What in the world -- an A + top-rank film noir gem hiding under the radar, and rescued (most literally) by the Film Noir Foundation. Ann Sheridan and Dennis O'Keefe trade dialogue as good as any in a film from 1950 -- it's a thriller with a cynical worldview yet a sentimental personal outlook. Woman on the Run Blu-ray + DVD Flicker Alley / FIlm Noir Foundation 1950 / B&W / 1:37 Academy / 79 min. / Street Date May 17, 2016 / 39.95 Starring Ann Sheridan, Dennis O'Keefe, Robert Keith, John Qualen, Frank Jenks, Ross Elliott, Jane Liddell, Joan Fulton, J. Farrell MacDonald, Steven Geray, Victor Sen Yung, Reiko Sato. Cinematography Hal Mohr Art Direction Boris Leven Film Editor Otto Ludwig Original Music Arthur Lange, Emil Newman Written by Alan Campbell, Norman Foster, Sylvia Tate Produced by Howard Welsch, Ann Sheridan Directed by Norman Foster
Reviewed by Glenn Erickson
Amazing! Just when one thinks one won't see another top-rank film noir, the...
Reviewed by Glenn Erickson
Amazing! Just when one thinks one won't see another top-rank film noir, the...
- 5/24/2016
- by Glenn Erickson
- Trailers from Hell
Noir if I can help it! Sultry Lizabeth Scott out-'fatals' every femme we know in this wickedly ruthless tale of unadulterated female venality. Rough creep Dan Duryea meets his match, as do other unfortunate males that get between Liz and a plump bag of blackmail loot. The Film Noir Foundation's restoration is a valiant rescue job, for a worthy 'annihilating melodrama.' Too Late for Tears Blu-ray + DVD Flicker Alley / FIlm Noir Foundation 1949 / B&W / 1:37 Academy / 102 min. / Street Date May 17, 2016 / 39.95 Starring Lizabeth Scott, Don DeFore, Dan Duryea, Arthur Kennedy, Kristine Miller, Barry Kelley Cinematography William Mellor Art Direction James Sullivan Film Editor Harry Keller Original Music Dale Butts Written by Roy Huggins from his story Produced by Hunt Stromberg Directed by Byron Haskin
Reviewed by Glenn Erickson
Who's doing good work for film preservation? The Film Noir Foundation has racked up some impressive rescues and restorations in the last fifteen years or so,...
Reviewed by Glenn Erickson
Who's doing good work for film preservation? The Film Noir Foundation has racked up some impressive rescues and restorations in the last fifteen years or so,...
- 5/21/2016
- by Glenn Erickson
- Trailers from Hell
Coleen Gray in 'The Sleeping City' with Richard Conte. Coleen Gray after Fox: B Westerns and films noirs (See previous post: “Coleen Gray Actress: From Red River to Film Noir 'Good Girls'.”) Regarding the demise of her Fox career (the year after her divorce from Rod Amateau), Coleen Gray would recall for Confessions of a Scream Queen author Matt Beckoff: I thought that was the end of the world and that I was a total failure. I was a mass of insecurity and depended on agents. … Whether it was an 'A' picture or a 'B' picture didn't bother me. It could be a Western movie, a sci-fi film. A job was a job. You did the best with the script that you had. Fox had dropped Gray at a time of dramatic upheavals in the American film industry: fast-dwindling box office receipts as a result of competition from television,...
- 10/15/2015
- by Andre Soares
- Alt Film Guide
Dark City
Written by John Meredyth Lucas and Larry Marcus
Directed by William Dieterle
U.S.A. 1950
Danny Haley (Charlton Heston) calmly walks along the big city sidewalk towards an as of yet unknown destination as the opening credits role. His serious gaze surveys the surrounding area. Moments later the viewer discovers what might have been troubling him as a police convoy raids a nearby building, smashing an illegal betting operation in the process. Danny successfully found refuge across the street, but he and his partners in crime Barney (Ed Begley) and Augie (Jack Webb) are out for the count as far as making quick cash is concerned. Down and out, that is, until they make the acquaintance of army veteran Arthur Winant (Don DeFore) who looks to be loaded and ready to spend big bucks while in town. A fixed card game sees the unsuspecting Arthur hand over a sizable sum via check…...
