Directed by
John Pieplow |
Writing Credits
Dee Snider |
Cast (in credits order) complete, awaiting verification
Produced by
David Bushell | ... | producer (as David L. Bushell) |
Joseph J. DiMartino | ... | executive producer |
Larry Meistrich | ... | executive producer |
Dee Snider | ... | producer |
Music by
Anton Sanko |
Cinematography by
Goran Pavicevic |
Editing by
Jeff Kushner | ||
Joe Woo Jr. |
Casting By
Lee Ann Groff |
Production Design by
Debbie DeVilla |
Art Direction by
Charles Kulsziski |
Set Decoration by
Lydia Marks |
Costume Design by
Jillian Ann Kreiner | ... | (as Jillian Kreiner) |
Makeup Department
Michael Burnett | ... | special makeup effects artist |
Michael J. Chaille | ... | special makeup effects shop foreman |
Rebecca Gifford | ... | key makeup artist |
Sabine Roller | ... | key hair stylist |
Brett Stern | ... | special makeup effects artist |
Jeff Tatman | ... | makeup designer / special makeup effects artist |
Production Management
Ray Angelic | ... | unit production manager |
David Bushell | ... | unit production manager (as David L. Bushell) |
Peter T. DaPuzzo | ... | unit manager |
Jamey Pryde | ... | post-production supervisor |
Second Unit Director or Assistant Director
Michael Lee Baron | ... | second unit director |
Bill Blyler | ... | second second assistant director |
Thomas Burke | ... | first assistant director (as Thomas M. Burke) |
Maximillian D. Day | ... | second assistant director |
Art Department
Jo Ann Bender | ... | set dresser |
Max Biscoe | ... | art director: re-shoots |
P.J. Davenport | ... | painter |
Chris DesMarais | ... | property master |
Chris Dysart | ... | scenic artist |
David Hedge | ... | construction coordinator |
Ari Krepostman | ... | intern |
Lisa McElroy | ... | set dresser |
John Monroe | ... | carpenter |
Janine Pesce | ... | assistant property master |
Renye Rees | ... | scenic artist |
Tony Smusz | ... | set dresser |
Laura VanTine | ... | storyboard artist |
Sound Department
Eric A. Christoffersen | ... | stereo sound consultant: Dolby (as Eric A. Christofferson) |
Ajae Clearway | ... | assistant sound editor |
Ryan Collison | ... | foley artist |
Thomas A. Gulino | ... | foley editor |
Bobby Johanson | ... | adr engineer |
Gabriel Kitinski | ... | sound mixer |
Peter Kitinski | ... | boom operator |
George A. Lara | ... | foley engineer / foley mixer |
Lisa J. Levine | ... | adr supervisor |
Eric McAllister | ... | editing room assistant |
James H. Nau | ... | sound effects editor |
Mary Ellen Porto | ... | dialogue editor |
Jacob Ribicoff | ... | adr editor |
Ahmad Shirazi | ... | supervising sound editor (as Maddy Shirazi) |
Dominick Tavella | ... | re-recording mixer |
Brian Vancho | ... | foley artist |
Ananda Yorty | ... | sound intern |
Special Effects by
Dan Gates | ... | special effects makeup |
Jeff Jackson | ... | special effects makeup |
Tuck John Porter | ... | special effects lab technician |
Dirk Rogers | ... | special effects technician: M.B.P production / lab technician: M.B.P. (uncredited) |
Stunts
Matthew R. Anderson | ... | stunt double: Kevin Gage |
Perry Barndt | ... | utility stunts |
Michael Lee Baron | ... | stunt coordinator |
John Blenkhorn | ... | utility stunts |
John Cade | ... | assistant stunt coordinator |
Warren A. Stevens | ... | utility stunts |
Robert Wood | ... | stunt double: Howdy (as Bob Wood) / stunt double: Howdy |
Camera and Electrical Department
Randy Allen | ... | grip |
William Ambrose | ... | best boy grip |
John Blenkhorn | ... | steadicam operator |
Daryl Didier | ... | electrician |
Tom Fendley | ... | best boy electric |
Anthony Gotta | ... | gaffer: additional photography |
Bryan G. Haigh | ... | second assistant camera: reshoots |
Jeff Hall | ... | gaffer |
Billy Holdson | ... | additional assistant camera |
Kevin Kansy | ... | grip |
Sanjay Kapoor | ... | first assistant camera |
Alexandra Kravetz | ... | second assistant camera |
Richard A. Ludt | ... | key grip |
