from our special envoy Jean-Marc Thérouanne at the Cannes Film Festival.
From May 14 to 25, 2024, Far East Asia is represented in competition by the film “Caught by the Tides” by the master of Chinese cinema of the sixth generation, Jia Zhang-ke. This film, in small impressionist touches, tells the evolution of China in this first quarter of the 21st century. Jia Zhang-ke tries to describe it through the songs marking the collective memory. He multiplies the winks to his work of fifteen films, time markers flowing inexorably.
Jia Zhang-ke and Zhao Tao in Grand Théâtre Lumiere Gala presentation of Caught by the Tides. (Photo credit Fica)
The Indian subcontinent is back in competition, after a long 30-year eclipse, with the film All We Imagine As Light by director Payal Kapadia, recognized in Cannes by the Golden Eye Award for his documentary film Une nuit sans savoir selected at the Directors' Fortnight...
From May 14 to 25, 2024, Far East Asia is represented in competition by the film “Caught by the Tides” by the master of Chinese cinema of the sixth generation, Jia Zhang-ke. This film, in small impressionist touches, tells the evolution of China in this first quarter of the 21st century. Jia Zhang-ke tries to describe it through the songs marking the collective memory. He multiplies the winks to his work of fifteen films, time markers flowing inexorably.
Jia Zhang-ke and Zhao Tao in Grand Théâtre Lumiere Gala presentation of Caught by the Tides. (Photo credit Fica)
The Indian subcontinent is back in competition, after a long 30-year eclipse, with the film All We Imagine As Light by director Payal Kapadia, recognized in Cannes by the Golden Eye Award for his documentary film Une nuit sans savoir selected at the Directors' Fortnight...
- 6/1/2024
- by Panos Kotzathanasis
- AsianMoviePulse
Cannes Film Festival 2024: Read All Of Deadline’s Movie Reviews, Including Palme d’Or Winner ‘Anora’
Read all of Deadline’s Cannes Film Festival reviews below, including Palme d’Or winner Anora.
The New York-set romantic dramedy charts the story of a stripper from Brooklyn who transforms into a modern Cinderella when she meets the son of a Russian oligarch.
The film, playing in the official Competition three years after Baker’s success in Cannes with the Simon Rex-starring Red Rocket, scored a 10-minute ovation earlier this week. It was one of a number of critically praised films this edition. Check out all our reviews below.
All We Imagine as Light ‘All We Imagine as Light’
Section: Competition
Director: Payal Kapadia
Cast: Kani Kusruti, Divya Prabha, Chhaya KAdam, Hridhu Haroon
Deadline’s takeaway: And at a time when so much attention is being paid to the lives of the haves and the have-nots amid such financial imbalance worldwide, it’s refreshing to see the spotlight...
The New York-set romantic dramedy charts the story of a stripper from Brooklyn who transforms into a modern Cinderella when she meets the son of a Russian oligarch.
The film, playing in the official Competition three years after Baker’s success in Cannes with the Simon Rex-starring Red Rocket, scored a 10-minute ovation earlier this week. It was one of a number of critically praised films this edition. Check out all our reviews below.
All We Imagine as Light ‘All We Imagine as Light’
Section: Competition
Director: Payal Kapadia
Cast: Kani Kusruti, Divya Prabha, Chhaya KAdam, Hridhu Haroon
Deadline’s takeaway: And at a time when so much attention is being paid to the lives of the haves and the have-nots amid such financial imbalance worldwide, it’s refreshing to see the spotlight...
- 5/29/2024
- by Pete Hammond, Joe Utichi, Damon Wise, Stephanie Bunbury and Valerie Complex
- Deadline Film + TV
Jia Zhangke’s is often a cinema of déjà vu: “We’re again in the northern Chinese city of Datong,” Giovanni Marchini Camia wrote for Sight and Sound back in 2019, “it’s again the start of the new millennium, Qiao is again dating a mobster, yet no one else makes a reappearance and there are enough differences to signal that this isn’t a sequel or remake.” Camia was writing about Ash Is Purest White yet much of the same could be said for Caught by the Tides, the director’s latest experiment in plundering his archive––indeed his memories––and spinning what he finds into something new. The protagonist of Tides is again named Qiao and is again played by Zhao Tao, appearing here in more than 20 years of the director’s footage and allowing the viewer to watch that singular creative partnership evolve in real time––one of...
