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The Protégé (2021)
3/10
Dreadful, don't waste your time
3 October 2023
Warning: Spoilers
Ensemble case, strong start, had real promise.

Then the plot got going, terrible character development, almost zero character motivation and just not very interesting.

The bad guys, were bad guys, and, like they were bad, like because they were rich? And powerful? And, like nasty to women? So that, like, makes them bad guys? And, like, they faked their own death to keep giving money to charity? WHO WROTE THIS VALLEY GIRL TIER RUBBISH?

Completely unclear what Samuel Jackson's character arc was meant to be, other than, whoop, plot twist, he wasn't dead, so he can rescue Maggie Qs character at the most obvious moment, and they can team up with their biker friends to get into the compound, blah, blah, blah...

Michael Keaton and Maggie Qs "sexual tension" was adolescent at best, and the big reveal about "the protege's" backstory was laughably nonsensical.

Not sure what this film was going for? Maybe a tax break for the investors?

Dumb, even for an action movie. The action scenes were OK, but not enough to carry the movie.

I found stuff do around the house rather than try and bear through this in one sitting.
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Skinamarink (2022)
2/10
Too long
5 February 2023
Dull, the trailer was better put together & was more interesting.

The idea of inky darkness in a house at night & imagination parsing outshapes is interesting, but not enough for a feature film in my opinion.

The director spun this out for an hour and 40 mins?

Giving 2 stars for the grainy liminal aesthetic, & what I'm assuming was the overall trolling behind the film.

Really felt like a long con & ran out of suspense gas too early (20 minutes in when I realised it was mostly going to be shots of the house only).

Admittedly, at points tried to engage my imagination a bit, but then realised my mind was just wandering & I started thinking of what else I could be doing with my time.

Some retrowave horror genre cliche attempts at scares that felt very stale.

Art gallery fodder. Disappointing.
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1/10
Dear God No
30 July 2021
Warning: Spoilers
This film is cursed.

Don't do it to yourself.

Black and white torture porn base on a Manhattan sensationalist's novel.

You'd have a more productive time throwing live small animals into a pit of irritable, hungry bears than watch this.

Given the amount of animal torture scenes in "The Painted Bird", I'd put my money on that bear pit scenario being the Director's next film?

Uncomfortable viewing, it's too long, and the violence and never-ending cruelty is so over-emphasised that it borders on cartoonish.

I was almost expecting "and then everybody clapped..." as a finale.

Disappointing, and can't ever un-see this film, or get the time I spent watching it back.
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Goon (2011)
10/10
Yes
27 March 2021
Gladiatorial epic maquerading as a "dumb" comedy.

Excellent.
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10/10
Flawless
13 February 2021
Excellent sound design. Excellent performance from Riz Ahmed. Brilliant concept. Makes you appreciate the stillness and peace of coming to terms with recovery.

Very powerful film, stired very deep feelings.
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Viy (1967)
10/10
Charming
6 December 2020
Absolutely charming.

A fantastic film.

Could slot nicely into the much-contested "folk horror" category classification.
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6/10
Very Slow and tough to get through
5 November 2020
Warning: Spoilers
For such incendiary implications this documentary is unbelievably dull.

It was like pulling my teeth out trying to get through it. Depressing.

All I seemed to know for sure is the very harsh details about monkey organ harvesting in the Congo for vaccine research.

Wouldn't really expect any doctors who' might have caused the AIDS epidemic to own up to it, so shouldn't really be surprised by the incomplete conclusions.

Yet again, Africa seems to have been the hushed up testing ground for the horrific underbelly of the modern world. I wonder what China's CCP has got planned for the continent in its 21st century as global hegemon?

Here's a clue, look at what larks were had by all and sundry in 2020...
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Paradogma (2018)
10/10
Contemplative
3 October 2020
Really enjoyed this, it was considered and well researched.

The narrative style of the documentary was very inviting.

The overall messaging, from the various interviews led to a great conclusion where Alexandr Dugin clearly explains the potential of multipolarity.

Very complex, and very refreshing. Like having a great, calm, and in depth conversation.

Great film, I hope it gets the publicity it deserves.
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3/10
Droll, trope ridden cliché that falls very flat
4 July 2020
A paint by numbers documentary that uses outdated Marxist tropes to demonise capitalism as a whole.

