Rochelle Oliver, who starred on Broadway in Lillian Hellman’s Toys in the Attic and Edward Albee’s Who’s Afraid of Virginia Woolf? and taught acting at New York’s respected Hb Studio since the 1970s, has died. She was 86.
Oliver died April 13, the Hb Studio announced. “Those who knew Rochelle will know what a luminous artist, sensitive and passionate teacher she was,” it said in an Instagram post. She died two days shy of her birthday.
For the big screen, Oliver starred in the Horton Foote-written 1918 (1985) and Courtship (1987) and appeared in such other films as The Happy Hooker (1975), Paul Mazursky‘s Next Stop, Greenwich Village (1976), John Sayles’ Lianna (1983), An Unremarkable Life (1989), Martin Brest’s Scent of a Woman (1992) and Woody Allen’s Hollywood Ending (2002).
She also recurred as Judge Grace Larkin on Law & Order from 1993-03.
A protégé of Uta Hagen — who also taught for decades at Hb and...
Oliver died April 13, the Hb Studio announced. “Those who knew Rochelle will know what a luminous artist, sensitive and passionate teacher she was,” it said in an Instagram post. She died two days shy of her birthday.
For the big screen, Oliver starred in the Horton Foote-written 1918 (1985) and Courtship (1987) and appeared in such other films as The Happy Hooker (1975), Paul Mazursky‘s Next Stop, Greenwich Village (1976), John Sayles’ Lianna (1983), An Unremarkable Life (1989), Martin Brest’s Scent of a Woman (1992) and Woody Allen’s Hollywood Ending (2002).
She also recurred as Judge Grace Larkin on Law & Order from 1993-03.
A protégé of Uta Hagen — who also taught for decades at Hb and...
- 5/7/2024
- by Mike Barnes
- The Hollywood Reporter - Movie News
Dianne Crittenden, casting director on the original Star Wars who also worked on Pretty Woman, Spider-Man 2 and dozens of other films during a 40-year career, died March 19 at her home in Pacific Palisades. She was 82.
Her friend and colleague Ilene Starger confirmed her passing to Deadline.
Born on August 6, 1941, in the Jamaica neighborhood of Queens, NY, Crittenden got her start in the entertainment industry working with Howard Zieff, a photographer and director. They worked on advertising campaigns, TV commercials and films.
Her first project as casting director was Terrence Malick’s 1973 drama Badlands, starring Martin Sheen-Sissy Spacek, on which Bruce Springsteen based his song “Nebraska” a decade later. Crittenden worked on a few other films and TV shows, including the Emmy-winning 1976 Sally Field miniseries Sybil, before land the casting-director role of a lifetime — a long time ago in a galaxy far, far away.
After working with George Lucas on the iconic Star Wars,...
Her friend and colleague Ilene Starger confirmed her passing to Deadline.
Born on August 6, 1941, in the Jamaica neighborhood of Queens, NY, Crittenden got her start in the entertainment industry working with Howard Zieff, a photographer and director. They worked on advertising campaigns, TV commercials and films.
Her first project as casting director was Terrence Malick’s 1973 drama Badlands, starring Martin Sheen-Sissy Spacek, on which Bruce Springsteen based his song “Nebraska” a decade later. Crittenden worked on a few other films and TV shows, including the Emmy-winning 1976 Sally Field miniseries Sybil, before land the casting-director role of a lifetime — a long time ago in a galaxy far, far away.
After working with George Lucas on the iconic Star Wars,...
- 3/22/2024
- by Erik Pedersen
- Deadline Film + TV
Variety will honor Molly Ringwald with the Variety Creative Vanguard Award at the Miami Film Festival on Saturday, April 6. The award will be for her outstanding career achievements, earning acclaim from critics and audiences alike.
Ringwald will participate in a Q&a about her extensive work in film and TV with Variety Senior Awards Editor Clayton Davis.
“It’s important to remember that before Molly Ringwald was the iconic young star of John Hughes’ teen angst-driven comedies such as ‘Sixteen Candles,’ ‘Pretty in Pink’ and ‘The Breakfast Club,’ she first starred in Paul Mazursky’s contemporary update of Shakespeare’s ‘Tempest,’” said Steve Gaydos, Variety EVP of Global Content and Executive Editor. “This is important because the secret of Ringwald’s early success and career longevity is the simple fact she has always been one of American film and television’s most gifted and versatile actresses. Her dazzling work this...
Ringwald will participate in a Q&a about her extensive work in film and TV with Variety Senior Awards Editor Clayton Davis.
“It’s important to remember that before Molly Ringwald was the iconic young star of John Hughes’ teen angst-driven comedies such as ‘Sixteen Candles,’ ‘Pretty in Pink’ and ‘The Breakfast Club,’ she first starred in Paul Mazursky’s contemporary update of Shakespeare’s ‘Tempest,’” said Steve Gaydos, Variety EVP of Global Content and Executive Editor. “This is important because the secret of Ringwald’s early success and career longevity is the simple fact she has always been one of American film and television’s most gifted and versatile actresses. Her dazzling work this...
- 3/12/2024
- by William Earl
- Variety Film + TV
There were movies about the Holocaust long before "Schindler's List." Superb movies. George Stevens' "The Diary of Anne Frank," Stanley Kramer's "Judgment at Nuremberg," Alan J. Pakula's "Sophie's Choice," and Paul Mazursky's "Enemies, a Love Story" (to name but a few) grappled with this staggeringly evil, carefully coordinated campaign of genocide so that moviegoers could, hopefully, comprehend how ordinary people could become bigoted, bloodthirsty monsters. The answers weren't comforting, but we couldn't move forward as a species without them.
Aside from the "how," there was another agonizing question that needed to be answered, one that was not as easy to dramatize: why didn't more people step up to stop this?
It doesn't take a great deal of research to realize that most good people were paralyzed by a mixture of cowardice and self-preservation. And while it is vital that we keep hammering home this observation for future generations,...
Aside from the "how," there was another agonizing question that needed to be answered, one that was not as easy to dramatize: why didn't more people step up to stop this?
It doesn't take a great deal of research to realize that most good people were paralyzed by a mixture of cowardice and self-preservation. And while it is vital that we keep hammering home this observation for future generations,...
- 3/5/2024
- by Jeremy Smith
- Slash Film
“Drive-Away Dolls” is an audacious lesbian road movie inspired by such Kings of the Bs as John Waters and Russ Meyer. Two young women (Margaret Qualley and Geraldine Viswanathan) rent a drive-away car without knowing there’s cargo in the trunk that could get them in big trouble with a gang of criminals. Sure enough, thugs are soon chasing them down America’s highways.
Luckily, just about every man in the movie is a bumbling idiot. And not everyone keeps their head.
“Drive-Away Dolls” is the definition of ribald. These girls are as randy and on the make as any of their “Porky’s” counterparts. The movie wears no pretensions. It’s not going up for Oscars. It’s coming out in February, for Chrissakes!
To help promote the movie, filmmakers Ethan Coen — who accepted the Best Picture Oscar for “No Country for Old Men” back in 2008 with his usual creative partner,...
Luckily, just about every man in the movie is a bumbling idiot. And not everyone keeps their head.
“Drive-Away Dolls” is the definition of ribald. These girls are as randy and on the make as any of their “Porky’s” counterparts. The movie wears no pretensions. It’s not going up for Oscars. It’s coming out in February, for Chrissakes!
To help promote the movie, filmmakers Ethan Coen — who accepted the Best Picture Oscar for “No Country for Old Men” back in 2008 with his usual creative partner,...
- 2/23/2024
- by Anne Thompson
- Indiewire
M3GAN (Universal Pictures), Taken 3 (20th Century Studios), Paddington 2 (Warner Bros.), Cloverfield (Paramount Pictures)Graphic: The A.V. Club (AP)
Historically and annually speaking, January is a bad month for Hollywood movies. It’s a “dump month,” that time of year when the major studios offload the projects in which they have no faith.
Historically and annually speaking, January is a bad month for Hollywood movies. It’s a “dump month,” that time of year when the major studios offload the projects in which they have no faith.
- 1/19/2024
- by A.V. Club Staff
- avclub.com
In 2012, the world’s film critics considered Federico Fellini’s 1963 Oscar-winning “8 ½” one of the 10 greatest films of all time. By 2022, Fellini’s landmark film had fallen out of the top 30.
