Zurich
Directed by Frederik Steiner
Written by Barbara Te Kock
Germany 2013
Frederik Steiner’s film Zurich is possibly the nicest film you’ll ever see about someone deciding to enlist the aid euthanasia clinic. Young Lea, played by Lisa Liv Fries, is only 20 years old, but with cystic fibrosis limiting her days and the knowledge that whatever days she has left will be pretty miserable, she decides for the ultimate “opt out.” If ever there were a film to fall into the sticky, saccharine clutches of mawkishness it would be this movie, where the pre-deceased is a such plucky youngster with so much zeal for life that you can’t imagine her even considering killing herself. But somehow Steiner and his group of actors toe the line quite gracefully, supplying the right levels of honest comedy and drama without feeling exploitative of the tough subject matter, though it does have its missteps.
Directed by Frederik Steiner
Written by Barbara Te Kock
Germany 2013
Frederik Steiner’s film Zurich is possibly the nicest film you’ll ever see about someone deciding to enlist the aid euthanasia clinic. Young Lea, played by Lisa Liv Fries, is only 20 years old, but with cystic fibrosis limiting her days and the knowledge that whatever days she has left will be pretty miserable, she decides for the ultimate “opt out.” If ever there were a film to fall into the sticky, saccharine clutches of mawkishness it would be this movie, where the pre-deceased is a such plucky youngster with so much zeal for life that you can’t imagine her even considering killing herself. But somehow Steiner and his group of actors toe the line quite gracefully, supplying the right levels of honest comedy and drama without feeling exploitative of the tough subject matter, though it does have its missteps.
- 10/15/2014
- by Jae K. Renfrow
- SoundOnSight
We all know that Adopt Films has acquired all U.S. rights to the 2014 Cannes Film Festival Palme d’Or Winner, Nuri Bilge Ceylan’s “Winter Sleep.” And we all know that Memento, with three films in the festival (“Cold in July” by Jim Mickle and the Argentinean “Refugiado” by Diego Lerman in the Quinzaine des Realisateurs, and “Winter Sleep” in Competition) is one of the top international sales agents of the best arthouse cinema today…
Our Pre-Cannes Film Festival Report, the Pre-Festival Report which Tom Brueggemann and I publish before the Festivals of Toronto, Sundance and Cannes. (Ask me if you want a free copy and I’ll send it to you.) lists international sales agents’ films in all sections of the Cannes Film Festival by numbers:
Wild Bunch
7
Le Pacte
5
Pyramide
4
3 films: Memento , Bac, Doc & Film, Films Distribution, Gaumont, Other Angle
2 films: Cj, Visit, Elle Driver, eOne, Seville, Urban Distribution Int’l, Les Films du Losange, MK2, Ndm, Sierra/ Affinity, The Match Factory, Westend
1 film: Alpha Violet, Altitude, Cinetic, Filmnation, Dreamworks Animation, Showbox, Films Boutique, Rezo, Myriad, Indie Sales, Snd - Groupe 6, Sunray, The Coproduction Office, Kinology, Pathe, The Festival Agency, Trust Nordisk, Versatile, Premium Panorama/ Annapurna, Kazak, Lotus,
Celluloid Nightmares, Film Factory, Rai Trade, 31 Juin Films, Alfama, Alice Films, Atoms & Void, Aud, Capricci, Morgane, Paraiso, Six Island Productions
Regarding this film, read my Cannes Blog: Cannes 2014 What I Saw #2: Palme d’Or Winner 'Winter Sleep' or just continue reading here:
Here is what I had to say about the film after I saw it in Cannes:
Whether this film will find a home in the U.S., whose audiences and movie theaters are so impatient, is questionable. At the very least, it should screen at New York’s Film Forum and in L.A. at the American Cinematheque or UCLA’s Film Program. Certainly it will play in the top film festivals forever. It is the sort of classic movie cinephiles will love, along the line of Tarkovsky or Angelopoulos. It is the sort of movie one wishes to see, to fully immerse oneself in, an experience only available in a certain type of movie or after reading a deeply immersive novel of Proust, Tolstoy or Marquez.
Once again, Jeff Lipsky and Adopt Films President Tim Grady who negotiated the deal with Memento Films International head of International Sales and Acquisitions, Tanja Meissner, have proven that they have an impeccable eye for quality.