Written by John Meredyth Lucas and Larry Marcus
Directed by William Dieterle
U.S.A. 1950
Danny Haley (Charlton Heston) calmly walks along the big city sidewalk towards an as of yet unknown destination as the opening credits role. His serious gaze surveys the surrounding area. Moments later the viewer discovers what might have been troubling him as a police convoy raids a nearby building, smashing an illegal betting operation in the process. Danny successfully found refuge across the street, but he and his partners in crime Barney (Ed Begley) and Augie (Jack Webb) are out for the count as far as making quick cash is concerned. Down and out, that is, until they make the acquaintance of army veteran Arthur Winant (Don DeFore) who looks to be loaded and ready to spend big bucks while in town. A fixed card game sees the unsuspecting Arthur hand over a sizable sum via check…...
- 2/20/2015
- by Edgar Chaput
- SoundOnSight
Lizabeth Scott, the sultry blonde who epitomized cinematic "bad girls" in film noir productions, has passed away at age 92. Scott specialized in playing hard-bitten, self-confident femme fatales usually from the wrong side of the tracks. Her leading men included Robert Mithchum, Burt Lancaster, Michael Caine, Charlton Heston, Elvis Presley, Dean Martin, Jerry Lewis and Kirk Douglas. Her film credits include "Loving You", "Dark City", "I Walk Alone", "Too Late for Tears", "Pitfall" and "Scared Stiff". Her last screen appearance was in director Mike Hodges' acclaimed 1972 cult movie "Pulp", which was a send-up of the film noir genre. Scott's career began to fade in the late 1950s though she did make occasional appearances in TV series in the following years. In more recent years, she occasionally appeared at film festivals to discuss her work and career. Click here for more. ...
- 2/7/2015
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
Lizabeth Scott dead at 92: Film noir star of the '40s and '50s Lizabeth Scott, a Paramount star in the 1940s usually cast as film noir heroines, died of congestive heart failure on Jan. 31, 2015, at Cedars-Sinai Medical Center in Los Angeles. Scott, born (as Emma Matzo) on Sept. 29, 1922, was 92. (See also: Lizabeth Scott photo at recent The Strange Love of Martha Ivers screening.) Among the two dozen film featuring Lizabeth Scott – whose hair-style and husky line delivery were clearly inspired by Paramount's own Veronica Lake (along with Warner Bros.' Lauren Bacall) – were the following: John Farrow's You Came Along (1945), with Robert Cummings. Lewis Milestone's The Strange Love of Martha Ivers (1946), with Barbara Stanwyck, Van Heflin, and Kirk Douglas. Desert Fury (1947), with Burt Lancaster. Dead Reckoning (1947), with Humphrey Bogart. Pitfall (1948), with Dick Powell. Dark City (1950), with Charlton Heston. The Racket (1951), with Robert Ryan and Robert Mitchum.
- 2/7/2015
- by Andre Soares
- Alt Film Guide
Lizabeth Scott, one of the original femme fatales of cinema, is dead at 92. With star-making turns in the film-noir classics of the 1940s and ’50s, Scott suffered heart failure at Cedars Sinai Medical Center on January 31, according to media reports. In 1947, Scott starred in “I Walk Alone” with Burt Lancaster, and opposite Charlton Heston in 1950’s “Dark City.” Also Read: Stewart Stern, ‘Rebel Without a Cause’ Screenwriter, Dead at 92 Scott often drew comparisons to Lauren Bacall, thanks to her smoky voice, film fans note. Her last credited role was in 1972’s “Pulp,” a sort of parody of the noir genre,...
- 2/7/2015
- by Matt Donnelly
- The Wrap
Olive Films releases classics old and new (but mostly old) on a monthly basis, and it’s not uncommon to find pockets of a theme at times — same actors, similar genre, etc. — and their selection of titles that hit shelves this week are no different. The seven films can be broken into two groups as four of them are film noir examples from the late ’40s and early ’50s, and the three more recent titles are all directed by Otto Preminger. My exposure to both is not nearly as deep as I’d like, so these offered up a great sampling of the noir genre and Preminger’s resume. Three of the films are genuinely fantastic, but none of the seven seem to enjoy wide popularity — this is somewhat baffling when you look at the powerhouse casts including the likes of Alan Ladd, Charlton Heston, Burt Lancaster, William Holden, Michael Caine and others. Keep...
- 12/24/2014
- by Rob Hunter
- FilmSchoolRejects.com
Reclusive blind artist Franz Badulescu makes beautiful life-like sculptures, but as photographer Claude Marchand discovers, they may be a little too realistic. There’s something macabre going on at Franz’s Spanish castle in 1971′s Cauldron of Blood (aka Blind Man’s Bluff), starring horror legend Boris Karloff, and Olive Films is bringing the film’s murderous mystery to Blu-ray and DVD this fall.