Once upon a time, director/screenwriter/producer Martin Scorsese had reportedly cited it as his favorite film of all time. More recently it’s come in second for Scorsese, tucked behind Stanley Kubrick’s “2001: A Space Odyssey.”
Endlessly copied, cribbed from (both consciously and unconsciously) and parodied, it inspired Paul Mazursky’s 1970 film “Alex in Wonderland” (which includes a cameo by Fellini) and was the source material for the Tony-winning musical “Nine.”
Variety’s critic Bob Hawkins was effusive about the film straight out of the gate, reviewing it after its Rome premiere. He noted that it was “an exciting, stimulating monumental creation” and an example of what Hawkins’ deemed “the author-director picture par excellence.”
While Hawkins colorfully described...
Once upon a time, director/screenwriter/producer Martin Scorsese had reportedly cited it as his favorite film of all time. More recently it’s come in second for Scorsese, tucked behind Stanley Kubrick’s “2001: A Space Odyssey.”
Endlessly copied, cribbed from (both consciously and unconsciously) and parodied, it inspired Paul Mazursky’s 1970 film “Alex in Wonderland” (which includes a cameo by Fellini) and was the source material for the Tony-winning musical “Nine.”
Variety’s critic Bob Hawkins was effusive about the film straight out of the gate, reviewing it after its Rome premiere. He noted that it was “an exciting, stimulating monumental creation” and an example of what Hawkins’ deemed “the author-director picture par excellence.”
While Hawkins colorfully described...
- 1/9/2024
- by Steven Gaydos
- Variety Film + TV
Oscar-nominated actor Ryan O’Neal, who came to prominence on TV’s “Peyton Place” and became a top star of the 1970s in films including “Love Story,” “What’s Up, Doc?,” “Paper Moon” and “Barry Lyndon,” died Friday, his son Patrick said on Instagram. He was 82.
O’Neal was diagnosed with chronic leukemia in 2001 and with prostate cancer in 2012.
“Ryan was a very generous man who has always been there to help his loved ones for decade upon decade,” his son wrote. “My dad was 82, and lived a kick ass life. I hope the first thing he brags about in Heaven is how he sparred 2 rounds with Joe Frazier in 1966, on national TV, with Muhammad Ali doing the commentary, and went toe to toe with Smokin’ Joe.”
In later years, O’Neal’s acting work often took a backseat to media coverage on his personal travails, involving his combative relationship with longtime companion Farrah Fawcett,...
O’Neal was diagnosed with chronic leukemia in 2001 and with prostate cancer in 2012.
“Ryan was a very generous man who has always been there to help his loved ones for decade upon decade,” his son wrote. “My dad was 82, and lived a kick ass life. I hope the first thing he brags about in Heaven is how he sparred 2 rounds with Joe Frazier in 1966, on national TV, with Muhammad Ali doing the commentary, and went toe to toe with Smokin’ Joe.”
In later years, O’Neal’s acting work often took a backseat to media coverage on his personal travails, involving his combative relationship with longtime companion Farrah Fawcett,...
- 12/8/2023
- by Carmel Dagan
- Variety Film + TV
James Sanders in Celluloid Skyline: New York And The Movies quotes Deborah Kerr with Cary Grant in Leo McCarey’s An Affair To Remember: “It’s the nearest thing to heaven we have in New York.”
In the first instalment with architect, author, and filmmaker James Sanders, we discuss his timeless and profound book, Celluloid Skyline: New York And The Movies, in which he explores how deeply one informs the other. From Joan Didion’s wisdom to Cedric Gibbons’s dream sets in the sky, we touch on George Stevens’s Swing Time (starring Fred Astaire and Ginger Rogers) and Robert Z Leonard’s Susan Lenox (with Greta Garbo and Clark Gable); East River running with Jill Clayburgh and Michael Murphy in Paul Mazursky’s An Unmarried Woman.
James Sanders with Anne-Katrin Titze: “One of the aspects of a mythic city is that it can go anywhere ”
The mansion...
In the first instalment with architect, author, and filmmaker James Sanders, we discuss his timeless and profound book, Celluloid Skyline: New York And The Movies, in which he explores how deeply one informs the other. From Joan Didion’s wisdom to Cedric Gibbons’s dream sets in the sky, we touch on George Stevens’s Swing Time (starring Fred Astaire and Ginger Rogers) and Robert Z Leonard’s Susan Lenox (with Greta Garbo and Clark Gable); East River running with Jill Clayburgh and Michael Murphy in Paul Mazursky’s An Unmarried Woman.
James Sanders with Anne-Katrin Titze: “One of the aspects of a mythic city is that it can go anywhere ”
The mansion...
- 11/2/2023
- by Anne-Katrin Titze
- eyeforfilm.co.uk
After a world premiere at the San Sebastian International Film Festival and its North American premiere over the weekend at the Hamptons International Film Festival, Noah Pritzker’s (Quitters) second film goes for a mix of Woody Allen, John Cassavetes, Paul Mazursky, Noah Baumbach and other white male filmmakers, past and present, who enjoy basking in the midlife marital crisis in which many guys find themselves trapped. While not on the level of those acclaimed filmmakers, in this case, Pritzker manages to cast his net wider into an early-, mid-, and late-life crisis over three generations of the men in the Pearce clan.
The result is an engaging indie exercise that’s for sale to any distributor who finds promise in a premise that might be a tough sell for mainstream buyers despite a game cast that lifts it up a notch or two. Art houses would seem to be its theatrical future,...
The result is an engaging indie exercise that’s for sale to any distributor who finds promise in a premise that might be a tough sell for mainstream buyers despite a game cast that lifts it up a notch or two. Art houses would seem to be its theatrical future,...
- 10/9/2023
- by Pete Hammond
- Deadline Film + TV
(Welcome to Did They Get It Right?, a series where we look at an Oscars category from yesteryear and examine whether the Academy's winner stands the test of time.)
As someone who frequently peruses the past years of the Academy Awards, more often than not the results just wash over me. Rarely are the winners the most exciting options, but I generally understand how and why a given person or film walked away with a trophy, even if they wouldn't have gotten my vote. People like to grouse about the results of the Oscars, but their whiffing on a massive scale actually doesn't happen as often as people claim it does.
Of course, there are those "What were they thinking?" moments, like "Crash" winning Best Picture and "That Thing You Do!" losing Best Song. Few make me scratch my head harder than Best Actor at the 1975 Oscars. It's a slate...
As someone who frequently peruses the past years of the Academy Awards, more often than not the results just wash over me. Rarely are the winners the most exciting options, but I generally understand how and why a given person or film walked away with a trophy, even if they wouldn't have gotten my vote. People like to grouse about the results of the Oscars, but their whiffing on a massive scale actually doesn't happen as often as people claim it does.
Of course, there are those "What were they thinking?" moments, like "Crash" winning Best Picture and "That Thing You Do!" losing Best Song. Few make me scratch my head harder than Best Actor at the 1975 Oscars. It's a slate...
- 4/30/2023
- by Mike Shutt
- Slash Film
Michael Lerner, the longtime character actor who earned an Oscar nomination for his performance as the artistically disinterested studio executive Jack Lipnick in “Barton Fink,” has died at the age of 81. The news was announced by Lerner’s nephew, actor Sam Lerner, on his personal Instagram page. While he did not offer any specifics about his uncle’s death, he used the post to pay tribute to the late Oscar nominee.
“We lost a legend last night,” Sam Lerner wrote. “It’s hard to put into words how brilliant my uncle Michael was, and how influential he was to me. His stories always inspired me and made me fall in love with acting. He was the coolest, most confident, talented guy, and the fact that he was my blood will always make me feel special. Everyone that knows him knows how insane he was— in the best way. I’m...
“We lost a legend last night,” Sam Lerner wrote. “It’s hard to put into words how brilliant my uncle Michael was, and how influential he was to me. His stories always inspired me and made me fall in love with acting. He was the coolest, most confident, talented guy, and the fact that he was my blood will always make me feel special. Everyone that knows him knows how insane he was— in the best way. I’m...
