We came, we saw, we conquered. Our Nicholas Bell was in review overdrive assessing the entire competition and much more. We’ll still have film reviews to populate the site and this page in the near future, but for the time being here is a handy quick link to the wealth of richness (and some rubbish) selections that made up all sections of the Lido this year.
Competition:
Adagio – Stefano Sollima [Review]
La Bête – Bertrand Bonello [Review]
Comandante – Edoardo De Angelis [Review]
Dogman – Luc Besson [Review]
El Conde – Pablo Larraín [Review]
Enea – Pietro Castellitto [Review]
Evil Does Not Exist – Ryusuke Hamaguchi [Review]
Ferrari – Michael Mann [Review]
Finalmente l’alba – Saverio Costanzo [Review]
Green Border – Agnieszka Holland [Review]
Holly – Fien Troch [Review]
Io capitano – Matteo Garrone [Review]
The Killer – David Fincher [Review]
Lubo – Giorgio Diritti [Review]
Maestro – Bradley Cooper [Review]
Memory – Michel Franco [Review]
Origin – Ava DuVernay [Review]
Hors-saison – Stéphane Brizé [Review]
Poor Things – Yorgos Lanthimos [Review]
Priscilla – Sofia Coppola [Review]
The Promised Land – Nikolaj Arcel [Review]
The Theory of Everything – Timm Kröger [Review]
Woman Of…...
Competition:
Adagio – Stefano Sollima [Review]
La Bête – Bertrand Bonello [Review]
Comandante – Edoardo De Angelis [Review]
Dogman – Luc Besson [Review]
El Conde – Pablo Larraín [Review]
Enea – Pietro Castellitto [Review]
Evil Does Not Exist – Ryusuke Hamaguchi [Review]
Ferrari – Michael Mann [Review]
Finalmente l’alba – Saverio Costanzo [Review]
Green Border – Agnieszka Holland [Review]
Holly – Fien Troch [Review]
Io capitano – Matteo Garrone [Review]
The Killer – David Fincher [Review]
Lubo – Giorgio Diritti [Review]
Maestro – Bradley Cooper [Review]
Memory – Michel Franco [Review]
Origin – Ava DuVernay [Review]
Hors-saison – Stéphane Brizé [Review]
Poor Things – Yorgos Lanthimos [Review]
Priscilla – Sofia Coppola [Review]
The Promised Land – Nikolaj Arcel [Review]
The Theory of Everything – Timm Kröger [Review]
Woman Of…...
- 9/26/2023
- by Eric Lavallée
- IONCINEMA.com
Vuelta Group, the rising European film studio which recently launched with the high profile acquisitions of France’s Playtime, Germany’s SquareOne and Scandinavia’s Scanbox, is expanding its footprint in Italy and France.
Spearheaded by media finance veterans (and childhood friends) Jerome Levy and David Atlan-Jackson, Vuelta has bought Indiana Production, a leading Italian company founded by Fabrizio Donvito and Marco Cohen, which had Giorgio Diritti’s “Lubo” playing in competition at Venice and just teased its big-budget Netflix series project “The Leopard” and Sky’s “Unwanted.”
Vuelta has also taken a stake in France’s Pan (formerly called Pan-Europeenne), the well-established production and distribution banner headed by Nathalie Gastaldo, Philippe Godeau and Camille Gentet, whose credits include the hit franchises “Largo Winch” and “Legendaries.”
Vuelta bowed last year with more $100 million provided by a U.S. private equity firm and has now diversified its backing through its European partners.
Spearheaded by media finance veterans (and childhood friends) Jerome Levy and David Atlan-Jackson, Vuelta has bought Indiana Production, a leading Italian company founded by Fabrizio Donvito and Marco Cohen, which had Giorgio Diritti’s “Lubo” playing in competition at Venice and just teased its big-budget Netflix series project “The Leopard” and Sky’s “Unwanted.”
Vuelta has also taken a stake in France’s Pan (formerly called Pan-Europeenne), the well-established production and distribution banner headed by Nathalie Gastaldo, Philippe Godeau and Camille Gentet, whose credits include the hit franchises “Largo Winch” and “Legendaries.”
Vuelta bowed last year with more $100 million provided by a U.S. private equity firm and has now diversified its backing through its European partners.
- 9/20/2023
- by Elsa Keslassy
- Variety Film + TV
Franz Rogowski further cemented his status as one of Europe’s most chameleonic and adventurous screen actors with his highwire turn this year as a narcissistic film director in Ira Sachs’ Passages, the agent of chaos at the center of a love triangle that spins out of control. The German actor again brings searing magnetism to Lubo, playing a member of midcentury Switzerland’s nomadic Yenish community, whose family and peaceful existence are torn from him by national authorities in what amounts to an ethnic cleansing campaign. Here, however, it’s the sprawling novelistic material that slips out of director Giorgio Diritti’s control.