Coming to Blu-ray and DVD on October 14th, Cauldron of Blood will be available in time to secure a spot in Halloween movie marathons. For those unfamiliar with the Euro horror film, we have the synopsis and a look at the cover art (image courtesy of Amazon!):
“In a clever twist on the sculptor/murderer theme that runs throughout horror film history, the legendary Boris Karloff stars as blind artist Franz Badulescu, who creates startlingly lifelike statues with the help of his protective daughter, Viveca Lindfors...
Coming to Blu-ray and DVD on October 14th, Cauldron of Blood will be available in time to secure a spot in Halloween movie marathons. For those unfamiliar with the Euro horror film, we have the synopsis and a look at the cover art (image courtesy of Amazon!):
“In a clever twist on the sculptor/murderer theme that runs throughout horror film history, the legendary Boris Karloff stars as blind artist Franz Badulescu, who creates startlingly lifelike statues with the help of his protective daughter, Viveca Lindfors...
- 8/8/2014
- by Derek Anderson
- DailyDead
On Easter Sunday, many people watch the old religious film favorites. Just look at today’s TCM schedule to see the epic staples programmed, like King of Kings, The Robe, The Greatest Story Ever Told and Ben-Hur (which Neil highlighted for Scenes We Love last year). They’re also showing the obviously appropriate musical Easter Parade. But there are a lot of other movies that aren’t recognized enough for either being Easter movies or including memorable Easter scenes. Did you know Altman’s Cookies Fortune takes place over Easter weekend? And major events happen on the holiday in such films as Chocolat, Steel Magnolias and Resnais’s The War is Over. Quite suitably, Charlton Heston’s first movie, Dark City, opens with him carrying a gift box with an Easter bunny inside. Six other movies selected here are rarely thought of as Easter movies, if they’re thought of at all. Consider...
- 3/31/2013
- by Christopher Campbell
- FilmSchoolRejects.com
Actor best known as the warm and authoritative Colonel Potter in M*A*S*H
The actor Harry Morgan, who has died aged 96, was best known as Colonel Sherman T Potter, commander of the 4077th Mobile Army Surgical Hospital in M*A*S*H, the wonderfully witty and sharp television series set in an army camp during the Korean war. He played Potter, an expert surgeon and a father figure in the camp, from 1978 until 1983.
Those who knew Morgan from films alone might have been surprised by his warm and authoritative performance as Potter. Throughout the 1940s and 1950s, as a supporting actor, he played runtish bad guys and worms that seldom turned. He gradually began to reveal a more likable side, as a musician buddy of Glenn Miller (James Stewart) in The Glenn Miller Story (1954) and in the typically bland 50s TV sitcom December Bride (1954-58). Later, he played...
The actor Harry Morgan, who has died aged 96, was best known as Colonel Sherman T Potter, commander of the 4077th Mobile Army Surgical Hospital in M*A*S*H, the wonderfully witty and sharp television series set in an army camp during the Korean war. He played Potter, an expert surgeon and a father figure in the camp, from 1978 until 1983.
Those who knew Morgan from films alone might have been surprised by his warm and authoritative performance as Potter. Throughout the 1940s and 1950s, as a supporting actor, he played runtish bad guys and worms that seldom turned. He gradually began to reveal a more likable side, as a musician buddy of Glenn Miller (James Stewart) in The Glenn Miller Story (1954) and in the typically bland 50s TV sitcom December Bride (1954-58). Later, he played...
- 12/9/2011
- by Ronald Bergan
- The Guardian - Film News
Robin Swicord, Lizabeth Scott, The Strange Love of Martha Ivers screening Veteran actress Lizabeth Scott and screenwriter Robin Swicord (Little Women, Memoirs of a Geisha) attended a screening of Lewis Milestone's 1946 The Strange Love of Martha Ivers back in June 2010. (Click on the image to enlarge it.) Scott, who'll turn 89 next September 29, was a Paramount star in the second half of the 1940s. In addition to Martha Ivers, her credits include the melodramas You Came Along (1945), Desert Fury (1947), Easy Living (1949), and Paid in Full (1950); the film noirs Dead Reckoning (1947), I Walk Alone (1948), and Dark City (1950); the Dean Martin-Jerry Lewis comedy Scared Stiff (1953); and the early Elvis Presley vehicle Loving You (1957). In The Strange Love of Martha Ivers, Scott played opposite Barbara Stanwyck, Van Heflin, and Kirk Douglas. This mix of crime thriller and psychological melodrama was shown as part of the "Oscar Noir" series at the Academy...