Adopt plans a year-end 2014 U.S. release for “Winter Sleep.”
Nuri Bilge Ceylan’s epic and yet personally intimate story is about a wealthy self-absorbed Anatolian hotelier and landowner and his uneasy relationships with those around him. Is he evil? Is the power of evil best resisted by giving in to it?
This is Nuir Bilge Ceylan’s first Palme d’Or but he has received the Grand Prix twice already: once for “Distant” (2002) and again for 2011 for “Once Upon a Time in Anatolia”. He also won for the Director Award in 2008 for “Three Monkeys”. It also won the Fipresci prize in Cannes.
“Winter Sleep” is also the second film by a Turkish director to win the Palm, after Yilmaz Guney and Serif Goren’s “The Way” in1982.
When Ceylan received the award, he noted that 2014 was the 100th anniversary of Turkish cinema. “This is a great surprise for me,” Ceylan said, “I want to dedicate the prize to all the young people of Turkey, including those who lost their lives over the past year.”
“Winter Sleep” is being sold internationally by Memento who will also release it in France. Ama Films acquired Greek rights before Cannes. New Wave acquired U.K. rights in Cannes. Stadtkino-Filmverleih has rights for Austria, Film Point Group has Poland.
Mexico
Mantarraya Producciones
Norway
As Fidalgo Film Distribution
Slovak Republic
Film Europe Media Company
Memento coproduced the film with the director's company, NBC Film, in collaboration with Turkey's Zeynofilm, Germany's Bredok Film Production. Eurimages backed the film with 450,000 € of the total 3.6 million € allocated to 13 film productions announced in March 13. (Parenthetically, seven of the Eurimages backed productions had French participation and five German were co-productions. “One, “Lucy in the Star” by Giuseppe Petitto an Italian, Swiss and Austria co-production received 130,000 €. “All My Children” by Ladislav Kabos from Slovakia and Czech Republic received 30,000 €.
To return to “Winter Sleep”: The opening scene of the stunning and surrealistic landscape of Cappadocia, Anatolia immediately establishes this story as exotic and yet familiar. The actor, Haluk Bilginer, seems to be a familiar type – and in fact, his character is that of a former actor who has turned hotelier and landowner; he is attractive in an actor sort of way and seems always somehow distracted while maintaining a hawk’s eye on the household and the area he appears to rule in an almost feudal style. The household he enters and its inhabitants fall into place like pieces of a puzzle one did not realize was, in fact, a puzzle, with the housekeeper, the sister and the young wife slowly taking on a shape within a larger context in this beautiful and ancient city built in the rocks like caves, with a primitively frightening side, personified by the impecunious family living on the property of the landlord. A modern and affable meeting of concerned citizens of the town establishes his relationship with his wife who lives an uneasy truce until he makes one final effort at destabilizing her hard-won independence of mind.
The 3-½ hours of the film pass without ever loosing the audience interest as the story unfolds about the relationship among the townspeople and the landowning man who, in factm is a tyrant until he is forced to see his own powerlessness.
The philosophic underpinnings, discussed in several intimate conversations, about the best way to resist evil, about wealth and the power it bestows and the resentment it engenders, finds a quiet resolution, which arrives unexpectedly along with the end of the story.
One wonders at the movie’s end if one is about to settle into a long winter sleep or if, in fact, one is emerging from such a sleep in which one dreamt of the previous autumn. And does Winter Sleep solve the problem of evil? In a silent and enigmatic way, it says that the power of money and of tyranny, in the face of resistance by one whose soul is not to be conquered, is null.
In a joint statement Grady and Lipsky said: “ ‘Winter Sleep’ is an epic film: A symphony of words and a sonata of visual splendor. A significant stylistic departure from one of the greatest international filmmakers working today. ‘Winter Sleep’ is a motion picture that will have movie audiences discussing with great passion its provocative discussions about art and artists, class struggle, and love and marriage. A film like this, so rich with ideas, dazzling dialogue, and intelligent characters, is one that is instantly unforgettable. We are proud to partner with Nuri Bilge Ceylan on his achievement of a lifetime. “
Adopt Films just debuted Martin Provost’s follow-up to “Seraphine,” “Violette,” starring Emmanuelle Devos and Sandrine Kiberlain. (Another great film)
Read our coverage here:
'Violette' by Martin Provost
Other recent successes for Adopt Films include the Oscar nominated “Omar” from Hany Abu-Assad, and Yuval Adler’s Venice Film Festival award-winning thriller “Bethlehem.” Its upcoming releases include Vinko Brešan’s Karlovy Vary comedy hit “The Priest’s Children,” Oscar winner Caroline Link’s new drama “Exit Marrakech,” Frederik Steiner’s Zurich,” starring Liv Lisa Fries, and Jacques Doillon’s “Love Battles.”
www.facebook.com/adoptfilms
www.twitter.com/adoptfilms...