David S. Marfield | ... | videographer |
Gene Page | ... | still photographer |
David Quint | ... | remote camera operator |
David A. Seekins | ... | second assistant camera |
Jessie Shows | ... | additional assistant camera |
John Stewart | ... | set lighting |
Casting Department
Mark Bailey | ... | extras casting |
David Heber | ... | extras casting assistant |
Costume and Wardrobe Department
Houston Sams | ... | assistant costume designer (as C. Houston Sams) |
Editorial Department
Craig Cobb | ... | additional assistant editor |
Vivian Hengsteler | ... | negative cutter |
Paul Leonardo Jr. | ... | post-production coordinator |
Nadine Finzi Maybruck | ... | assistant editor |
Dan Muscarella | ... | color timer |
Michael Struk | ... | additional assistant editor |
Joe Woo Jr. | ... | additional editor |
Location Management
Steven T. Duke | ... | assistant location manager (as Steven Duke) |
Jonathan Manzo | ... | location manager |
Music Department
Gwen Bethel | ... | music clearances |
Phil Carson | ... | executive in charge of music |
Louis Cerborino | ... | music editor |
Barry Cole | ... | music supervisor |
Patricia Joseph | ... | soundtrack producer |
Denny McNerney | ... | score mixer / score recordist |
Gordon Minette | ... | orchestrator |
Script and Continuity Department
Sarah J. Brown | ... | script supervisor |
Transportation Department
Dale Moser | ... | transportation coordinator |
Additional Crew
Keith Alexander | ... | piercing consultant |
Liz Augustine | ... | body double: Linda Cardellini |
Leonard John Bruno | ... | promotions |
Andrea F. Cannistraci | ... | production legal |
Elaine Diamond | ... | computer graphic artist |
Billy Greenfield | ... | set production assistant: re-shoots (as Bill Greenfield) |
Susan Hartmann | ... | assistant production coordinator |
Elizabeth Holt | ... | production intern |
David S. Marfield | ... | writer/director: "porno" footage |
Robert Ortiz | ... | production coordinator |
David Pollack | ... | unit publicist |
Michael Rath | ... | production accountant |
Christopher I. Russell | ... | assistant production accountant |
Mary Sunshine | ... | post-production accountant |
Spring Sutter | ... | assistant post-production accountant |
Crista Giuliani | ... | production assistant (uncredited) |
Lumumba Mosquera | ... | legal intern (uncredited) |
Thanks
Nick Adler | ... | the production would like to thank |
Michael Afrin | ... | the production would like to thank |
Criss Angel | ... | the production would like to thank |
Tristan Avakian | ... | the production would like to thank |
Michael Babcock | ... | the production would like to thank |
David Benveniste | ... | the production would like to thank (as David 'Beno'Benveniste) |
Seth Berg | ... | the production would like to thank |
Dennis Blair | ... | the production would like to thank |
Philip Blum | ... | thanks: The Fountain Valley School |
Joan Bolvin | ... | the production would like to thank |
Kris Brozinski | ... | the production would like to thank |
Paul Butcher | ... | the production would like to thank: Colorado Springs Park and Recreation Dept. |
Charlie Caronia | ... | the production would like to thank |
David Chackler | ... | the production would like to thank |
Linda Chelgren | ... | the production would like to thank |
Wendy Christiansen | ... | the production would like to thank |
Rigas Christou | ... | thanks |
Mike Cimino | ... | thanks: Phil Long Ford |
Mary Collins | ... | thanks |
Tony Colon | ... | thanks |
Monte Conner | ... | the production would like to thank |
Stephen J. Cox | ... | thanks |
Mary Crawford | ... | the production would like to thank: City of Colorado Motion Picture and Television Commission |
Peter Davis | ... | the production would like to thank |
Michael Donnelly | ... | the production would like to thank |
Hunter Douglas | ... | thanks |
Ted Etoll | ... | the production would like to thank |
Greg Farmer | ... | thanks: Schlosser Tool & Machinery |
Jason Flom | ... | the production would like to thank |
