Nearly four years ago, Disney+ attempted to adapt Tom Wolfe’s The Right Stuff. There’s no reason for you to remember the series — it wasn’t renewed — because it was the one thing a Tom Wolfe adaptation should never be: wholly forgettable.
The innocuously mediocre series served to disabuse me of one of my favorite pet theories — that De Palma’s adaptation of The Bonfire of the Vanities failed not because of incompatibility between story and storyteller, but because his tapestry lacked sufficient scope. De Palma captured a lot of Wolfe’s literary excess with his camera, but just couldn’t capture the narrative excess in two hours, leading me to hope that someday somebody would do Bonfire as a miniseries (attempts to do just that remain ongoing). But Disney+’s The Right Stuff made it pretty clear that the key to adapting Wolfe is capturing the size and tone of his prose,...
The innocuously mediocre series served to disabuse me of one of my favorite pet theories — that De Palma’s adaptation of The Bonfire of the Vanities failed not because of incompatibility between story and storyteller, but because his tapestry lacked sufficient scope. De Palma captured a lot of Wolfe’s literary excess with his camera, but just couldn’t capture the narrative excess in two hours, leading me to hope that someday somebody would do Bonfire as a miniseries (attempts to do just that remain ongoing). But Disney+’s The Right Stuff made it pretty clear that the key to adapting Wolfe is capturing the size and tone of his prose,...
- 5/2/2024
- by Daniel Fienberg
- The Hollywood Reporter - Movie News
In the famous “Church and State” episode from Succession’s penultimate season, Kendall Roy eulogizes his father with a speech acknowledging the man’s brutality while celebrating the “magnificent, awful force of him,” the “vim” that made the world a more interesting place to be. Netflix’s adaption of Tom Wolfe’s A Man in Full tries to conjure that same sort of figure with its central character: Charlie Croker (Jeff Daniels), a powerful, complicated businessman whose flaws are glaring but whose gravitational pull is undeniable. But Charlie lacks the vigor to live up to that description, and so does the series that revolves around him.
Daniels plays Charlie with a slurring Southern accent that makes him sound like he’s speaking through ill-fitting dentures. Charlie is a college football star turned real estate mogul, and something of a kingpin in Georgia. He owns a vast business empire, presiding over...
Daniels plays Charlie with a slurring Southern accent that makes him sound like he’s speaking through ill-fitting dentures. Charlie is a college football star turned real estate mogul, and something of a kingpin in Georgia. He owns a vast business empire, presiding over...
- 5/2/2024
- by Ross McIndoe
- Slant Magazine
If Peacock had built it, look who would have come!
A year and a half after the streaming outlet pulled the plug on his Field of Dreams adaptation, executive producer Mike Schur has revealed the ill-fated limited series’ all-star lineup — an A-list roster that would’ve brought together veterans of Schur comedies Brooklyn Nine-Nine, The Good Place and Parks and Recreation, all under one clubhouse.
More from TVLine<em>Brooklyn Nine-Nine</em>‘s 10 Best Cold Opens, Ranked — Which Comes In at No. 1?Galentine’s Day: How a <i>Parks and Rec</i> Episode Has Haunted Me for 13 YearsElite to End With Season 8 at Netflix...
A year and a half after the streaming outlet pulled the plug on his Field of Dreams adaptation, executive producer Mike Schur has revealed the ill-fated limited series’ all-star lineup — an A-list roster that would’ve brought together veterans of Schur comedies Brooklyn Nine-Nine, The Good Place and Parks and Recreation, all under one clubhouse.
More from TVLine<em>Brooklyn Nine-Nine</em>‘s 10 Best Cold Opens, Ranked — Which Comes In at No. 1?Galentine’s Day: How a <i>Parks and Rec</i> Episode Has Haunted Me for 13 YearsElite to End With Season 8 at Netflix...
- 10/18/2023
- by Ryan Schwartz
- TVLine.com
Trouble Is My Business with Brittney Powell. Co-written by actor/voice actor Tom Konkle, who also directed, and Xena: Warrior Princess actress Brittney Powell, Trouble Is My Business is a humorous homage to film noirs of the 1940s and 1950s, among them John Huston's The Maltese Falcon and Orson Welles' Touch of Evil. Konkle stars in the sort of role that back in the '40s and '50s belonged to the likes of Humphrey Bogart, Robert Mitchum, Dick Powell, and Alan Ladd. As the femme fatale, Brittney Powell is supposed to evoke memories of Jane Greer, Lizabeth Scott, Lauren Bacall, and Claire Trevor. 'Trouble Is My Business': Humorous film noir homage evokes memories of 'The Maltese Falcon' & 'Touch of Evil' A crunchy, witty, and often just plain funny mash-up of classic noir tropes, from hard-boiled private dicks to the easy-on-the-eyes femme fatales – in addition to dialogue worthy of Dashiell Hammett and, occasionally...
- 10/21/2017
- by Tim Cogshell
- Alt Film Guide
Eboni Booth, Will Connolly, William Jackson Harper, Ben Horner, Cristin Milioti, David Pegram, and Teresa Yenque comprise the cast of the LCT3Lincoln Center Theater production of After the Blast, a new play by Zoe Kazan, to be directed by Lila Neugebauer.
- 10/7/2017
- by BWW News Desk
- BroadwayWorld.com
Eboni Booth, Will Connolly, William Jackson Harper, Ben Horner, Cristin Milioti, David Pegram, and Teresa Yenque comprise the cast of the LCT3Lincoln Center Theater production of After the Blast, a new play by Zoe Kazan, to be directed by Lila Neugebauer. BroadwayWorld has a sneak peek at the company in rehearsal below...
- 9/13/2017
- by BWW News Desk
- BroadwayWorld.com
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