Our Pre-Cannes Film Festival Report, the Pre-Festival Report which Tom Brueggemann and I publish before the Festivals of Toronto, Sundance and Cannes. (Ask me if you want a free copy and I’ll send it to you.) lists international sales agents’ films in all sections of the Cannes Film Festival by numbers:
Wild Bunch
7
Le Pacte
5
Pyramide
4
3 films: Memento , Bac, Doc & Film, Films Distribution, Gaumont, Other Angle
2 films: Cj, Visit, Elle Driver, eOne, Seville, Urban Distribution Int’l, Les Films du Losange, MK2, Ndm, Sierra/ Affinity, The Match Factory, Westend
1 film: Alpha Violet, Altitude, Cinetic, Filmnation, Dreamworks Animation, Showbox, Films Boutique, Rezo, Myriad, Indie Sales, Snd - Groupe 6, Sunray, The Coproduction Office, Kinology, Pathe, The Festival Agency, Trust Nordisk, Versatile, Premium Panorama/ Annapurna, Kazak, Lotus,
Celluloid Nightmares, Film Factory, Rai Trade, 31 Juin Films, Alfama, Alice Films, Atoms & Void, Aud, Capricci, Morgane, Paraiso, Six Island Productions
Regarding this film, read my Cannes Blog: Cannes 2014 What I Saw #2: Palme d’Or Winner 'Winter Sleep' or just continue reading here:
Here is what I had to say about the film after I saw it in Cannes:
Whether this film will find a home in the U.S., whose audiences and movie theaters are so impatient, is questionable. At the very least, it should screen at New York’s Film Forum and in L.A. at the American Cinematheque or UCLA’s Film Program. Certainly it will play in the top film festivals forever. It is the sort of classic movie cinephiles will love, along the line of Tarkovsky or Angelopoulos. It is the sort of movie one wishes to see, to fully immerse oneself in, an experience only available in a certain type of movie or after reading a deeply immersive novel of Proust, Tolstoy or Marquez.
Once again, Jeff Lipsky and Adopt Films President Tim Grady who negotiated the deal with Memento Films International head of International Sales and Acquisitions, Tanja Meissner, have proven that they have an impeccable eye for quality.
Adopt plans a year-end 2014 U.S. release for “Winter Sleep.”
Nuri Bilge Ceylan’s epic and yet personally intimate story is about a wealthy self-absorbed Anatolian hotelier and landowner and his uneasy relationships with those around him. Is he evil? Is the power of evil best resisted by giving in to it?
This is Nuir Bilge Ceylan’s first Palme d’Or but he has received the Grand Prix twice already: once for “Distant” (2002) and again for 2011 for “Once Upon a Time in Anatolia”. He also won for the Director Award in 2008 for “Three Monkeys”. It also won the Fipresci prize in Cannes.
“Winter Sleep” is also the second film by a Turkish director to win the Palm, after Yilmaz Guney and Serif Goren’s “The Way” in1982.
When Ceylan received the award, he noted that 2014 was the 100th anniversary of Turkish cinema. “This is a great surprise for me,” Ceylan said, “I want to dedicate the prize to all the young people of Turkey, including those who lost their lives over the past year.”
“Winter Sleep” is being sold internationally by Memento who will also release it in France. Ama Films acquired Greek rights before Cannes. New Wave acquired U.K. rights in Cannes. Stadtkino-Filmverleih has rights for Austria, Film Point Group has Poland.
