April Harper Grey, a.k.a. Underscores, puts a bratty, intentionally jarring spin on hyperpop, with funk basslines, dubstep wobbles, and trap beats that at times feel like eclecticism for its own sake. On her second studio album, Wallsocket, the San Francisco-based singer, songwriter, and producer’s sound has noticeably matured. The songs are still youthful—“Locals (Girls Like Us)” and “Johnny Johnny Johnny” feature sing-along choruses that echo pep-rally cheers—but she sings from a comparably wizened Pov.
Wallsocket is written from the perspectives of troubled young characters, from a woman struggling with an illness that’s “as rare as it gets” to a girl being love-bombed by a pedophile. Themes of class resentment and alienation course through the album’s 12 songs: On “Shoot to Kill, Kill Your Darlings,” Grey wonders why a rich kid would want to join the military, while “Old Money Bitch” finds her sneering at...
Wallsocket is written from the perspectives of troubled young characters, from a woman struggling with an illness that’s “as rare as it gets” to a girl being love-bombed by a pedophile. Themes of class resentment and alienation course through the album’s 12 songs: On “Shoot to Kill, Kill Your Darlings,” Grey wonders why a rich kid would want to join the military, while “Old Money Bitch” finds her sneering at...
- 9/18/2023
- by Steve Erickson
- Slant Magazine
The Shining‘s Shelley Duvall is making her return to acting after a twenty year hiatus in the upcoming creature feature The Forest Hills – and Michael and Jessica Kolence of the YouTube channel Grimm Life Collective happen to be producers on that movie, which opened the door to them getting the chance to spend the day with Duvall. As part of that day, they conducted an interview with Duvall, and the video of that interview can be seen at the bottom of this article. It’s a very nice, sweet interview, as the Kolences express a lot of love for Duvall’s work as they discuss projects like Popeye, Faerie Tale Theatre, and of course, The Shining.
Written and directed by Scott Goldberg, The Forest Hills tells the story of a man who is tormented by nightmarish visions after enduring head trauma while camping in the Catskill woods. The trailer,...
Written and directed by Scott Goldberg, The Forest Hills tells the story of a man who is tormented by nightmarish visions after enduring head trauma while camping in the Catskill woods. The trailer,...
- 1/24/2023
- by Cody Hamman
- JoBlo.com
Nosferatu: Anya Taylor-Joy (Split, above) is negotiations to star in a new version of Nosferatu. If things work out, she will reunite with director Robert Eggers; they previously worked together on indie horror movie The Witch. Eggers will also write the screenplay, based on the 1922 silent original, which itself was inspired by Bram Stoker's Dracula. Werner Herzog directed a previous remake in 1979. [Variety] Joseph Bologna: Veteran actor Joseph Bologna has passed away. He was 82. Bologna earned an Academy Award nomination for cowriting Lovers and Other Strangers and then starred in comedies like Cops and Robbers, My Favorite Year and Blame It on Rio. He continued making notable supporting appearances for the next 30 years, including playing Adam Sandler's...
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- 8/15/2017
- by Peter Martin
- Movies.com
By Lee Pfeiffer
Few would argue that George C. Scott was one of the greatest actors of stage and screen. His presence in even a mediocre movie elevated its status considerably and his work as the nutty general in "Dr. Strangelove" was described by one critic as "the comic performance of the decade". When Scott won his well-deserved Oscar for Best Actor in "Patton" (which he famously refused), he seemed to be on a roll. His next film, the darkly satirical comedy "The Hospital" predicted the absurdities of America's for-profit health care system in which the rich and the poor were taken care of, with everyone else falling in between. The film earned Scott another Best Actor Oscar nomination despite his snubbing of the Academy the previous year. From that point, however, Scott's choice of film roles was wildly eclectic. There were some gems and plenty of misfires that leads...
Few would argue that George C. Scott was one of the greatest actors of stage and screen. His presence in even a mediocre movie elevated its status considerably and his work as the nutty general in "Dr. Strangelove" was described by one critic as "the comic performance of the decade". When Scott won his well-deserved Oscar for Best Actor in "Patton" (which he famously refused), he seemed to be on a roll. His next film, the darkly satirical comedy "The Hospital" predicted the absurdities of America's for-profit health care system in which the rich and the poor were taken care of, with everyone else falling in between. The film earned Scott another Best Actor Oscar nomination despite his snubbing of the Academy the previous year. From that point, however, Scott's choice of film roles was wildly eclectic. There were some gems and plenty of misfires that leads...