- 4/9/2023
- by Christian Zilko
- Indiewire
There are two types of Al Pacino performances. The first is the kind that announced him as an acting virtuoso in the 1970s. They're fully inhabited, imbued with a coiled intensity, and forever on the verge of crescendoing to rage or, on rare occasions (most movingly in Jerry Schatzberg's "Scarecrow"), joy. This is Pacino at his very best: restless, yet modulated. When he blows his top in "Dog Day Afternoon," screaming "Attica" at the cops posted outside the bank he's attempting to rob, the moment is earned. He's given us keen insight into the mental machinery that drives Sonny, and has us cheering along with the crowd, even though we're still not sure why he's been driven to such dead-end desperation.
The second type is the grotesque self-parody that's been grist for impressionists — none better than Bill Hader — and soundboard prank callers since he stole Denzel Washington's Oscar...
The second type is the grotesque self-parody that's been grist for impressionists — none better than Bill Hader — and soundboard prank callers since he stole Denzel Washington's Oscar...
- 3/31/2023
- by Jeremy Smith
- Slash Film
Exclusive: Steve Small and Gwen Osborne have today announced the launch of Convergence Entertainment Group, their new film production and financing company based in Los Angeles.
Convergence will operate as an independent studio, developing, financing and producing features for theatrical, broadcast and streaming markets. The company will utilize private equity funding to acquire top-level material and package projects with respected actors and filmmakers.
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Convergence plans to produce around half a dozen theatrical features per year for now, with hopes to expand its volume of production and financing as it continues to reach its growth objectives.
“Convergence aims to create a filmmaker and talent-friendly studio where...
Convergence will operate as an independent studio, developing, financing and producing features for theatrical, broadcast and streaming markets. The company will utilize private equity funding to acquire top-level material and package projects with respected actors and filmmakers.
Related Story 101 Studios Co-Founders Bob Yari & Marvin Peart Launch Production And Distribution Company WonderHill Studios Related Story Los Angeles Remains World's Soundstage Leader, But Other Locales Are Catching Up: FilmLA Report Related Story 'Dancing With Myself' Canceled At NBC After One Season
Convergence plans to produce around half a dozen theatrical features per year for now, with hopes to expand its volume of production and financing as it continues to reach its growth objectives.
“Convergence aims to create a filmmaker and talent-friendly studio where...
- 3/30/2023
- by Matt Grobar
- Deadline Film + TV
In 1982, the same year Sir Ben Kingsley won his Best Actor Oscar for Gandhi, the year’s other big movie was Steven Spielberg’s E.T.: The Extra Terrestrial. Now, 40 years later, Kingsley has found his own E.T., a sort of combination of that classic with a bit of Cocoon, and perhaps The Father. But Jules, the new dramedy having its world premiere on opening night of the Sonoma Film Festival, marches to its own sweet beat, and represents yet another game attempt to bring that older adult audience back to theaters. A smart distributor should take a close look.
Directed by industry veteran producer and director Marc Turtletaub and written by Gavin Steckler, this slight but engaging, even quirky little film, is a crowd-pleaser that presents Kingsley with a role that fits like a glove, and one we haven’t seen him often do, especially with a full head of hair.
Directed by industry veteran producer and director Marc Turtletaub and written by Gavin Steckler, this slight but engaging, even quirky little film, is a crowd-pleaser that presents Kingsley with a role that fits like a glove, and one we haven’t seen him often do, especially with a full head of hair.
- 3/23/2023
- by Pete Hammond
- Deadline Film + TV
Charlie Kaufman will receive the Writers Guild of America West’s 2023 Laurel Award for Screenwriting Achievement. The prize recognizes members of the WGA who have “advanced the literature of motion pictures and made outstanding contributions to the profession of the screenwriter,” according to a statement released by the guild.
The recognition comes 23 years after Kaufman’s first WGA Awards nomination, for “Being John Malkovich” — a groundbreaking surrealist classic directed by Spike Jonze that also earned Kaufman his first Academy Award nomination, a Golden Globe nod and an Independent Spirit Award win for Best First Screenplay.
Also Read:
‘The Fabelmans,’ ‘Women Talking,’ ‘Everything Everywhere All at Once’ Land Writers Guild Nominations
Reteaming with Jonze, he turned his own painful writer’s block while adapting Susan Orlean’s book “The Orchid Thief” into the mind-bending film “Adaptation,” which again earned him nominations from the WGA and the Academy. He won both awards...
The recognition comes 23 years after Kaufman’s first WGA Awards nomination, for “Being John Malkovich” — a groundbreaking surrealist classic directed by Spike Jonze that also earned Kaufman his first Academy Award nomination, a Golden Globe nod and an Independent Spirit Award win for Best First Screenplay.
Also Read:
‘The Fabelmans,’ ‘Women Talking,’ ‘Everything Everywhere All at Once’ Land Writers Guild Nominations
Reteaming with Jonze, he turned his own painful writer’s block while adapting Susan Orlean’s book “The Orchid Thief” into the mind-bending film “Adaptation,” which again earned him nominations from the WGA and the Academy. He won both awards...
- 2/8/2023
- by Missy Schwartz
- The Wrap
Oscar-winning screenwriter Charlie Kaufman will be this year’s recipient of the WGA West’s Laurel Award for Screenwriting Achievement. The lifetime achievement award, which goes to members who have “advanced the literature of motion pictures and made outstanding contributions to the profession of the screenwriter,” will be presented March 5 during the 75th annual Writers Guild Awards at the Fairmont Century Plaza in Los Angeles.
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“A true visionary, Kaufman’s legacy is undeniable,” the guild said.
He won an Oscar and a WGA Award for Best Original Screenplay for 2004’s Eternal Sunshine of the Spotless Mind and received Oscar and WGA nominations for...
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“A true visionary, Kaufman’s legacy is undeniable,” the guild said.
He won an Oscar and a WGA Award for Best Original Screenplay for 2004’s Eternal Sunshine of the Spotless Mind and received Oscar and WGA nominations for...
- 2/8/2023
- by David Robb
- Deadline Film + TV
Donn Cambern, the film editor who used his musical background to help make Easy Rider a masterpiece and 15 years later shared an Oscar nomination for cutting Romancing the Stone, has died. He was 93.
Cambern died Wednesday at Providence St. Joseph Medical Center in Burbank of complications from a fall three weeks ago, a family spokesperson told The Hollywood Reporter.
The Los Angeles native edited Blume in Love (1973), Willie & Phil (1980) and Tempest (1982) for Paul Mazursky, Twins (1988) and Ghostbusters II (1989) for Ivan Reitman and worked on five Burt Reynolds starrers, including Smokey and the Bandit II (1980) and The Cannonball Run (1981).
Cambern also received an editing credit on The Last Picture Show (1971), though Peter Bogdanovich insisted that he was the editor on that.
He was honored with a career achievement award from the American Cinema Editors in 2004, and three years later, he became the first recipient of the Motion Picture Editors Guild’s Fellowship and Service Award.
Cambern died Wednesday at Providence St. Joseph Medical Center in Burbank of complications from a fall three weeks ago, a family spokesperson told The Hollywood Reporter.
The Los Angeles native edited Blume in Love (1973), Willie & Phil (1980) and Tempest (1982) for Paul Mazursky, Twins (1988) and Ghostbusters II (1989) for Ivan Reitman and worked on five Burt Reynolds starrers, including Smokey and the Bandit II (1980) and The Cannonball Run (1981).
Cambern also received an editing credit on The Last Picture Show (1971), though Peter Bogdanovich insisted that he was the editor on that.
He was honored with a career achievement award from the American Cinema Editors in 2004, and three years later, he became the first recipient of the Motion Picture Editors Guild’s Fellowship and Service Award.
- 1/21/2023
- by Chris Koseluk
- The Hollywood Reporter - Movie News
Donn Cambern, the Oscar-nominated Romancing the Stone film editor whose credits also include Easy Rider, The Last Picture Show and Ghostbusters II and was a longtime president of the Motion Picture Editors Guild, died Wednesday, his family told the guild. He was 93.
Born on October 9, 1929, in Los Angeles, Cambern came from a showbiz family. His father was in the music-publishing business, and his mother played harp on movie soundtracks including Top Hat for the Rko Pictures orchestra. He graduated from UCLA in 1952 and landed a gig at Disney as a messenger.
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He began his career in 1960s television, serving as music editor for episodes of I Spy, That Girl and The Ghost and Mrs. Muir along with scores of...
Born on October 9, 1929, in Los Angeles, Cambern came from a showbiz family. His father was in the music-publishing business, and his mother played harp on movie soundtracks including Top Hat for the Rko Pictures orchestra. He graduated from UCLA in 1952 and landed a gig at Disney as a messenger.
