Susanna Fogel on her chilling and perceptive Cat Person, starring Emilia Jones and Nicholas Braun: “There’s a little bit of a fairy tale, Into the Woods theme that runs through …”
Based on the widely discussed New Yorker short story by Kristen Roupenian, adapted for the screen by Michelle Ashford, Susanna Fogel’s chilling and perceptive Cat Person stars Emilia Jones, Nicholas Braun, Geraldine Viswanathan, Hope Davis and Isabella Rossellini and expands on the interior and exterior dating-life of college student Margot (Jones). “Listen, Concession Stand Girl, why don’t you give me your number?” says Robert (Braun), who frequents the cinema where Margot works.
Susanna Fogel with Anne-Katrin Titze on the fantastic sound design by Columbia classmate Eric Hirsch: “His father is the editor of Star Wars, the original editor, Paul Hirsch, George Lucas’s editor.”
We see at the start: “Men are afraid that women will laugh at them.
Based on the widely discussed New Yorker short story by Kristen Roupenian, adapted for the screen by Michelle Ashford, Susanna Fogel’s chilling and perceptive Cat Person stars Emilia Jones, Nicholas Braun, Geraldine Viswanathan, Hope Davis and Isabella Rossellini and expands on the interior and exterior dating-life of college student Margot (Jones). “Listen, Concession Stand Girl, why don’t you give me your number?” says Robert (Braun), who frequents the cinema where Margot works.
Susanna Fogel with Anne-Katrin Titze on the fantastic sound design by Columbia classmate Eric Hirsch: “His father is the editor of Star Wars, the original editor, Paul Hirsch, George Lucas’s editor.”
We see at the start: “Men are afraid that women will laugh at them.
- 10/24/2023
- by Anne-Katrin Titze
- eyeforfilm.co.uk
As networks are largely without new scripted episodes heading into the fall amid Hollywood’s dual strikes, the state of unscripted programming is suddenly in a brighter spotlight than ever before. But this moment of scrutiny comes as those who work in the genre continue to deal with an uncommonly depressed job market, not to mention challenging expectations for the coveted openings.
“I have been a professional editor for over 30 years, and I don’t know when I’m going to get my next gig,” Molly Shock, an elected board member of the Editors Guild who will soon wrap up her work for the upcoming season of Fox’s MasterChef, tells The Hollywood Reporter. “I have never seen it this dry for unscripted. I know many people who have not worked in three to four months. I know people who haven’t worked since December.”
The recent dearth of opportunities...
“I have been a professional editor for over 30 years, and I don’t know when I’m going to get my next gig,” Molly Shock, an elected board member of the Editors Guild who will soon wrap up her work for the upcoming season of Fox’s MasterChef, tells The Hollywood Reporter. “I have never seen it this dry for unscripted. I know many people who have not worked in three to four months. I know people who haven’t worked since December.”
The recent dearth of opportunities...
- 8/1/2023
- by Ryan Gajewski
- The Hollywood Reporter - Movie News
It’s checkmate on the first of three 2021 Creative Arts Emmy Awards shows, and Saturday was a huge evening for “The Queen’s Gambit.” The excellent Netflix limited series led by Anya Taylor-Joy has already won seven 2021 Emmys, technically (and in mostly technical categories).
(By the way, if you think three is a lot of shows to celebrate the television industry’s mostly below-the-line workers, 2020 had Five Creative Arts Emmys shows.)
Sunday’s first show began at 1 p.m. Pt. The second Sunday show, the final one of the two-day 2021 Creative Arts Emmys, begins at 5 p.m. Pt. That’s the presentation that has most of the mainstream categories that don’t fit in next week’s Primetime Emmys.
None of the three Creative Arts Emmys shows are being televised live. Next Saturday, a highlights show of sorts will air on Fxx starting at 8 p.m. Et/Pt.
The *real* Emmys,...
(By the way, if you think three is a lot of shows to celebrate the television industry’s mostly below-the-line workers, 2020 had Five Creative Arts Emmys shows.)
Sunday’s first show began at 1 p.m. Pt. The second Sunday show, the final one of the two-day 2021 Creative Arts Emmys, begins at 5 p.m. Pt. That’s the presentation that has most of the mainstream categories that don’t fit in next week’s Primetime Emmys.
None of the three Creative Arts Emmys shows are being televised live. Next Saturday, a highlights show of sorts will air on Fxx starting at 8 p.m. Et/Pt.
The *real* Emmys,...
- 9/12/2021
- by Tony Maglio
- The Wrap
The sound mixing team from “Sound of Metal” on Saturday won the top prize at the Cinema Audio Society’s annual Cas Awards for outstanding achievement in sound mixing.
