An elegiac look-back by the Maestro on where his films were shot (Cinecitta), Intervista has the most meta-fictional plot devices Fellini's used yet.
--It features Fellini himself, shooting a film "recounting" a location (as in "Roma") but here he is more forefront. --The rather casual stream-of-consciousness meandering of the happenings hearkens to "Amarcord," which is similar to this, with a wistful look back on the past, with fascists, bus rides, buxom women, etc. "Intervista" truly seems like an alternate draft of "Amarcord" with Fellini personally added. --The "young Fellini" going on an interview, being shot by Fellini during an interview in present day, and the playful and insistent 3rd-wall being broken every so often.
--And of course Marcello and Anita as themselves.
For fans of Fellini, this is an absolute must-see. Its reflection on his work, himself, and making films makes it one of the most playful, subversive, and autobiographical films in Fellini's late career.
(Originally a t.v. production, it displays a smaller scale that can only be attributed to the budget (too bad) and a need to make things "play" on a smaller screen. Although very similar to "A Director's Notebook", another filmic essay (that was a rough draft for "Roma"), this one is more assured and stands on its own. )
--It features Fellini himself, shooting a film "recounting" a location (as in "Roma") but here he is more forefront. --The rather casual stream-of-consciousness meandering of the happenings hearkens to "Amarcord," which is similar to this, with a wistful look back on the past, with fascists, bus rides, buxom women, etc. "Intervista" truly seems like an alternate draft of "Amarcord" with Fellini personally added. --The "young Fellini" going on an interview, being shot by Fellini during an interview in present day, and the playful and insistent 3rd-wall being broken every so often.
--And of course Marcello and Anita as themselves.
For fans of Fellini, this is an absolute must-see. Its reflection on his work, himself, and making films makes it one of the most playful, subversive, and autobiographical films in Fellini's late career.
(Originally a t.v. production, it displays a smaller scale that can only be attributed to the budget (too bad) and a need to make things "play" on a smaller screen. Although very similar to "A Director's Notebook", another filmic essay (that was a rough draft for "Roma"), this one is more assured and stands on its own. )