Related Story Hollywood & Media Deaths In 2023: Photo Gallery & Obituaries Related Story 'SNL' Post-Production Workers Form Union Through Motion Picture Editors Guild Related Story ShadowMachine Post-Production Staffers Unionize With Editors Guild
He began his career in 1960s television, serving as music editor for episodes of I Spy, That Girl and The Ghost and Mrs. Muir along with scores of...
- 1/20/2023
- by Erik Pedersen
- Deadline Film + TV
Alejandro González Iñárritu (Bardo) is set to receive the Cinema Audio Society’s Filmmaker of the Year honor at the 59th Cas Awards, taking placing at the InterContinental Los Angeles Downtown hotel on March 4.
This will be the 18th year that Cas bestows its Filmmaker Award. Past recipients include Gil Cates, George Clooney, Bill Condon, Jonathan Demme, Jon Favreau, Taylor Hackford, Richard Linklater, James Mangold, Rob Marshall, Paul Mazursky, Jay Roach, Sir Ridley Scott, Henry Selick, Steven Spielberg, Quentin Tarantino, Joe Wright and Edward Zwick.
The Cinema Audio Society will also this year honor five-time Oscar nominee Peter J. Devlin, Cas (Black Panther: Wakanda Forever) for its Career Achievement Award, as previously announced. Its recognition of Iñárritu will follow the release of his latest awards-contending feature, Bardo, False Chronicle of a Handful of Truths — his first made in Mexico in over 20 years, which has been described as his most personal to date.
This will be the 18th year that Cas bestows its Filmmaker Award. Past recipients include Gil Cates, George Clooney, Bill Condon, Jonathan Demme, Jon Favreau, Taylor Hackford, Richard Linklater, James Mangold, Rob Marshall, Paul Mazursky, Jay Roach, Sir Ridley Scott, Henry Selick, Steven Spielberg, Quentin Tarantino, Joe Wright and Edward Zwick.
The Cinema Audio Society will also this year honor five-time Oscar nominee Peter J. Devlin, Cas (Black Panther: Wakanda Forever) for its Career Achievement Award, as previously announced. Its recognition of Iñárritu will follow the release of his latest awards-contending feature, Bardo, False Chronicle of a Handful of Truths — his first made in Mexico in over 20 years, which has been described as his most personal to date.
- 11/29/2022
- by Matt Grobar
- Deadline Film + TV
As a filmmaker, Noah Baumbach has always been a dyed-in-the-wool dramatic realist, talky coastal neurotic division. He hasn’t always been as good at it as he is today; “The Squid and The Whale” (2005), the divorce drama that established his reputation and is held in supremely high regard by many cinephiles, isn’t half the movie that “Marriage Story” is. The latter film was Baumbach’s culminating achievement after 25 years as a writer-director, and it brought his strengths to a new pitch of mastery: his ability to nail the dynamics of troubled relationships in all their frayed layers, his extraordinary skill with actors, and the nimble levity of his dialogue, which emerges from the human comedy as surely it did in the great films of Woody Allen and Paul Mazursky.
With “Marriage Story,” Baumbach enjoyed the kind of success that independent filmmakers dream of. So it’s no surprise, in a way,...
With “Marriage Story,” Baumbach enjoyed the kind of success that independent filmmakers dream of. So it’s no surprise, in a way,...
- 8/31/2022
- by Owen Gleiberman
- Variety Film + TV
By the early 1980s, Hollywood thought it had Robin Williams pegged. Based on four mostly successful seasons of "Mork & Mindy" and two explosively funny HBO specials ("Off the Wall" and "An Evening with Robin Williams), he was a whirling dervish of hilarity who existed to light up your living room. He was easily one of the best, most agile-minded comedians on the planet, but his talent was specialized. If you wanted to hear Elmer Fudd sing Bruce Springsteen's "Fire," Robin Williams was your man. No one wanted to see him straitjacketed in a dramatic role.
Paul Mazursky believed otherwise. Though the writer-director of comedic character studies originally conceived of "Moscow on the Hudson" as a star vehicle for ballet dancer Mikhail Baryshnikov, who was to play a Russian ballet dancer who defects during a stop in New York City, he quickly adjusted the screenplay for Williams when Misha passed.
Paul Mazursky believed otherwise. Though the writer-director of comedic character studies originally conceived of "Moscow on the Hudson" as a star vehicle for ballet dancer Mikhail Baryshnikov, who was to play a Russian ballet dancer who defects during a stop in New York City, he quickly adjusted the screenplay for Williams when Misha passed.
- 8/30/2022
- by Jeremy Smith
- Slash Film
Exclusive: Karen Gillan (Thor: Love and Thunder) will star opposite Margaret Sophie Stein (Bullets Over Broadway), Jermaine Fowler (Sorry to Bother You), Kevin Nealon (SNL) and Talia Balsam (Divorce) in the Lisa Steen-directed comedy Late Bloomers from We’re Doin’ Great and Park Pictures, which has wrapped production in Brooklyn, NY.
The film written by Anna Greenfield is loosely based on her experience living in Brooklyn in her 20s. It centers on Louise (Gillan), an aimless millennial who drunkenly breaks her hip, landing her in physical therapy. There, she makes an elderly Polish Bff (Stein) who speaks no English. And it’s this unlikely friendship that gives her the courage to face what she’s been running from all along: Her mother’s early-onset Alzheimer’s. Fowler plays Louise’s Craigslist roommate/landlord Brick, with Nealon and Balsam as her parents.
Late Bloomers marks the feature directorial debut of Greenfield’s frequent collaborator,...
The film written by Anna Greenfield is loosely based on her experience living in Brooklyn in her 20s. It centers on Louise (Gillan), an aimless millennial who drunkenly breaks her hip, landing her in physical therapy. There, she makes an elderly Polish Bff (Stein) who speaks no English. And it’s this unlikely friendship that gives her the courage to face what she’s been running from all along: Her mother’s early-onset Alzheimer’s. Fowler plays Louise’s Craigslist roommate/landlord Brick, with Nealon and Balsam as her parents.
Late Bloomers marks the feature directorial debut of Greenfield’s frequent collaborator,...
- 7/14/2022
- by Matt Grobar
- Deadline Film + TV
As the Venice Film Festival prepares to celebrate its 90th anniversary, researchers have reconstructed how Stanley Kubrick’s first film, now known as “Fear and Desire,” came to screen on the Lido in 1952.
The screening of the film, initially titled “Shape of Fear,” took place at the Palazzo del Cinema on the Lido on Aug. 18, 1952, in a section called Festival of the Scientific Film and Art Documentary.
Basically, Kubrick’s debut was invited for a special screening after not making the cut for competition due to “the length and character of the film,” as an exchange of letters between the 23-year-old Kubrick and then Venice chief Antonio Petrucci attests (see below).
The whole story has been reconstructed for the first time in the letters and documents preserved in the archives of the fest’s parent organization, the Venice Biennale, ahead of an international conference celebrating the 90th anniversary of the world’s oldest film festival,...
The screening of the film, initially titled “Shape of Fear,” took place at the Palazzo del Cinema on the Lido on Aug. 18, 1952, in a section called Festival of the Scientific Film and Art Documentary.
Basically, Kubrick’s debut was invited for a special screening after not making the cut for competition due to “the length and character of the film,” as an exchange of letters between the 23-year-old Kubrick and then Venice chief Antonio Petrucci attests (see below).
The whole story has been reconstructed for the first time in the letters and documents preserved in the archives of the fest’s parent organization, the Venice Biennale, ahead of an international conference celebrating the 90th anniversary of the world’s oldest film festival,...
- 6/8/2022
- by Nick Vivarelli
- Variety Film + TV
Antonio Campos, creator of the new HBO Max miniseries The Staircase, walks hosts Josh Olson and Joe Dante through his favorite films noir.