- 5/20/2024
- by Rory O'Connor
- The Film Stage
The Tide is High: Zhangke Splices Thwarted Romance Across Changing Times
Filmmaker Jia Zhangke presents something of an experimental anomaly with his latest feature, Caught by the Tides (Feng Liu Yi Dai), spanning two decades of shifting cultural climates and landscapes. Assembling footage shot across several periods beginning in 2001, Jia Zhangke transposes a quiet narrative within these archival moments for a uniquely cobbled hybrid. Jia Zhangke’s wife, Zhao Tao, who has appeared in a majority of his narratives since 2000’s Platform, remains the vibrant highlight as a mute, melancholic woman fashioned like a figure from silent cinema.…...
Filmmaker Jia Zhangke presents something of an experimental anomaly with his latest feature, Caught by the Tides (Feng Liu Yi Dai), spanning two decades of shifting cultural climates and landscapes. Assembling footage shot across several periods beginning in 2001, Jia Zhangke transposes a quiet narrative within these archival moments for a uniquely cobbled hybrid. Jia Zhangke’s wife, Zhao Tao, who has appeared in a majority of his narratives since 2000’s Platform, remains the vibrant highlight as a mute, melancholic woman fashioned like a figure from silent cinema.…...
- 5/19/2024
- by Nicholas Bell
- IONCINEMA.com
Across his 25-year career, Jia Zhangke has become the de facto face of independent-minded Chinese cinema — and the Cannes Film Festival has arguably been the most important institution to help him hoist that flag on the world stage.
Beginning with his 2002 drama Unknown Pleasures, the 53-year-old auteur has landed in Cannes’ main competition seven times — more than any other Chinese filmmaker in the festival’s history. Although the Palme d’Or has so far proved elusive, Jia won Cannes’ best screenplay prize in 2013 with his acclaimed anthology thriller A Touch of Sin, a searing depiction of China during its breakneck economic boom times. Jia returns to Cannes this year with Caught by the Tides, his first fictional feature since his well-regarded drama Ash Is Purest White debuted at the festival in 2018.
“A lyrical, fluid narrative,” as Cannes artistic director Thierry Frémaux recently described it, Caught by the Tides is composed...
Beginning with his 2002 drama Unknown Pleasures, the 53-year-old auteur has landed in Cannes’ main competition seven times — more than any other Chinese filmmaker in the festival’s history. Although the Palme d’Or has so far proved elusive, Jia won Cannes’ best screenplay prize in 2013 with his acclaimed anthology thriller A Touch of Sin, a searing depiction of China during its breakneck economic boom times. Jia returns to Cannes this year with Caught by the Tides, his first fictional feature since his well-regarded drama Ash Is Purest White debuted at the festival in 2018.
“A lyrical, fluid narrative,” as Cannes artistic director Thierry Frémaux recently described it, Caught by the Tides is composed...
- 5/19/2024
- by Patrick Brzeski
- The Hollywood Reporter - Movie News
Stalwart Sixth Generation Chinese filmmaker Jia Zhangke leads his partner and muse, Zhao Tao, on a decades-long romantic odyssey in Caught By the Tides, which tries too hard to play with time and form for the connection between its leads to be its central preoccupation.
Measured in silence interspersed with moments of dance and music — both performed and for pleasure — Qiaoqiao (Zhao) starts a relationship with the mysterious young Guo Bin (Li Zhubin) when she spots him across a dance floor. But their happily ever after isn’t to be when Bin grows frustrated and seeks an escape from their home in Datong, in the north of China. Qiaoqiao, confused by his sudden disappearance, goes in search of him, but his new life doesn’t seem to have a place for her.
There’s little more to the story than this — some peripheral characters recur for a scene or three,...
