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- In the colorful future, a cab driver unwittingly becomes the central figure in the search for a legendary cosmic weapon to keep Evil and Mr. Zorg at bay.
- A talented young boy becomes torn between his unexpected love of dance and the disintegration of his family.
- Stephen Hawking gets unprecedented success in the field of physics despite being diagnosed with motor neuron disease at the age of 21. He defeats awful odds as his first wife Jane aids him loyally.
- A man against capital punishment is accused of murdering a fellow activist and is sent to death row.
- A young ballet dancer is torn between the man she loves and her pursuit to become a prima ballerina.
- When her daughter joins a ballet company, a former dancer is forced to confront her long-ago decision to give up the stage to have a family.
- Operatic version of George Orwell's totalitarian masterpiece "Nineteen Eighty-Four."
- This is the Andrei Tarkovsky production of the famous Pushkin/Mussorgsky opera, performed in 1990 at the Mariinsky Theatre in St. Petersburg, Russia, conducted by Valery Gergiev.
- One of the most iconic operas of all time; "The Magic Flute" (Die Zauberflöte) by Wolfgang Amadeus Mozart is about a Prince, Tamino, conquering all odds to be wise and to rescue the daughter, Pamina, of the Queen of the Night. This is one of the best known productions of this opera, in Covent Garden- London 2003. Conducted by Sir Colin Davis, performers include Simon Keenlyside as Papageno, Dorothea Röschmann as Pamina, Will Hartmann as Tamino and the legendary Diana Damrau as the Queen of the Night (Königin Der Nacht).
- A TV screening of a production of "Alice's Adventures in Wonderland" by the Royal Ballet, staged at the Royal Opera House in London. It's the first full-length score commissioned for the Royal Ballet in 20 years.
- Arthur Pita created his award-winning dance-theatre adaptation of Franz Kafka's 1915 novella in 2011 on Royal Ballet Principal Edward Watson, and it was first performed in the Linbury Studio Theatre. The extraordinary choreography captures the devastation of Gregor Samsa's transformation into a monstrous insect and his family's struggle to accept him. Frank Moon's evocative score and stark designs by Simon Daw become sinister and claustrophobic as Gregor's life turns into a dark, surrealist nightmare. The Metamorphosis won a South Bank Sky Arts Award and, for his role Edward Watson won the Olivier Award for Outstanding Achievement in Dance.
- An opera based on the story of Asterios, half-human half-bull half-brother of Ariadne, and the quest of Theseus to kill him and end the blood debt between Athens and Crete.
- Macbeth, the Thane of Glamis, receives a prophecy from a trio of witches that one day he will become King of Scotland. Consumed by ambition and spurred to action by his wife, Macbeth murders his king and takes the throne for himself.
- An aging actor remembers his past stage triumphs and contemplates a dim future on the stage of an empty theatre.
- BBC production of 'Sergei Prokofiev (I)''s opera "War and Peace" performed by the Kirov Opera under the baton of Valery Gergiev in St. Petersburg, Russia. The love story of young Countess Natasha Rostova and Count Pierre Bezukhov, is intertwined with the "Great Patriotic War" of 1812 against the invading Napoleon's Armies. People of Russia from all classes of society stand up united against the enemy. Both sides suffer tremendous losses during the war, and Russian society is left irrevocably changed.
- The story of opera soprano Dame Nellie Melba.
- The opera tells the story of the downfall of Don José, a naïve soldier who is seduced by the wiles of the fiery gypsy Carmen.
- Few of Maria Callas's performances were filmed, so these two gala concerts recorded at the Royal Opera House, Covent Garden, in 1962 and 1964 are special. On 4 November 1962, it was before an excited audience that she appeared unexpectedly in a live television transmission of a concert with several other performers. She was in excellent vocal condition, which reassured her fans, who had heard rumors that she was vanishing from the stage to be with Aristotle Onassis or because her voice was failing. Callas sings "Tu che le vanita" from Verdi's Don Carlo and the flirtatious gypsy girl's role in the Habanera and the Seguedille from Bizet's Carmen. In 1963 Callas occasionally recorded for EMI in Paris, but her last triumph was her appearance in Puccini's Tosca at Covent Garden in 1964. The director was Franco Zeffirelli and singing in the role of Scarpia was baritone Tito Gobbi.