- 9/7/2011
- by Andre Soares
- Alt Film Guide
Disc Dish has all the details on Warner’s highly anticipated Ben-Hur 50th Anniversary Collector’s Edition DVD and Blu-ray that we wrote about several months back and that’s officially debuting on September 27. This release marks the classic film’s premiere in a high-definition format.
This latest release of the Academy Award-winning 1959 classic (which is technically being release two years after its 50th Anniversary, but we’re not complaining!) has undergone a $1 million restoration—a frame-by-frame undertaking from an 8k scan of the original 65 mm camera negative. According to Warner Bros, it’s the highest resolution restoration ever completed by the studio.
Charlton Heston rides his white horses glory in 1959's Ben-Hur.
The restoration of the classic action-adventure epic drama is almost trumped by some newly-uncovered home movies, shot by the family of star Charlton Heston (Dark City) in Italy during the movie’s production. It’s believed to...
This latest release of the Academy Award-winning 1959 classic (which is technically being release two years after its 50th Anniversary, but we’re not complaining!) has undergone a $1 million restoration—a frame-by-frame undertaking from an 8k scan of the original 65 mm camera negative. According to Warner Bros, it’s the highest resolution restoration ever completed by the studio.
Charlton Heston rides his white horses glory in 1959's Ben-Hur.
The restoration of the classic action-adventure epic drama is almost trumped by some newly-uncovered home movies, shot by the family of star Charlton Heston (Dark City) in Italy during the movie’s production. It’s believed to...
- 6/20/2011
- by Laurence
- Disc Dish
Charlton Heston, the square-jawed movie star who won an Oscar for his portrayal of Ben-Hur and was famed for a number of other epic films, died Saturday night at the age of 84. Though an official cause of death was not initially released, the actor had announced in 2002 that he was battling Alzheimer's disease, and had withdrawn from professional appearances after the diagnosis. An actor at first well-known for his portrayal of historical figures -- in addition to his role as Ben-Hur, he also played Michelangelo, El Cid, Moses, and John the Baptist -- Heston's fame later in life was highlighted by his polarizing views on gun control, as the actor was elected president of the National Rifle Association in 1998 and vigorously defended the rights of gun owners throughout the country. Indeed the role of political activist, which he embraced throughout his life, almost overshadowed his impressive acting career, which started in theater and television before graduating to the silver screen.
Born in Evanston, IL, Heston was the son of a mill owner who found his life's ambition in acting and found his first big breaks on the Broadway stage and in the nascent medium of television. He made his debut in the 1950 film noir thriller Dark City, and within two years headlined (alongside established stars Betty Hutton and Cornel Wilde) the 1952 Best Picture Oscar winner, The Greatest Show on Earth, directed by Cecil B. DeMille. Though he continued to work in a number of lower-profile films, including Ruby Gentry and The Naked Jungle, it was DeMille who in 1956 gave the actor one of his most iconic roles, that of Moses in the Biblical epic The Ten Commandments, a sweeping, captivating, over-the-top film that pioneered cinematic special effects with its parting of the Red Sea, and in its depiction of the turbulent political lives and love lives of its stars -- Heston, Yul Brynner as the Pharoah and Anne Baxter as the woman torn between them -- became the quintessential studio epic of its time, favored as much for its close-to-camp emotional broadness as well as its impressive scale. Heston did a 180-degree turnaround from that statuesque role with 1958's Touch of Evil, the Orson Welles thriller that remains a classic to this day in which he played a Mexican narcotics officer drawn into a lurid drug ring. Heston won his Best Actor Oscar in 1959 for another lavish, larger-than-life historical epic, Ben-Hur, which with its famed chariot race and story set against the backdrop of ancient Rome won a record 11 Academy Awards, a feat not equalled until Titanic's similar win in 1997.