Measured in silence interspersed with moments of dance and music — both performed and for pleasure — Qiaoqiao (Zhao) starts a relationship with the mysterious young Guo Bin (Li Zhubin) when she spots him across a dance floor. But their happily ever after isn’t to be when Bin grows frustrated and seeks an escape from their home in Datong, in the north of China. Qiaoqiao, confused by his sudden disappearance, goes in search of him, but his new life doesn’t seem to have a place for her.
There’s little more to the story than this — some peripheral characters recur for a scene or three,...
- 5/18/2024
- by Joe Utichi
- Deadline Film + TV
The Chinese title of Jia Zhangke’s mesmerizing “Caught by the Tides,” a masterfully poetic and pioneering fusion of the old and the new, can be translated in several ways. Jia himself suggests “The Drifting Generation,” but it can also mean “The Romantic Generation” with the etymology of “romantic” lying in the Chinese words for wind and current. The restless motion of the natural world is certainly captured in the English title’s reference to an ocean’s ebb and flow. But what that version cannot adequately convey is the airiness and the yearning that Jia whips in to “Caught by the Tides” — quite miraculously considering he is largely working with repurposed footage from across the last 23 years of his justly celebrated career.
Loosely speaking a love story, “Tides” is also perhaps the most definitive national portrait that Jia, modern China’s foremost cinematic chronicler, has ever delivered. This is...
Loosely speaking a love story, “Tides” is also perhaps the most definitive national portrait that Jia, modern China’s foremost cinematic chronicler, has ever delivered. This is...
- 5/18/2024
- by Jessica Kiang
- Variety Film + TV
A recurring motif in the films of Jia Zhang-ke is the enchantment of watching his extraordinary muse, Zhao Tao, dance — in the glitzy faux-Vegas spectacles of The World; leading a routine to the Pet Shop Boys’ “Go West” in Mountains May Depart; strutting in formation to the Village People’s “Y.M.C.A” in Ash Is Purest White. In the Chinese master filmmaker’s decades-spanning drama Caught by the Tides (Feng Liu Yi Dai), Zhao shimmies around a dance floor to pulsing Edm, unaware that the man in her life will soon leave town, dropping her into a 20-year romantic limbo.
Eclectic music choices have always played an important part in Jia’s chronicles of social change and shifting values in a contemporary China surging forward, driven by cultural and economic expansion, urbanization and globalization, its traditional insularity increasingly pierced by Western influences.
Songs are more present than ever in his new film.
Eclectic music choices have always played an important part in Jia’s chronicles of social change and shifting values in a contemporary China surging forward, driven by cultural and economic expansion, urbanization and globalization, its traditional insularity increasingly pierced by Western influences.
Songs are more present than ever in his new film.
- 5/18/2024
- by David Rooney
- The Hollywood Reporter - Movie News
A searching and scattershot portrait of displacement that’s as likely to resonate with Jia Zhang-ke devotees as it is to mystify those who are new to his work, “Caught by the Tides” finds the Chinese auteur returning the most pivotal characters and locations that have defined his movies over the last two decades. Then again, perhaps it would be more accurate to say that he never left them.
Tracing the faintest contours of a scripted love story around the scaffolding of some documentary footage that Jia has collected over the course of 22 years, this elusive chimera of a film strains to literalize the delicate relationship between time and memory — a theme that has become increasingly central to the director’s work since the Three Gorges Dam was constructed in 2006 (see: “Still Life”), submerging 13 entire cities and forever displacing the millions of people who once lived in them. Here, even...
Tracing the faintest contours of a scripted love story around the scaffolding of some documentary footage that Jia has collected over the course of 22 years, this elusive chimera of a film strains to literalize the delicate relationship between time and memory — a theme that has become increasingly central to the director’s work since the Three Gorges Dam was constructed in 2006 (see: “Still Life”), submerging 13 entire cities and forever displacing the millions of people who once lived in them. Here, even...
- 5/18/2024
- by David Ehrlich
- Indiewire
The 77th Cannes Film Festival is poised to serve up a feast for film lovers, including new movies from celebrated directors such as Yorgos Lanthimos and Paolo Sorrentino, as well as living legends like Francis Ford Coppola, David Cronenberg and George Miller.