Can you see where this is going?

An almost text-book cliché of these kinds of films. The talking heads are from a very certain sub-set of institutions and publications that fall under the stakeholder control of a very particular politically leaning faction of elite backers.

Ironically, these are the very same "1%" the film claims to be criticising.

The system makes its own "anti-establishment" film.

Basically the message is "anyone with wealth is inherently fascist".

Puerile tropes, with at a mildly visually interesting use of stock footage.

Watch an Adam Curtis documentary instead, it will tell you far more, and does better a better job than this film, which has stylistically tried to rip him off.

Or alternatively watch "How Big Oil Conquered The World" and "Why Big Oil Conquered The World" by James Corbett on youtube, these are far more economically informative.

Or read a history book, Carroll Quigley's "Tragedy and Hope" springs to mind.

This film is ultimately dull, and very disappointing.
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1/10
Unbelievably biased hit piece
1 June 2020
Warning: Spoilers
So skewed it's funny. Every talking head is a Clinton or ex CIA acolyte, ignores what Biden and his son were up to cutting deals in Ukraine, ignores the Active Measures the US engaged in to destablize Ukraine.

Ignores the deals the Clintons made with the Russians to help the oligarchs divide up the state apparatus in the 90s. Also ignores all of the data uncovered by the Russia hoax investigation that clearly shows Hillary Clintons campaign was funded up to the eyeballs by Russian money.

Remember how Trump impeachment just didn't stick?

Because of flimsy hit pieces like this film.

I could go on and on, but we live in opposite land, where people can say crazy things about countries most people don't bother to check up on, factor in a language barrier, and you could say anything about Russia and Western media consumers would believe it.

You should be more worried about what China or Israel are doing geopolitically using active measures right now.

Every 10 out of 10 review saying "full of facts, do your own research" clearly don't know how to do a google search outside of their own filtered bias bubble.

The Clinton line about "funding white supremacists" is just laughable.

If any campaign knew about criminality and rigging elections it was certainly the Clinton campaign.

Pretty pathetic propaganda piece and certainly not an objective or serious documentary in the slightest.
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1/10
wait wat?
27 March 2020
Warning: Spoilers
Hipster nonsense about two bar owners having relationship troubles, then there's some weird subplot about an alien or something visiting the dude every night while his girlfriend is away.

bearded doughboy drinks lots of whisky out of jars and is driven insane by poor special effects.

The odd interestingly framed shot, but largely mumblecore and a waste of time.

Was this film an elaborate troll, from the neckbeard irony reddit tier bros?
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Greed (I) (2019)
4/10
Coogan is excellent, but the film is too simplistic with the preachy message
21 February 2020
Steve Coogan gives a great performance as ever, but the rest of the film didn't quite hold it together.

The message Winterbottom was trying to engage the audience with became too preachy, particularly the end montage of statistics aimed at shaming the fashion industry and its use of sweatshop labour. This was wholly unnecessary as the story made this point without this tacked on piece of activism.

The CGI lion was also disappointing, as was the general direction of the story, and many of the characters felt under-developed and derivative.

It was all a bit too obvious, and very simplistic in its outlook.

We all know that the very wealthy and powerful mostly made that wealth through ruthlessness, this is an old, tired narrative now.
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1/10
Never make painfully woke, bad narrative choice, "If you could like, literally kill Hitler?"
26 January 2020
Warning: Spoilers
It was pretty interesting until the big plot reveal at the end, the mixed-race serial killer is going back in time to kill the grandparents of white nationalists.

So it's the silly thought experiment from amateur ethics discussions "if you could go back in time and kill Hitler, would you?"

She reveals this in some dubious feelings laden speech to her grandfather, the cop who's been chasing her every time she appears each nine years since 1988.

She kills the all-white victims by injecting a pathogen which explodes their brains!

Good God, this was laughably bad.

It's worth watching alone for the painfully bad narrative carpet bombing of woke left-wing politics, and how to ruin a good mystery.

Wow...
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5/10
Bland
27 December 2019
Not particularly good, not particularly bad either. Considering the wealth of material from Stephen Kings' series of novels, this is a pretty bland attempt at an adaptation, even for Hollywood.
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The King (I) (2019)
10/10
Wow!
4 December 2019
Great film, pitch perfect in terms of acting, casting, direction, soundtrack, pacing and execution.