Show Notes: Movies Referenced In This Episode
Afterschool (2008)
The Devil All The Time (2020)
Rashomon (1950) – Brian Trenchard-Smith’s trailer commentary, Glenn Erickson’s Blu-ray review
The Typewriter, the Rifle & the Movie Camera (1996)
Raw Deal (1948) – Glenn Erickson’s Blu-ray review
T-Men (1947) – Glenn Erickson’s Blu-ray review
A Personal Journey with Martin Scorsese Through American Movies (1995)
House of Bamboo (1955) – Allan Arkush’s trailer commentary
Pickup On South Street (1953) – Sam Hamm’s trailer commentary, Glenn Erickson’s Criterion Blu-ray review
The Naked Kiss (1964)
Reign of Terror (1949)
Detour (1945) – Glenn Erickson’s Criterion Blu-ray review
Scarlet Street (1945)
The House on 92nd Street (1945) – Glenn Erickson’s Blu-ray review
Barry Lyndon (1975) – Glenn Erickson’s Criterion Blu-ray review
The Killing (1956) – Michael Lehmann’s trailer commentary
Kiss of Death (1947) – Glenn Erickson’s Blu-ray review
Kiss of Death...
Show Notes: Movies Referenced In This Episode
Afterschool (2008)
The Devil All The Time (2020)
Rashomon (1950) – Brian Trenchard-Smith’s trailer commentary, Glenn Erickson’s Blu-ray review
The Typewriter, the Rifle & the Movie Camera (1996)
Raw Deal (1948) – Glenn Erickson’s Blu-ray review
T-Men (1947) – Glenn Erickson’s Blu-ray review
A Personal Journey with Martin Scorsese Through American Movies (1995)
House of Bamboo (1955) – Allan Arkush’s trailer commentary
Pickup On South Street (1953) – Sam Hamm’s trailer commentary, Glenn Erickson’s Criterion Blu-ray review
The Naked Kiss (1964)
Reign of Terror (1949)
Detour (1945) – Glenn Erickson’s Criterion Blu-ray review
Scarlet Street (1945)
The House on 92nd Street (1945) – Glenn Erickson’s Blu-ray review
Barry Lyndon (1975) – Glenn Erickson’s Criterion Blu-ray review
The Killing (1956) – Michael Lehmann’s trailer commentary
Kiss of Death (1947) – Glenn Erickson’s Blu-ray review
Kiss of Death...
- 5/31/2022
- by Alex Kirschenbaum
- Trailers from Hell
Not long after attending my first Cannes Film Festival almost 35 years ago, I was still green and naïve enough to ask long-time Cannes attendees why the famed French fest held such a powerful place in the pecking order of international film gatherings. The late Richard Corliss, Time magazine’s peerless and beloved film critic, answered warmly and succinctly, with his own more worldly query: “Would you rather be in Germany in the winter or the South of France in the spring?”
Corliss had a point, but in the decades since I’ve tucked my own couple of dozen Cannes fests under my belt, I’ve compiled my own list of reasons why Cannes remains the one film festival that people who’ve never been to a film festival have heard about and wish they could go to, and know that if a film has scored there, it must be worth their time.
Corliss had a point, but in the decades since I’ve tucked my own couple of dozen Cannes fests under my belt, I’ve compiled my own list of reasons why Cannes remains the one film festival that people who’ve never been to a film festival have heard about and wish they could go to, and know that if a film has scored there, it must be worth their time.
- 5/11/2022
- by Steven Gaydos
- Variety Film + TV
Actress-director Anjelica Huston may have been born into film royalty and may have fulfilled that royal destiny by becoming the third generation, after actor grandfather Walter and director-actor-writer father John Huston, to score Oscar gold, but her early innings were not the stuff cinema dreams are made of.
“Casino Royale” is the film where she first appeared, as an uncredited young teen 55 years ago this month. It is largely regarded as an overcooked comedy fiasco, or as Variety deemed it back then, “an attempt to spoof the pants off the James Bond.” The film had no less than five directors, including her father, John.
Variety was kinder to John Huston’s 1969 film “A Walk with Love and Death,” Anjelica’s first starring role, but most other outlets were tougher on the film and Huston’s performance, and it came and went with little notice.
In a vain attempt to overcome that fate,...
“Casino Royale” is the film where she first appeared, as an uncredited young teen 55 years ago this month. It is largely regarded as an overcooked comedy fiasco, or as Variety deemed it back then, “an attempt to spoof the pants off the James Bond.” The film had no less than five directors, including her father, John.
Variety was kinder to John Huston’s 1969 film “A Walk with Love and Death,” Anjelica’s first starring role, but most other outlets were tougher on the film and Huston’s performance, and it came and went with little notice.
In a vain attempt to overcome that fate,...
- 4/28/2022
- by Steven Gaydos
- Variety Film + TV
Alan Ladd Jr., the revered Hollywood producer and studio executive who saved Star Wars when Fox wanted to shut down production and gained vindication when he received an Oscar for Braveheart after being dumped by MGM, has died. He was 84.
Ladd, who headed production at Fox, Pathe Entertainment and MGM (in two stints) and ran his own outfit, The Ladd Co., with great success, died Wednesday at his home in Los Angeles.
“With the heaviest of hearts, we announce that on March 2, 2022, Alan Ladd, Jr. died peacefully at home surrounded by his family,” his daughter Amanda Ladd-Jones wrote on social media. “Words cannot express how deeply he will be missed. His impact on films and filmmaking will live on in his absence.”
As a studio executive and producer, Ladd — the son of screen idol Alan Ladd (This Gun for Hire, Shane) — had a hand in 14 best picture nominees. His imprint...
Ladd, who headed production at Fox, Pathe Entertainment and MGM (in two stints) and ran his own outfit, The Ladd Co., with great success, died Wednesday at his home in Los Angeles.
“With the heaviest of hearts, we announce that on March 2, 2022, Alan Ladd, Jr. died peacefully at home surrounded by his family,” his daughter Amanda Ladd-Jones wrote on social media. “Words cannot express how deeply he will be missed. His impact on films and filmmaking will live on in his absence.”
As a studio executive and producer, Ladd — the son of screen idol Alan Ladd (This Gun for Hire, Shane) — had a hand in 14 best picture nominees. His imprint...
- 3/2/2022
- by Mike Barnes and Duane Byrge
- The Hollywood Reporter - Movie News
Our annual tradition of Fantasy Double Features asks the year's Notebook contributors to pair something new with something old, with the only requirement being the films have to have been freshly seen this year.Part diary of memorable viewing during 2021, part creative prompt to think about how cinema's present speaks to its past (and vice versa), the 14th edition of our end of year poll weaves between theater-going and home-viewing so seamlessly as to suggest that early pandemic impediments from last year are now quite normal. Yet clearly that hasn't stopped us from watching, being delighted by, and thinking about movies, and the wonderful combinations below are testaments to the dynamic, idiosyncratic, and interactive vitality of moviegoing wherever and however its being practiced.CONTRIBUTORSJett Allen | Paul Attard | Jennifer Lynde Barker | Susana Bessa | Michael M. Bilandic | Ela Bittencourt | Johannes Black | Joshua Bogatin | Alex Broadwell | Celluloid Liberation Front | Lillian Crawford | Adrian Curry...
- 1/13/2022
- MUBI
Four-time Oscar nominee Ridley Scott will receive the Cinema Audio Society Filmmaker Award at the 58th Annual Cas Awards, taking place at the InterContinental Los Angeles Downtown on March 19, 2022.
The prolific director-producer who most recently helmed 20th Century Studios’ The Last Duel and MGM and United Artists Releasing’s House of Gucci is being recognized for a nearly 60-year career that has also seen him direct such classics as Thelma & Louise, Alien, Black Hawk Down, Blade Runner and Gladiator, while exec producing such acclaimed series as The Good Wife, The Good Fight and Raised by Wolves.
Scott is the 17th Cas Filmmaker honoree. Past recipients of the award include George Clooney, James Mangold, Steven Spielberg, Joe Wright, Jon Favreau, Jay Roach, Richard Linklater, Edward Zwick, Jonathan Demme, Rob Marshall, Taylor Hackford, Henry Selick, Paul Mazursky, Bill Condon, Gil Cates, and Quentin Tarantino.
“The Cinema Audio Society has long regarded...
The prolific director-producer who most recently helmed 20th Century Studios’ The Last Duel and MGM and United Artists Releasing’s House of Gucci is being recognized for a nearly 60-year career that has also seen him direct such classics as Thelma & Louise, Alien, Black Hawk Down, Blade Runner and Gladiator, while exec producing such acclaimed series as The Good Wife, The Good Fight and Raised by Wolves.