- A thoroughly Italian work inspired by Viennese operetta, this rarely performed Puccini gem tells the story of love between a kept woman from high society and a naïve younger man of moderate means. From the composer's fabled Act I aria, "Chi il bel sogno," to the glorious Act II cafe scene, this San Francisco Opera production features two world renowned singers at their finest: Romanian soprano Angela Gheorghiu and Russian tenor Misha Didyk. Ion Marin conducts La Rondine ("The Swallow") in an opulent Art Deco production design by Nicolas Joël.
- ACT I Rome, June 1800. Cesare Angelotti, an escaped political prisoner, rushes into the Church of Sant'Andrea della Valle. After finding the key his sister has hidden for him, he hides in his family's private chapel. Soon, the painter Mario Cavaradossi arrives to work on his portrait of Mary Magdalene. The painting has been inspired by Angelotti's sister, the Marchesa Attavanti, whom Cavaradossi had seen praying in the church. Angelotti, who was a member of the former Bonapartiste government, emerges from his hiding place. Cavaradossi recognizes him and promises help, then hurries him back into the chapel as the singer Floria Tosca, his lover, calls from outside. When he lets her into the church, she jealously asks Cavaradossi to whom he has been talking and reminds him of their rendezvous that evening. Suddenly recognizing the Marchesa Attavanti in the painting, she accuses him of being unfaithful, but he assures her of his love. When Tosca has left, Angelotti again comes out of hiding. A cannon signals that the police have discovered the escape, and he and Cavaradossi flee to the painter's home. The sacristan enters with choirboys who are preparing to sing in a Te Deum celebrating the recent victory against Napoleon at the Battle of Marengo. At the height of their excitement, Baron Scarpia, chief of the secret police, arrives, searching for Angelotti. When Tosca comes back looking for Cavaradossi, Scarpia shows her a fan with the Attavanti crest that he has just found. Seemingly confirming her suspicions about her lover's infidelity, Tosca is devastated. She vows vengeance and leaves as the church fills with worshippers. Scarpia sends his men to follow her to Cavaradossi, with whom he thinks Angelotti is hiding. While the congregation intones the Te Deum, Scarpia declares that he will bend Tosca to his will. ACT II That evening in his chambers in the Palazzo Farnese, Scarpia anticipates the pleasure of having Tosca in his power. The spy Spoletta arrives with news that he was unable to find Angelotti. Instead, he brings in Cavaradossi. Scarpia interrogates the defiant painter while Tosca sings at a royal gala in the palace courtyard. Scarpia sends for her, and she appears just as Cavaradossi is being taken away to be tortured. Frightened by Scarpia's questions and Cavaradossi's screams, Tosca reveals Angelotti's hiding place. Henchmen bring in Cavaradossi, who is badly hurt and hardly conscious. When he realizes what has happened, he angrily confronts Tosca, just as the officer Sciarrone rushes in to announce that Napoleon actually has won the battle, a defeat for Scarpia's side. Cavaradossi shouts out his defiance of tyranny, and Scarpia orders him to be executed. Once alone with Tosca, Scarpia calmly suggests that he would let Cavaradossi go free if she'd give herself to him. Fighting off his advances, she declares that she has dedicated her life to art and love and calls on God for help. Scarpia becomes more insistent, but Spoletta bursts in: Faced with capture, Angelotti has killed himself. Tosca, now forced to give in or lose her lover, agrees to Scarpia's proposition. Scarpia orders Spoletta to prepare for a mock execution of Cavaradossi, after which he is to be freed. Tosca demands that Scarpia write her a passage of safe-conduct. After he has done so, he attempts to make love to Tosca, but she grabs a knife from the table and stabs him. She takes the pass and flees ACT III At dawn, Cavaradossi awaits execution on the ramparts of Castel Sant'Angelo. He bribes the jailer to deliver a farewell letter to Tosca, and then, overcome with emotion, gives in to his despair. Tosca appears and explains what has happened. The two imagine their future in freedom. As the execution squad arrives, Tosca implores Cavaradossi to fake his death convincingly, then watches from a distance. The soldiers fire and depart. When Cavaradossi doesn't move, Tosca realizes that the execution was real, and Scarpia has betrayed her. Scarpia's men rush in to arrest her, but she cries out that she will meet Scarpia before God and leaps from the battlement.
- Tchaikovsky's Sleeping Beauty, choreographed by Marius Petipa, is one of the best loved of classical ballets, combining in a single work all the enchantment and virtuosity that ballet has to offer.