stunts, Audie rides like the wind (bareback in a chase scene!), fights ferociously, and shoots (regarded as one of if not the fastest draw in Hollywood) his way to avenge the murder of his newspaper publishing brother, Roy Carlin. In some excellent casting concerning physical similarities to Murphy, Victor Vilanova gives a strong performance as Roy Carlin. He holds his own and then some opposite Best Actor Oscar Winner Brodrick Crawford, who delivers a rather pedestrian performance as the movie's antagonist, Luke Starr, the corrupt kingpin of the Texas town called Rimrock.

The movie's diamond in the rough is Diana Lorys, who plays bookkeeper Kit O'Neal, looking after her deceased father's interest in Starr's Silver Ring Hotel. Her acting is in fine emotional range from scornful to alluring, and as a result comes off as quite attractive. She is a definite plus for the film, and together with Murphy they generate a nice romantic electricity.

Notable acting comes from Aldo Sambrell as the hired gun, Luz Marquez as Sandy Adams, and Gerald Tichy as Boyd Thompson.

The script by John C. Champion and Jose Antonio de la Lama is tight and usually doesn't lag. It is somewhat choppily directed by Lesley Selander in a hurried fashion (not enough close ups as used so effectively by Sergio Leone), but he captures some fine steely-eyed looks from Audie during confrontational moments. More focus on the avenging aspect concerning character development was needed here. The locations in Spain are adequate to good and lend to that authentic Old West feel that made spaghetti westerns such a world-wide phenomenon. The musical score by Nico Fidenco is fairly good and avoids the copycat tones of Ennio Morricone that have marred many westerns. Changes that could have enhanced concern Murphy's wardrobe that is off the Gene Autry rack, and the cinematography by Francisco Marin is competent, but should have been more creative. The editing by Teresa Alcocer is pretty smooth.

So, pop some corn and pull up a chair for some vintage Audie in "The Texican" !

Let's face it; in a world of computers and egotists so far absent of true human contact and chivalry, Audie Murphy will forever shine brightly and ever brighter as a true man. He is perhaps the last real genuine American hero, as we slip into a vortex world of lawyers, statistics, and scams.

1.) At the age of 12, he chose to be a man by taking over his absentee father's role in his family; he literally fed his dirt poor family by putting meat on the table with a keen eye and a broken down .22 rifle. Working two jobs at this age, he still wrote cursively w/ excellent spelling and diction when he had to quit his education. This is something half of the high schoolers of today can't do as they "rap" themselves in hedonistic pursuits of clothes, breeding without responsibility, drugs, cell phones, and a disregard for another person's respect and rights.

2.) After multiple attempts to join our country's armed forces, he became the most highly decorated soldier in our nation's history, with countless feats of heroism (please see WWW.AUDIEMURPHY.COM.).

3.) He achieved Hollywood star status with his tough yet tender persona.

In a current world of 50 cents, we can look back to a time when a man was truly a man, and that man was the United States Medal of Honor Winner: AUDIE MURPHY.

One of Elvis' best movie song performances comes in this film, and it's "I Don't Wanna Be Tied". The King is electrifying in this number! I like it better than "Return To Sender", which was the big seller. Elvis shakes and bakes like there's no tomorrow! Next to "C'mon Everybody" from "Viva Las Vegas", I think Elvis does his best movie dancing. EPE ought to re-release this song as they did with "A Little Less Conversation".

Stella Stevens was cool in this film as well.

The King's acting is unusually strong in this film. He has an edge here that is not often seen in his other roles. The scenes with Jeremy Slate and Elvis are particularly entertaining. His character (Ross Carpenter) is in a fix financially and Elvis' edge suits the role.

I think that as the formula plot movies piled up, you can see Elvis just kinda going through the motions, and not developing a character.

Let's face it - Elvis Presley was about as handsome and talented as a man could be. It's a shame that the Colonel put him on the movie treadmill with banal vehicles.

I've heard that Elvis was offered the role of Tony in "West Side Story", but the Colonel's greed screwed up the deal. What a shame. It could have put Elvis in a serious direction cinematically. The role went to Richard Beymer, who was panned by the critics. I think of Elvis singing "Maria", "There's A Place For Us", and I know he would have been fantastic.