In the animated feature category, Pixar’s “Soul” added another win to its shelf. The film which follows Joe as he ventures into the Great Before also won the Mpse Golden Reel Award for outstanding achievement in sound editing – feature animation is nominated in the newly combined sound category at the Academy Awards.
Additional Cas winners included “The Bee Gees: How Can You Mend A Broken Heart,” Disney’s “The Mandalorian” and “The Marvelous Mrs. Maisel.”
During the virtual event, Sound Mixer William B. Kaplan, Cas was honored with the Cinema Audio Society’s highest accolade, the Cas Career Achievement Award. Kaplan has worked on over 155 feature films including “Top Gun,” “Crimson Tide,” “Back to the Future” and “Forrest Gump” which won him an Academy Award.
In the animated feature category, Pixar’s “Soul” added another win to its shelf. The film which follows Joe as he ventures into the Great Before also won the Mpse Golden Reel Award for outstanding achievement in sound editing – feature animation is nominated in the newly combined sound category at the Academy Awards.
Additional Cas winners included “The Bee Gees: How Can You Mend A Broken Heart,” Disney’s “The Mandalorian” and “The Marvelous Mrs. Maisel.”
During the virtual event, Sound Mixer William B. Kaplan, Cas was honored with the Cinema Audio Society’s highest accolade, the Cas Career Achievement Award. Kaplan has worked on over 155 feature films including “Top Gun,” “Crimson Tide,” “Back to the Future” and “Forrest Gump” which won him an Academy Award.
- 4/18/2021
- by Jazz Tangcay
- Variety Film + TV
“Sound of Metal” has won the award for sound mixing in a live-action motion picture at the 57th annual Cas Awards, which were presented by the Cinema Audio Society in a virtual ceremony on Saturday.
The film beat three other Oscar nominees in the Best Sound category, “Greyhound,” “Mank” and “News of the World,” along with “The Trial of the Chicago 7.”
The Cas Awards winner has gone on to win the Oscar in the Best Sound Mixing category for the last three years in a row, and five times in the last decade. But this year the Oscars combined Best Sound Mixing and Best Sound Editing into a single Best Sound category, so the Cas’ effectiveness at predicting the Oscars has yet to be determined.
On Friday, “Greyhound” won the Motion Picture Sound Editors’ Golden Reel Award in the category that in the past most closely corresponded to the Oscars sound-editing award.
The film beat three other Oscar nominees in the Best Sound category, “Greyhound,” “Mank” and “News of the World,” along with “The Trial of the Chicago 7.”
The Cas Awards winner has gone on to win the Oscar in the Best Sound Mixing category for the last three years in a row, and five times in the last decade. But this year the Oscars combined Best Sound Mixing and Best Sound Editing into a single Best Sound category, so the Cas’ effectiveness at predicting the Oscars has yet to be determined.
On Friday, “Greyhound” won the Motion Picture Sound Editors’ Golden Reel Award in the category that in the past most closely corresponded to the Oscars sound-editing award.
- 4/18/2021
- by Steve Pond
- The Wrap
“Tenet,” “Eurovision Song Contest,” “The Trial of the Chicago 7” and “Greyhound” have won feature-film awards at the Motion Picture Sound Editors Mpse Golden Reel Awards, which took place on Friday evening in a virtual event.
The Mpse divides the art of sound editing into several different categories, with “Tenet” winning for underscore, “Eurovision Song Contest” for music, “The Trial of the Chicago 7” for dialogue/Adr and “Greyhound” for effects/foley.
In the past, the last of those categories has most closely corresponded to the Academy Award for Best Sound Editing — but that Oscar category was merged with the Best Sound Mixing category into a single Best Sound category this year. “Greyhound” is nominated in that category, along with “Soul,” “Mank,” “News of the World” and “Sound of Metal.”
“Soul” won for sound editing in an animated feature, while “The Eight Hundred” won for a foreign-language feature and “The Reason I Jump...
The Mpse divides the art of sound editing into several different categories, with “Tenet” winning for underscore, “Eurovision Song Contest” for music, “The Trial of the Chicago 7” for dialogue/Adr and “Greyhound” for effects/foley.
In the past, the last of those categories has most closely corresponded to the Academy Award for Best Sound Editing — but that Oscar category was merged with the Best Sound Mixing category into a single Best Sound category this year. “Greyhound” is nominated in that category, along with “Soul,” “Mank,” “News of the World” and “Sound of Metal.”
“Soul” won for sound editing in an animated feature, while “The Eight Hundred” won for a foreign-language feature and “The Reason I Jump...
- 4/17/2021
- by Steve Pond
- The Wrap
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