Mexico
Mantarraya Producciones
Norway
As Fidalgo Film Distribution
Slovak Republic
Film Europe Media Company
Memento coproduced the film with the director's company, NBC Film, in collaboration with Turkey's Zeynofilm, Germany's Bredok Film Production. Eurimages backed the film with 450,000 € of the total 3.6 million € allocated to 13 film productions announced in March 13. (Parenthetically, seven of the Eurimages backed productions had French participation and five German were co-productions. “One, “Lucy in the Star” by Giuseppe Petitto an Italian, Swiss and Austria co-production received 130,000 €. “All My Children” by Ladislav Kabos from Slovakia and Czech Republic received 30,000 €.
To return to “Winter Sleep”: The opening scene of the stunning and surrealistic landscape of Cappadocia, Anatolia immediately establishes this story as exotic and yet familiar. The actor, Haluk Bilginer, seems to be a familiar type – and in fact, his character is that of a former actor who has turned hotelier and landowner; he is attractive in an actor sort of way and seems always somehow distracted while maintaining a hawk’s eye on the household and the area he appears to rule in an almost feudal style. The household he enters and its inhabitants fall into place like pieces of a puzzle one did not realize was, in fact, a puzzle, with the housekeeper, the sister and the young wife slowly taking on a shape within a larger context in this beautiful and ancient city built in the rocks like caves, with a primitively frightening side, personified by the impecunious family living on the property of the landlord. A modern and affable meeting of concerned citizens of the town establishes his relationship with his wife who lives an uneasy truce until he makes one final effort at destabilizing her hard-won independence of mind.
The 3-½ hours of the film pass without ever loosing the audience interest as the story unfolds about the relationship among the townspeople and the landowning man who, in factm is a tyrant until he is forced to see his own powerlessness.
The philosophic underpinnings, discussed in several intimate conversations, about the best way to resist evil, about wealth and the power it bestows and the resentment it engenders, finds a quiet resolution, which arrives unexpectedly along with the end of the story.
One wonders at the movie’s end if one is about to settle into a long winter sleep or if, in fact, one is emerging from such a sleep in which one dreamt of the previous autumn. And does Winter Sleep solve the problem of evil? In a silent and enigmatic way, it says that the power of money and of tyranny, in the face of resistance by one whose soul is not to be conquered, is null.
In a joint statement Grady and Lipsky said: “ ‘Winter Sleep’ is an epic film: A symphony of words and a sonata of visual splendor. A significant stylistic departure from one of the greatest international filmmakers working today. ‘Winter Sleep’ is a motion picture that will have movie audiences discussing with great passion its provocative discussions about art and artists, class struggle, and love and marriage. A film like this, so rich with ideas, dazzling dialogue, and intelligent characters, is one that is instantly unforgettable. We are proud to partner with Nuri Bilge Ceylan on his achievement of a lifetime. “
Adopt Films just debuted Martin Provost’s follow-up to “Seraphine,” “Violette,” starring Emmanuelle Devos and Sandrine Kiberlain. (Another great film)
Read our coverage here:
'Violette' by Martin Provost
Other recent successes for Adopt Films include the Oscar nominated “Omar” from Hany Abu-Assad, and Yuval Adler’s Venice Film Festival award-winning thriller “Bethlehem.” Its upcoming releases include Vinko Brešan’s Karlovy Vary comedy hit “The Priest’s Children,” Oscar winner Caroline Link’s new drama “Exit Marrakech,” Frederik Steiner’s Zurich,” starring Liv Lisa Fries, and Jacques Doillon’s “Love Battles.”
www.facebook.com/adoptfilms
www.twitter.com/adoptfilms...
- 7/1/2014
- by Sydney Levine
- Sydney's Buzz
Trier to develop in-house projects and co-productions at the Munich-based company.
Kiri Trier, formerly a Creative Executive at Fox International Productions, has been appointed as Production Director at Munich’s Arri to expand production activities by the internationally known company and its sales arm Arri Worldsales in the national and international production markets.
Trier’s brief in her new position includes developing in-house projects as well as concentrating on national and international co-productions.
A graduate of Munich’s film school Hff, Trier worked after graduation as an intern at Silver Pictures in Burbank, was an assistant to Sarah Meyer, executive producer on Unknown Identity, and served as a junior producer on Morgan Spurlock’s documentary Mansome.
Arri’s production subsidiary B.A. Produktion has recently been involved in Caroline Link’s Exit Marrakech, Alain Gsponer’s The Little Ghost and Joachim Masannek’s V8.