Inspired by Mario Cavatore’s 2004 novel Il Seminatore but nudged far too often into melodrama in Diritti and Fredo Valla’s baggy screenplay, the film’s historical jumping-off point is eminently worthy of large-canvas treatment. But after a compelling first hour, the director can’t seem...
Inspired by Mario Cavatore’s 2004 novel Il Seminatore but nudged far too often into melodrama in Diritti and Fredo Valla’s baggy screenplay, the film’s historical jumping-off point is eminently worthy of large-canvas treatment. But after a compelling first hour, the director can’t seem...
- 9/10/2023
- by David Rooney
- The Hollywood Reporter - Movie News
Clean, green Switzerland, land of chocolate, cuckoo clocks and direct democracy, is revealed to have a history of racial abuse as ugly as any other in Giorgio Diritti’s rolling epic Lubo, showing in competition at the Venice Film Festival. German actor Franz Rogowski plays the title character, a street performer and paterfamilias who is part of Switzerland’s community of Jenisch, a nomadic people originating in Germany. Lubo’s story is a dramatically terrible one – his wife is killed in a spat with heavy-handed police and his children are taken away, all while he is being marched off to serve time in the army – but it speaks to the truth.
Nobody knows exactly how many Jenisch children were taken from their families by Swiss authorities, but the current estimate is 2000. Lubo opens during the Second World War. Between the 1930s and 1973, when the practice was officially dropped, these children...
Nobody knows exactly how many Jenisch children were taken from their families by Swiss authorities, but the current estimate is 2000. Lubo opens during the Second World War. Between the 1930s and 1973, when the practice was officially dropped, these children...
- 9/9/2023
- by Stephanie Bunbury
- Deadline Film + TV
In Giorgio Diritti’s film “Lubo,” based on Mario Cavatore’s novel “Il seminatore,” Franz Rogowski seduces as Lubo, a Yenish traveling performer, father and husband, who has to join the Swiss army in 1939. He is one hell of a charmer, although his passion has dark undertones.
“Our take is more playful, but the book put more emphasis on the fact that this man impregnated over 100 women in Zurich. He wanted to make sure his people would survive,” says Rogowski.
In the film, Lubo finds out that while he was away, his wife died trying to save their children, taken away in accordance with the infamous national “re-education” program for “Children of the Road.”
“He is a passionate man. But it’s also his revenge, in a way,” he adds.
“Many people have been describing my acting as very physical and my roles as ‘experimental,’ and I have been exploring sexuality before.
“Our take is more playful, but the book put more emphasis on the fact that this man impregnated over 100 women in Zurich. He wanted to make sure his people would survive,” says Rogowski.
In the film, Lubo finds out that while he was away, his wife died trying to save their children, taken away in accordance with the infamous national “re-education” program for “Children of the Road.”
“He is a passionate man. But it’s also his revenge, in a way,” he adds.
“Many people have been describing my acting as very physical and my roles as ‘experimental,’ and I have been exploring sexuality before.
- 9/9/2023
- by Marta Balaga
- Variety Film + TV
For around half of the entire last century, there was a semi-official policy enacted by the Swiss state to forcibly separate the children of “itinerant” parents from their families. The program, known as “Kinder der Landstrasse” (“Children of the Road”), was ostensibly designed for the protection of such children from the perils of vagrancy and criminality which the state imagined rife among the traveller population. In retrospect, of course, the practise, which was discontinued in the 1970s, has been revealed for what it actually was: an unjustifiably cruel abrogation of the human rights of various minority populations, among them the Yenish, the group to which Franz Rogowski’s Lubo Moser, the focus of Giorgio Diritti’s sprawling, overlong “Lubo,” belongs. Nobody could deny that such a historical injustice merits a moving and epic cinematic investigation. It’s just a shame that while the three-hour-long “Lubo” probably contains that very film,...
- 9/7/2023
- by Jessica Kiang
- Variety Film + TV
La BêteCOMPETITIONComandante (Edoardo De Angelis)The Promised Land (Nikolaj Arcel)Dogman (Luc Besson) La Bête (Bertrand Bonello) Hors-Saison (Stéphane Brizé) Enea (Pietro Castellitto) Maestro (Bradley Cooper)Priscilla (Sofia Coppola)Finalmente L’Alba (Saverio Costanzo)Lubo (Giorgio Diritti) Origin (Ava DuVernay) The Killer (David Fincher)Memory (Michel Franco)Io capitano (Matteo Garrone)Evil Does Not Exist (Ryûsuke Hamaguchi)The Green Border (Agnieszka Holland)The Theory of Everything (Timm Kröger)Poor Things (Yorgos Lanthimos)El conde (Pablo Larrain)Ferrari (Michael Mann)Adagio (Stefano Sollima)Woman OfHolly (Fien Troch)Out Of COMPETITIONFictionSociety of the Snow (J.A. Bayona)Coup de Chance (Woody Allen)The Wonderful Story of Henry Sugar (Wes Anderson)The Penitent (Luca Barbareschi)L’Ordine Del Tempo (Liliana Cavani)Vivants (Alix Delaporte)Welcome to Paradise (Leonardo di Constanzo)Daaaaaali! (Quentin Dupieux)The Caine Mutiny Court-Martial (William Friedkin)Making of (Cedric Kahn)Aggro Dr1ft (Harmony Korine)Hitman (Richard Linklater)The Palace (Roman Polanski...
