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Szyfry (1966)
8/10
Wojciech Has - The Codes/Szyfry
14 November 2016
A father searches for his missing son as a way of reconnecting with his estranged wife and son. He has become rather wealthy and affluent due to business dealings abroad but at what cost? His remaining son makes do with being a taxi driver and taking care of his ill mother. He cannot seem to fathom how his son has become the way he has and wants to find easy answers that cannot be grasped at. He must come to terms with what he has left behind and what his family have had to deal with in that space of time.

Only Wojciech Has could make a film like this. That grasped at the complexities of warfare but from a psychological frame of mind rather than the battlefields. This is a film that takes a look at people on the sidelines looking on and the damage that it has done for them, the bit-part players and the fading memories that live on within them.
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4/10
The Erotic Man
9 September 2016
Warning: Spoilers
Picture the scene - an ageing lothario goes back to his old haunts where he's had numerous love affairs with different women and wants to recapture these moments on film with certain ladies through mainly non-sexual means. He wants to capture the eroticism of the times he spent with these women.

This is very much a film made by a man who's getting on in years. A man who's affluent enough that he can spend his time picking up women in different countries and continents. It's almost like a tick the box scenario in all the different countries and the clichés that come with it. Africa, Brazil and Philippines.

At the heart of it all, our intrepid lothario is wondering how you can frame eroticism on film. Personally, I don't think it's possible or that it's very much down to the viewers terms of what constitutes eroticism. For Leth, it's very simple, watch how the ladies look at you and how they swim naked in a pool, walk across a street, how they wash themselves in a shower.

There is one scene in particular where he asks one of his former lovers about a time they made love on camera and she herself thinks nothing of it because it was a moment of love between herself and her former lover and nobody else came into the equation. We're then unfortunate enough to see a snippet of the video in question which brought me back to a question I had almost at the start of the film - I wonder if any of these girls feel used by the experience of this film.

In the end, this film does have deeply distasteful moments and it's not a particularly enjoyable film. In some ways, coming back to the central philosophical question in how you frame eroticism, the answer could also be answered this way. If you try to frame eroticism, you've already betrayed the experience. And this film feels like a betrayal on quite a few levels.
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Resan (1987)
7/10
Don't Go Nuclear
20 May 2016
A follow up of sorts to the legendary and infamous The War Game. Watkins goes into great, almost excruciating, detail on the evils of nuclear deterrents and lives with certain families to get their reactions, and awareness to what is going on around them.

It's heavily biased (intentionally so due to the director's convictions), and at times, a very unsubtle and heavy handed approach to dealing with the situation. It is, at best, an interesting approach to dealing with the subject matter and it does bring a certain awareness to what was going on in the world in the pre and post- Live Aid political climate. At worst, however, it can somewhat come off sounding like the ramblings of an insufferable bore who is jabbing his finger at you for reading the wrong newspaper because they're not giving you a true account of what's going on in the world.

One of those films that will need a lot of patience (it's tempting to say a megaton but that would probably displease the director). But for what it's worth, it's a film with good intentions at heart, and remains something that would be of interest for political historians perhaps, or indeed activists.
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7/10
One of Brynych's better sleaze efforts.
7 March 2016
As I've noted in another review, it's hard to watch a Brynych film without thinking of beautifully crafted films like Transport From Paradise and The Fifth Horseman Is Fear. These films that show the haunted nature behind people's everyday decision making under extreme circumstances.

However Brynych escaped Czechoslovakia for the lurid sex films of West Germany and it's hard to reconcile that this work is from the same man. One almost has to pretend that it's the work of two different men with the same name.

Angels With Burnt Wings is the story of a boy who disapproves of his mother's infidelity so much so that when her latest lover goes for a swim, the son, in a fit of rage, murders him. The event does not go unnoticed as hidden from view is a girl who takes him in and hides him from the growing frenzy of who is the killer.

Of the three that were made in 1970, this is by far the best told of the three. The acting is decent, the plotting is sharp and, of course, the soundtrack is the main star of the show.

But one cannot fail to see a sort of puritan streak come out that feels slightly at odds with the film itself. The film wants to have its cake and eat it too at the same time and, try as they might, everyone can't help but feel just a little two dimensional at the best of times. This contrasts again with Transport... and The Fifth Horseman but also his segment in Dialóg where the characters are warmer and more empathetic. Whether this is something that's lost in translation or just a case of taking a devil-may-care attitude towards the scripts, I'm not sure but watching this film, I'm inclined to miss the 60s Czech Brynych. A film-maker with a compassionate touch lost in the murky depths of political history.
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O Happy Day (1970)
6/10
Run of the mill coming of age film
22 January 2016
Anna is 17 and has hit that age where sexuality has hit big time. She goes to an all-girls Catholic school, coupled with a negligent businessman of a father and a disinterested yoga fanatic mother, this leaves Anna with a lot of proverbial angst and teenage daydreams of nuns without robes and maybe some man could "deflower" her and take her away from this prison where her parents still treat her like a child.

Much of what is seen is kinda what you expect from a cheap, German film of the time...it's surprisingly easy on the sleaze, and heavy on the melodramatic pain of being a teenager who wants to get rid of their virginity. What's really surprising is that this is directed by Zbynek Brynych, who filmed gloomy yet gripping films Transport From Paradise and The Fifth Horseman is Fear. There almost seems to be almost no correlation between the films.

If you want a film that doesn't tax your brain too much and enjoy some light nudity to go with it, it should be fine. If you were left thoroughly haunted by Transport From Paradise and The Fifth Horseman Is Fear and had a genuine thirst for more of the same, you might be in for a surprise.
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