Meanwhile, Arri Film & TV Services was a co-producer on Frederik Steiner’s award-winning...
Kiri Trier, formerly a Creative Executive at Fox International Productions, has been appointed as Production Director at Munich’s Arri to expand production activities by the internationally known company and its sales arm Arri Worldsales in the national and international production markets.
Trier’s brief in her new position includes developing in-house projects as well as concentrating on national and international co-productions.
A graduate of Munich’s film school Hff, Trier worked after graduation as an intern at Silver Pictures in Burbank, was an assistant to Sarah Meyer, executive producer on Unknown Identity, and served as a junior producer on Morgan Spurlock’s documentary Mansome.
Arri’s production subsidiary B.A. Produktion has recently been involved in Caroline Link’s Exit Marrakech, Alain Gsponer’s The Little Ghost and Joachim Masannek’s V8.
Meanwhile, Arri Film & TV Services was a co-producer on Frederik Steiner’s award-winning...
- 3/12/2014
- by screen.berlin@googlemail.com (Martin Blaney)
- ScreenDaily
Arri Worldwide secures North American deal ahead of the Efm, where it will showcase two market premieres.
Arri Worldsales has sealed a North American deal ahead of this week’s European Film Market (Efm) with Vertical Entertainment for Alain Gsponer’s family film The Little Ghost.
Santa Monica-based Vertical acquired all Us and Canadian rights for the adaptation of Otfried Preussler’s internationally bestselling children’s classic, which has been sold to 24 countries worldwide to date.
Vertical Entertainment, which was launched last year by industry veterans Rich Goldberg and Mitch Budin, has previously released such family films as the animated feature Freedom Force and the Russian 3D animated film The Snow Queen. produced by Timur Bekmambetov.
Market premieres
Frederik Steiner’s award-winning Zurich (Und Morgen Mittag Bin Ich Tot) is one of two market premieres being presented by Arri Worldsales at the Efm in Berlin this week.
The film about a young woman suffering from cystic fibrosis...
Arri Worldsales has sealed a North American deal ahead of this week’s European Film Market (Efm) with Vertical Entertainment for Alain Gsponer’s family film The Little Ghost.
Santa Monica-based Vertical acquired all Us and Canadian rights for the adaptation of Otfried Preussler’s internationally bestselling children’s classic, which has been sold to 24 countries worldwide to date.
Vertical Entertainment, which was launched last year by industry veterans Rich Goldberg and Mitch Budin, has previously released such family films as the animated feature Freedom Force and the Russian 3D animated film The Snow Queen. produced by Timur Bekmambetov.
Market premieres
Frederik Steiner’s award-winning Zurich (Und Morgen Mittag Bin Ich Tot) is one of two market premieres being presented by Arri Worldsales at the Efm in Berlin this week.
The film about a young woman suffering from cystic fibrosis...
- 2/3/2014
- by screen.berlin@googlemail.com (Martin Blaney)
- ScreenDaily
Arri Worldwide secures North American deal ahead of the Efm, where it will showcase two market premieres.
Arri Worldsales has sealed a North American deal ahead of this week’s European Film Market (Efm) with Vertical Entertainment for Alain Gsponer’s family film The Little Ghost.
Santa Monica-based Vertical acquired all Us and Canadian rights for the adaptation of Otfried Preussler’s internationally bestselling children’s classic, which has been sold to 24 countries worldwide to date.
Vertical Entertainment, launched last year by industry veterans Rich Goldberg and Mitch Budin, had previously acquired Tim Fehlbaum’s apocalyptic thriller Hell from Arri.
Market premieres
Frederik Steiner’s award-winning Zurich (Und Morgen Mittag Bin Ich Tot) is one of two market premieres being presented by Arri Worldsales at the Efm in Berlin this week.
The film about a young woman suffering from cystic fibrosis who travels to Switzerland to end her life received the prize in the Newcomer category at this...
Arri Worldsales has sealed a North American deal ahead of this week’s European Film Market (Efm) with Vertical Entertainment for Alain Gsponer’s family film The Little Ghost.
Santa Monica-based Vertical acquired all Us and Canadian rights for the adaptation of Otfried Preussler’s internationally bestselling children’s classic, which has been sold to 24 countries worldwide to date.