- 7/29/2023
- MUBI
Two movies whose directors are likely to draw protests, Woody Allen’s French-language “Coup de Chance” and Roman Polanski’s “The Palace,” will make their world premieres at the 2023 Venice International Film Festival, Venice artistic director Alberto Barbera and La Biennale di Venezia president Roberto Cicutto announced at a Tuesday morning press conference.
Both films will screen out of competition, though they’ll likely draw an inordinate amount of attention at a festival that has assembled a robust lineup of major filmmakers even as it struggles with the effects of the SAG-AFTRA and WGA strikes.
Films booked for the Venice main competition include Bradley Cooper’s Leonard Bernstein biopic “Maestro”; Yorgos Lanthimos’ sci-fi drama “Poor Things”; Sofia Coppola’s Priscilla Presley film “Priscilla”; Michael Mann’s auto-racing film “Ferrari”; Ava DuVernay’s “Origin,” with Aunjanue Ellis-Taylor, Niecy Nash-Betts and Vera Farmiga; and David Fincher’s “The Killer,” with Michael Fassbender.
Both films will screen out of competition, though they’ll likely draw an inordinate amount of attention at a festival that has assembled a robust lineup of major filmmakers even as it struggles with the effects of the SAG-AFTRA and WGA strikes.
Films booked for the Venice main competition include Bradley Cooper’s Leonard Bernstein biopic “Maestro”; Yorgos Lanthimos’ sci-fi drama “Poor Things”; Sofia Coppola’s Priscilla Presley film “Priscilla”; Michael Mann’s auto-racing film “Ferrari”; Ava DuVernay’s “Origin,” with Aunjanue Ellis-Taylor, Niecy Nash-Betts and Vera Farmiga; and David Fincher’s “The Killer,” with Michael Fassbender.
- 7/25/2023
- by Steve Pond
- The Wrap
On the heels of yesterday’s TIFF announcement, the first major fall festival of the season––Venice International Film Festival––is unveiling its lineup. Taking place August 30-September 9, the competition jury this year is chaired by Damien Chazelle.
Highlights include new films from David Fincher, Michael Mann, Wes Anderson, Ryusuke Hamaguchi, Sofia Coppola, Bradley Cooper, Bertrand Bonello, Frederick Wiseman, Roman Polanski, William Friedkin, Ava DuVernay, Harmony Korine, Richard Linklater, Woody Allen, and more.
Competition
Adagio; dir. Stefano Sollima
The Beast; dir. Bertrand Bonello
Io Capitano; dir. Matteo Garrone
Comandante; dir. Edoardo de Angelis
El Conde; dir. Pablo Larraín
Die Theorie von Allem; dir. Timm Kröger
Dogman; dir. Luc Besson
Enea; dir. Pietro Castellitto
Evil Does Not Exist; dir. Ryusuke Hamaguchi
Ferrari; dir. Michael Mann
Finalmente L’Alba; dir. Saverio Costanzo
Green Border; dir. Agnieszka Holland
Holly; dir. Fien Troch
Hors-Saison; dir. Stéphane Brizé
The Killer; dir. David Fincher
Lubo; dir. Giorgio Diritti
The Promised Land; dir.
Highlights include new films from David Fincher, Michael Mann, Wes Anderson, Ryusuke Hamaguchi, Sofia Coppola, Bradley Cooper, Bertrand Bonello, Frederick Wiseman, Roman Polanski, William Friedkin, Ava DuVernay, Harmony Korine, Richard Linklater, Woody Allen, and more.
Competition
Adagio; dir. Stefano Sollima
The Beast; dir. Bertrand Bonello
Io Capitano; dir. Matteo Garrone
Comandante; dir. Edoardo de Angelis
El Conde; dir. Pablo Larraín
Die Theorie von Allem; dir. Timm Kröger
Dogman; dir. Luc Besson
Enea; dir. Pietro Castellitto
Evil Does Not Exist; dir. Ryusuke Hamaguchi
Ferrari; dir. Michael Mann
Finalmente L’Alba; dir. Saverio Costanzo
Green Border; dir. Agnieszka Holland
Holly; dir. Fien Troch
Hors-Saison; dir. Stéphane Brizé
The Killer; dir. David Fincher
Lubo; dir. Giorgio Diritti
The Promised Land; dir.
