This two-part picture drama has a most unusual plot. Marin Sais is featured and is ably supported by a strong cast. George H. Melford has carefully directed it. A physician, engrossed in experimental work, neglects his wife and child. An artist comes into her life who urges her to elope with him, which she refuses to do, until a sudden impulse prompts her to visit his studio. The artist is not present. A painting depicting a primitive man attracts her attention. She falls asleep and dreams of the primitive part of the story, which is thrown on the screen. The horror of it, when she awakes, induces her to return home to her husband and child. - The Moving Picture World, September 5, 1914
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