Scott is the 17th Cas Filmmaker honoree. Past recipients of the award include George Clooney, James Mangold, Steven Spielberg, Joe Wright, Jon Favreau, Jay Roach, Richard Linklater, Edward Zwick, Jonathan Demme, Rob Marshall, Taylor Hackford, Henry Selick, Paul Mazursky, Bill Condon, Gil Cates, and Quentin Tarantino.
“The Cinema Audio Society has long regarded...
- 11/2/2021
- by Matt Grobar
- Deadline Film + TV
Ridley Scott will receive the Cinema Audio Society filmmaker award at the 58th Annual Cas Awards on March 19, 2022, at the InterContinental Los Angeles Downtown.
The filmmaker is behind this year’s awards contenders “House of Gucci” and “The Last Duel.”
“The Cinema Audio Society has long regarded Sir Ridley as a legendary director and bold visionary producer,” Cas President Karol Urban said in a statement. “It is with immense anticipation that we prepare for this year’s awards knowing we will have the opportunity to physically gather as industry professionals representing our craft to salute Sir Ridley’s contribution to creative storytelling.”
Producer and director Scott is renowned for his works on films such as “Thelma & Louise,” “Alien,” “Black Hawk Down” and “Blade Runner.”
While his epic film “Gladiator” won the Academy Award, Golden Globe and BAFTA Awards for best picture, Scott still has yet to receive an Academy Award.
The filmmaker is behind this year’s awards contenders “House of Gucci” and “The Last Duel.”
“The Cinema Audio Society has long regarded Sir Ridley as a legendary director and bold visionary producer,” Cas President Karol Urban said in a statement. “It is with immense anticipation that we prepare for this year’s awards knowing we will have the opportunity to physically gather as industry professionals representing our craft to salute Sir Ridley’s contribution to creative storytelling.”
Producer and director Scott is renowned for his works on films such as “Thelma & Louise,” “Alien,” “Black Hawk Down” and “Blade Runner.”
While his epic film “Gladiator” won the Academy Award, Golden Globe and BAFTA Awards for best picture, Scott still has yet to receive an Academy Award.
- 11/2/2021
- by Jazz Tangcay
- Variety Film + TV
Taking place across outdoor venues in all five boroughs of New York City, the Tribeca Film Festival will celebrate its 20th anniversary June 9-20, screening a bevy of features, shorts, TV series, podcasts and games in what is being billed as the first major in-person film festival to take place in North America since the height of the Covid-19 pandemic.
Managing all the logistics to mount a proper in-person festival despite such circumstances would be a tall enough order, but the task of assembling a credible festival lineup across multiple disciplines, despite a near-total shutdown of film production for months, could have been quite a challenge on its own. It was something that Tribeca’s festival director Cara Cusumano was apprehensive about as the festival prepared to open for submissions last summer, but it turned out she needn’t have worried.
“We didn’t know what to expect, submissions-wise,” she says.
Managing all the logistics to mount a proper in-person festival despite such circumstances would be a tall enough order, but the task of assembling a credible festival lineup across multiple disciplines, despite a near-total shutdown of film production for months, could have been quite a challenge on its own. It was something that Tribeca’s festival director Cara Cusumano was apprehensive about as the festival prepared to open for submissions last summer, but it turned out she needn’t have worried.
“We didn’t know what to expect, submissions-wise,” she says.
- 6/8/2021
- by Andrew Barker
- Variety Film + TV
While the summer movie season will kick off shortly––and we’ll be sharing a comprehensive preview on the arthouse, foreign, indie, and (few) studio films worth checking out––on the streaming side, The Criterion Channel and Mubi have unveiled their May 2021 lineups and there’s a treasure trove of highlights to dive into.
Timed with Satyajit Ray’s centenary, The Criterion Channel will have a retrospective of the Indian master, along with series on Gena Rowlands, Robert Ryan, Mitchell Leisen, Michael Almereyda, Josephine Decker, and more. In terms of recent releases, they’ll also feature Fire Will Come, The Booksellers, and the new restoration of Tom Noonan’s directorial debut What Happened Was….
On Mubi, in anticipation of Undine, they’ll feature two essential early features by Christian Petzold, Jerichow and The State That I Am In, along with his 1990 short documentary Süden. Also amongst the lineup is Sophy Romvari’s Still Processing,...
Timed with Satyajit Ray’s centenary, The Criterion Channel will have a retrospective of the Indian master, along with series on Gena Rowlands, Robert Ryan, Mitchell Leisen, Michael Almereyda, Josephine Decker, and more. In terms of recent releases, they’ll also feature Fire Will Come, The Booksellers, and the new restoration of Tom Noonan’s directorial debut What Happened Was….
On Mubi, in anticipation of Undine, they’ll feature two essential early features by Christian Petzold, Jerichow and The State That I Am In, along with his 1990 short documentary Süden. Also amongst the lineup is Sophy Romvari’s Still Processing,...
- 4/26/2021
- by Jordan Raup
- The Film Stage
Above: US 30" x 40" poster for The Black Bird. Art by Drew Struzan.As you might be able to tell from the name-above-the-title tagline above, George Segal, who died last month at the age of 87, was a big deal in the 1970s. By the ’90s, when I started getting into the films of both Segal and his one-time co-star and fellow traveler Elliott Gould, both of these New York-born Jewish superstars of the ’70s had been reduced to playing sitcom fathers on TV: Gould in Friends and Segal in Just Shoot Me. (And by the 2010s Segal was best known as a sitcom grandfather on The Goldbergs.) But Segal’s films in particular have not survived well in the public memory, perhaps because he devoted his career mostly to comedy and a kind of dark, sophisticated relationship comedy at that. California Split, the film he made with Gould for Robert Altman...
- 4/2/2021
- MUBI
George Segal, whose decades-spanning acting career included earning an Oscar nomination for his supporting role in Who’s Afraid of Virginia Woolf? to portraying Albert “Pops” Solomon on The Goldbergs, died on Tuesday, Variety reports. He was 87.
His wife, Sonia, confirmed the news. “The family is devastated to announce that this morning George Segal passed away due to complications from bypass surgery,” she said in a statement.
Since 2013, Segal had portrayed family patriarch Albert “Pops” Solomon on ABC’s sitcom The Goldbergs. While he is known for his later-career TV roles...
His wife, Sonia, confirmed the news. “The family is devastated to announce that this morning George Segal passed away due to complications from bypass surgery,” she said in a statement.
Since 2013, Segal had portrayed family patriarch Albert “Pops” Solomon on ABC’s sitcom The Goldbergs. While he is known for his later-career TV roles...
- 3/24/2021
- by Althea Legaspi
- Rollingstone.com
Oscar-nominated actor George Segal died today from complications due to bypass surgery. He was 87.
Segal is best known for his TV sitcom roles as the publisher Jack Gallo on NBC’s Just Shoot Me!, a role that earned him two Golden Globe noms, and as family patriarch Albert “Pops” Solomon on The Goldbergs. He also headlined the late-’80s ABC detective drama Murphy’s Law, the 1987 CBS comedy Take Five and TV Land sitcom Retired at 35.
Segal was also an Oscar nominee for Mike Nichols’ 1966 Edward Albee adaptation Who’s Afraid of Virginia Woolf? — co-starring with A-listers Elizabeth Taylor and Richard Burton — and a leading man in movies. He starred in films by such legends as Stanley Kramer, Roger Corman (The St. Valentine’s Day Massacre, 1967), Sidney Lumet, Carl Reiner, Herbert Ross, Paul Mazursky and Robert Altman.
Click on the photo above to launch a retrospective gallery of his career.
Launch Gallery: George Segal: A Career In Photos...
Segal is best known for his TV sitcom roles as the publisher Jack Gallo on NBC’s Just Shoot Me!, a role that earned him two Golden Globe noms, and as family patriarch Albert “Pops” Solomon on The Goldbergs. He also headlined the late-’80s ABC detective drama Murphy’s Law, the 1987 CBS comedy Take Five and TV Land sitcom Retired at 35.
Segal was also an Oscar nominee for Mike Nichols’ 1966 Edward Albee adaptation Who’s Afraid of Virginia Woolf? — co-starring with A-listers Elizabeth Taylor and Richard Burton — and a leading man in movies. He starred in films by such legends as Stanley Kramer, Roger Corman (The St. Valentine’s Day Massacre, 1967), Sidney Lumet, Carl Reiner, Herbert Ross, Paul Mazursky and Robert Altman.
Click on the photo above to launch a retrospective gallery of his career.
Launch Gallery: George Segal: A Career In Photos...
