The Nine Network has commissioned a six part half-hour comedy which centres on a Lebanese family from Western Sydney who win the lottery and move to the Eastern Suburbs.
Here Come the Habibs is the first narrative comedy originated by a commercial-free-to-air broadcaster in more than two decades.
Among the last was Acropolis Now, which starred Nick Giannopoulos and Mary Costas and aired on the Seven Network from 1989 to 1992. (Seven commissioned one season of Kath & Kim in 2007 after the first three series screened on the ABC).
Rob Shehadie, Tahir Bilgic and Matt Ryan-Garnsey created the concept and brought it to executive producer Ben Davies.
Davies worked with Shehadie and Bilgic to develop the idea, the characters and their world, before partnering with Jungleboys. Phil Lloyd, Trent O'Donnell and Jason Burrows.
Chloe Rickard is set to produce the series with Darren Ashton (Wonderland, Offspring, Rush, Bed of Roses) as the director.
Here Come the Habibs is the first narrative comedy originated by a commercial-free-to-air broadcaster in more than two decades.
Among the last was Acropolis Now, which starred Nick Giannopoulos and Mary Costas and aired on the Seven Network from 1989 to 1992. (Seven commissioned one season of Kath & Kim in 2007 after the first three series screened on the ABC).
Rob Shehadie, Tahir Bilgic and Matt Ryan-Garnsey created the concept and brought it to executive producer Ben Davies.
Davies worked with Shehadie and Bilgic to develop the idea, the characters and their world, before partnering with Jungleboys. Phil Lloyd, Trent O'Donnell and Jason Burrows.
Chloe Rickard is set to produce the series with Darren Ashton (Wonderland, Offspring, Rush, Bed of Roses) as the director.
- 10/19/2015
- by Don Groves
- IF.com.au
Big Mamma’s Boy’s Matteo Bruno and Franco Di Chiera had the challenge of marketing a rom-com set in Melbourne’s Italian community two ways, to the cultural minority and the mass majority. Colin Delaney reports.
“For me it’s a romantic comedy and that’s it,” says Franco Di Chiera, director of Big Mamma’s Boy about an Italian-Australian career man by day, jazz singer by night who falls for a non-Italian girl, while still living with his mother.
Yet, despite the fact the film is a rom-com at heart, Di Chiera, producer Matteo Bruno and lead actor/writer Frank Lotito are well aware Big Mamma’s Boy could easily be passed off as another Australian ‘wog story’.
And what would be wrong with that? Comedies about the ‘wog’, be them Italian, Greek or any other wonderful ethnicity slapped with that all-encompassing title have been widely successful across...
“For me it’s a romantic comedy and that’s it,” says Franco Di Chiera, director of Big Mamma’s Boy about an Italian-Australian career man by day, jazz singer by night who falls for a non-Italian girl, while still living with his mother.
Yet, despite the fact the film is a rom-com at heart, Di Chiera, producer Matteo Bruno and lead actor/writer Frank Lotito are well aware Big Mamma’s Boy could easily be passed off as another Australian ‘wog story’.
And what would be wrong with that? Comedies about the ‘wog’, be them Italian, Greek or any other wonderful ethnicity slapped with that all-encompassing title have been widely successful across...
- 7/29/2011
- by Colin Delaney
- Encore Magazine
Our society is constantly being shaped by a constant influx of immigrants from all cultural backgrounds, and the influences they bring with them. But for a country that prides itself on its multiculturalism, there is a very limited amount of ‘ethnic’ content in the media, aimed specifically at these groups. Aravind Balasubramaniam reports.
The statistics are well known,” said audio and language content director at Sbs, Dirk Anthony. “One in four Australians is either born overseas or has parents of migrant backgrounds, so it is very important that we recognise that fact and continue to be able to communicate Australian messages in the relevant languages”.
The media landscape appears not to have evolved with this increase in migrant population and the consequent growth in demand for specialised content. When taking into consideration the early identification
of the Hispanic population in the U.S as a potential market, Australia’s reaction...
The statistics are well known,” said audio and language content director at Sbs, Dirk Anthony. “One in four Australians is either born overseas or has parents of migrant backgrounds, so it is very important that we recognise that fact and continue to be able to communicate Australian messages in the relevant languages”.
The media landscape appears not to have evolved with this increase in migrant population and the consequent growth in demand for specialised content. When taking into consideration the early identification
of the Hispanic population in the U.S as a potential market, Australia’s reaction...
- 2/13/2011
- by Miguel Gonzalez
- Encore Magazine
When you have an $11.4m comedy in your hands, a sequel is a no-brainer, even if it takes 10 years to make it happen. Miguel Gonzalez met with the creators of The Kings of Mykonos and discussed why ‘ethnic’ content is the secret to domestic and international success.
Five years ago actor/writer/producer Nick Giannopoulos started developing a story about a couple of Australians with a Mediterranean background going back to their ancestral homeland for the first time, only to discover that it is no longer the same place their parents left, and that they are, in fact, more Australian than they ever thought they were.
“It’s an Australian fish-out-of-the-water comedy, shot in Greece yet uniquely Australian. That’s why Crocodile Dundee worked; these are western suburbs Melbourne boys plonked into the middle of one of the most cosmopolitan islands in the world, with their thongs and broad Australian accents,...
Five years ago actor/writer/producer Nick Giannopoulos started developing a story about a couple of Australians with a Mediterranean background going back to their ancestral homeland for the first time, only to discover that it is no longer the same place their parents left, and that they are, in fact, more Australian than they ever thought they were.
“It’s an Australian fish-out-of-the-water comedy, shot in Greece yet uniquely Australian. That’s why Crocodile Dundee worked; these are western suburbs Melbourne boys plonked into the middle of one of the most cosmopolitan islands in the world, with their thongs and broad Australian accents,...
- 5/18/2010
- by Miguel Gonzalez
- Encore Magazine
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