Lanthimos will bring Poor Things follow-up Kinds of Kindness to the Cannes competition. The Greek auteur’s latest, featuring the Oscar-winning Poor Things star Emma Stone, alongside Jesse Plemons and Willem Dafoe, will be high on every Cannes attendee’s must-see list. Sorrentino’s Parthenope, the Italian director’s 10th feature, will also premiere in competition on the Croisette.
Meanwhile, Coppola will unveil the highly anticipated Megalopolis, starring Adam Driver, Shia Labeouf, and Aubrey Plaza, in the competition lineup, while Canada’s Cronenberg returns with The Shrouds, a horror thriller with Vincent Cassel, Diane Kruger and Guy Pearce.
And among the Hollywood highlights at Cannes this year is...
Lanthimos will bring Poor Things follow-up Kinds of Kindness to the Cannes competition. The Greek auteur’s latest, featuring the Oscar-winning Poor Things star Emma Stone, alongside Jesse Plemons and Willem Dafoe, will be high on every Cannes attendee’s must-see list. Sorrentino’s Parthenope, the Italian director’s 10th feature, will also premiere in competition on the Croisette.
Meanwhile, Coppola will unveil the highly anticipated Megalopolis, starring Adam Driver, Shia Labeouf, and Aubrey Plaza, in the competition lineup, while Canada’s Cronenberg returns with The Shrouds, a horror thriller with Vincent Cassel, Diane Kruger and Guy Pearce.
And among the Hollywood highlights at Cannes this year is...
- 5/14/2024
- by David Rooney
- The Hollywood Reporter - Movie News
Jia Zhangke on Experimenting With AI for Cannes Entry ‘Caught by the Tides,’ Respecting the Audience
Sporting a warm smile and a pair of sunglasses – “Sorry, I’ve been busy editing and my eyes hurt,” he explained – one of China’s leading indie directors Jia Zhangke, whose upcoming film “Caught by the Tides” will be vying for the Palme d’or in Cannes next month, was guest of honor at the 55th edition of Swiss doc festival Visions du Réel this week.
Finished just in time for submission to Cannes, the film features his wife Zhao Tao, his muse over the last two decades, and tells the story of a couple spanning 20 years. (Jia previously spoke with Variety about the film in February when it still went under the working title “We Shall Be All.”)
Explaining how the pandemic gave him the opportunity to review his footage all the way back to 2001, he described his new film as “a concentration of 20 years’ experience,” which blends footage...
Finished just in time for submission to Cannes, the film features his wife Zhao Tao, his muse over the last two decades, and tells the story of a couple spanning 20 years. (Jia previously spoke with Variety about the film in February when it still went under the working title “We Shall Be All.”)
Explaining how the pandemic gave him the opportunity to review his footage all the way back to 2001, he described his new film as “a concentration of 20 years’ experience,” which blends footage...
- 4/19/2024
- by Lise Pedersen
- Variety Film + TV
Among the high-profile filmmakers selected for this year’s Cannes Film Festival is a wave of upcoming talent from Asia and the Middle East, including the first Indian feature chosen for Competition in 30 years and the first film from Saudi Arabia to ever make the Official Selection.
While Cannes has a reputation for bringing back familiar names year after year, the line-up for the 77th edition does feature several rising filmmakers and not just in the “discovery” strands of the selection.
Making her first appearance in Competition is Indian filmmaker Payal Kapadia with All We Imagine As Light. It marks...
While Cannes has a reputation for bringing back familiar names year after year, the line-up for the 77th edition does feature several rising filmmakers and not just in the “discovery” strands of the selection.
Making her first appearance in Competition is Indian filmmaker Payal Kapadia with All We Imagine As Light. It marks...
- 4/12/2024
- ScreenDaily
Reviews will have to wait till the Cannes Film Festival kicks off on May 14, but it’s not too early for a critic to weigh in on this year’s lineup — or how it looks on paper, at least, and what the selection might say about the state of things.
At the top of the press conference, festival director Thierry Frémaux noted that last year would be a tough edition to top. The two big winners of the 2023 competition, “Anatomy of a Fall” and “Zone of Interest,” went on to score Oscar best picture nominations, alongside Martin Scorsese’s “Killers of the Flower Moon.” The festival made strides toward gender parity, with nearly a third of the films in competition directed by women. And to complicate matters, Hollywood has since been hit by two production-stopping guild strikes, delaying films the studios might have sent to Cannes.