Nice visualisation of the Battle of Agincourt too.
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10/10
Lovely
9 November 2019
Not much I can write about this, I went in with the modern cynicism blinders up and they just melted away.

What a lovely, heart-warming story.
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1/10
Poorly Executed
3 November 2019
Warning: Spoilers
I really tried with this, but could not get on with it. It was so ham-fistedly feminist "woke" that it was unbearable and very cringey.
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The Mustang (2019)
10/10
Genuinely Moving
12 October 2019
Warning: Spoilers
Matthias Schoenaerts delivers a pathos driven performance in this wonderfully composed film.

The genuine emotional connection conveyed between him and the Mustang, as his character, Roman, deals with his own anger is poignant, and hints at a genuine connection between actor and animal. The horse only allows him to connect with it once Roman has completely expended his rage, revealing the hurt behind the crime of passion he was incarcerated for. A powerful scene, for all the right reasons.

As a symbol of spiritual freedom I don't think there is a better totem than a horse gazing in on a prisoner in his cell through a barbed wire fence.

The Wild Horse program, despite its implications in the rounding up of wild animals to domesticate them to save them, seems like a very successful program in the rehabilitation of violent men who are capable of such redemption.
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2/10
Disappointing
9 October 2019
Warning: Spoilers
I wanted to like this, being a fan of Jodorowsky's psycho-magical artistry, particularly his graphic novel works, such as "The Incal", and his writings on the Tarot.

I'm sure I could spend hours trying to un-pick the layers of very subjective to the film-maker motif in the film, but I'm not the Director, so it ultimately makes little sense to me, and proved frustrating to try and engage with.

Equally frustrating was the nudity and unpleasantly related graphic behaviours, as well as the Mother's delivery of all her lines in operatic singing, which was profoundly jarring.

The high definition digital format doesn't suit Jodorowsky's surrealist imagery as well as the film stock used for his earlier, more mystical works, such as "The Holy Mountain".

I lost interest about three quarters of the way through, but I stuck it out to the end, remembering the promise from other viewers that's it's final shots were worth getting to; sadly they were not.
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Bait (I) (2019)
10/10
Masterpiece
3 October 2019
A rare stylistic masterpiece with a strong message against the Modern World.

A battle between Local Tradition and Cosmopolitan Modernity plays out in a Cornish fishing village.

Strong performances and a film-making aesthetic fitting of such a tale, not often seen in cinemas today.

It's a sad reflection on modern culture that this film is relegated to smaller art-house cinemas.
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10/10
Amusingly Bad
28 September 2019
Stronk Austrian Hercules fights bear that looks suspiciously like a man in Central Park to Grek music whilst woman screams his name and faints.

Wat means?
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Hellboy (2019)
1/10
Insultingly awful
27 July 2019
Apparently lack of scriptwriting, direction, pacing, eloquence, acting ability, and the childish need for paint by numbers expositional dialogue are all that is required to make films now.

The fight scenes were badly composited sequences where the camera moved as if in a pinball machine. To say this was jarring is an understatement. Not even a die-hard effects fan (it seems many take this as a benchmark of worth over narrative substance these days) could claim the special effects were good in defence of the poorly executed story.

I think even it's teen target audience would have found it degrading to their intelligence.

I also doubt that even watching this in 4dx with water splashing in your face as your seats move could make this an enjoyable viewing experience.

Don't bother with this film, if you are unfamiliar with Hellboy, read the original comics or watch Benicio Del Toro's original 2 movies.
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Synchronicity (IV) (2015)
8/10
Understated
26 May 2019
A well crafted, stylised, and slightly cheesy (but bearable), sci-fi thriller. It has a warm soundtrack and an evocative Bladerunner aesthetic. As an added bonus the film also features a subtle Michael Ironside performance in the villain role.
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10/10
Sublime
30 March 2019
Beautiful, imaginative, transcedent poetry from Werner Herzog
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Score (2016)
10/10
Utterly Charming
11 May 2018
A wonderful film, that hits all the right beats and evokes an often overlooked but key part of the production process.

An utterly charming documentary.
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