61
Metascore
9 reviews · Provided by Metacritic.com
- 80Film ThreatLorry KiktaFilm ThreatLorry KiktaI think that All The Bright Places is a beautiful film. You will probably cry, but it will be worth it.
- 80VarietyCourtney HowardVarietyCourtney HowardAll The Bright Places would be nowhere without Haley’s vision and deft ability to deliver all of the feels. He finds places to let his bright intellect shine, perfectly crafting heartrending melodrama through tonal pacing that’s never cloying nor disgustingly saccharine.
- 75New York PostJohnny OleksinskiNew York PostJohnny OleksinskiMany modern teen issues are touched upon — depression, anxiety, eating disorders — and because of the honest performances from Smith and Fanning, you ache for them.
- 75RogerEbert.comChristy LemireRogerEbert.comChristy LemireThe film’s frank talk about mental illness, suicidal thoughts, physical abuse and family loss is so potent and necessary that it makes you wish Fanning hadn’t been saddled with a treacly narration at the end, summarizing the themes.
- 70Los Angeles TimesKimber MyersLos Angeles TimesKimber MyersThough it’s not without humor, All the Bright Places takes teens’ emotions seriously and will move romantics of any age — in possibly unexpected ways.
- 70The Hollywood ReporterBeandrea JulyThe Hollywood ReporterBeandrea JulyWithout trying too hard, it speaks to teenagers, and also to the teenagers we all once were, about how to cope with and adapt to those first big losses in life that you don’t see coming. With steady performances from Smith and Fanning, the result is a refreshingly sober spin on the YA romantic drama.
- Theodore’s story line is not always handled with the depth it should receive. It’s an unfortunate flaw in a film that impressively balances moments of joy with equally resonating despair.
- 40The GuardianBenjamin LeeThe GuardianBenjamin LeeHaley, who last directed the sweet and underseen Hearts Beat Loud, gives the film a stronger aesthetic than most Netflix teen offerings, and Fanning and Smith work hard at charming us into submission, but their hard-to-buy relationship isn’t quite the immersive ride-or-die love connection it needs to be, given the melodrama of the last act.
- 38Movie NationRoger MooreMovie NationRoger MooreThe romance here is more perfunctory, less heartfelt. And that goes for several big twists in the tepid plot. Events are mandated by script requirements, never organic.