Judging by the titles unveiled today,...
At the top of the press conference, festival director Thierry Frémaux noted that last year would be a tough edition to top. The two big winners of the 2023 competition, “Anatomy of a Fall” and “Zone of Interest,” went on to score Oscar best picture nominations, alongside Martin Scorsese’s “Killers of the Flower Moon.” The festival made strides toward gender parity, with nearly a third of the films in competition directed by women. And to complicate matters, Hollywood has since been hit by two production-stopping guild strikes, delaying films the studios might have sent to Cannes.
Judging by the titles unveiled today,...
- 4/12/2024
- by Peter Debruge
- Variety Film + TV
Chinese filmmaker Jia Zhangke, who “humanizes China’s modern history – and turns it into poetry,” according to one critic, will be the guest of honor at Visions du Réel. The documentary film festival’s 55th edition runs April 12-21 in Nyon, Switzerland.
Jia, a leading figure in independent Chinese cinema, will present a masterclass exploring his body of work, and a retrospective of his films will run throughout the edition. The tribute is made possible thanks to the collaboration with the Cinémathèque suisse and Ecal, the university of art and design in Lausanne.
“Since the outbreak of Covid-19, I haven’t left China for almost four years,” Jia said. “I feel like embracing the world again, as excited as a child about to go on a long trip for the first time. I am heading to Nyon for cinema that reveals the world as it really is.”
Jia belongs to...
Jia, a leading figure in independent Chinese cinema, will present a masterclass exploring his body of work, and a retrospective of his films will run throughout the edition. The tribute is made possible thanks to the collaboration with the Cinémathèque suisse and Ecal, the university of art and design in Lausanne.
“Since the outbreak of Covid-19, I haven’t left China for almost four years,” Jia said. “I feel like embracing the world again, as excited as a child about to go on a long trip for the first time. I am heading to Nyon for cinema that reveals the world as it really is.”
Jia belongs to...
- 1/18/2024
- by Leo Barraclough
- Variety Film + TV
Family drama Snow Leopard, directed by the late Tibetan filmmaker Pema Tseden, has won the Tokyo Grand Prix, the top prize at this year’s Tokyo International Film Festival. Scroll down for the full list of winners.
The film, which is also nominated for three Asia Pacific Screen Awards, follows a rural family who debate whether they should kill a snow leopard that broke into their home and killed nine sheep. The full synopsis reads: In a mountain village where white leopards live, the film explores the symbiosis of humans and animals through the fantastical interaction of a young Tibetan monk and a leopard.
Snow Leopard is one of two films Tseden, who had Chinese citizenship, had been working on when he died in May, aged 53. His death was reported by Chinese media. No cause of death was given, but unverified Chinese media reports said he had a heart attack.
The film, which is also nominated for three Asia Pacific Screen Awards, follows a rural family who debate whether they should kill a snow leopard that broke into their home and killed nine sheep. The full synopsis reads: In a mountain village where white leopards live, the film explores the symbiosis of humans and animals through the fantastical interaction of a young Tibetan monk and a leopard.
Snow Leopard is one of two films Tseden, who had Chinese citizenship, had been working on when he died in May, aged 53. His death was reported by Chinese media. No cause of death was given, but unverified Chinese media reports said he had a heart attack.
- 11/1/2023
- by Zac Ntim
- Deadline Film + TV
Actress Zhang Ziyi led a celebration of Chinese women in cinema at this week’s Shanghai International Film Festival, and urged the country’s next generation of female stars to be “fearless” when choosing their roles.
The Crouching Tiger, Hidden Dragon and Memoirs of a Geisha star was taking part in a session titled “Her Film Era Forum: Life Without Limits” on the sidelines of the 25th edition of China’s preeminent festival, where she discussed her own career and shared some of the lessons she has learned across almost three decades in film.
“You should always be curious and stick to it as your profession once you decide to join this industry,” Zhang said. “When facing new challenges, [women] need to be fearless instead of being afraid of failure. Success will not be guaranteed, but we will never know the result if we never make a start.”