Vertical Entertainment, launched last year by industry veterans Rich Goldberg and Mitch Budin, had previously acquired Tim Fehlbaum’s apocalyptic thriller Hell from Arri.
Market premieres
Frederik Steiner’s award-winning Zurich (Und Morgen Mittag Bin Ich Tot) is one of two market premieres being presented by Arri Worldsales at the Efm in Berlin this week.
The film about a young woman suffering from cystic fibrosis who travels to Switzerland to end her life received the prize in the Newcomer category at this...
- 2/3/2014
- by screen.berlin@googlemail.com (Martin Blaney)
- ScreenDaily
Slamdance winner won the Max Ophüls Prize at the weekend, granting it a slot in the Berlinale.
Jakob Lass’ feature debut Love Steaks, this year’s winner of the Slamdance Trailer Competition Grand Prix, was awarded the prestigious Max Ophüls Prize in Saarbrücken at the weekend.
The film, which is in the Lola nomination long list, will therefore also have a screening slot in the Berlinale’s Perspektive Deutsches Kino on Feb 16.
Billed by the filmmakers as “the world’s first Fogma film” (with the obligatory manifesto), Love Steaks had its world premiere at Munich Filmfest last June where it won all four prizes of the Young German Cinema Support Awards.
This included for Best Screenplay, despite the film not having had any written dialogue and featuring the staff and guests at a wellness hotel on the Baltic Sea coast playing themselves alongside newcomers Lana Cooper and Franz Rogowski..
Lass’ graduation film from the University of Film...
Jakob Lass’ feature debut Love Steaks, this year’s winner of the Slamdance Trailer Competition Grand Prix, was awarded the prestigious Max Ophüls Prize in Saarbrücken at the weekend.
The film, which is in the Lola nomination long list, will therefore also have a screening slot in the Berlinale’s Perspektive Deutsches Kino on Feb 16.
Billed by the filmmakers as “the world’s first Fogma film” (with the obligatory manifesto), Love Steaks had its world premiere at Munich Filmfest last June where it won all four prizes of the Young German Cinema Support Awards.
This included for Best Screenplay, despite the film not having had any written dialogue and featuring the staff and guests at a wellness hotel on the Baltic Sea coast playing themselves alongside newcomers Lana Cooper and Franz Rogowski..
Lass’ graduation film from the University of Film...
- 1/27/2014
- by screen.berlin@googlemail.com (Martin Blaney)
- ScreenDaily
Adopt Films has acquired U.S. rights to Frederik Steiner's feature debut, "Zurich." The film world premiered at the Hof Film Festival in Munich and follows independent-minded, twenty-year old, Lea, who has suffered from cystic fibrosis since birth, and elects to take her own life by sneaking across the boarder to a private clinic in Zurich. The film features newcomer Liv Lisa Fries as Lea, and co-stars Kerstin de Anna and Lena Stolze. The original screenplay is by Barbara te Kock, and the film was produced by Peter Heilrath, Andreas Bareiss, and Sven Burgemeister in co-production with Arri. Adopt Films President Tim Grady and its Executive VP, Marketing & Distribution Jeff Lipsky negotiated the deal with Arri Worldsales’ Director of Sales and Acquisitions Moritz Hemminger. In a joint statement Grady and Lipsky opined: “'Zurich’ got under our skin like few other films in years. Liv Lisa Fries’ performance is a revelation.
- 11/5/2013
- by Sarah Salovaara
- Indiewire
Adopt Films has snapped up Us rights to Frederik Steiner's controversial German drama "Zurich," which centers on a 20-year-old girl suffering from cystic fibrosis who makes the radical decision to take a cross-country trip to the city of the title, where she can check into a private clinic and end her life. Newcomer Liv Lisa Fries stars as the lead, Lea. Here's the official synopsis: “Zurich” tells the story of a bright, independent-minded twenty-year old, Lea, who’s been suffering from cystic fibrosis since birth. She watched her older brother, whom she idolized, fall victim to the same disease and elects not to endure the pain and suffering that snuffed out his short life. She plans with the stealth assistance of her grandmother, to travel across the border to Zurich, to a private, legal clinic, to end her life. But she finds it an almost unimaginable act unless she is joined by her mother,...
- 11/5/2013
- by Beth Hanna
- Thompson on Hollywood
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