- 7/25/2023
- by Jordan Raup
- The Film Stage
Includes films from David Fincher, Sofia Coppola, Ava DuVernay, Yorgos Lanthimos, Bradley Cooper and Ryusuke Hamaguchi.
Venice Film Festival announced the programme for its 80th edition, including a 23-strong Competition with new films from David Fincher, Sofia Coppola, Ava DuVernay, Yorgos Lanthimos, Bradley Cooper and Ryusuke Hamaguchi.
Scroll down for full line-up
The selection was announced by festival president Roberto Cicutto and artistic director Alberto Barbera. The SAG-AFTRA strike in the US has had a “quite modest” impact on the selection according to Barbera, who was forced to pull Luca Guadagnino’s Challengers as the opening film over the weekend due to the strike.
Venice Film Festival announced the programme for its 80th edition, including a 23-strong Competition with new films from David Fincher, Sofia Coppola, Ava DuVernay, Yorgos Lanthimos, Bradley Cooper and Ryusuke Hamaguchi.
Scroll down for full line-up
The selection was announced by festival president Roberto Cicutto and artistic director Alberto Barbera. The SAG-AFTRA strike in the US has had a “quite modest” impact on the selection according to Barbera, who was forced to pull Luca Guadagnino’s Challengers as the opening film over the weekend due to the strike.
- 7/25/2023
- by Ben Dalton¬Orlando Parfitt
- ScreenDaily
This year’s selection will be announced at 11:00 Cest (10:00 BST) by Roberto Cicutto and Alberto Barbera.
The line-up for the 80th Venice International Film Festival (August 30-September 9) will be revealed this morning at 11:00 Cest (10:00 BST) by festival president Roberto Cicutto and artistic director Alberto Barbera
The press conference will be live-streamed below, and this page will be updated with the films as they are announced.
Luca Guadagnino’s Challengers was originally set to open the festival but was pulled by MGM amid the actors’ strike. It was replaced by Edoardo De Angelis’ Comandante.
The closing film...
The line-up for the 80th Venice International Film Festival (August 30-September 9) will be revealed this morning at 11:00 Cest (10:00 BST) by festival president Roberto Cicutto and artistic director Alberto Barbera
The press conference will be live-streamed below, and this page will be updated with the films as they are announced.
Luca Guadagnino’s Challengers was originally set to open the festival but was pulled by MGM amid the actors’ strike. It was replaced by Edoardo De Angelis’ Comandante.
The closing film...
- 7/25/2023
- by Ben Dalton¬Orlando Parfitt
- ScreenDaily
Franz Rogowski stars in the film which is based on real events.
Italy’s True Colours is launching pre-sales at the EFM of Giorgio Diritti’s Italian-Swiss co-production Lubo, starring Franz Rogowski, for which it has acquired worldwide rights.
Now in post, Lubo is set on the eve of Second World War. Rogowski stars as a young Caucasian man of nomadic ethnicity called to serve in the Swiss army to defend the border with Austria from the threat of the Nazi army who hears his children have been taken away by the authorities and his wife killed in the scuffle.
Italy’s True Colours is launching pre-sales at the EFM of Giorgio Diritti’s Italian-Swiss co-production Lubo, starring Franz Rogowski, for which it has acquired worldwide rights.
Now in post, Lubo is set on the eve of Second World War. Rogowski stars as a young Caucasian man of nomadic ethnicity called to serve in the Swiss army to defend the border with Austria from the threat of the Nazi army who hears his children have been taken away by the authorities and his wife killed in the scuffle.
- 2/16/2023
- by Alina Trabattoni
- ScreenDaily
Franz Rogowski stars in the film which is based on real events.
Italy’s True Colours is launching pre-sales at the EFM of Giorgio Diritti’s Italian-Swiss production Lubo, starring Franz Rogowski, for which it has acquired worldwide rights.
Now in post, Lubo is set on the eve of Second World War, Rogowski stars as a young Caucasian man of nomadic ethnicity called to serve in the Swiss army to defend the border with Austria from the threat of the Nazi army who hears his children have been taken away by the authorities and his wife killed in the scuffle.
Italy’s True Colours is launching pre-sales at the EFM of Giorgio Diritti’s Italian-Swiss production Lubo, starring Franz Rogowski, for which it has acquired worldwide rights.
Now in post, Lubo is set on the eve of Second World War, Rogowski stars as a young Caucasian man of nomadic ethnicity called to serve in the Swiss army to defend the border with Austria from the threat of the Nazi army who hears his children have been taken away by the authorities and his wife killed in the scuffle.
- 2/16/2023
- by Alina Trabattoni
- ScreenDaily
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.