After Ben-Hur, Heston's status as a star was firmly cemented, and throughout the 1960s roles in such films as El Cid, 55 Days at Peking, The Greatest Story Ever Told (where he played John the Baptist), The Agony and the Ecstasy (his Michelangelo going up against Rex Harrison's Pope Julius II), and Khartoum followed. He found another legendary screen character in 1968's Planet of the Apes, as an astronaut who finds himself on a futuristic Earth now populated by evolved simians who have enslaved the human race. As with his other roles, Heston perfectly balanced the camp aspects of the story with a gravitas that helped ground the sci-fi thriller with a modern-day resonance that helped audiences identify with the hero's plight. (Heston briefly reprised his role in the sequel Beneath the Planet of the Apes). The 1970s saw the actor again in futuristic roles in The Omega Man (based on the same story as last year's I Am Legend) and Soylent Green, as well as the disaster epics Airport 1975 and Earthquake. Heston's later film career was made up primarily of thrillers (Gray Lady Down, Two-Minute Warning, The Awakening), television appearances (most notably in Dynasty and its spinoff, The Colbys), and cameos in a variety of high-profile films (Wayne's World 2, Tombstone, True Lies, Hamlet, Any Given Sunday, and the remake of Planet of the Apes, among others). By 1978, Heston had received the Jean Hersholt Humanitarian Award, the Cecil B. DeMille Award from the Hollywood Foreign Press Association, and a lifetime achievement award from the Screen Actors Guild; on the down side, he also regrettably won a Razzie award in 2002 for his supporting performances in Cats & Dogs and Town and Country.
Heston's film career often became overshadowed by his political activities. In the 1960s he was an early, vocal and visible participant in the Civil Rights movement; joining Martin Luther King's march on Washington. In the 1980s and onward, as the former president of the Screen Actors Guild and onetime chairman of the American Film Institute he championed conservative causes and campaigned aggressively against gun control, becoming president of the National Rifle Association in 1998 and speaking out against then-President Bill Clinton on the subject. Becoming yet another icon, Heston found himself revered and reviled by supporters on both sides of the issue and became the surprising center of a highly emotional culture war, using his fame to speak out in favor of a number of conservative issues (he changed his political stance from Democrat to Republican in the late 1980s). Using his position as a Time-Warner stock holder he castigated the company for profiting from the sales of an Ice-T album which included the song "Cop Killer," reading the lyrics to the song aloud at a stockholder meeting. His career as gun-control opponent reached an apotheosis with his appearance in 2000 when he vowed that they could take his guns when they pried the weapons "from my cold, dead hands." Later, in Michael Moore's 2002 Oscar-winning Bowling for Columbine, a visibly diminished Heston refused to answer Moore's barrage of questions regarding gun deaths, particularly for the callousness of Heston attending an NRA meeting in Denver shortly after the nearby Columbine school massacres. A year later, Heston received the Presidential Medal of Freedom and he officially disclosed that he was battling Alzheimer's; he consequently withdrew from public life.
Heston is survived by his wife Lydia Clarke, to whom he was married 64 years, and their two children, Fraser Clarke Heston and Holly Heston Rochell. --Mark Englehart, IMDb staff...
Born in Evanston, IL, Heston was the son of a mill owner who found his life's ambition in acting and found his first big breaks on the Broadway stage and in the nascent medium of television. He made his debut in the 1950 film noir thriller Dark City, and within two years headlined (alongside established stars Betty Hutton and Cornel Wilde) the 1952 Best Picture Oscar winner, The Greatest Show on Earth, directed by Cecil B. DeMille. Though he continued to work in a number of lower-profile films, including Ruby Gentry and The Naked Jungle, it was DeMille who in 1956 gave the actor one of his most iconic roles, that of Moses in the Biblical epic The Ten Commandments, a sweeping, captivating, over-the-top film that pioneered cinematic special effects with its parting of the Red Sea, and in its depiction of the turbulent political lives and love lives of its stars -- Heston, Yul Brynner as the Pharoah and Anne Baxter as the woman torn between them -- became the quintessential studio epic of its time, favored as much for its close-to-camp emotional broadness as well as its impressive scale. Heston did a 180-degree turnaround from that statuesque role with 1958's Touch of Evil, the Orson Welles thriller that remains a classic to this day in which he played a Mexican narcotics officer drawn into a lurid drug ring. Heston won his Best Actor Oscar in 1959 for another lavish, larger-than-life historical epic, Ben-Hur, which with its famed chariot race and story set against the backdrop of ancient Rome won a record 11 Academy Awards, a feat not equalled until Titanic's similar win in 1997.
