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9/10
Not as simplistic as it might seem
1 May 2008
Warning: Spoilers
* possible spoilers*

It's too easy to dismiss this film as a gentle piece of feelgood cinema. The characterisations are more subtle than that, especially the gardener, who's much more than just an idealised peasant. He's a man who's aware of the limitations of his life and doesn't see anything wrong with them, and every seemingly cracker-barrel remark challenges the assumptions of the middle-class painter, often deliberately. Arguably the painter is a more cliché figure, I certainly felt I'd met him before in French movies, but that is kind of the point - he's been living a received version of the artistic life.

I really enjoyed this film - be prepared for some moving moments towards the end, I wouldn't bill it as a comedy really. My one reservation is about the very last moments, which, though touching, seemed to re-assert the superiority of the artist in a way I wasn't quite comfortable with, as if the gardener's only purpose had been to revitalise the artist's career. Auteuil is good as you'd expect, but Jean-Pierre Darroussin is amazing, it's worth seeing the film for his performance alone. One of those actors who just doesn't seem to be acting.
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8/10
easy to underestimate
2 April 2007
This is an odd film. 'Low-key' is certainly an apt description, and though I don't agree, I can see why some have dismissed it as flat, tedious, etc.

It has stayed in my mind after each viewing - I've seen it twice now on television - more than many other more critically praised films. There's something about the deliberate underplaying, the bland, familiar suburbia of the leading character's house, the politeness, the dog.... The film shows us a non-dramatic world in which dramatic events are being played out in secret, under cover of banal normality. It recalls the hurried departures of Kim Philby and friends from their own domestic lives. It's unsettling: what else might be happening in our own quiet streets?

Personally, I think it's rather wonderful. Clearly it's an ancestor of the brilliant TV adaptations of Le Carre; indeed, it feels more like Le Carre than Greene, which may be why Greene reportedly didn't like it. But it needs to be viewed for what it is: an essay in tension, told in a deliberately chosen style. If you only like action films, it's not for you.
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