The hope, Zhang said,...
The Crouching Tiger, Hidden Dragon and Memoirs of a Geisha star was taking part in a session titled “Her Film Era Forum: Life Without Limits” on the sidelines of the 25th edition of China’s preeminent festival, where she discussed her own career and shared some of the lessons she has learned across almost three decades in film.
“You should always be curious and stick to it as your profession once you decide to join this industry,” Zhang said. “When facing new challenges, [women] need to be fearless instead of being afraid of failure. Success will not be guaranteed, but we will never know the result if we never make a start.”
The hope, Zhang said,...
- 6/13/2023
- by Mathew Scott
- The Hollywood Reporter - Movie News
Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI, and sign up for our weekly email newsletter by clicking here.NEWSLeos Carax in Holy Motors (2012).On Monday, SAG-AFTRA members voted 97.9 percent in favor of a strike if their contract negotiations stall. This sets the stage for an industry-wide work stoppage in solidarity with the Writers Guild, even after the weekend’s news that the Directors Guild had reached a tentative agreement with the Alliance of Motion Picture and Television Producers.Away from Hollywood, CG Cinema have confirmed that Leos Carax has wrapped production on a new film, C’est pas moi, set to release in 2024. This is a "free format" self-portrait, spanning the "major stations" of Carax's four-decade career amid "the political tremors of the time." The images shared by CG Cinema feature Denis Lavant in character as Monsieur Merde, made infamous in...
- 6/7/2023
- MUBI
In the five years since Ash Is Purest White, Jia Zhang-ke has directed one documentary, Swimming Out Till The Sea Turns Blue, but we’ve heard many rumors of another narrative feature in the works. Earlier this year, word arrived of a new project filed with the China Film Administration and now the first substantial details are in.
According to Variety, the Chinese director has been working on We Shall Be All on and off for the past 22 years, with the initial shooting taking place in 2001. Co-written by Jia and Wan Jiahuan, and of course starring Zhao Tao, the rest of the film will be shot later this year. With the sweeping story taking place across the first two decades of the 21st century, the film will capture a “dismantling of dystopia” as we follow “how a Chinese woman lives to herself in silence, celebrating the prosperous Belle Epoque with songs and dance.
According to Variety, the Chinese director has been working on We Shall Be All on and off for the past 22 years, with the initial shooting taking place in 2001. Co-written by Jia and Wan Jiahuan, and of course starring Zhao Tao, the rest of the film will be shot later this year. With the sweeping story taking place across the first two decades of the 21st century, the film will capture a “dismantling of dystopia” as we follow “how a Chinese woman lives to herself in silence, celebrating the prosperous Belle Epoque with songs and dance.
- 6/6/2023
- by Jordan Raup
- The Film Stage
Acclaimed Chinese auteur filmmaker Jia Zhang-ke has set “We Shall Be All” as his next feature directing project. It is his first in the five years since his “Ash Is Purest White,” which premiered in Cannes in 2018.
Describing the project as a “dismantling of dystopia,” Jia says that the new film is set across the first two decades of the 21st century and tells the story of how a Chinese woman lives to herself in silence, celebrating the prosperous Belle Epoque with songs and dance.
Some 22 years in the making, the film’s first elements were shot as far back as 2001. The balance will be filmed later this year. No release schedule has been indicated.
The film is co-written by Jia and Wan Jiahuan, a pairing that previously worked together on Jia’s 2020 documentary film “Swimming Out Till The Sea Turns Blue.”
It will star Zhao Tao, who is both...
Describing the project as a “dismantling of dystopia,” Jia says that the new film is set across the first two decades of the 21st century and tells the story of how a Chinese woman lives to herself in silence, celebrating the prosperous Belle Epoque with songs and dance.
Some 22 years in the making, the film’s first elements were shot as far back as 2001. The balance will be filmed later this year. No release schedule has been indicated.
The film is co-written by Jia and Wan Jiahuan, a pairing that previously worked together on Jia’s 2020 documentary film “Swimming Out Till The Sea Turns Blue.”
It will star Zhao Tao, who is both...
- 6/6/2023
- by Patrick Frater
- Variety Film + TV
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