After Ben-Hur, Heston's status as a star was firmly cemented, and throughout the 1960s roles in such films as El Cid, 55 Days at Peking, The Greatest Story Ever Told (where he played John the Baptist), The Agony and the Ecstasy (his Michelangelo going up against Rex Harrison's Pope Julius II), and Khartoum followed. He found another legendary screen character in 1968's Planet of the Apes, as an astronaut who finds himself on a futuristic Earth now populated by evolved simians who have enslaved the human race. As with his other roles, Heston perfectly balanced the camp aspects of the story with a gravitas that helped ground the sci-fi thriller with a modern-day resonance that helped audiences identify with the hero's plight. (Heston briefly reprised his role in the sequel Beneath the Planet of the Apes). The 1970s saw the actor again in futuristic roles in The Omega Man (based on the same story as last year's I Am Legend) and Soylent Green, as well as the disaster epics Airport 1975 and Earthquake. Heston's later film career was made up primarily of thrillers (Gray Lady Down, Two-Minute Warning, The Awakening), television appearances (most notably in Dynasty and its spinoff, The Colbys), and cameos in a variety of high-profile films (Wayne's World 2, Tombstone, True Lies, Hamlet, Any Given Sunday, and the remake of Planet of the Apes, among others). By 1978, Heston had received the Jean Hersholt Humanitarian Award, the Cecil B. DeMille Award from the Hollywood Foreign Press Association, and a lifetime achievement award from the Screen Actors Guild; on the down side, he also regrettably won a Razzie award in 2002 for his supporting performances in Cats & Dogs and Town and Country.
Heston's film career often became overshadowed by his political activities. In the 1960s he was an early, vocal and visible participant in the Civil Rights movement; joining Martin Luther King's march on Washington. In the 1980s and onward, as the former president of the Screen Actors Guild and onetime chairman of the American Film Institute he championed conservative causes and campaigned aggressively against gun control, becoming president of the National Rifle Association in 1998 and speaking out against then-President Bill Clinton on the subject. Becoming yet another icon, Heston found himself revered and reviled by supporters on both sides of the issue and became the surprising center of a highly emotional culture war, using his fame to speak out in favor of a number of conservative issues (he changed his political stance from Democrat to Republican in the late 1980s). Using his position as a Time-Warner stock holder he castigated the company for profiting from the sales of an Ice-T album which included the song "Cop Killer," reading the lyrics to the song aloud at a stockholder meeting. His career as gun-control opponent reached an apotheosis with his appearance in 2000 when he vowed that they could take his guns when they pried the weapons "from my cold, dead hands." Later, in Michael Moore's 2002 Oscar-winning Bowling for Columbine, a visibly diminished Heston refused to answer Moore's barrage of questions regarding gun deaths, particularly for the callousness of Heston attending an NRA meeting in Denver shortly after the nearby Columbine school massacres. A year later, Heston received the Presidential Medal of Freedom and he officially disclosed that he was battling Alzheimer's; he consequently withdrew from public life.
Heston is survived by his wife Lydia Clarke, to whom he was married 64 years, and their two children, Fraser Clarke Heston and Holly Heston Rochell. --Mark Englehart, IMDb staff...
- 4/6/2008
- IMDb News
Related: Remembering Mr. Heston
Corrected 10:31 a.m. Pt April 6, 2008
Updated 6:34 p.m. Pt April 6, 2008
Charlton Heston, whose chiseled-granite looks and commanding manner allowed him to portray some of history's most extraordinary men from Moses and Michelangelo to John the Baptist and El Cid, has died. He was 84.
The actor, who won an Oscar for the title role in 1959's "Ben-Hur," died Saturday night at his home in Beverly Hills with his wife Lydia at his side, said family spokesman Bill Powers, who declined to comment on the cause of death.
In 2002, Heston revealed in a videotaped statement that he had symptoms consistent with Alzheimer's disease. Saying, "I must reconcile courage and surrender in equal measure," he began to exit the public stage, where he was known for his work with SAG and the American Film Institute as well as for political activism that saw him take up causes...
Corrected 10:31 a.m. Pt April 6, 2008
Updated 6:34 p.m. Pt April 6, 2008
Charlton Heston, whose chiseled-granite looks and commanding manner allowed him to portray some of history's most extraordinary men from Moses and Michelangelo to John the Baptist and El Cid, has died. He was 84.
The actor, who won an Oscar for the title role in 1959's "Ben-Hur," died Saturday night at his home in Beverly Hills with his wife Lydia at his side, said family spokesman Bill Powers, who declined to comment on the cause of death.
In 2002, Heston revealed in a videotaped statement that he had symptoms consistent with Alzheimer's disease. Saying, "I must reconcile courage and surrender in equal measure," he began to exit the public stage, where he was known for his work with SAG and the American Film Institute as well as for political activism that saw him take up causes...
- 4/5/2008
- by By Gregg Kilday and Duane Byrge
- The Hollywood Reporter - Movie News
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