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- When two adolescent boys become aware of their budding sexuality they uncover the pain and longing of the human heart. Illustration of a poem by Peter LaBerge.
- As lamps are lit and Vs of geese sweep past, summer widens its lens on Angela and Ithyle's warm rendering of Meghan O'Rourke's "Once."
- Scott Wenner's tense dream-time remake of David Lehman's "French Movie."
- A meditation on longing, distance, and the General Theory of Relativity.
- For weeks, she breathes his body. In Nicole McDonald's adaptation of Jehanne Dubrow's "The Long Deployment," you can smell anise, the musk that we secrete with longing, a trace of bitter incense paired with something sweet.
- Stylized illustrations, calligraphy and overlapping paper textures create a dream-like world. Based on the poem 'Sea Salt' by David Mason
- The children in Diego Vazquez Lozano and Statten Roeg's adaptation of Michalle Gould's "How Not to Need Resurrection" are the first resurrectionists: They hold their breath, and cross their arms, and shut their eyes; then rise from their nest of pillows and play instead at being lost or married, as if they could climb without a ladder into the heavens, then drop back down.
- Some years ago, two young parents abandoned their child in a Michigan woods. Poet Laura Kasischke wonders: "Did they sleep that night?" Filmmaker Laurent Barthelemy and dancer Shizuka Kusayanagi take her hand.
- Filmed partly in the Pulitzer Prize winning poet's New York apartment, Juan Delcan's film blends animation and live-action footage, in the last months before Mark Strand moved to Spain.
- A crow will remember your face, the rise of your cheek, your beakless maw and cause you to recall that gardens are, by their nature, not nature.
- Amy Schmitt's film, based on the poem 'When at a Certain Party in NYC' by Erin Belieu, utilizes a flat illustrated style with plenty of movement to add life to a 2D world. Transitioning through different scenes of New York, the piece follows the journey of the female protagonist through colorful illustrations, punctuated by the dry sarcastic tone of the male voiceover, provided by motion504 Founder Andy Reynolds. 'I've always had my eye on this poem and was drawn to the idea of a beat poet,' explains Schmitt. 'I wanted the pace to be fast and to flow into a stream of consciousness. Andy's read really lends some hardness to this film, contrasting the female character with the cynical undertone of the poem itself.'
- Nothing is so beautiful as death, thinks Death. Bryan Michurski bundles Kim Addonizio's lovely river in which the names are carefully entered in yarn and wool and fur and light.
- Wayne the Stegosaurus: tiny brain, dinosaur-sized heart.