- 3/24/2021
- by Brandon Choe
- Deadline Film + TV
George Segal, whose long career included playing Albert “Pops” Solomon on “The Goldbergs,” and garnering an Oscar nom for supporting actor for “Who’s Afraid of Virginia Woolf,” died Tuesday. He was 87.
His wife Sonia announced his death, saying, “The family is devastated to announce that this morning George Segal passed away due to complications from bypass surgery.”
Segal’s longtime manager Abe Hoch said, “I am saddened by the fact that my close friend and client of many years has passed away. I will miss his warmth, humor, camaraderie and friendship. He was a wonderful human.”
Some of the top directors of the 1960s and ’70s, including Robert Altman, Mike Nichols, Paul Mazursky and Sidney Lumet cast Segal for his gently humorous everyman quality, and he often played an unlucky-in-love professional or a writer who gets in over his head.
In Nichols’ 1967 Edward Albee adaptation “Who’s Afraid of Virginia Woolf?,...
His wife Sonia announced his death, saying, “The family is devastated to announce that this morning George Segal passed away due to complications from bypass surgery.”
Segal’s longtime manager Abe Hoch said, “I am saddened by the fact that my close friend and client of many years has passed away. I will miss his warmth, humor, camaraderie and friendship. He was a wonderful human.”
Some of the top directors of the 1960s and ’70s, including Robert Altman, Mike Nichols, Paul Mazursky and Sidney Lumet cast Segal for his gently humorous everyman quality, and he often played an unlucky-in-love professional or a writer who gets in over his head.
In Nichols’ 1967 Edward Albee adaptation “Who’s Afraid of Virginia Woolf?,...
- 3/24/2021
- by Pat Saperstein
- Variety Film + TV
Thirty-five years ago, before L.A.’s homelessness epidemic exploded into a humanitarian crisis, the vast divide separating the city’s haves from its have-nots was skewered in a very progressive studio comedy.
In 1984, just a few days after taking over as CEO of the then-floundering Disney, former Paramount chief Michael Eisner got a call from ICM’s Sam Cohn on behalf of his client, director Paul Mazursky (Bob and Carol and Ted and Alice). Mazursky had adapted the 1932 Jean Renoir satire Boudu Saved From Drowning — about a bourgeois Parisian who rescues a tramp who tries to ...
In 1984, just a few days after taking over as CEO of the then-floundering Disney, former Paramount chief Michael Eisner got a call from ICM’s Sam Cohn on behalf of his client, director Paul Mazursky (Bob and Carol and Ted and Alice). Mazursky had adapted the 1932 Jean Renoir satire Boudu Saved From Drowning — about a bourgeois Parisian who rescues a tramp who tries to ...
- 3/13/2021
- The Hollywood Reporter - Movie News
Thirty-five years ago, before L.A.’s homelessness epidemic exploded into a humanitarian crisis, the vast divide separating the city’s haves from its have-nots was skewered in a very progressive studio comedy.
In 1984, just a few days after taking over as CEO of the then-floundering Disney, former Paramount chief Michael Eisner got a call from ICM’s Sam Cohn on behalf of his client, director Paul Mazursky (Bob and Carol and Ted and Alice). Mazursky had adapted the 1932 Jean Renoir satire Boudu Saved From Drowning — about a bourgeois Parisian who rescues a tramp who tries to ...
In 1984, just a few days after taking over as CEO of the then-floundering Disney, former Paramount chief Michael Eisner got a call from ICM’s Sam Cohn on behalf of his client, director Paul Mazursky (Bob and Carol and Ted and Alice). Mazursky had adapted the 1932 Jean Renoir satire Boudu Saved From Drowning — about a bourgeois Parisian who rescues a tramp who tries to ...
- 3/13/2021
- The Hollywood Reporter - Film + TV
George Clooney will receive the Cinema Audio Society’s Filmmaker Award during the virtual 57th annual Cas Awards ceremony on April 17.
“George embodies a strength of character that not only shows in the integrity and preeminence of his works but in the way he regards and is regarded by his creative teams and collaborators,” said Cas president Karol Urban. “In such a time of uncertainty, his hardworking, innovative, and generous demeanor and body of exceptional films and television projects makes him an especially exemplary filmmaker for 2020.”
Clooney is a two-time Oscar winner for producing Best Picture winner Argo (2012) and starring in Syriana (2005). He also has amassed a half-dozen other Academy Award noms: Best Actor for The Descendants, Up in the Air and Michael Clayton; Adapted Screenplay for The Ides of March; and Original Screenplay and Best Director for Good Night, and Good Luck. He most recently directed and starring in...
“George embodies a strength of character that not only shows in the integrity and preeminence of his works but in the way he regards and is regarded by his creative teams and collaborators,” said Cas president Karol Urban. “In such a time of uncertainty, his hardworking, innovative, and generous demeanor and body of exceptional films and television projects makes him an especially exemplary filmmaker for 2020.”
Clooney is a two-time Oscar winner for producing Best Picture winner Argo (2012) and starring in Syriana (2005). He also has amassed a half-dozen other Academy Award noms: Best Actor for The Descendants, Up in the Air and Michael Clayton; Adapted Screenplay for The Ides of March; and Original Screenplay and Best Director for Good Night, and Good Luck. He most recently directed and starring in...
- 2/18/2021
- by David Robb
- Deadline Film + TV
Christopher Plummer, the Canadian-born Shakespearean actor who starred in films including “The Sound of Music” and “Beginners,” died on Friday morning at his home in Connecticut. He was 91.
“Chris was an extraordinary man who deeply loved and respected his profession with great old fashion manners, self deprecating humor and the music of words,” said Lou Pitt, his longtime friend and manager of 46 years. “He was a national treasure who deeply relished his Canadian roots. Through his art and humanity, he touched all of our hearts and his legendary life will endure for all generations to come. He will forever be with us.”
An imposing theatrical presence with a well-cultivated, resonant voice, that critic John Simon once observed, “in its chamois mode, can polish mirrors,” Plummer was best known for playing Captain von Trapp in the Oscar-winning musical “The Sound of Music.” He also won an Oscar in 2012 for his supporting turn in the film “Beginners,...
“Chris was an extraordinary man who deeply loved and respected his profession with great old fashion manners, self deprecating humor and the music of words,” said Lou Pitt, his longtime friend and manager of 46 years. “He was a national treasure who deeply relished his Canadian roots. Through his art and humanity, he touched all of our hearts and his legendary life will endure for all generations to come. He will forever be with us.”
An imposing theatrical presence with a well-cultivated, resonant voice, that critic John Simon once observed, “in its chamois mode, can polish mirrors,” Plummer was best known for playing Captain von Trapp in the Oscar-winning musical “The Sound of Music.” He also won an Oscar in 2012 for his supporting turn in the film “Beginners,...
- 2/5/2021
- by Richard Natale
- Variety Film + TV
Just a question I've been thinking of today for no apparent reason. What's a movie you think is vastly underrated that also happens to be respected / famous? Usually respected and famous things aren't exactly "underappreciated", you know? I'll give you four examples off the top of my head that I would use to answer this question in that I think they're genuinely great movies, in addition to being whatever else they happen to be.
• Bob & Carol & Ted & Alice
• Silkwood
• Marie Antoinette
• Magic Mike
What's your answer?...
• Bob & Carol & Ted & Alice
• Silkwood
• Marie Antoinette
• Magic Mike
What's your answer?...
- 12/8/2020
- by NATHANIEL R
- FilmExperience
Criterion lets out the stops to celebrate a filmmaker long due for some victory laps — Claudia Weill’s endearing drama takes on the subject of a modern woman trying to be independent but human in the tough art world of New York. The Movies was a hard field to crack as well. Criterion says that when Weill was admitted to the Academy of Motion Picture Arts and Sciences in 1981, she was only the fourth woman director ever voted in. The cast of this freewheeling show is delightful — Melanie Mayron, Anita Skinner, Christopher Guest, Bob Balaban, Amy Wright, Viveca Lindfors, and of course Eli Wallach.
Girlfriends
Blu-ray
The Criterion Collection 1055
1978 / Color / 1:66 widescreen / 88 min. / available through The Criterion Collection / Street Date November 10, 2020 / 39.95
Starring: Melanie Mayron, Anita Skinner, Christopher Guest, Eli Wallach, Bob Balaban, Amy Wright, Viveca Lindfors.