Edwina Foreman | ... | the production would like to thank: City of Colorado Motion Picture and Television Commission |
Randy Frisch | ... | the production would like to thank |
Baron Ginnetti | ... | the production would like to thank |
Cindi Goretski | ... | the production would like to thank (as Cyndi Goretski) |
Steve Gottlieb | ... | the production would like to thank |
Andrew C. Gripe | ... | thanks: for Tribal Age Cover Art |
Jonathan Haft | ... | the production would like to thank |
Dee Hale | ... | the production would like to thank |
Larry Hanes | ... | thanks: CSU - Colorado Spring Utilities |
Jessica Harley | ... | the production would like to thank |
Cindy Harvey | ... | the production would like to thank: PR AOL |
Tom Hazelmyer | ... | the production would like to thank (as Tom Hazelmeyer) |
Barry Helton | ... | thanks: Helton Auto Inc. |
Sean Henning | ... | the production would like to thank |
Ralph Hibbard | ... | the production would like to thank |
Mack Hill | ... | the production would like to thank |
Gavin Hitt | ... | the production would like to thank |
Lance Hubp | ... | the production would like to thank |
Linda Blum Huntington | ... | the production would like to thank (as Linda Blum-Huntington) |
Stephen Hutton | ... | the production would like to thank |
Patricia Joseph | ... | the production would like to thank |
Anne Karle | ... | the production would like to thank |
Andrew Karp | ... | the production would like to thank |
David Kirby | ... | the production would like to thank |
Joanne Koogan | ... | the production would like to thank |
Brett Lacey | ... | the production would like to thank: City of Colorado Springs Fire Department |
Steve Ladden | ... | the production would like to thank: City of Colorado Motion Picture and Television Commission |
Dennis Lempke | ... | the production would like to thank (as Dennis Lempke Esq.) |
Michael Lesser | ... | the production would like to thank |
John Mellilo | ... | the production would like to thank |
Manuel Navarro | ... | the production would like to thank: City of Colorado Springs Fire Department |
Bill Nisselson | ... | the production would like to thank (as Bill Nissleson) |
Walter O'Brien | ... | the production would like to thank |
Sharon Osbourne | ... | the production would like to thank |
Simon Picken | ... | the production would like to thank |
Ron Pinkard | ... | the production would like to thank: Denver Film Office |
Linda Pitzer | ... | the production would like to thank: Colorado Springs Park and Recreation Dept. |
Bud Prager | ... | the production would like to thank |
Jennifer Pyken | ... | the production would like to thank |
Larry Rice | ... | the production would like to thank: Rice Music |
Sean Roberts | ... | the production would like to thank |
Tom Rowland | ... | the production would like to thank |
Mark Ruberg | ... | the production would like to thank |
Rick Seberson | ... | the production would like to thank: Colorado Springs Park and Recreation Dept. |
Joe Serling | ... | the production would like to thank |
Cheyenne Snider | ... | very special thanks (as Cheyenne) |
Cody Blue Snider | ... | very special thanks (as Cody) |
Jesse Blaze Snider | ... | very special thanks (as Jesse) |
Shane Snider | ... | very special thanks (as Shane) |
Suzette Snider | ... | very special thanks (as Suzette) |
Howard Stern | ... | the production would like to thank |
Jacqueline Sussman | ... | the production would like to thank |
Rich Tancredi | ... | the production would like to thank |
Paul Tollett | ... | the production would like to thank |
Frank Vilardi | ... | the production would like to thank |
Mark Visoeglia | ... | the production would like to thank |
Peter Von Prittwitz | ... | the production would like to thank |
Bob Warren | ... | thanks Net USA |
Larry Weintraub | ... | the production would like to thank |
Pat Woods | ... | the production would like to thank |
William Zielinski | ... | thanks |