- 7/9/2017
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
Deborah Kerr in the classic ghost story The Innocents, screenplay by Truman Capote.
The Anthology Film Archives in New York is holding a unique film festival throughout the month of September honoring screenwriters who were best known for their work as novelists. Here are the details:
On this calendar we are highlighting the screenwriting work of writers best known as novelists – including pulp novelists like Richard Matheson, Donald Westlake, and Elmore Leonard, cult figures such as Don Carpenter and John Fante, and such highly respected authors as Truman Capote and Joan Didion. Paying homage to the long tradition of novelists trying their hand at writing for the movies, we will present a selection of films based not on these writers’ novels, but on their original screenplays (which are sometimes adaptations of other novelists’ work).
From The Pen Of is programmed in close collaboration with author/musician Alan Licht.
Very special thanks to Alan Licht,...
The Anthology Film Archives in New York is holding a unique film festival throughout the month of September honoring screenwriters who were best known for their work as novelists. Here are the details:
On this calendar we are highlighting the screenwriting work of writers best known as novelists – including pulp novelists like Richard Matheson, Donald Westlake, and Elmore Leonard, cult figures such as Don Carpenter and John Fante, and such highly respected authors as Truman Capote and Joan Didion. Paying homage to the long tradition of novelists trying their hand at writing for the movies, we will present a selection of films based not on these writers’ novels, but on their original screenplays (which are sometimes adaptations of other novelists’ work).
From The Pen Of is programmed in close collaboration with author/musician Alan Licht.
Very special thanks to Alan Licht,...
- 9/5/2012
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
Donald E. Westlake is the creative genius behind the Parker series of novels, a hard-boiled character who has been portrayed on the screen by Lee Marvin, Robert Duvall, and Mel Gibson, among others. Westlake, who wrote the Parker books under the pseudonym Richard Stark, was a prolific writer with a gift for spinning yarns filled with colorful cops 'n' criminals, the type of people who are never as bright as they think they are (except for Parker). His books began to be adapted into movies with Jean-Luc Godard's Made in U.S.A. in 1966, followed by The Busy Body, Point Blank, Pillaged, The Split, The Hot Rock, Cops and Robbers, The Outfit and Bank Shot, all within a period of 8 years. As a young reader,...
- 7/29/2011
- Screen Anarchy
"This was never a fun place. Oh, they had a pool and everything, but it was never fun."
The title 11 Harrowhouse (1974) has a grim sound to it, but it's a largely light movie, tipped over from heavy heist to comic caper by the onscreen presence and script contribution of Charles Grodin. But more on him later.
Director Aram Avakian made only a few films (this was his last), including an adaptation of John Barth's End of the Road (1970) scripted by Terry Southern that's soon to be reissued courtesy of Steven Soderbergh, and Cops and Robbers (1973), adapted from Donald Westlake's novel by the author himself. His strongest suite as filmmaker was his editing, hardly surprising since he was an editor himself, cutting early films by Coppola and Arthur Penn.
In his untrustworthy memoir The Kid Stays in the Picture, Robert Evans recounts firing Avakian from The Godfather, after a Machiavellian attempt to get Coppola fired.
The title 11 Harrowhouse (1974) has a grim sound to it, but it's a largely light movie, tipped over from heavy heist to comic caper by the onscreen presence and script contribution of Charles Grodin. But more on him later.
Director Aram Avakian made only a few films (this was his last), including an adaptation of John Barth's End of the Road (1970) scripted by Terry Southern that's soon to be reissued courtesy of Steven Soderbergh, and Cops and Robbers (1973), adapted from Donald Westlake's novel by the author himself. His strongest suite as filmmaker was his editing, hardly surprising since he was an editor himself, cutting early films by Coppola and Arthur Penn.
In his untrustworthy memoir The Kid Stays in the Picture, Robert Evans recounts firing Avakian from The Godfather, after a Machiavellian attempt to get Coppola fired.
- 7/28/2011
- MUBI
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