Cinematography: Fred Murphy
Film Editor: Suzanne Petit
Original Music: Michael Small
Written by Vicki Polon...
Girlfriends
Blu-ray
The Criterion Collection 1055
1978 / Color / 1:66 widescreen / 88 min. / available through The Criterion Collection / Street Date November 10, 2020 / 39.95
Starring: Melanie Mayron, Anita Skinner, Christopher Guest, Eli Wallach, Bob Balaban, Amy Wright, Viveca Lindfors.
Cinematography: Fred Murphy
Film Editor: Suzanne Petit
Original Music: Michael Small
Written by Vicki Polon...
- 12/8/2020
- by Glenn Erickson
- Trailers from Hell
Herbert F. “Herb” Solow, who as an executive at Desilu Productions took Gene Roddenberry’s original pitch for Star Trek and also held exec posts at several showbiz companies, has died. He was 88. His wife, Dr. Harrison Solow, confirmed the news to multiple sources.
Among the many Hollywood jobs in his long were exec posts at MGM, Paramount, Desilu, CBS, NBC and Hanna-Barbera. He also was an agent at William Morris, a TV creator-writer-producer and author. Along with the original Star Trek, Solow was instrumental in such 1960s and ’70s dramas as Mission: Impossible, Mannix, Medical Center, Courtship of Eddie’s Father, Then Came Bronson and Man From Atlantis.
He also served as Head of Programming and Production for the NBC Film Division and worked with such storied directors as David Lean, Robert Altman, Herb Ross, Blake Edwards, Paul Mazursky and Michelangelo Antonioni.
Born on December14, 1931, Solow began his industry...
Among the many Hollywood jobs in his long were exec posts at MGM, Paramount, Desilu, CBS, NBC and Hanna-Barbera. He also was an agent at William Morris, a TV creator-writer-producer and author. Along with the original Star Trek, Solow was instrumental in such 1960s and ’70s dramas as Mission: Impossible, Mannix, Medical Center, Courtship of Eddie’s Father, Then Came Bronson and Man From Atlantis.
He also served as Head of Programming and Production for the NBC Film Division and worked with such storied directors as David Lean, Robert Altman, Herb Ross, Blake Edwards, Paul Mazursky and Michelangelo Antonioni.
Born on December14, 1931, Solow began his industry...
- 11/21/2020
- by Erik Pedersen
- Deadline Film + TV
Larry Rosen, an Emmy-nominated producer who worked on programs including The Partridge Family and The Mike Douglas Show, died Sept. 14 in Los Angeles of complications from pancreatic cancer, his family announced. He was 84.
Working with Larry Tucker, the onetime writing partner of Paul Mazursky, Rosen also created the short-lived sitcoms Bob & Carol & Ted & Alice, an adaptation of the 1969 movie; Mr. Merlin, starring Barnard Hughes as the legendary wizard living in present-day San Francisco; Jennifer Slept Here, with Ann Jillian playing a screen legend who returns as a ghost; and Stir Crazy, featuring Larry Riley and Joseph Guzaldo as prison escapees....
Working with Larry Tucker, the onetime writing partner of Paul Mazursky, Rosen also created the short-lived sitcoms Bob & Carol & Ted & Alice, an adaptation of the 1969 movie; Mr. Merlin, starring Barnard Hughes as the legendary wizard living in present-day San Francisco; Jennifer Slept Here, with Ann Jillian playing a screen legend who returns as a ghost; and Stir Crazy, featuring Larry Riley and Joseph Guzaldo as prison escapees....
- 10/1/2020
- The Hollywood Reporter - Film + TV
Larry Rosen, an Emmy-nominated producer who worked on programs including The Partridge Family and The Mike Douglas Show, died Sept. 14 in Los Angeles of complications from pancreatic cancer, his family announced. He was 84.
Working with Larry Tucker, the onetime writing partner of Paul Mazursky, Rosen also created the short-lived sitcoms Bob & Carol & Ted & Alice, an adaptation of the 1969 movie; Mr. Merlin, starring Barnard Hughes as the legendary wizard living in present-day San Francisco; Jennifer Slept Here, with Ann Jillian playing a screen legend who returns as a ghost; and Stir Crazy, featuring Larry Riley and Joseph Guzaldo as prison escapees....
Working with Larry Tucker, the onetime writing partner of Paul Mazursky, Rosen also created the short-lived sitcoms Bob & Carol & Ted & Alice, an adaptation of the 1969 movie; Mr. Merlin, starring Barnard Hughes as the legendary wizard living in present-day San Francisco; Jennifer Slept Here, with Ann Jillian playing a screen legend who returns as a ghost; and Stir Crazy, featuring Larry Riley and Joseph Guzaldo as prison escapees....
- 10/1/2020
- The Hollywood Reporter - Movie News
Welcome to this week’s Monday Night Raw review, right here on Nerdly. I’m Nathan Favel and this is The Charlie Rose Show, complete with a complimentary shower (don’t bend over). We’ve got more from the Retribution faction, who just hate those hideous curtains you picked out to go over the landing. We’ve also got the big build toward the Clash Of Champions card, so let’s get to it…
Match #1: Andrade & Angel Garza def. Humberto Carrillo & Dominik Mysterio and Seth Rollins & Murphy – Raw Tag Team Championship Match at Clash of Champions The following is courtesy of wwe.com:
In a fast and furious Triple Threat Tag Team Match to determine Raw Tag Team Champions The Street Profits’ challengers this Sunday at WWE Clash of Champions, Dominik Mysterio & Humberto Carrillo looked to be flying high as Dominik sought to chase after his first WWE title.
Match #1: Andrade & Angel Garza def. Humberto Carrillo & Dominik Mysterio and Seth Rollins & Murphy – Raw Tag Team Championship Match at Clash of Champions The following is courtesy of wwe.com:
In a fast and furious Triple Threat Tag Team Match to determine Raw Tag Team Champions The Street Profits’ challengers this Sunday at WWE Clash of Champions, Dominik Mysterio & Humberto Carrillo looked to be flying high as Dominik sought to chase after his first WWE title.
- 9/22/2020
- by Nathan Favel
- Nerdly
Academy-Award nominated writer/director Paul Mazursky makes his first entry into the Criterion canon with his sixth feature, the seminal (first-wave) feminist landmark An Unmarried Woman, one of a handful of New Hollywood alums to place a woman’s agency as the crux of the film. Notably, it is the signature role of Jill Clayburgh, who like Gena Rowlands, Ellen Burstyn, Jane Fonda, Sigourney Weaver, Meryl Streep and Faye Dunaway, ascended to prominence in the 1970s on a crest of female empowerment heretofore rarely glimpsed in American cinema.
Winning Best Actress at the Cannes Film Festival, and scoring one of her two Academy Award nominations, it would cement Clayburgh (wife of playwright David Rabe and mother of actress Lily Rabe) as a permanent iconoclast.…...
Winning Best Actress at the Cannes Film Festival, and scoring one of her two Academy Award nominations, it would cement Clayburgh (wife of playwright David Rabe and mother of actress Lily Rabe) as a permanent iconoclast.…...
- 6/30/2020
- by Nicholas Bell
- IONCINEMA.com
The best films of writer-director Paul Mazursky feel like small miracles, movies that are carefully crafted yet give the impression of life caught on the fly; they have the enthusiasm and audacity of Mazursky’s idol Fellini, but their subjects are almost entirely, gloriously American and their harsh truths are presented in a warm comic voice that is as accessible to mainstream audiences as it is sophisticated. His 1978 dramedy An Unmarried Woman is a case in point, a picture that was a box office smash (after being turned down by financiers all over Hollywood) yet still manages to deliver the […]...
- 6/12/2020
- by Jim Hemphill
- Filmmaker Magazine-Director Interviews
The best films of writer-director Paul Mazursky feel like small miracles, movies that are carefully crafted yet give the impression of life caught on the fly; they have the enthusiasm and audacity of Mazursky’s idol Fellini, but their subjects are almost entirely, gloriously American and their harsh truths are presented in a warm comic voice that is as accessible to mainstream audiences as it is sophisticated. His 1978 dramedy An Unmarried Woman is a case in point, a picture that was a box office smash (after being turned down by financiers all over Hollywood) yet still manages to deliver the […]...
- 6/12/2020
- by Jim Hemphill
- Filmmaker Magazine - Blog
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